Songs like Baby, Won't You Please Come Home by Jimmie Lunceford
Based on a tempo of (+/- 10%) and a similar genre
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Jimmie Lunceford
Baby, Won't You Please Come Home
171 bpm • F Maj • 02:55 • -11.49db
18% Popularity • 63% Danceability • 38% Energy • 8% Liveness
72% Instrumentalness • 90% Positiveness
18% Popularity • 63% Danceability • 38% Energy • 8% Liveness
72% Instrumentalness • 90% Positiveness
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Johnny Dodds
Wild Man Blues
171 bpm • F# min • 03:11 • -11.65db
31% Popularity • 66% Danceability • 32% Energy • 9% Liveness
87% Instrumentalness • 74% Positiveness
31% Popularity • 66% Danceability • 32% Energy • 9% Liveness
87% Instrumentalness • 74% Positiveness
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Illinois Jacquet
Rock A Bye Basie
171 bpm • G# Maj • 07:47 • -9.74db
11% Popularity • 48% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 48% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Candy Jacket Jazz Band
Giggle in the Wiggle
171 bpm • F# Maj • 04:49 • -7.58db
15% Popularity • 64% Danceability • 40% Energy • 7% Liveness
94% Instrumentalness • 58% Positiveness
15% Popularity • 64% Danceability • 40% Energy • 7% Liveness
94% Instrumentalness • 58% Positiveness
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Johnny Hodges & His Orchestra
Castle Rock
171 bpm • G# Maj • 02:49 • -12.39db
42% Popularity • 72% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 63% Positiveness
42% Popularity • 72% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 63% Positiveness
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Kid Ory
Spanish Shawl
170 bpm • G# Maj • 08:41 • -17.49db
8% Popularity • 55% Danceability • 23% Energy • 19% Liveness
8% Instrumentalness • 68% Positiveness
8% Popularity • 55% Danceability • 23% Energy • 19% Liveness
8% Instrumentalness • 68% Positiveness
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Jimmie Lunceford
Rock It For Me
171 bpm • G min • 02:36 • -11.1db
3% Popularity • 51% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
3% Popularity • 51% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
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Bob Chester
Clap Your Hands on the After Beat
172 bpm • C min • 02:57 • -10.86db
9% Popularity • 60% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 60% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Muggsy Spanier
Livery Stable Blues (Barnyard Blues)
170 bpm • G# Maj • 03:01 • -9.19db
13% Popularity • 55% Danceability • 47% Energy • 6% Liveness
96% Instrumentalness • 95% Positiveness
13% Popularity • 55% Danceability • 47% Energy • 6% Liveness
96% Instrumentalness • 95% Positiveness
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Reverent Juke
Love's in My Heart
172 bpm • F Maj • 03:14 • -14.42db
27% Popularity • 55% Danceability • 27% Energy • 14% Liveness
82% Instrumentalness • 67% Positiveness
27% Popularity • 55% Danceability • 27% Energy • 14% Liveness
82% Instrumentalness • 67% Positiveness
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Brooks Prumo Orchestra
Castle Rock
170 bpm • G# Maj • 03:29 • -8.68db
19% Popularity • 69% Danceability • 29% Energy • 9% Liveness
2% Instrumentalness • 82% Positiveness
19% Popularity • 69% Danceability • 29% Energy • 9% Liveness
2% Instrumentalness • 82% Positiveness
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Johnny Hodges & His Orchestra
Globe Trotter
170 bpm • A# Maj • 03:02 • -12.9db
14% Popularity • 60% Danceability • 41% Energy • 28% Liveness
61% Instrumentalness • 87% Positiveness
14% Popularity • 60% Danceability • 41% Energy • 28% Liveness
61% Instrumentalness • 87% Positiveness
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Jimmie Lunceford
Mandy, Make Up Your Mind
171 bpm • F min • 02:52 • -13.02db
4% Popularity • 59% Danceability • 15% Energy • 7% Liveness
86% Instrumentalness • 57% Positiveness
4% Popularity • 59% Danceability • 15% Energy • 7% Liveness
86% Instrumentalness • 57% Positiveness
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Miss Sophie Lee
Swing Brother Swing
172 bpm • A min • 03:55 • -6.78db
23% Popularity • 57% Danceability • 39% Energy • 33% Liveness
1% Instrumentalness • 53% Positiveness
23% Popularity • 57% Danceability • 39% Energy • 33% Liveness
1% Instrumentalness • 53% Positiveness
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Larry Clinton & His Orchestra
Hollywood Pastime
170 bpm • D# Maj • 03:05 • -21.27db
19% Popularity • 50% Danceability • 15% Energy • 12% Liveness
77% Instrumentalness • 82% Positiveness
19% Popularity • 50% Danceability • 15% Energy • 12% Liveness
77% Instrumentalness • 82% Positiveness
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Charlie Barnet & His Orchestra
Cherokee
172 bpm • A# Maj • 03:21 • -14.14db
30% Popularity • 56% Danceability • 28% Energy • 22% Liveness
46% Instrumentalness • 78% Positiveness
30% Popularity • 56% Danceability • 28% Energy • 22% Liveness
46% Instrumentalness • 78% Positiveness
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Jimmy Dorsey & His Orchestra
Don't Be That Way
170 bpm • C min • 03:00 • -10.24db
25% Popularity • 62% Danceability • 48% Energy • 53% Liveness
73% Instrumentalness • 57% Positiveness
25% Popularity • 62% Danceability • 48% Energy • 53% Liveness
73% Instrumentalness • 57% Positiveness
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Illinois Jacquet
Illinois Goes To Chicago
173 bpm • C# Maj • 03:01 • -14.73db
14% Popularity • 63% Danceability • 20% Energy • 9% Liveness
93% Instrumentalness • 79% Positiveness
14% Popularity • 63% Danceability • 20% Energy • 9% Liveness
93% Instrumentalness • 79% Positiveness
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Jimmie Lunceford
Baby, Won't You Please Come Home
172 bpm • F Maj • 02:50 • -13db
4% Popularity • 63% Danceability • 33% Energy • 12% Liveness
8% Instrumentalness • 91% Positiveness
4% Popularity • 63% Danceability • 33% Energy • 12% Liveness
8% Instrumentalness • 91% Positiveness
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Duke Heitger & His Swing Band
My Buddy
173 bpm • G Maj • 05:19 • -12.06db
9% Popularity • 59% Danceability • 28% Energy • 7% Liveness
19% Instrumentalness • 84% Positiveness
9% Popularity • 59% Danceability • 28% Energy • 7% Liveness
19% Instrumentalness • 84% Positiveness
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Candy Jacket Jazz Band
Rise and Shine
173 bpm • D# Maj • 03:17 • -11.82db
9% Popularity • 50% Danceability • 42% Energy • 10% Liveness
21% Instrumentalness • 93% Positiveness
9% Popularity • 50% Danceability • 42% Energy • 10% Liveness
21% Instrumentalness • 93% Positiveness
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Edgar Hayes
Stomping at the Renny (05-25-37)
173 bpm • G# Maj • 03:14 • -10.24db
9% Popularity • 67% Danceability • 46% Energy • 11% Liveness
92% Instrumentalness • 75% Positiveness
9% Popularity • 67% Danceability • 46% Energy • 11% Liveness
92% Instrumentalness • 75% Positiveness
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Brooks Prumo Orchestra
Somebody Loves Me
169 bpm • A# Maj • 03:30 • -7.84db
22% Popularity • 72% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 72% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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The Cats & The Fiddle
Thursday Evening Swing
173 bpm • D min • 02:28 • -11.99db
11% Popularity • 67% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 67% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Jimmie Lunceford
Jay Gee (04-25-46)
173 bpm • G Maj • 02:44 • -10.86db
4% Popularity • 61% Danceability • 46% Energy • 31% Liveness
1% Instrumentalness • 82% Positiveness
4% Popularity • 61% Danceability • 46% Energy • 31% Liveness
1% Instrumentalness • 82% Positiveness
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Slim Gaillard
Tutti Frutti
169 bpm • C Maj • 02:39 • -19.83db
27% Popularity • 75% Danceability • 17% Energy • 11% Liveness
48% Instrumentalness • 87% Positiveness
27% Popularity • 75% Danceability • 17% Energy • 11% Liveness
48% Instrumentalness • 87% Positiveness
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Jimmie Noone
Four Or Five Times (12-01-37)
169 bpm • F min • 03:08 • -12.33db
18% Popularity • 63% Danceability • 30% Energy • 13% Liveness
17% Instrumentalness • 71% Positiveness
18% Popularity • 63% Danceability • 30% Energy • 13% Liveness
17% Instrumentalness • 71% Positiveness
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Paul Asaro and The Fat Babies
You're My Dish
169 bpm • A min • 03:56 • -10.24db
19% Popularity • 72% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 72% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Lu Watters Yerba Buena Jazz Band
Milenberg Joys
174 bpm • A# Maj • 03:25 • -12.36db
10% Popularity • 60% Danceability • 47% Energy • 4% Liveness
93% Instrumentalness • 97% Positiveness
10% Popularity • 60% Danceability • 47% Energy • 4% Liveness
93% Instrumentalness • 97% Positiveness
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Slim & Slam
Groove Juice Special
174 bpm • A# Maj • 02:42 • -15.41db
5% Popularity • 63% Danceability • 36% Energy • 14% Liveness
21% Instrumentalness • 72% Positiveness
5% Popularity • 63% Danceability • 36% Energy • 14% Liveness
21% Instrumentalness • 72% Positiveness
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Larry Clinton & His Orchestra
Dipsy Doodle
174 bpm • A# Maj • 03:02 • -21.07db
25% Popularity • 55% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 55% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
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Lee Wiley
Down with Love
168 bpm • G min • 02:46 • -16.31db
23% Popularity • 53% Danceability • 16% Energy • 11% Liveness
61% Instrumentalness • 71% Positiveness
23% Popularity • 53% Danceability • 16% Energy • 11% Liveness
61% Instrumentalness • 71% Positiveness
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Andy Kirk
Wednesday Night Hop
168 bpm • G min • 03:08 • -7.81db
20% Popularity • 70% Danceability • 52% Energy • 10% Liveness
5% Instrumentalness • 79% Positiveness
20% Popularity • 70% Danceability • 52% Energy • 10% Liveness
5% Instrumentalness • 79% Positiveness
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Larry Clinton
Remember
174 bpm • C min • 02:46 • -9.78db
30% Popularity • 55% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 77% Positiveness
30% Popularity • 55% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 77% Positiveness
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Mint Julep Jazz Band
Jive At Five
168 bpm • G# Maj • 03:23 • -12.9db
17% Popularity • 63% Danceability • 38% Energy • 5% Liveness
2% Instrumentalness • 81% Positiveness
17% Popularity • 63% Danceability • 38% Energy • 5% Liveness
2% Instrumentalness • 81% Positiveness
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Jimmy Dorsey & His Orchestra
Parade Of The Milk Bottle Caps
167 bpm • C Maj • 03:07 • -11.78db
16% Popularity • 61% Danceability • 39% Energy • 19% Liveness
93% Instrumentalness • 65% Positiveness
16% Popularity • 61% Danceability • 39% Energy • 19% Liveness
93% Instrumentalness • 65% Positiveness
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Johnny Hodges & His Orchestra
Something To Pat Your Foot To
175 bpm • C# Maj • 02:50 • -11.66db
30% Popularity • 39% Danceability • 50% Energy • 9% Liveness
37% Instrumentalness • 84% Positiveness
30% Popularity • 39% Danceability • 50% Energy • 9% Liveness
37% Instrumentalness • 84% Positiveness
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Slim Gaillard
Tutti Frutti 2
167 bpm • C Maj • 02:39 • -20.38db
28% Popularity • 77% Danceability • 15% Energy • 11% Liveness
38% Instrumentalness • 85% Positiveness
28% Popularity • 77% Danceability • 15% Energy • 11% Liveness
38% Instrumentalness • 85% Positiveness
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Cab Calloway & His Orchestra
Take the 'A' Train
167 bpm • C# Maj • 03:01 • -11.8db
9% Popularity • 49% Danceability • 24% Energy • 32% Liveness
76% Instrumentalness • 60% Positiveness
9% Popularity • 49% Danceability • 24% Energy • 32% Liveness
76% Instrumentalness • 60% Positiveness
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Lucky Millinder
Who Threw the Whiskey in the Well
167 bpm • A# Maj • 03:00 • -9.43db
19% Popularity • 59% Danceability • 49% Energy • 22% Liveness
3% Instrumentalness • 58% Positiveness
19% Popularity • 59% Danceability • 49% Energy • 22% Liveness
3% Instrumentalness • 58% Positiveness
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Lily Wilde and her Jumpin' Jubilee Orchestra
Onion
167 bpm • G min • 04:32 • -10.43db
11% Popularity • 48% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 48% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Jimmie Lunceford
Slumming On Park Avenue
167 bpm • D min • 03:01 • -6.13db
9% Popularity • 72% Danceability • 36% Energy • 7% Liveness
1% Instrumentalness • 82% Positiveness
9% Popularity • 72% Danceability • 36% Energy • 7% Liveness
1% Instrumentalness • 82% Positiveness
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Erskine Hawkins & His Orchestra
Rockin' Rollers' Jubilee
175 bpm • F Maj • 02:45 • -12.06db
9% Popularity • 58% Danceability • 32% Energy • 10% Liveness
62% Instrumentalness • 60% Positiveness
9% Popularity • 58% Danceability • 32% Energy • 10% Liveness
62% Instrumentalness • 60% Positiveness
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Slim Gaillard
Communications
175 bpm • G Maj • 02:30 • -5.77db
34% Popularity • 64% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
34% Popularity • 64% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Wingy Manone
Alexander'S Ragtime Band
175 bpm • G min • 02:18 • -13.98db
20% Popularity • 64% Danceability • 40% Energy • 6% Liveness
75% Instrumentalness • 88% Positiveness
20% Popularity • 64% Danceability • 40% Energy • 6% Liveness
75% Instrumentalness • 88% Positiveness
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Michael Gamble & The Rhythm Serenaders
Got A Pebble In My Shoe
167 bpm • G Maj • 02:42 • -15.39db
15% Popularity • 68% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 88% Positiveness
15% Popularity • 68% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 88% Positiveness
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Lu Watters Yerba Buena Jazz Band
Jelly Roll Blues
166 bpm • A# Maj • 02:38 • -9.87db
12% Popularity • 55% Danceability • 56% Energy • 13% Liveness
94% Instrumentalness • 89% Positiveness
12% Popularity • 55% Danceability • 56% Energy • 13% Liveness
94% Instrumentalness • 89% Positiveness
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Gordon Webster
Eight, Nine and Ten
176 bpm • D# Maj • 04:16 • -8.74db
24% Popularity • 57% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 57% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Cootie Williams
It Don't Mean a Thing If It Ain't Got Th...
176 bpm • G# Maj • 03:45 • -8.77db
10% Popularity • 52% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 52% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
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Glen Gray
Tuxedo Junction
176 bpm • F Maj • 03:05 • -12.43db
14% Popularity • 54% Danceability • 42% Energy • 10% Liveness
94% Instrumentalness • 92% Positiveness
14% Popularity • 54% Danceability • 42% Energy • 10% Liveness
94% Instrumentalness • 92% Positiveness
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Wingy Manone
Rhythm on the River
177 bpm • F Maj • 02:58 • -9.47db
19% Popularity • 61% Danceability • 43% Energy • 8% Liveness
9% Instrumentalness • 91% Positiveness
19% Popularity • 61% Danceability • 43% Energy • 8% Liveness
9% Instrumentalness • 91% Positiveness
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Michael Gamble & The Rhythm Serenaders
Don't Be That Way
176 bpm • A# min • 03:52 • -22.41db
16% Popularity • 59% Danceability • 15% Energy • 14% Liveness
31% Instrumentalness • 77% Positiveness
16% Popularity • 59% Danceability • 15% Energy • 14% Liveness
31% Instrumentalness • 77% Positiveness
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Johnny Hodges & His Orchestra
Jeep Is Jumpin'
177 bpm • A# Maj • 02:46 • -13.32db
28% Popularity • 60% Danceability • 36% Energy • 38% Liveness
86% Instrumentalness • 92% Positiveness
28% Popularity • 60% Danceability • 36% Energy • 38% Liveness
86% Instrumentalness • 92% Positiveness
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Slim Gaillard
Momma's In The Kitchen But We've Got "Po...
166 bpm • D Maj • 02:40 • -6.27db
24% Popularity • 69% Danceability • 60% Energy • 30% Liveness
1% Instrumentalness • 80% Positiveness
24% Popularity • 69% Danceability • 60% Energy • 30% Liveness
1% Instrumentalness • 80% Positiveness
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Earl Hines & His Orchestra
Riff Medley
177 bpm • G# Maj • 02:48 • -9.69db
8% Popularity • 61% Danceability • 45% Energy • 26% Liveness
86% Instrumentalness • 78% Positiveness
8% Popularity • 61% Danceability • 45% Energy • 26% Liveness
86% Instrumentalness • 78% Positiveness
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Eddie Condon
Madame Dynamite
177 bpm • G# Maj • 03:00 • -10.66db
19% Popularity • 60% Danceability • 41% Energy • 8% Liveness
78% Instrumentalness • 78% Positiveness
19% Popularity • 60% Danceability • 41% Energy • 8% Liveness
78% Instrumentalness • 78% Positiveness
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Larry Clinton & His Orchestra
I Want To Rock
177 bpm • G min • 02:35 • -21.57db
20% Popularity • 51% Danceability • 12% Energy • 16% Liveness
16% Instrumentalness • 78% Positiveness
20% Popularity • 51% Danceability • 12% Energy • 16% Liveness
16% Instrumentalness • 78% Positiveness
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The Big 18
Ton O'Rock Bump
165 bpm • G# Maj • 05:29 • -12.45db
10% Popularity • 50% Danceability • 44% Energy • 14% Liveness
1% Instrumentalness • 70% Positiveness
10% Popularity • 50% Danceability • 44% Energy • 14% Liveness
1% Instrumentalness • 70% Positiveness
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Michael Gamble & The Rhythm Serenaders
How Could You?
165 bpm • C Maj • 04:07 • -19.41db
15% Popularity • 62% Danceability • 16% Energy • 7% Liveness
25% Instrumentalness • 84% Positiveness
15% Popularity • 62% Danceability • 16% Energy • 7% Liveness
25% Instrumentalness • 84% Positiveness
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The Jungle Band
Rent Party Blues
165 bpm • D# Maj • 03:27 • -10.32db
14% Popularity • 70% Danceability • 48% Energy • 61% Liveness
74% Instrumentalness • 89% Positiveness
14% Popularity • 70% Danceability • 48% Energy • 61% Liveness
74% Instrumentalness • 89% Positiveness
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California Feetwarmers
Jazz Me Blues
164 bpm • A# Maj • 03:26 • -9.02db
23% Popularity • 57% Danceability • 54% Energy • 9% Liveness
19% Instrumentalness • 94% Positiveness
23% Popularity • 57% Danceability • 54% Energy • 9% Liveness
19% Instrumentalness • 94% Positiveness
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Lucky Millinder Orchestra
Savoy
164 bpm • F Maj • 03:02 • -10.02db
7% Popularity • 48% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 48% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Larry Clinton & His Orchestra
Martha
178 bpm • F Maj • 03:21 • -21db
21% Popularity • 47% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 47% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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The Jonah Jones Quartet
Baubles, Bangles and Beads
164 bpm • G# Maj • 02:13 • -10db
19% Popularity • 64% Danceability • 48% Energy • 11% Liveness
15% Instrumentalness • 86% Positiveness
19% Popularity • 64% Danceability • 48% Energy • 11% Liveness
15% Instrumentalness • 86% Positiveness
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Bob Crosby & The Bob Cats
Cecilia
178 bpm • C min • 03:15 • -9db
28% Popularity • 49% Danceability • 45% Energy • 10% Liveness
31% Instrumentalness • 87% Positiveness
28% Popularity • 49% Danceability • 45% Energy • 10% Liveness
31% Instrumentalness • 87% Positiveness
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Larry Clinton
Dipsy Doodle
179 bpm • B Maj • 02:58 • -13db
14% Popularity • 53% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 53% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
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Reverent Juke
Jive at Five
164 bpm • G min • 03:34 • -12.91db
24% Popularity • 68% Danceability • 35% Energy • 22% Liveness
83% Instrumentalness • 53% Positiveness
24% Popularity • 68% Danceability • 35% Energy • 22% Liveness
83% Instrumentalness • 53% Positiveness
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Jimmie Lunceford
Annie Laurie
164 bpm • D# Maj • 03:15 • -1.62db
5% Popularity • 58% Danceability • 72% Energy • 8% Liveness
76% Instrumentalness • 71% Positiveness
5% Popularity • 58% Danceability • 72% Energy • 8% Liveness
76% Instrumentalness • 71% Positiveness
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Edmond Hall
It Had To Be You (07-11-44)
179 bpm • G Maj • 03:00 • -16db
18% Popularity • 51% Danceability • 30% Energy • 28% Liveness
94% Instrumentalness • 86% Positiveness
18% Popularity • 51% Danceability • 30% Energy • 28% Liveness
94% Instrumentalness • 86% Positiveness
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Ray Anthony
The Fox
163 bpm • G min • 02:34 • -7db
17% Popularity • 57% Danceability • 64% Energy • 10% Liveness
6% Instrumentalness • 83% Positiveness
17% Popularity • 57% Danceability • 64% Energy • 10% Liveness
6% Instrumentalness • 83% Positiveness
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Andy Kirk
Christopher Columbus
179 bpm • D Maj • 02:43 • -13.69db
18% Popularity • 67% Danceability • 23% Energy • 9% Liveness
93% Instrumentalness • 91% Positiveness
18% Popularity • 67% Danceability • 23% Energy • 9% Liveness
93% Instrumentalness • 91% Positiveness
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Buddy Johnson
It's the Gold
163 bpm • G# Maj • 03:00 • -8.07db
11% Popularity • 72% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 72% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Slim Gaillard
Jump Session
163 bpm • F min • 02:36 • -17db
32% Popularity • 67% Danceability • 30% Energy • 24% Liveness
27% Instrumentalness • 86% Positiveness
32% Popularity • 67% Danceability • 30% Energy • 24% Liveness
27% Instrumentalness • 86% Positiveness
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Gene Krupa & His Orchestra
Bolero At The Savoy
163 bpm • A min • 03:09 • -10.16db
12% Popularity • 49% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 49% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Wingy Manone
Sister Kate
163 bpm • A# Maj • 02:48 • -8.36db
14% Popularity • 58% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 58% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
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Eddie Condon
Chicago
180 bpm • D# Maj • 02:56 • -14.05db
28% Popularity • 40% Danceability • 41% Energy • 24% Liveness
29% Instrumentalness • 96% Positiveness
28% Popularity • 40% Danceability • 41% Energy • 24% Liveness
29% Instrumentalness • 96% Positiveness
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Andy Kirk
Blue Clarinet Stomp
179 bpm • D# min • 02:54 • -13db
10% Popularity • 67% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 67% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Earl Hines & His Orchestra
Up Jumped the Devil
180 bpm • C# Maj • 02:48 • -11.47db
9% Popularity • 50% Danceability • 46% Energy • 29% Liveness
15% Instrumentalness • 81% Positiveness
9% Popularity • 50% Danceability • 46% Energy • 29% Liveness
15% Instrumentalness • 81% Positiveness
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Bud Freeman
Three Little Words
180 bpm • C Maj • 03:04 • -9db
14% Popularity • 61% Danceability • 51% Energy • 13% Liveness
88% Instrumentalness • 94% Positiveness
14% Popularity • 61% Danceability • 51% Energy • 13% Liveness
88% Instrumentalness • 94% Positiveness
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Brooks Prumo Orchestra
Jo Jo
162 bpm • G min • 03:43 • -7.07db
25% Popularity • 73% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 73% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Ella Fitzgerald and Her Savoy Eight
Darktown Strutters Ball
180 bpm • D# Maj • 03:03 • -9.24db
23% Popularity • 57% Danceability • 37% Energy • 14% Liveness
2% Instrumentalness • 92% Positiveness
23% Popularity • 57% Danceability • 37% Energy • 14% Liveness
2% Instrumentalness • 92% Positiveness
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Eddie Condon
I'll Build a Stairway to Paradise
162 bpm • C Maj • 02:51 • -11db
14% Popularity • 51% Danceability • 43% Energy • 32% Liveness
22% Instrumentalness • 90% Positiveness
14% Popularity • 51% Danceability • 43% Energy • 32% Liveness
22% Instrumentalness • 90% Positiveness
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Kid Ory
Sweet Little Papa
180 bpm • A Maj • 02:49 • -14.1db
21% Popularity • 62% Danceability • 12% Energy • 9% Liveness
80% Instrumentalness • 80% Positiveness
21% Popularity • 62% Danceability • 12% Energy • 9% Liveness
80% Instrumentalness • 80% Positiveness
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Charlie Barnet & His Orchestra
The Gal From Joe's
162 bpm • A# min • 03:22 • -12db
30% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
30% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
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Bunk Johnson
You Always Hurt the One You Love
181 bpm • F min • 02:53 • -4.46db
11% Popularity • 43% Danceability • 76% Energy • 4% Liveness
89% Instrumentalness • 75% Positiveness
11% Popularity • 43% Danceability • 76% Energy • 4% Liveness
89% Instrumentalness • 75% Positiveness
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Jimmie Lunceford
Tain't What You Do (It's The Way That Yo...
161 bpm • G# Maj • 03:03 • -14.71db
37% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Mint Julep Jazz Band
My Blue Heaven
161 bpm • F Maj • 03:15 • -13.09db
15% Popularity • 64% Danceability • 28% Energy • 8% Liveness
61% Instrumentalness • 85% Positiveness
15% Popularity • 64% Danceability • 28% Energy • 8% Liveness
61% Instrumentalness • 85% Positiveness
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Ella Fitzgerald and Her Savoy Eight
Organ Grinder's Swing
161 bpm • D Maj • 02:51 • -12.64db
16% Popularity • 75% Danceability • 23% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 75% Danceability • 23% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
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Charlie Barnet
Spanish Kick
181 bpm • D# Maj • 02:49 • -11db
32% Popularity • 53% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 92% Positiveness
32% Popularity • 53% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 92% Positiveness
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Jimmy Dorsey & His Orchestra
Begin The Beguine
161 bpm • C Maj • 02:50 • -7.92db
20% Popularity • 51% Danceability • 40% Energy • 19% Liveness
88% Instrumentalness • 89% Positiveness
20% Popularity • 51% Danceability • 40% Energy • 19% Liveness
88% Instrumentalness • 89% Positiveness
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Slim Gaillard
Jump Session 2
161 bpm • C min • 02:37 • -18.34db
13% Popularity • 68% Danceability • 24% Energy • 20% Liveness
4% Instrumentalness • 86% Positiveness
13% Popularity • 68% Danceability • 24% Energy • 20% Liveness
4% Instrumentalness • 86% Positiveness
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Jimmie Lunceford
'T Ain't What You Do
161 bpm • G# Maj • 03:03 • -10.95db
5% Popularity • 65% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
5% Popularity • 65% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Julia Lee And Her Boyfriends
I Didn't Like It The First Time (The Spi...
161 bpm • D# Maj • 03:01 • -11.99db
28% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Michael Gamble & The Rhythm Serenaders
Royal Garden Blues
182 bpm • G min • 03:19 • -18.92db
10% Popularity • 55% Danceability • 22% Energy • 9% Liveness
9% Instrumentalness • 67% Positiveness
10% Popularity • 55% Danceability • 22% Energy • 9% Liveness
9% Instrumentalness • 67% Positiveness
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Lil Armstrong
You Shall Reap What You Sow
182 bpm • G Maj • 03:03 • -2db
5% Popularity • 70% Danceability • 65% Energy • 16% Liveness
2% Instrumentalness • 78% Positiveness
5% Popularity • 70% Danceability • 65% Energy • 16% Liveness
2% Instrumentalness • 78% Positiveness
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Pee Wee Russell
Love Is Just Around The Corner
182 bpm • C Maj • 03:08 • -10.1db
28% Popularity • 52% Danceability • 50% Energy • 10% Liveness
15% Instrumentalness • 92% Positiveness
28% Popularity • 52% Danceability • 50% Energy • 10% Liveness
15% Instrumentalness • 92% Positiveness
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The Solomon Douglas Swingtet
For Dancers Only
160 bpm • F min • 02:34 • -9.55db
21% Popularity • 60% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 60% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Jimmie Lunceford
Tain't What You Do
160 bpm • G# Maj • 03:07 • -10.47db
18% Popularity • 65% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 65% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
