Songs like Babylon Sisters by David Garfield
Based on a tempo of (+/- 10%) and a similar genre
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Christian McBride
Consider Me Gone
129 bpm • G Maj • 04:19 • -17.64db
21% Popularity • 60% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
21% Popularity • 60% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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Randy Goodrum
One More Fool
129 bpm • E min • 03:51 • -15.47db
10% Popularity • 71% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 71% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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State Cows
New York Town
129 bpm • F Maj • 04:52 • -9.31db
27% Popularity • 74% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 74% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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David Garfield
Babylon Sisters
129 bpm • F min • 06:22 • -7.44db
10% Popularity • 52% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 52% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Valeriy Stepanov
Cute Martlets
129 bpm • G min • 05:31 • -12.39db
24% Popularity • 73% Danceability • 66% Energy • 9% Liveness
80% Instrumentalness • 58% Positiveness
24% Popularity • 73% Danceability • 66% Energy • 9% Liveness
80% Instrumentalness • 58% Positiveness
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Allen Hinds
Little White Lies
129 bpm • F# Maj • 04:45 • -7.02db
9% Popularity • 35% Danceability • 68% Energy • 16% Liveness
63% Instrumentalness • 28% Positiveness
9% Popularity • 35% Danceability • 68% Energy • 16% Liveness
63% Instrumentalness • 28% Positiveness
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Devon Stehle
Shibuya Station
128 bpm • C# min • 02:41 • -8.63db
16% Popularity • 64% Danceability • 91% Energy • 86% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 64% Danceability • 91% Energy • 86% Liveness
0% Instrumentalness • 52% Positiveness
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Ana Popovic
Hook Me up
128 bpm • C min • 04:37 • -6.3db
19% Popularity • 63% Danceability • 66% Energy • 23% Liveness
1% Instrumentalness • 82% Positiveness
19% Popularity • 63% Danceability • 66% Energy • 23% Liveness
1% Instrumentalness • 82% Positiveness
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Jazz Funk Soul
Walkin' With You
128 bpm • F min • 04:40 • -6.4db
21% Popularity • 78% Danceability • 76% Energy • 27% Liveness
3% Instrumentalness • 75% Positiveness
21% Popularity • 78% Danceability • 76% Energy • 27% Liveness
3% Instrumentalness • 75% Positiveness
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David Garfield
Ana Maria
129 bpm • G# Maj • 05:46 • -10.82db
13% Popularity • 52% Danceability • 49% Energy • 9% Liveness
20% Instrumentalness • 28% Positiveness
13% Popularity • 52% Danceability • 49% Energy • 9% Liveness
20% Instrumentalness • 28% Positiveness
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Steps Ahead
Trains
130 bpm • A# Maj • 07:31 • -5.4db
26% Popularity • 59% Danceability • 85% Energy • 10% Liveness
70% Instrumentalness • 44% Positiveness
26% Popularity • 59% Danceability • 85% Energy • 10% Liveness
70% Instrumentalness • 44% Positiveness
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Dave Weckl Band
101 Shuffle
131 bpm • D Maj • 06:18 • -9.69db
22% Popularity • 61% Danceability • 81% Energy • 6% Liveness
79% Instrumentalness • 68% Positiveness
22% Popularity • 61% Danceability • 81% Energy • 6% Liveness
79% Instrumentalness • 68% Positiveness
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State Cows
Deportee
127 bpm • G Maj • 03:14 • -10.34db
28% Popularity • 73% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 73% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Michael Ruff
Wishing Well
131 bpm • C Maj • 05:32 • -13.82db
20% Popularity • 84% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 84% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Steve Khan
Some Down Time
127 bpm • C Maj • 05:25 • -3.86db
10% Popularity • 62% Danceability • 87% Energy • 11% Liveness
47% Instrumentalness • 73% Positiveness
10% Popularity • 62% Danceability • 87% Energy • 11% Liveness
47% Instrumentalness • 73% Positiveness
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David Garfield
Pool of Friendship
130 bpm • G min • 04:09 • -10.1db
3% Popularity • 59% Danceability • 71% Energy • 27% Liveness
81% Instrumentalness • 84% Positiveness
3% Popularity • 59% Danceability • 71% Energy • 27% Liveness
81% Instrumentalness • 84% Positiveness
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Michael Franks
Chez Nous
131 bpm • A min • 04:30 • -13.4db
20% Popularity • 69% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 77% Positiveness
20% Popularity • 69% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 77% Positiveness
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Karizma
Five Storks - Live
131 bpm • A min • 09:34 • -11.83db
3% Popularity • 38% Danceability • 66% Energy • 68% Liveness
2% Instrumentalness • 54% Positiveness
3% Popularity • 38% Danceability • 66% Energy • 68% Liveness
2% Instrumentalness • 54% Positiveness
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Tal Wilkenfeld
Truth Be Told
127 bpm • A Maj • 06:40 • -12.06db
31% Popularity • 53% Danceability • 46% Energy • 10% Liveness
87% Instrumentalness • 27% Positiveness
31% Popularity • 53% Danceability • 46% Energy • 10% Liveness
87% Instrumentalness • 27% Positiveness
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Wayne Krantz
Don't Tell Me
132 bpm • A min • 05:30 • -14db
31% Popularity • 55% Danceability • 53% Energy • 7% Liveness
88% Instrumentalness • 75% Positiveness
31% Popularity • 55% Danceability • 53% Energy • 7% Liveness
88% Instrumentalness • 75% Positiveness
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David Carpenter
Doña Olga
131 bpm • B min • 07:38 • -15.04db
3% Popularity • 57% Danceability • 46% Energy • 6% Liveness
87% Instrumentalness • 63% Positiveness
3% Popularity • 57% Danceability • 46% Energy • 6% Liveness
87% Instrumentalness • 63% Positiveness
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Greg Howe
Shady Lane
132 bpm • G# Maj • 05:48 • -7.77db
24% Popularity • 60% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 60% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Michael Franks
The Camera Never Lies
127 bpm • G# Maj • 03:40 • -13.15db
14% Popularity • 69% Danceability • 62% Energy • 7% Liveness
2% Instrumentalness • 85% Positiveness
14% Popularity • 69% Danceability • 62% Energy • 7% Liveness
2% Instrumentalness • 85% Positiveness
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Robbie Dupree
Lucky
126 bpm • C Maj • 04:41 • -7.94db
19% Popularity • 82% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 82% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Randy Goodrum
From Here
132 bpm • A min • 03:28 • -14.13db
23% Popularity • 66% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 66% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Diane Schuur
Louisiana Sunday Afternoon
126 bpm • A min • 04:53 • -13.88db
33% Popularity • 68% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 68% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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State Cows
Stella by the Barlight
126 bpm • F# min • 04:45 • -9.85db
12% Popularity • 69% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 69% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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JaR (Jay Graydon & Randy Goodrum)
Scene 29
126 bpm • G min • 05:35 • -14.7db
8% Popularity • 81% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 81% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Bernard "Pretty" Purdie
Better Man
126 bpm • G Maj • 04:37 • -11.17db
6% Popularity • 58% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
6% Popularity • 58% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Jay Graydon
After The Love Has Gone
125 bpm • F# Maj • 05:01 • -12.85db
27% Popularity • 66% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 66% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Seawind
Everything Needs Love
125 bpm • D min • 04:08 • -7.64db
8% Popularity • 72% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 72% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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David Garfield
Song for My Father - Full-Length
125 bpm • F min • 07:13 • -12.95db
3% Popularity • 47% Danceability • 35% Energy • 11% Liveness
6% Instrumentalness • 44% Positiveness
3% Popularity • 47% Danceability • 35% Energy • 11% Liveness
6% Instrumentalness • 44% Positiveness
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Steps Ahead
Orion
134 bpm • C min • 04:41 • -10.49db
10% Popularity • 57% Danceability • 54% Energy • 8% Liveness
10% Instrumentalness • 24% Positiveness
10% Popularity • 57% Danceability • 54% Energy • 8% Liveness
10% Instrumentalness • 24% Positiveness
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Bill Champlin
Tonight Tonight
134 bpm • F Maj • 03:47 • -13.03db
20% Popularity • 42% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 42% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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![How Long (feat. Christopher Cross) [Radio Edit] cover art](https://i.scdn.co/image/ab67616d00001e02eba5535e9150f5075fda0cf1)
Jeff Golub with Brian Auger
How Long [Radio Edit]
124 bpm • C min • 03:03 • -10.56db
21% Popularity • 80% Danceability • 62% Energy • 8% Liveness
37% Instrumentalness • 96% Positiveness
21% Popularity • 80% Danceability • 62% Energy • 8% Liveness
37% Instrumentalness • 96% Positiveness
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Bruce Hornsby
Spider Fingers
124 bpm • A# Maj • 06:44 • -5.62db
22% Popularity • 59% Danceability • 93% Energy • 33% Liveness
19% Instrumentalness • 75% Positiveness
22% Popularity • 59% Danceability • 93% Energy • 33% Liveness
19% Instrumentalness • 75% Positiveness
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Jazz Funk Soul
Adrenaline
124 bpm • C# Maj • 04:28 • -9.81db
26% Popularity • 71% Danceability • 59% Energy • 5% Liveness
82% Instrumentalness • 95% Positiveness
26% Popularity • 71% Danceability • 59% Energy • 5% Liveness
82% Instrumentalness • 95% Positiveness
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David Garfield
Roxanne
124 bpm • G min • 04:25 • -14.82db
5% Popularity • 66% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
5% Popularity • 66% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Fourplay
Blues Force
134 bpm • A min • 06:59 • -13.3db
31% Popularity • 56% Danceability • 37% Energy • 10% Liveness
80% Instrumentalness • 45% Positiveness
31% Popularity • 56% Danceability • 37% Energy • 10% Liveness
80% Instrumentalness • 45% Positiveness
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The Brecker Brothers
You Left Something Behind
124 bpm • C Maj • 04:00 • -5.98db
9% Popularity • 84% Danceability • 80% Energy • 4% Liveness
86% Instrumentalness • 89% Positiveness
9% Popularity • 84% Danceability • 80% Energy • 4% Liveness
86% Instrumentalness • 89% Positiveness
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Jeff Golub with Brian Auger
How Long
124 bpm • C min • 03:54 • -10.29db
41% Popularity • 79% Danceability • 63% Energy • 9% Liveness
60% Instrumentalness • 95% Positiveness
41% Popularity • 79% Danceability • 63% Energy • 9% Liveness
60% Instrumentalness • 95% Positiveness
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Matt Schofield
At Times We Do Forget
123 bpm • B min • 05:41 • -7.57db
11% Popularity • 70% Danceability • 68% Energy • 4% Liveness
2% Instrumentalness • 49% Positiveness
11% Popularity • 70% Danceability • 68% Energy • 4% Liveness
2% Instrumentalness • 49% Positiveness
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State Cows
I've Changed
135 bpm • B min • 03:58 • -9.21db
20% Popularity • 51% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 51% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
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David Garfield
Rocket Man
124 bpm • C Maj • 07:09 • -9.75db
4% Popularity • 48% Danceability • 46% Energy • 24% Liveness
1% Instrumentalness • 43% Positiveness
4% Popularity • 48% Danceability • 46% Energy • 24% Liveness
1% Instrumentalness • 43% Positiveness
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Philippe Saisse
At World's Edge (Instrumental)
135 bpm • C Maj • 04:12 • -12.2db
9% Popularity • 53% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
9% Popularity • 53% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
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Karizma
Ire - Live
135 bpm • C Maj • 04:31 • -11.52db
5% Popularity • 46% Danceability • 70% Energy • 67% Liveness
0% Instrumentalness • 88% Positiveness
5% Popularity • 46% Danceability • 70% Energy • 67% Liveness
0% Instrumentalness • 88% Positiveness
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Jay Graydon
Secret Love
123 bpm • D Maj • 03:39 • -14.31db
12% Popularity • 70% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 70% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Richard Page
Worldly Things
122 bpm • C min • 04:13 • -5.15db
11% Popularity • 74% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 74% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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The Omar Hakim Experience
With Every Breath
136 bpm • F min • 04:08 • -10.04db
14% Popularity • 65% Danceability • 45% Energy • 14% Liveness
78% Instrumentalness • 40% Positiveness
14% Popularity • 65% Danceability • 45% Energy • 14% Liveness
78% Instrumentalness • 40% Positiveness
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David Garfield
Tokyo Bay
123 bpm • C Maj • 01:35 • -11.87db
3% Popularity • 55% Danceability • 70% Energy • 13% Liveness
84% Instrumentalness • 21% Positiveness
3% Popularity • 55% Danceability • 70% Energy • 13% Liveness
84% Instrumentalness • 21% Positiveness
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Steve Gadd Band
Temporary Fault
122 bpm • G Maj • 03:41 • -11.76db
10% Popularity • 76% Danceability • 26% Energy • 8% Liveness
65% Instrumentalness • 22% Positiveness
10% Popularity • 76% Danceability • 26% Energy • 8% Liveness
65% Instrumentalness • 22% Positiveness
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Karizma
Oh Sweet Oso
122 bpm • C# Maj • 08:05 • -7.34db
14% Popularity • 61% Danceability • 59% Energy • 12% Liveness
90% Instrumentalness • 48% Positiveness
14% Popularity • 61% Danceability • 59% Energy • 12% Liveness
90% Instrumentalness • 48% Positiveness
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Acoustic Alchemy
Flamoco Loco
121 bpm • A Maj • 04:05 • -8.9db
20% Popularity • 75% Danceability • 83% Energy • 5% Liveness
78% Instrumentalness • 95% Positiveness
20% Popularity • 75% Danceability • 83% Energy • 5% Liveness
78% Instrumentalness • 95% Positiveness
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Steps Ahead
Self Portrait
138 bpm • D Maj • 06:04 • -16db
21% Popularity • 66% Danceability • 29% Energy • 6% Liveness
49% Instrumentalness • 32% Positiveness
21% Popularity • 66% Danceability • 29% Energy • 6% Liveness
49% Instrumentalness • 32% Positiveness
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Donald Fagen
H Gang
121 bpm • C Maj • 04:08 • -8.49db
16% Popularity • 81% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 81% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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David Garfield
If Six Was Nine
135 bpm • A# min • 07:06 • -8.26db
14% Popularity • 35% Danceability • 76% Energy • 5% Liveness
40% Instrumentalness • 32% Positiveness
14% Popularity • 35% Danceability • 76% Energy • 5% Liveness
40% Instrumentalness • 32% Positiveness
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Raul Midón
Bottom Cycle Blues
138 bpm • F min • 03:55 • -10.3db
27% Popularity • 78% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 78% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Karizma
Sting - Live
137 bpm • B min • 08:51 • -12.08db
5% Popularity • 44% Danceability • 78% Energy • 68% Liveness
1% Instrumentalness • 72% Positiveness
5% Popularity • 44% Danceability • 78% Energy • 68% Liveness
1% Instrumentalness • 72% Positiveness
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The Brecker Brothers
Lovely Lady
138 bpm • C Maj • 06:17 • -9.06db
8% Popularity • 40% Danceability • 46% Energy • 20% Liveness
28% Instrumentalness • 37% Positiveness
8% Popularity • 40% Danceability • 46% Energy • 20% Liveness
28% Instrumentalness • 37% Positiveness
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State Cows
Wildfire
138 bpm • C min • 04:28 • -10.63db
13% Popularity • 64% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
13% Popularity • 64% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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Donald Fagen
H Gang
121 bpm • C Maj • 05:14 • -9db
35% Popularity • 80% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 80% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Brandon Fields
B-Sting
120 bpm • C# Maj • 04:51 • -13.54db
8% Popularity • 70% Danceability • 53% Energy • 8% Liveness
64% Instrumentalness • 63% Positiveness
8% Popularity • 70% Danceability • 53% Energy • 8% Liveness
64% Instrumentalness • 63% Positiveness
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David Garfield
E Minor Shuffle
122 bpm • D Maj • 05:54 • -7.28db
14% Popularity • 47% Danceability • 90% Energy • 6% Liveness
33% Instrumentalness • 80% Positiveness
14% Popularity • 47% Danceability • 90% Energy • 6% Liveness
33% Instrumentalness • 80% Positiveness
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Hiram Bullock
Can't Fight the Funk
120 bpm • B min • 04:38 • -3.94db
10% Popularity • 81% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 81% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Christopher Cross
Reverend Blowhard
120 bpm • C Maj • 04:23 • -7.84db
30% Popularity • 77% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 77% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Steely Dan
Godwhacker
120 bpm • F min • 04:57 • -9db
38% Popularity • 83% Danceability • 54% Energy • 8% Liveness
11% Instrumentalness • 65% Positiveness
38% Popularity • 83% Danceability • 54% Energy • 8% Liveness
11% Instrumentalness • 65% Positiveness
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Donald Fagen
On the Dunes
138 bpm • G Maj • 08:07 • -17.12db
29% Popularity • 72% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 72% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Michael McDonald & Robben Ford
La Marea Humana
120 bpm • A min • 05:05 • -9.16db
12% Popularity • 78% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 78% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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David Garfield
I Lied
122 bpm • D Maj • 04:04 • -10.04db
1% Popularity • 36% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
1% Popularity • 36% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Hiram Bullock
Say Goodnight, Gracie
139 bpm • D min • 05:10 • -8.95db
9% Popularity • 51% Danceability • 67% Energy • 65% Liveness
84% Instrumentalness • 30% Positiveness
9% Popularity • 51% Danceability • 67% Energy • 65% Liveness
84% Instrumentalness • 30% Positiveness
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Chuck Loeb
North, South, East And Wes
120 bpm • G Maj • 05:35 • -8.49db
25% Popularity • 86% Danceability • 68% Energy • 10% Liveness
82% Instrumentalness • 79% Positiveness
25% Popularity • 86% Danceability • 68% Energy • 10% Liveness
82% Instrumentalness • 79% Positiveness
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JJ Marotta
You Don't Know
120 bpm • B Maj • 03:50 • -7.28db
20% Popularity • 84% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 84% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Allen Hinds
Pedro and Marta
120 bpm • A min • 05:34 • -6.88db
9% Popularity • 45% Danceability • 83% Energy • 14% Liveness
42% Instrumentalness • 56% Positiveness
9% Popularity • 45% Danceability • 83% Energy • 14% Liveness
42% Instrumentalness • 56% Positiveness
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Thom Rotella
Street Talk
120 bpm • F Maj • 04:05 • -7.2db
21% Popularity • 86% Danceability • 56% Energy • 9% Liveness
9% Instrumentalness • 71% Positiveness
21% Popularity • 86% Danceability • 56% Energy • 9% Liveness
9% Instrumentalness • 71% Positiveness
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David Garfield
Aja - Instrumental Radio Version
120 bpm • G Maj • 07:59 • -5.66db
9% Popularity • 66% Danceability • 79% Energy • 9% Liveness
46% Instrumentalness • 19% Positiveness
9% Popularity • 66% Danceability • 79% Energy • 9% Liveness
46% Instrumentalness • 19% Positiveness
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Sting
She Walks This Earth (Soberana Rosa)
120 bpm • D Maj • 04:44 • -9.47db
30% Popularity • 79% Danceability • 68% Energy • 20% Liveness
1% Instrumentalness • 58% Positiveness
30% Popularity • 79% Danceability • 68% Energy • 20% Liveness
1% Instrumentalness • 58% Positiveness
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Robbie Dupree
Wrapped Around Your Finger
120 bpm • B min • 04:34 • -8.32db
12% Popularity • 69% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 69% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Roberto Tola
Funky Party
120 bpm • G# Maj • 05:30 • -5.37db
17% Popularity • 70% Danceability • 90% Energy • 34% Liveness
85% Instrumentalness • 90% Positiveness
17% Popularity • 70% Danceability • 90% Energy • 34% Liveness
85% Instrumentalness • 90% Positiveness
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Joyce Cooling
This Girl's Got To Play
119 bpm • F min • 04:33 • -8db
17% Popularity • 87% Danceability • 53% Energy • 7% Liveness
7% Instrumentalness • 80% Positiveness
17% Popularity • 87% Danceability • 53% Energy • 7% Liveness
7% Instrumentalness • 80% Positiveness
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Brandon Fields
Smooth as Glass
119 bpm • A# Maj • 04:14 • -12.71db
8% Popularity • 58% Danceability • 58% Energy • 7% Liveness
36% Instrumentalness • 39% Positiveness
8% Popularity • 58% Danceability • 58% Energy • 7% Liveness
36% Instrumentalness • 39% Positiveness
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David Garfield
Aja
120 bpm • G Maj • 09:00 • -5.91db
5% Popularity • 68% Danceability • 81% Energy • 5% Liveness
9% Instrumentalness • 26% Positiveness
5% Popularity • 68% Danceability • 81% Energy • 5% Liveness
9% Instrumentalness • 26% Positiveness
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Steve Porcaro
Back To You
140 bpm • G Maj • 04:01 • -9.76db
22% Popularity • 67% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 67% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Randy Goodrum
Hocus Pocus
140 bpm • G Maj • 03:28 • -10.96db
16% Popularity • 62% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 62% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Ben Sidran
Walking with the Blues
118 bpm • D# Maj • 06:10 • -15.68db
15% Popularity • 68% Danceability • 33% Energy • 12% Liveness
7% Instrumentalness • 29% Positiveness
15% Popularity • 68% Danceability • 33% Energy • 12% Liveness
7% Instrumentalness • 29% Positiveness
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Victor Wooten
Hero
141 bpm • F min • 05:06 • -11.73db
7% Popularity • 54% Danceability • 39% Energy • 72% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 54% Danceability • 39% Energy • 72% Liveness
0% Instrumentalness • 34% Positiveness
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Tokyo Ska Paradise Orchestra
Just A Little Bit Of Your Soul (Long Ver...
118 bpm • A# min • 07:26 • -7.55db
6% Popularity • 53% Danceability • 88% Energy • 5% Liveness
85% Instrumentalness • 75% Positiveness
6% Popularity • 53% Danceability • 88% Energy • 5% Liveness
85% Instrumentalness • 75% Positiveness
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David Garfield
Aja - Instrumental Version
120 bpm • E min • 09:05 • -4.97db
8% Popularity • 65% Danceability • 83% Energy • 9% Liveness
49% Instrumentalness • 22% Positiveness
8% Popularity • 65% Danceability • 83% Energy • 9% Liveness
49% Instrumentalness • 22% Positiveness
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Chuck Loeb
Cruzin' South
118 bpm • C min • 05:06 • -12db
28% Popularity • 72% Danceability • 48% Energy • 10% Liveness
64% Instrumentalness • 69% Positiveness
28% Popularity • 72% Danceability • 48% Energy • 10% Liveness
64% Instrumentalness • 69% Positiveness
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Larsen/Feiten Band
Phantom of the Footlights
141 bpm • D min • 04:13 • -14.09db
19% Popularity • 66% Danceability • 41% Energy • 56% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 66% Danceability • 41% Energy • 56% Liveness
0% Instrumentalness • 81% Positiveness
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Cristiano Parato
Benny
118 bpm • G Maj • 03:36 • -4.67db
26% Popularity • 74% Danceability • 94% Energy • 11% Liveness
61% Instrumentalness • 91% Positiveness
26% Popularity • 74% Danceability • 94% Energy • 11% Liveness
61% Instrumentalness • 91% Positiveness
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Steve Gadd Band
Skulk
118 bpm • C Maj • 04:49 • -11.94db
12% Popularity • 84% Danceability • 40% Energy • 10% Liveness
80% Instrumentalness • 38% Positiveness
12% Popularity • 84% Danceability • 40% Energy • 10% Liveness
80% Instrumentalness • 38% Positiveness
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Greg Manning
Twinkle
118 bpm • C Maj • 03:39 • -7.66db
26% Popularity • 84% Danceability • 80% Energy • 6% Liveness
80% Instrumentalness • 87% Positiveness
26% Popularity • 84% Danceability • 80% Energy • 6% Liveness
80% Instrumentalness • 87% Positiveness
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David Garfield
Safe Water
120 bpm • B min • 04:07 • -6.64db
3% Popularity • 62% Danceability • 84% Energy • 30% Liveness
82% Instrumentalness • 58% Positiveness
3% Popularity • 62% Danceability • 84% Energy • 30% Liveness
82% Instrumentalness • 58% Positiveness
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Hiram Bullock
Until I Do
118 bpm • G# Maj • 05:18 • -9.95db
10% Popularity • 69% Danceability • 72% Energy • 45% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 69% Danceability • 72% Energy • 45% Liveness
0% Instrumentalness • 73% Positiveness
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Donald Fagen
Security Joan
118 bpm • F min • 06:08 • -8.12db
28% Popularity • 76% Danceability • 54% Energy • 8% Liveness
2% Instrumentalness • 60% Positiveness
28% Popularity • 76% Danceability • 54% Energy • 8% Liveness
2% Instrumentalness • 60% Positiveness
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Michael Franks
Don't Be Blue - Live
142 bpm • F Maj • 03:49 • -9.21db
10% Popularity • 49% Danceability • 71% Energy • 80% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 49% Danceability • 71% Energy • 80% Liveness
0% Instrumentalness • 50% Positiveness
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Steely Dan
Glamour Profession - Live From The Met P...
117 bpm • G# Maj • 06:57 • -7.9db
24% Popularity • 71% Danceability • 71% Energy • 86% Liveness
0% Instrumentalness • 79% Positiveness
24% Popularity • 71% Danceability • 71% Energy • 86% Liveness
0% Instrumentalness • 79% Positiveness
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Paula Atherton
Shake It
117 bpm • D# min • 04:37 • -6db
19% Popularity • 74% Danceability • 91% Energy • 10% Liveness
73% Instrumentalness • 49% Positiveness
19% Popularity • 74% Danceability • 91% Energy • 10% Liveness
73% Instrumentalness • 49% Positiveness
