Songs like Bach and Sissask in Prayer by Millikin University Choir
Based on a tempo of (+/- 10%) and a similar genre
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Christopher Tye
Laudate Nomen
64 bpm • G Maj • 01:17 • -23.02db
25% Popularity • 38% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 38% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Millikin University Choir
Bach and Sissask in Prayer
64 bpm • D Maj • 06:54 • -22.39db
1% Popularity • 7% Danceability • 7% Energy • 19% Liveness
51% Instrumentalness • 4% Positiveness
1% Popularity • 7% Danceability • 7% Energy • 19% Liveness
51% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
64 bpm • C Maj • 01:10 • -18.12db
30% Popularity • 27% Danceability • 12% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
30% Popularity • 27% Danceability • 12% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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James MacMillan
St Anne’s Mass: IV. Agnus Dei
64 bpm • F Maj • 01:24 • -31.41db
27% Popularity • 19% Danceability • 4% Energy • 9% Liveness
16% Instrumentalness • 6% Positiveness
27% Popularity • 19% Danceability • 4% Energy • 9% Liveness
16% Instrumentalness • 6% Positiveness
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The Master Chorale of Tampa Bay
Even When He Is Silent
64 bpm • C Maj • 04:33 • -28db
13% Popularity • 7% Danceability • 6% Energy • 9% Liveness
2% Instrumentalness • 3% Positiveness
13% Popularity • 7% Danceability • 6% Energy • 9% Liveness
2% Instrumentalness • 3% Positiveness
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Matthew Harris
Shakespeare Songs, Book 2: II. Tell me w...
63 bpm • B min • 01:47 • -28.71db
11% Popularity • 26% Danceability • 5% Energy • 21% Liveness
98% Instrumentalness • 8% Positiveness
11% Popularity • 26% Danceability • 5% Energy • 21% Liveness
98% Instrumentalness • 8% Positiveness
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Pavel Chesnokov
Come, Let Us Worship, Op. 8, No. 2
63 bpm • D Maj • 01:47 • -20db
12% Popularity • 21% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 21% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Millikin University Choir
A Choral Fanfare
64 bpm • F Maj • 02:07 • -20.08db
1% Popularity • 16% Danceability • 10% Energy • 14% Liveness
34% Instrumentalness • 4% Positiveness
1% Popularity • 16% Danceability • 10% Energy • 14% Liveness
34% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: Psalm 121
63 bpm • B min • 02:40 • -28.56db
10% Popularity • 25% Danceability • 4% Energy • 25% Liveness
4% Instrumentalness • 9% Positiveness
10% Popularity • 25% Danceability • 4% Energy • 25% Liveness
4% Instrumentalness • 9% Positiveness
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William Byrd
Ave verum corpus
63 bpm • G min • 04:21 • -25db
36% Popularity • 20% Danceability • 9% Energy • 13% Liveness
39% Instrumentalness • 3% Positiveness
36% Popularity • 20% Danceability • 9% Energy • 13% Liveness
39% Instrumentalness • 3% Positiveness
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Choral Arts Initiative
In the Middle
65 bpm • A# Maj • 05:12 • -22db
7% Popularity • 14% Danceability • 10% Energy • 10% Liveness
38% Instrumentalness • 6% Positiveness
7% Popularity • 14% Danceability • 10% Energy • 10% Liveness
38% Instrumentalness • 6% Positiveness
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Josiah Kelley Atwood
Unclouded Day (Arr. Shawn Kirchner)
65 bpm • G Maj • 02:20 • -21db
11% Popularity • 35% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 35% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Phoenix Chamber Choir
And so I go on
65 bpm • F# Maj • 06:11 • -22db
8% Popularity • 13% Danceability • 18% Energy • 11% Liveness
37% Instrumentalness • 3% Positiveness
8% Popularity • 13% Danceability • 18% Energy • 11% Liveness
37% Instrumentalness • 3% Positiveness
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Bob Chilcott
God So Loved the World
62 bpm • G min • 03:22 • -22.08db
24% Popularity • 24% Danceability • 10% Energy • 15% Liveness
36% Instrumentalness • 7% Positiveness
24% Popularity • 24% Danceability • 10% Energy • 15% Liveness
36% Instrumentalness • 7% Positiveness
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Daniel Elder
3 Nocturnes: No. 1. Ballade to the Moon
66 bpm • E Maj • 05:07 • -28.32db
32% Popularity • 21% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 05. Auditui Meo Dabi...
66 bpm • A Maj • 01:11 • -26db
43% Popularity • 15% Danceability • 8% Energy • 12% Liveness
53% Instrumentalness • 3% Positiveness
43% Popularity • 15% Danceability • 8% Energy • 12% Liveness
53% Instrumentalness • 3% Positiveness
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Randall Thompson
Choose Something Like a Star - Randall T...
66 bpm • G Maj • 06:20 • -23db
13% Popularity • 6% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
13% Popularity • 6% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Augustana Choir
Long Road, Eriks Esenvalds
66 bpm • F Maj • 06:14 • -26.41db
11% Popularity • 16% Danceability • 3% Energy • 7% Liveness
77% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 3% Energy • 7% Liveness
77% Instrumentalness • 3% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
66 bpm • D# Maj • 03:56 • -24db
22% Popularity • 11% Danceability • 10% Energy • 12% Liveness
62% Instrumentalness • 4% Positiveness
22% Popularity • 11% Danceability • 10% Energy • 12% Liveness
62% Instrumentalness • 4% Positiveness
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Norman Dello Joio
Come to Me, My love
66 bpm • F Maj • 04:28 • -24db
17% Popularity • 18% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Jacobus Gallus
Confirma hoc Deus
66 bpm • A Maj • 01:29 • -24.14db
39% Popularity • 22% Danceability • 11% Energy • 5% Liveness
93% Instrumentalness • 9% Positiveness
39% Popularity • 22% Danceability • 11% Energy • 5% Liveness
93% Instrumentalness • 9% Positiveness
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St. Patrick Orthodox Church Choir
Salvation Is Created
62 bpm • D Maj • 03:27 • -24.57db
14% Popularity • 12% Danceability • 5% Energy • 13% Liveness
97% Instrumentalness • 4% Positiveness
14% Popularity • 12% Danceability • 5% Energy • 13% Liveness
97% Instrumentalness • 4% Positiveness
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Randall Thompson
The Road Not Taken - Randall Thompson
66 bpm • D min • 05:47 • -24.75db
12% Popularity • 7% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 7% Positiveness
12% Popularity • 7% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 7% Positiveness
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Eric William Barnum
The Stars Stand Up in the Air
66 bpm • G Maj • 05:18 • -14.33db
10% Popularity • 15% Danceability • 19% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
10% Popularity • 15% Danceability • 19% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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The Master Chorale of Tampa Bay
Flight Song
66 bpm • C# Maj • 03:48 • -24.41db
15% Popularity • 10% Danceability • 9% Energy • 13% Liveness
82% Instrumentalness • 18% Positiveness
15% Popularity • 10% Danceability • 9% Energy • 13% Liveness
82% Instrumentalness • 18% Positiveness
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Tallgrass Chamber Choir
My Song in the Night
67 bpm • C# Maj • 05:00 • -21db
21% Popularity • 9% Danceability • 7% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 7% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Matthew Harris
Shakespeare Songs, Book 3: I. It was a l...
67 bpm • G# Maj • 02:21 • -27.69db
9% Popularity • 28% Danceability • 5% Energy • 12% Liveness
24% Instrumentalness • 20% Positiveness
9% Popularity • 28% Danceability • 5% Energy • 12% Liveness
24% Instrumentalness • 20% Positiveness
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Daniel Elder
Elegy
60 bpm • C# min • 04:08 • -29.73db
11% Popularity • 6% Danceability • 1% Energy • 18% Liveness
92% Instrumentalness • 3% Positiveness
11% Popularity • 6% Danceability • 1% Energy • 18% Liveness
92% Instrumentalness • 3% Positiveness
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Millikin University Choir
Lucis Creator Optime
60 bpm • C min • 04:52 • -23.16db
0% Popularity • 10% Danceability • 6% Energy • 9% Liveness
13% Instrumentalness • 4% Positiveness
0% Popularity • 10% Danceability • 6% Energy • 9% Liveness
13% Instrumentalness • 4% Positiveness
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Voce
The Music Of Living
68 bpm • D Maj • 03:03 • -17.6db
11% Popularity • 20% Danceability • 21% Energy • 5% Liveness
92% Instrumentalness • 13% Positiveness
11% Popularity • 20% Danceability • 21% Energy • 5% Liveness
92% Instrumentalness • 13% Positiveness
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Ola Gjeilo
Northern Lights
68 bpm • C# min • 04:26 • -30db
36% Popularity • 18% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
36% Popularity • 18% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Veljo Tormis
La Kanteletar: I. Herkä neito
69 bpm • F# Maj • 02:11 • -35.53db
33% Popularity • 20% Danceability • 2% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
33% Popularity • 20% Danceability • 2% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
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Sjaella
Abendliedchen
68 bpm • C Maj • 01:42 • -24.31db
36% Popularity • 32% Danceability • 8% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
36% Popularity • 32% Danceability • 8% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
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Lloyd Pfautsch
Triptych: No. 1. Musicks Empire
69 bpm • A min • 04:06 • -25db
9% Popularity • 14% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Jacobus Gallus
Pueri concinite
69 bpm • G Maj • 01:53 • -22db
26% Popularity • 17% Danceability • 9% Energy • 5% Liveness
97% Instrumentalness • 16% Positiveness
26% Popularity • 17% Danceability • 9% Energy • 5% Liveness
97% Instrumentalness • 16% Positiveness
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Randall Thompson
The Last Words of David
69 bpm • G Maj • 03:48 • -28.26db
12% Popularity • 6% Danceability • 2% Energy • 11% Liveness
72% Instrumentalness • 4% Positiveness
12% Popularity • 6% Danceability • 2% Energy • 11% Liveness
72% Instrumentalness • 4% Positiveness
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The University Of Utah Singers
If Music Be The Food Of Love
69 bpm • G# Maj • 04:53 • -17db
16% Popularity • 27% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
16% Popularity • 27% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Roxanna Panufnik
All Shall be Well
69 bpm • F Maj • 07:26 • -24db
11% Popularity • 7% Danceability • 8% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
11% Popularity • 7% Danceability • 8% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
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Gabriel Jackson
O Sacrum Convivium
69 bpm • D# Maj • 06:22 • -36.59db
28% Popularity • 6% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
28% Popularity • 6% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Thomas Morley
Fyer Fyer
70 bpm • F Maj • 02:50 • -18db
9% Popularity • 17% Danceability • 25% Energy • 16% Liveness
2% Instrumentalness • 31% Positiveness
9% Popularity • 17% Danceability • 25% Energy • 16% Liveness
2% Instrumentalness • 31% Positiveness
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Elaine Hagenberg
When We Love
70 bpm • A Maj • 03:44 • -31.1db
15% Popularity • 6% Danceability • 2% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
15% Popularity • 6% Danceability • 2% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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James Whitbourn
Requiem canticorum: Alleluia
59 bpm • E min • 02:12 • -22.33db
27% Popularity • 7% Danceability • 7% Energy • 12% Liveness
99% Instrumentalness • 4% Positiveness
27% Popularity • 7% Danceability • 7% Energy • 12% Liveness
99% Instrumentalness • 4% Positiveness
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Hubert Parry
Crossing the Bar
70 bpm • D Maj • 02:40 • -27.74db
15% Popularity • 21% Danceability • 10% Energy • 15% Liveness
69% Instrumentalness • 7% Positiveness
15% Popularity • 21% Danceability • 10% Energy • 15% Liveness
69% Instrumentalness • 7% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Epilogue: N...
70 bpm • C Maj • 02:34 • -34db
13% Popularity • 22% Danceability • 1% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 1% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
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Daniel Elder
3 Nocturnes: No. 3. Lullaby
70 bpm • E Maj • 04:20 • -26.92db
28% Popularity • 22% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
28% Popularity • 22% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
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BYU Singers
I Thank You God for Most This Amazing Da...
70 bpm • C Maj • 06:51 • -22.03db
12% Popularity • 20% Danceability • 15% Energy • 12% Liveness
7% Instrumentalness • 3% Positiveness
12% Popularity • 20% Danceability • 15% Energy • 12% Liveness
7% Instrumentalness • 3% Positiveness
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Millikin University Choir
Now Shall My Inward Joys Arise
70 bpm • D# Maj • 02:19 • -16.69db
6% Popularity • 16% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
6% Popularity • 16% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
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Blake R. Henson
My Flight for Heaven
70 bpm • C# Maj • 04:48 • -24.87db
18% Popularity • 7% Danceability • 3% Energy • 14% Liveness
1% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 3% Energy • 14% Liveness
1% Instrumentalness • 3% Positiveness
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Jake Runestad
American Triptych: No. 2, The Peace of W...
58 bpm • E min • 05:13 • -26.94db
21% Popularity • 8% Danceability • 3% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
21% Popularity • 8% Danceability • 3% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
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James Whitbourn
Son of God Mass: Agnus Dei
70 bpm • C min • 02:20 • -31.76db
33% Popularity • 21% Danceability • 6% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
33% Popularity • 21% Danceability • 6% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Saunder Choi
Leron, Leron Sinta
70 bpm • F# Maj • 03:36 • -27db
15% Popularity • 24% Danceability • 4% Energy • 11% Liveness
56% Instrumentalness • 4% Positiveness
15% Popularity • 24% Danceability • 4% Energy • 11% Liveness
56% Instrumentalness • 4% Positiveness
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Sjaella
O du stille Zeit
70 bpm • A# Maj • 02:29 • -23db
27% Popularity • 23% Danceability • 4% Energy • 10% Liveness
70% Instrumentalness • 5% Positiveness
27% Popularity • 23% Danceability • 4% Energy • 10% Liveness
70% Instrumentalness • 5% Positiveness
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Elaine Hagenberg
I Will Be a Child of Peace
70 bpm • D# Maj • 03:50 • -20.14db
18% Popularity • 20% Danceability • 5% Energy • 18% Liveness
47% Instrumentalness • 9% Positiveness
18% Popularity • 20% Danceability • 5% Energy • 18% Liveness
47% Instrumentalness • 9% Positiveness
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Eleanor Daley
Upon Your Heart
71 bpm • E Maj • 03:53 • -22db
35% Popularity • 12% Danceability • 12% Energy • 17% Liveness
63% Instrumentalness • 4% Positiveness
35% Popularity • 12% Danceability • 12% Energy • 17% Liveness
63% Instrumentalness • 4% Positiveness
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The Concordia Choir
When Jesus Wept
71 bpm • E min • 01:45 • -30db
35% Popularity • 16% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Johannes Brahms
4 Quartette, Op. 92: I. O schöne Nacht
71 bpm • E Maj • 03:37 • -28.07db
6% Popularity • 12% Danceability • 3% Energy • 8% Liveness
50% Instrumentalness • 6% Positiveness
6% Popularity • 12% Danceability • 3% Energy • 8% Liveness
50% Instrumentalness • 6% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
71 bpm • D# Maj • 02:06 • -23.97db
23% Popularity • 16% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Pilgrims' Hymn
58 bpm • F# Maj • 03:50 • -21.3db
11% Popularity • 7% Danceability • 5% Energy • 11% Liveness
25% Instrumentalness • 3% Positiveness
11% Popularity • 7% Danceability • 5% Energy • 11% Liveness
25% Instrumentalness • 3% Positiveness
► Preview
Antonio Lotti
Vere languores nostros, IAL 32
71 bpm • G# Maj • 02:33 • -30db
31% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Kim André Arnesen
The Gift I'll Leave You
71 bpm • C# Maj • 05:46 • -26.81db
12% Popularity • 12% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
12% Popularity • 12% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Edward Elgar
Scenes from the Saga of King Olaf, Op. 3...
71 bpm • D# Maj • 02:16 • -28.24db
16% Popularity • 22% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 7% Positiveness
16% Popularity • 22% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 7% Positiveness
► Preview
Gerald Finzi
7 Partsongs, Op. 17: No. 3, My Spirit Sa...
71 bpm • G min • 01:49 • -15.92db
9% Popularity • 30% Danceability • 22% Energy • 32% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 30% Danceability • 22% Energy • 32% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Philip Stopford
Do Not Be Afraid
72 bpm • D Maj • 05:11 • -31db
24% Popularity • 14% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 14% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
The Singers - Minnesota Choral Artists
Nocturnes: I. Sa Nuit d’Été (Morten ...
72 bpm • C# Maj • 03:22 • -27.63db
9% Popularity • 13% Danceability • 2% Energy • 12% Liveness
42% Instrumentalness • 4% Positiveness
9% Popularity • 13% Danceability • 2% Energy • 12% Liveness
42% Instrumentalness • 4% Positiveness
► Preview
Dmitry Bortniansky
Izhe Kheruvimi (Cherubic Hymn): No. 7. �...
57 bpm • D Maj • 03:58 • -25.64db
19% Popularity • 16% Danceability • 2% Energy • 7% Liveness
26% Instrumentalness • 4% Positiveness
19% Popularity • 16% Danceability • 2% Energy • 7% Liveness
26% Instrumentalness • 4% Positiveness
► Preview
Valentin Silvestrov
Alleluia: III. Night
72 bpm • E min • 03:30 • -35db
23% Popularity • 14% Danceability • 1% Energy • 11% Liveness
74% Instrumentalness • 3% Positiveness
23% Popularity • 14% Danceability • 1% Energy • 11% Liveness
74% Instrumentalness • 3% Positiveness
► Preview
Edward Elgar
2 Choral songs, Op. 71: No. 1. The Showe...
72 bpm • D# Maj • 02:39 • -28.13db
17% Popularity • 14% Danceability • 5% Energy • 9% Liveness
40% Instrumentalness • 4% Positiveness
17% Popularity • 14% Danceability • 5% Energy • 9% Liveness
40% Instrumentalness • 4% Positiveness
► Preview
Elektra Women's Choir
Away From The Roll Of The Sea
72 bpm • E Maj • 04:13 • -22.07db
17% Popularity • 20% Danceability • 10% Energy • 8% Liveness
12% Instrumentalness • 6% Positiveness
17% Popularity • 20% Danceability • 10% Energy • 8% Liveness
12% Instrumentalness • 6% Positiveness
► Preview
The University Of Utah Singers
Sing Me To Heaven
73 bpm • E Maj • 04:08 • -24.18db
22% Popularity • 23% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
22% Popularity • 23% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
The Singers - Minnesota Choral Artists
Tonight Eternity Alone
72 bpm • D Maj • 04:00 • -26db
12% Popularity • 7% Danceability • 4% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
12% Popularity • 7% Danceability • 4% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
► Preview
Randall Thompson
The Pasture - Randall Thompson
73 bpm • F Maj • 02:59 • -28db
10% Popularity • 8% Danceability • 3% Energy • 10% Liveness
44% Instrumentalness • 9% Positiveness
10% Popularity • 8% Danceability • 3% Energy • 10% Liveness
44% Instrumentalness • 9% Positiveness
► Preview
Millikin University Choir
Sanctus
73 bpm • D# Maj • 02:08 • -19.3db
1% Popularity • 18% Danceability • 15% Energy • 8% Liveness
78% Instrumentalness • 3% Positiveness
1% Popularity • 18% Danceability • 15% Energy • 8% Liveness
78% Instrumentalness • 3% Positiveness
► Preview
DU Chamber Singers
Salmo 150
73 bpm • A Maj • 01:56 • -18.1db
19% Popularity • 47% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 47% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
► Preview
Matthew Harris
Shakespeare Songs, Book 1: I. Hark! hark...
73 bpm • F min • 01:25 • -25.88db
12% Popularity • 20% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Kim André Arnesen
Child of Song
73 bpm • C min • 04:51 • -32.13db
18% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
18% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
James Whitbourn
He carried me away in the spirit
73 bpm • C# min • 06:08 • -30db
12% Popularity • 10% Danceability • 2% Energy • 14% Liveness
84% Instrumentalness • 3% Positiveness
12% Popularity • 10% Danceability • 2% Energy • 14% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Josu Elberdin
Cantate Domino (Motette): 2011
73 bpm • F Maj • 04:06 • -21.75db
9% Popularity • 20% Danceability • 16% Energy • 5% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 20% Danceability • 16% Energy • 5% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Millikin University Choir
Christus Vincit
73 bpm • D Maj • 05:27 • -22.7db
0% Popularity • 23% Danceability • 11% Energy • 14% Liveness
68% Instrumentalness • 3% Positiveness
0% Popularity • 23% Danceability • 11% Energy • 14% Liveness
68% Instrumentalness • 3% Positiveness
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Jake Runestad
A Silence Haunts Me
74 bpm • F# min • 10:48 • -25.53db
13% Popularity • 11% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
13% Popularity • 11% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
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John Bennet
Weep, O mine eyes
74 bpm • F min • 02:29 • -15db
11% Popularity • 18% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Kim André Arnesen
Pie Jesu
74 bpm • D Maj • 04:16 • -33db
25% Popularity • 19% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 9% Positiveness
25% Popularity • 19% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 9% Positiveness
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Eric William Barnum
The Sweetheart of the Sun
74 bpm • D Maj • 04:59 • -24.06db
28% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
28% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
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Alexander Glazunov
Plotipu usnuv (Having Fallen Asleep)
74 bpm • C Maj • 01:48 • -30db
12% Popularity • 12% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 12% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Atlanta Master Chorale
The Word Was God
74 bpm • A min • 02:18 • -33.13db
17% Popularity • 44% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 44% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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João IV of Portugal
Crux fidelis
74 bpm • F Maj • 02:20 • -34db
32% Popularity • 19% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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John Ireland
Communion Service in C Major: Sanctus
74 bpm • F Maj • 01:26 • -23db
26% Popularity • 21% Danceability • 5% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
26% Popularity • 21% Danceability • 5% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
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Sydney Guillaume
Kalinda
74 bpm • F min • 03:36 • -23.64db
11% Popularity • 18% Danceability • 21% Energy • 87% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 18% Danceability • 21% Energy • 87% Liveness
0% Instrumentalness • 14% Positiveness
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Nikolay Kedrov
Otche Nach
75 bpm • C Maj • 02:03 • -24db
24% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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György Orbán
Chiaro
75 bpm • D Maj • 02:26 • -24.28db
9% Popularity • 21% Danceability • 12% Energy • 9% Liveness
76% Instrumentalness • 7% Positiveness
9% Popularity • 21% Danceability • 12% Energy • 9% Liveness
76% Instrumentalness • 7% Positiveness
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Atlanta Master Chorale
There Will Come Soft Rains
74 bpm • G Maj • 05:45 • -28.38db
21% Popularity • 8% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
21% Popularity • 8% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Stacey V. Gibbs
Didn't My Lord Deliver Daniel
75 bpm • F# min • 04:07 • -12.56db
8% Popularity • 13% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 13% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Millikin University Choir
Exsultate
75 bpm • D min • 03:15 • -20.51db
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
41% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
41% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Cantique de Jean Racine
75 bpm • C# Maj • 05:29 • -26.15db
17% Popularity • 7% Danceability • 4% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
17% Popularity • 7% Danceability • 4% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
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Chris Massa
All Flesh is Grass
75 bpm • A Maj • 04:35 • -31.22db
11% Popularity • 8% Danceability • 3% Energy • 10% Liveness
34% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 3% Energy • 10% Liveness
34% Instrumentalness • 3% Positiveness
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Stephen Paulus
Pilgrims' Hymn
75 bpm • F# Maj • 03:48 • -24.06db
14% Popularity • 7% Danceability • 3% Energy • 9% Liveness
46% Instrumentalness • 3% Positiveness
14% Popularity • 7% Danceability • 3% Energy • 9% Liveness
46% Instrumentalness • 3% Positiveness
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Sjaella
Morgengesang
75 bpm • F# Maj • 03:25 • -24db
30% Popularity • 22% Danceability • 6% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
30% Popularity • 22% Danceability • 6% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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The Wartburg Choir
Only in Sleep
75 bpm • G Maj • 04:48 • -21.22db
25% Popularity • 23% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
25% Popularity • 23% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Edgar Leslie Bainton
And I Saw a New Heaven
75 bpm • G Maj • 05:20 • -23.58db
8% Popularity • 8% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
