Songs like Bach, JS: Cello Suite No. 1 in G Major, BWV 1007: I. Prelude by Johann Sebastian Bach
Based on a tempo of (+/- 10%) and a similar genre
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Jules Massenet
Thaïs: Méditation (Arr. for Cello & Pi...
80 bpm • D Maj • 05:46 • -27db
38% Popularity • 8% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
38% Popularity • 8% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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Ludovico Einaudi
Cache-cache
80 bpm • D min • 03:51 • -15.66db
35% Popularity • 16% Danceability • 11% Energy • 13% Liveness
82% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 11% Energy • 13% Liveness
82% Instrumentalness • 4% Positiveness
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Samuel Barber
Barber: Adagio for Strings, Op. 11
80 bpm • A# min • 06:21 • -21.58db
38% Popularity • 12% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
38% Popularity • 12% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244, Part I: No...
80 bpm • D# min • 08:31 • -12.51db
40% Popularity • 11% Danceability • 29% Energy • 12% Liveness
6% Instrumentalness • 12% Positiveness
40% Popularity • 11% Danceability • 29% Energy • 12% Liveness
6% Instrumentalness • 12% Positiveness
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Sergei Rachmaninoff
14 Songs, Op. 34: Vocalise, Op. 34, No. ...
80 bpm • E min • 06:57 • -27db
24% Popularity • 12% Danceability • 6% Energy • 8% Liveness
89% Instrumentalness • 10% Positiveness
24% Popularity • 12% Danceability • 6% Energy • 8% Liveness
89% Instrumentalness • 10% Positiveness
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Domenico Scarlatti
Sonate en La Mineur, K. 54
80 bpm • A min • 04:46 • -26.15db
14% Popularity • 27% Danceability • 13% Energy • 13% Liveness
89% Instrumentalness • 31% Positiveness
14% Popularity • 27% Danceability • 13% Energy • 13% Liveness
89% Instrumentalness • 31% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1 - Transcripti...
80 bpm • G min • 01:57 • -17db
24% Popularity • 31% Danceability • 13% Energy • 26% Liveness
18% Instrumentalness • 54% Positiveness
24% Popularity • 31% Danceability • 13% Energy • 26% Liveness
18% Instrumentalness • 54% Positiveness
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Michael Nyman
The Promise
80 bpm • A min • 04:16 • -14.84db
50% Popularity • 10% Danceability • 23% Energy • 18% Liveness
90% Instrumentalness • 6% Positiveness
50% Popularity • 10% Danceability • 23% Energy • 18% Liveness
90% Instrumentalness • 6% Positiveness
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Cologne Chamber Orchestra
Concerto For 4 Harpsichords In A Minor, ...
81 bpm • G Maj • 02:03 • -20db
48% Popularity • 31% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 31% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Johann Sebastian Bach
Bach, JS: Cello Suite No. 1 in G Major, ...
80 bpm • G Maj • 02:34 • -22.82db
42% Popularity • 16% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
42% Popularity • 16% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
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Alessandro Marcello
Concerto Per Oboe, Archi E Continuo In R...
79 bpm • C# min • 03:11 • -25.63db
23% Popularity • 42% Danceability • 4% Energy • 7% Liveness
44% Instrumentalness • 32% Positiveness
23% Popularity • 42% Danceability • 4% Energy • 7% Liveness
44% Instrumentalness • 32% Positiveness
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Philharmonische Vereinigung Arte Sinfonica
Orchestersuite Nr. 3, BWV 1068: II. Air
81 bpm • B min • 05:46 • -18db
9% Popularity • 8% Danceability • 20% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 20% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Johannes Brahms
Brahms / Transc Tharaud & Queyras: 21 Hu...
81 bpm • F Maj • 04:06 • -18.92db
10% Popularity • 26% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
10% Popularity • 26% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
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Roberto Jonata
The Montagues and Capulets
79 bpm • A min • 03:37 • -18db
8% Popularity • 26% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
8% Popularity • 26% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
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Franz Schubert
Ellens Gesang III, D. 839 (Arr. Cello & ...
79 bpm • A# Maj • 04:48 • -30.65db
26% Popularity • 11% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
26% Popularity • 11% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Cello Suite No. 1 in G Major, BWV 1007: ...
79 bpm • G Maj • 02:12 • -21db
21% Popularity • 34% Danceability • 21% Energy • 9% Liveness
86% Instrumentalness • 62% Positiveness
21% Popularity • 34% Danceability • 21% Energy • 9% Liveness
86% Instrumentalness • 62% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov: Scheherazade, Op. 35: I...
81 bpm • B min • 03:53 • -24.98db
37% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
37% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
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Johann Pachelbel
Canon in D for Strings and Continuo
81 bpm • D Maj • 04:48 • -17.42db
22% Popularity • 19% Danceability • 20% Energy • 19% Liveness
87% Instrumentalness • 17% Positiveness
22% Popularity • 19% Danceability • 20% Energy • 19% Liveness
87% Instrumentalness • 17% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
81 bpm • D# Maj • 09:23 • -23db
29% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
29% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
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Ignatz Waghalter
Violin Sonata in F Minor, Op. 5: I. Alle...
78 bpm • F min • 07:36 • -21db
14% Popularity • 26% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
14% Popularity • 26% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
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Ralph Vaughan Williams
Fantasia on Greensleeves
78 bpm • C min • 04:35 • -30.86db
34% Popularity • 17% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 15% Positiveness
34% Popularity • 17% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 15% Positiveness
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London Festival Orchestra
Chopin: Nocturne #20 In C Sharp Minor, B...
78 bpm • F# min • 04:03 • -22db
32% Popularity • 20% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
32% Popularity • 20% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Orchestral Suite No. 3 in D Major, BWV 1...
82 bpm • E min • 07:12 • -32.23db
27% Popularity • 8% Danceability • 5% Energy • 18% Liveness
93% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 5% Energy • 18% Liveness
93% Instrumentalness • 4% Positiveness
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Polish Radio Symphony Orchestra
Bach: Air on G String
82 bpm • D Maj • 03:19 • -23db
35% Popularity • 11% Danceability • 13% Energy • 12% Liveness
76% Instrumentalness • 6% Positiveness
35% Popularity • 11% Danceability • 13% Energy • 12% Liveness
76% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
The Carnival of the Animals, R. 125: XII...
82 bpm • G Maj • 03:15 • -24.76db
35% Popularity • 17% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 17% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Anna Malikova
Fantasie Impromtu, Op. 66 (Chopin)
78 bpm • C# Maj • 05:09 • -22.61db
25% Popularity • 20% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
25% Popularity • 20% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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![Adagio in G Minor (Attrib. Albinoni) [Arr. for Chamber Orchestra] cover art](https://i.scdn.co/image/ab67616d00001e02f959703e0f21ad1af9d01998)
Remo Giazotto
Adagio in G Minor (Attrib. Albinoni) [Ar...
82 bpm • C min • 08:23 • -18db
28% Popularity • 9% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
28% Popularity • 9% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Aaron Copland
Appalachian Spring: VII. Doppio moviment...
78 bpm • C# Maj • 03:03 • -15.27db
45% Popularity • 19% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 25% Positiveness
45% Popularity • 19% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 25% Positiveness
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Johann Sebastian Bach
Suite No. 4 in E-Flat Major, BWV 1010: I...
82 bpm • D# Maj • 04:38 • -19.74db
11% Popularity • 33% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 20% Positiveness
11% Popularity • 33% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 20% Positiveness
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George Frideric Handel
Largo from Xerxes
82 bpm • G Maj • 05:50 • -19.08db
43% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
43% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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CHA Medical Center
Bach: Cello Suite No.1 In G Major BWV 10...
77 bpm • G Maj • 02:15 • -19.69db
47% Popularity • 21% Danceability • 13% Energy • 15% Liveness
91% Instrumentalness • 56% Positiveness
47% Popularity • 21% Danceability • 13% Energy • 15% Liveness
91% Instrumentalness • 56% Positiveness
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Michael Nyman
Big My Secret
77 bpm • D Maj • 02:52 • -23db
44% Popularity • 42% Danceability • 11% Energy • 7% Liveness
84% Instrumentalness • 21% Positiveness
44% Popularity • 42% Danceability • 11% Energy • 7% Liveness
84% Instrumentalness • 21% Positiveness
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Cámara de la Escala De Milan
Allegro (Concierto Para Mandolina Do May...
83 bpm • B Maj • 03:10 • -18.58db
22% Popularity • 45% Danceability • 37% Energy • 15% Liveness
93% Instrumentalness • 42% Positiveness
22% Popularity • 45% Danceability • 37% Energy • 15% Liveness
93% Instrumentalness • 42% Positiveness
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Léo Delibes
Lakmé, Act 1: Dôme épais le jasmin "F...
77 bpm • B Maj • 01:30 • -15.81db
44% Popularity • 30% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 30% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
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Cologne Chamber Orchestra
Brandenburg Concerto No. 6 In B Flat Maj...
83 bpm • C min • 04:43 • -23db
45% Popularity • 17% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
45% Popularity • 17% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
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Ludwig van Beethoven
Speaking Unto Nations (Beethoven Symphon...
83 bpm • E min • 05:02 • -20.74db
43% Popularity • 10% Danceability • 2% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
43% Popularity • 10% Danceability • 2% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Joseph Haydn
String Quartet No. 53 in D Major, Op. 64...
83 bpm • A Maj • 06:38 • -25.47db
21% Popularity • 11% Danceability • 6% Energy • 12% Liveness
52% Instrumentalness • 4% Positiveness
21% Popularity • 11% Danceability • 6% Energy • 12% Liveness
52% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: Le cygn...
83 bpm • C Maj • 04:11 • -41.12db
40% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
40% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Jules Massenet
Thaïs / Act 2: Méditation
77 bpm • E min • 05:20 • -21.67db
29% Popularity • 11% Danceability • 11% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
29% Popularity • 11% Danceability • 11% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (Arr. for Cello and Orche...
77 bpm • F# min • 05:36 • -26.29db
41% Popularity • 18% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
41% Popularity • 18% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Tomaso Albinoni
Adagio in G Minor
77 bpm • C min • 08:29 • -19.29db
19% Popularity • 11% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
19% Popularity • 11% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Heinrich Ignaz Franz von Biber
Passacaglia g-moll
83 bpm • F# min • 06:42 • -22.33db
17% Popularity • 31% Danceability • 6% Energy • 18% Liveness
26% Instrumentalness • 31% Positiveness
17% Popularity • 31% Danceability • 6% Energy • 18% Liveness
26% Instrumentalness • 31% Positiveness
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Johann Sebastian Bach
Bach, JS: Cello Suite No. 1 in G Major, ...
83 bpm • G Maj • 02:26 • -18.32db
13% Popularity • 20% Danceability • 18% Energy • 16% Liveness
88% Instrumentalness • 32% Positiveness
13% Popularity • 20% Danceability • 18% Energy • 16% Liveness
88% Instrumentalness • 32% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: 13. Le ...
77 bpm • A min • 02:29 • -28db
25% Popularity • 20% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Franz Liszt
Hungarian Rhapsody No. 2 in C Sharp Mino...
83 bpm • C# Maj • 09:03 • -21.03db
30% Popularity • 31% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 17% Positiveness
30% Popularity • 31% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 17% Positiveness
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Edward Elgar
Elgar: Salut d'amour, Op. 12 (Version fo...
83 bpm • D Maj • 02:53 • -22.32db
27% Popularity • 17% Danceability • 9% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
27% Popularity • 17% Danceability • 9% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
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Claude Debussy
2 Arabesques: Arabesque No. 1
84 bpm • F# min • 03:30 • -24.65db
27% Popularity • 28% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
27% Popularity • 28% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
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Samuel Barber
Adagio for Strings, Op. 11
83 bpm • A# min • 07:30 • -25db
25% Popularity • 9% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
25% Popularity • 9% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Caffee Concerto
Ellens Gesang III ("Ave Maria"), Op. 52,...
76 bpm • A# Maj • 05:26 • -16.53db
29% Popularity • 12% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 12% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Franz Liszt
Ständchen in D Minor (After Schubert), ...
76 bpm • D Maj • 05:57 • -28.29db
56% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
56% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Angel Antonio González
Tocata y Fuga in D Minor, BWV 565
76 bpm • D min • 09:45 • -13db
23% Popularity • 9% Danceability • 24% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
23% Popularity • 9% Danceability • 24% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
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Martin Pierre Marsick
Thais, Act II: Meditation (arr. M.P. Mar...
84 bpm • D Maj • 05:16 • -26db
25% Popularity • 18% Danceability • 5% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 5% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
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Johannes Brahms
Hungarian Dance No. 5 in F Minor: Allegr...
76 bpm • G min • 02:23 • -17db
26% Popularity • 25% Danceability • 14% Energy • 14% Liveness
91% Instrumentalness • 41% Positiveness
26% Popularity • 25% Danceability • 14% Energy • 14% Liveness
91% Instrumentalness • 41% Positiveness
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Felix Mendelssohn
Violinkonzert e-Moll, Op. 64, MWV O14: V...
84 bpm • C Maj • 09:33 • -26.06db
8% Popularity • 9% Danceability • 5% Energy • 26% Liveness
34% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 5% Energy • 26% Liveness
34% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Salut d'amour, Op. 12
84 bpm • E Maj • 02:51 • -23db
26% Popularity • 19% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 11% Positiveness
26% Popularity • 19% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 11% Positiveness
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Philip Glass
The Poet Acts
84 bpm • G min • 03:43 • -29.62db
46% Popularity • 25% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
46% Popularity • 25% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Peer Gynt-Suite Nr. 1, Op. 46: II. Ases ...
84 bpm • B min • 05:06 • -29.72db
24% Popularity • 8% Danceability • 1% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
24% Popularity • 8% Danceability • 1% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
► Preview
Johann Pachelbel
Pachelbel: Canon and Gigue in D Major: C...
84 bpm • D Maj • 05:00 • -16.65db
63% Popularity • 12% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
63% Popularity • 12% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Arvo Pärt
Spiegel im spiegel
84 bpm • F Maj • 08:23 • -28.38db
54% Popularity • 12% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
54% Popularity • 12% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: XIII. L...
84 bpm • G Maj • 02:33 • -35.36db
42% Popularity • 18% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
42% Popularity • 18% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
► Preview
Dmitri Shostakovich
The Gadfly Suite, Op. 97: VIII. Romance
76 bpm • C# Maj • 06:33 • -29.13db
29% Popularity • 9% Danceability • 4% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
29% Popularity • 9% Danceability • 4% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
► Preview
Franz Schubert
Ständchen, D. 889
76 bpm • D Maj • 03:48 • -26.73db
41% Popularity • 15% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
41% Popularity • 15% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
► Preview
Samuel Barber
Barber: Agnus Dei
85 bpm • A# min • 08:26 • -17db
11% Popularity • 8% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Richard Wagner
Das Rheingold: Einzug der Götter in Wal...
76 bpm • C# Maj • 08:43 • -20.73db
31% Popularity • 16% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
Orchestral Suite No. 3 in D Major, BWV 1...
76 bpm • F# Maj • 05:02 • -26db
31% Popularity • 12% Danceability • 3% Energy • 15% Liveness
92% Instrumentalness • 10% Positiveness
31% Popularity • 12% Danceability • 3% Energy • 15% Liveness
92% Instrumentalness • 10% Positiveness
► Preview
Ennio Morricone
Monodia
85 bpm • D Maj • 03:22 • -20db
17% Popularity • 20% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 10% Positiveness
17% Popularity • 20% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 10% Positiveness
► Preview
Camille Saint-Saëns
Saint-Saëns / Transcr. Vidal: Le carnav...
85 bpm • G Maj • 03:28 • -28.23db
55% Popularity • 21% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
55% Popularity • 21% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Franz Schubert
Die Nacht (Arr. for Cello and Guitar by ...
85 bpm • G Maj • 02:23 • -27.02db
55% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
55% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
► Preview
Franz Liszt
Liebestraume, S541/R211: No. 3. Nocturne...
76 bpm • G# Maj • 03:46 • -22db
23% Popularity • 24% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
23% Popularity • 24% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Johann Pachelbel
Canon In D Major
85 bpm • D Maj • 04:47 • -21.93db
25% Popularity • 21% Danceability • 10% Energy • 15% Liveness
90% Instrumentalness • 11% Positiveness
25% Popularity • 21% Danceability • 10% Energy • 15% Liveness
90% Instrumentalness • 11% Positiveness
► Preview
Johann Sebastian Bach
Violin Partita No. 3 in E Major, BWV 100...
85 bpm • D# Maj • 01:42 • -24.09db
29% Popularity • 46% Danceability • 18% Energy • 6% Liveness
74% Instrumentalness • 97% Positiveness
29% Popularity • 46% Danceability • 18% Energy • 6% Liveness
74% Instrumentalness • 97% Positiveness
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Ennio Morricone
Sergio Leone Suite: Deborah's Theme from...
85 bpm • E Maj • 03:31 • -17db
41% Popularity • 9% Danceability • 19% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
41% Popularity • 9% Danceability • 19% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Romance pour cor et orches...
75 bpm • F Maj • 04:00 • -27.13db
42% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
42% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Samuel Barber
Adagio for Strings, Op. 11
85 bpm • A# min • 08:53 • -27.82db
29% Popularity • 9% Danceability • 4% Energy • 15% Liveness
82% Instrumentalness • 3% Positiveness
29% Popularity • 9% Danceability • 4% Energy • 15% Liveness
82% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Les berceaux, Op. 23, No. 1
85 bpm • C min • 03:07 • -24db
36% Popularity • 18% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
36% Popularity • 18% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Fritz Kreisler
3 Old Viennese Dances: II. Liebesleid
85 bpm • A Maj • 03:35 • -26.03db
22% Popularity • 22% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
22% Popularity • 22% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Orchestral Suite No. 3 in D Major, BWV 1...
85 bpm • D Maj • 05:36 • -17.66db
32% Popularity • 17% Danceability • 22% Energy • 20% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 17% Danceability • 22% Energy • 20% Liveness
90% Instrumentalness • 4% Positiveness
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George Frideric Handel
Concerto in D Minor, Op.7, No.4: I. Adag...
75 bpm • C# min • 04:45 • -26.85db
45% Popularity • 7% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
45% Popularity • 7% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Prelude No. 1 in C-Sharp Mi...
85 bpm • C# min • 04:25 • -20.87db
25% Popularity • 34% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
25% Popularity • 34% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
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Pyotr Ilyich Tchaikovsky
Piano Concerto No. 1 in B-Flat Minor, Op...
85 bpm • C# Maj • 03:17 • -18.45db
26% Popularity • 28% Danceability • 16% Energy • 13% Liveness
87% Instrumentalness • 19% Positiveness
26% Popularity • 28% Danceability • 16% Energy • 13% Liveness
87% Instrumentalness • 19% Positiveness
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Johannes Brahms
Brahms: 21 Hungarian Dances, WoO 1: No. ...
75 bpm • F# min • 01:58 • -20.78db
24% Popularity • 45% Danceability • 12% Energy • 14% Liveness
92% Instrumentalness • 50% Positiveness
24% Popularity • 45% Danceability • 12% Energy • 14% Liveness
92% Instrumentalness • 50% Positiveness
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Ludovico Einaudi
I giorni (Arr. For Violin, Piano And Str...
75 bpm • D Maj • 05:36 • -18.87db
33% Popularity • 10% Danceability • 10% Energy • 17% Liveness
3% Instrumentalness • 8% Positiveness
33% Popularity • 10% Danceability • 10% Energy • 17% Liveness
3% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Come, Sweet Death, BWV 478 (Arr. for 5 C...
86 bpm • C min • 03:17 • -20.73db
54% Popularity • 10% Danceability • 9% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
54% Popularity • 10% Danceability • 9% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
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John Field
Nocturne No. 1 in E Flat Major, H.24
75 bpm • D# Maj • 03:41 • -25.07db
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Werner Haas
Piano Sonata No.14 in C Sharp Minor, Op....
75 bpm • C# min • 05:58 • -28.48db
20% Popularity • 39% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 19% Positiveness
20% Popularity • 39% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 19% Positiveness
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Peter Schmalfuss
Deux Arabesques: No. 1 in E major
74 bpm • F# min • 03:55 • -27.62db
29% Popularity • 34% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 9% Positiveness
29% Popularity • 34% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 9% Positiveness
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Gioachino Rossini
Guillaume Tell (William Tell): Overture ...
74 bpm • G Maj • 02:17 • -39db
35% Popularity • 41% Danceability • 2% Energy • 5% Liveness
89% Instrumentalness • 20% Positiveness
35% Popularity • 41% Danceability • 2% Energy • 5% Liveness
89% Instrumentalness • 20% Positiveness
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Edward Elgar
Elgar: Salut d' Amour, Op. 12
86 bpm • E Maj • 03:21 • -25.05db
32% Popularity • 17% Danceability • 7% Energy • 8% Liveness
43% Instrumentalness • 10% Positiveness
32% Popularity • 17% Danceability • 7% Energy • 8% Liveness
43% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Overture (Suite) No. 3 in D Major, BWV 1...
86 bpm • D Maj • 05:17 • -24.43db
25% Popularity • 12% Danceability • 9% Energy • 13% Liveness
83% Instrumentalness • 6% Positiveness
25% Popularity • 12% Danceability • 9% Energy • 13% Liveness
83% Instrumentalness • 6% Positiveness
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Franz Liszt
Consolation No. 3 in D-Flat Major, S. 17...
74 bpm • C# Maj • 04:19 • -35.64db
52% Popularity • 20% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
52% Popularity • 20% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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AntonÃn Dvořák
Serenade für Streicher, Op. 22, B. 52: ...
86 bpm • A Maj • 06:44 • -22.08db
10% Popularity • 10% Danceability • 5% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
10% Popularity • 10% Danceability • 5% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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Fritz Kreisler
Liebesleid
74 bpm • A Maj • 03:41 • -25db
40% Popularity • 22% Danceability • 5% Energy • 19% Liveness
65% Instrumentalness • 15% Positiveness
40% Popularity • 22% Danceability • 5% Energy • 19% Liveness
65% Instrumentalness • 15% Positiveness
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Christopher Palmer
From Jewish Life (arr. C. Palmer): I. Pr...
87 bpm • F min • 05:24 • -26db
18% Popularity • 16% Danceability • 3% Energy • 14% Liveness
94% Instrumentalness • 7% Positiveness
18% Popularity • 16% Danceability • 3% Energy • 14% Liveness
94% Instrumentalness • 7% Positiveness
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Luigi Boccherini
Minuet from String Quintet in E Major, O...
86 bpm • A Maj • 04:05 • -28.86db
33% Popularity • 46% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 45% Positiveness
33% Popularity • 46% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 45% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: 6 Pieces, Op. 51: No. 6, Va...
74 bpm • A min • 02:26 • -25db
16% Popularity • 7% Danceability • 6% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
16% Popularity • 7% Danceability • 6% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
► Preview
Johann Sebastian Bach
Matthäuspassion, BWV 244: Kommt, ihr To...
87 bpm • E min • 06:36 • -19.8db
48% Popularity • 18% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
48% Popularity • 18% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
