Songs like Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 39, Aria. "Erbarme dich" by Johann Sebastian Bach
Based on a tempo of (+/- 10%) and a similar genre
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Vincenzo Bellini
Bellini: Norma, Act 1: "Casta diva" (Nor...
88 bpm • F Maj • 05:40 • -17.03db
46% Popularity • 29% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
46% Popularity • 29% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: 1. Stabat Mater
88 bpm • E min • 04:31 • -24.88db
35% Popularity • 17% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
35% Popularity • 17% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part One:...
88 bpm • E Maj • 07:24 • -22.89db
11% Popularity • 11% Danceability • 16% Energy • 21% Liveness
99% Instrumentalness • 8% Positiveness
11% Popularity • 11% Danceability • 16% Energy • 21% Liveness
99% Instrumentalness • 8% Positiveness
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Joseph Haydn
Stabat mater, Hob. XX:bis: X. Virgo virg...
87 bpm • D# Maj • 06:56 • -18db
1% Popularity • 17% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
1% Popularity • 17% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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Claudio Monteverdi
L'Orfeo, Prologo: Ritornello - Dal mio p...
89 bpm • D min • 06:31 • -24db
25% Popularity • 20% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
25% Popularity • 20% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
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The Scholars Baroque Ensemble
The Indian Queen, Z. 630 : Act IV - Prel...
89 bpm • G# min • 06:12 • -27db
14% Popularity • 27% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 27% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Zbigniew Preisner
Song for the Unification of Europe - Jul...
89 bpm • B min • 06:50 • -15.43db
23% Popularity • 18% Danceability • 14% Energy • 28% Liveness
17% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 14% Energy • 28% Liveness
17% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Stabat mater: Aria: Cujus animam (Sopran...
87 bpm • G# Maj • 03:22 • -22.65db
2% Popularity • 20% Danceability • 6% Energy • 14% Liveness
12% Instrumentalness • 11% Positiveness
2% Popularity • 20% Danceability • 6% Energy • 14% Liveness
12% Instrumentalness • 11% Positiveness
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Johann Sebastian Bach
1. Aria from Cantata No. 51 "Jauchzet Go...
87 bpm • C Maj • 04:36 • -17db
8% Popularity • 46% Danceability • 22% Energy • 5% Liveness
1% Instrumentalness • 71% Positiveness
8% Popularity • 46% Danceability • 22% Energy • 5% Liveness
1% Instrumentalness • 71% Positiveness
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Ronan Maillard
Lakmé: Duo des fleurs. "Sous le dôme �...
89 bpm • B Maj • 04:53 • -16.23db
24% Popularity • 26% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 26% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Joseph Haydn
Stabat mater, Hob. XX:bis: III. Quis est...
87 bpm • D# Maj • 02:01 • -16db
2% Popularity • 24% Danceability • 20% Energy • 15% Liveness
50% Instrumentalness • 18% Positiveness
2% Popularity • 24% Danceability • 20% Energy • 15% Liveness
50% Instrumentalness • 18% Positiveness
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Jean-Philippe Rameau
Castor et Pollux, RCT 32, Acte I, Scène...
86 bpm • D Maj • 07:33 • -28.99db
32% Popularity • 9% Danceability • 1% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
32% Popularity • 9% Danceability • 1% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Tomaso Albinoni
Albinoni: Adagio in G Minor
90 bpm • C min • 05:53 • -20.28db
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Giovanni Legrenzi
Lumi, potete piangere
86 bpm • G min • 03:12 • -21.66db
20% Popularity • 25% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 25% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Bach, JS: Matthäus-Passion, BWV 244, Pt...
88 bpm • E min • 07:32 • -22db
23% Popularity • 16% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
23% Popularity • 16% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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Domenico Cimarosa
Il matrimonio segreto / Act 1: "Ecco che...
86 bpm • G Maj • 02:21 • -19.06db
3% Popularity • 60% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
3% Popularity • 60% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Act III: When I...
86 bpm • G min • 03:54 • -21db
31% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Holland Boys Choir, Netherlands Bach Collegium
I. Wachet Auf, Ruft Uns Die Stimme BWV 1...
86 bpm • D Maj • 07:14 • -21.7db
12% Popularity • 38% Danceability • 12% Energy • 14% Liveness
82% Instrumentalness • 38% Positiveness
12% Popularity • 38% Danceability • 12% Energy • 14% Liveness
82% Instrumentalness • 38% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: I. Stabat Mater dol...
86 bpm • E min • 04:27 • -22db
12% Popularity • 10% Danceability • 7% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
12% Popularity • 10% Danceability • 7% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
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Andreas Scholl
Fac Me Cruce
90 bpm • B min • 03:21 • -19db
25% Popularity • 51% Danceability • 1% Energy • 6% Liveness
19% Instrumentalness • 8% Positiveness
25% Popularity • 51% Danceability • 1% Energy • 6% Liveness
19% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232: Gloria in exce...
88 bpm • C# Maj • 01:44 • -15.81db
23% Popularity • 34% Danceability • 36% Energy • 55% Liveness
95% Instrumentalness • 80% Positiveness
23% Popularity • 34% Danceability • 36% Energy • 55% Liveness
95% Instrumentalness • 80% Positiveness
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Vincenzo Bellini
Bellini: Norma, Act 1 Scene 4: No. 4b, A...
86 bpm • F Maj • 07:26 • -21.81db
23% Popularity • 19% Danceability • 4% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
23% Popularity • 19% Danceability • 4% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Domenico Scarlatti
Scarlatti, D: Keyboard Sonata in F Minor...
85 bpm • F min • 07:24 • -28db
46% Popularity • 24% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
46% Popularity • 24% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Jean-Philippe Rameau
Suite in G Major, RCT 6: No. 14, Les sau...
85 bpm • F# min • 02:26 • -16.93db
51% Popularity • 41% Danceability • 27% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
51% Popularity • 41% Danceability • 27% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
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Giovanni Battista Pergolesi
Stabat mater: Duet with Chorus: Qui est ...
85 bpm • C min • 03:21 • -26.09db
2% Popularity • 20% Danceability • 6% Energy • 9% Liveness
12% Instrumentalness • 4% Positiveness
2% Popularity • 20% Danceability • 6% Energy • 9% Liveness
12% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Overture
91 bpm • B min • 01:56 • -28.34db
41% Popularity • 50% Danceability • 21% Energy • 11% Liveness
42% Instrumentalness • 49% Positiveness
41% Popularity • 50% Danceability • 21% Energy • 11% Liveness
42% Instrumentalness • 49% Positiveness
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Johann Sebastian Bach
Concerto for 2 Harpsichords, Strings & C...
87 bpm • F Maj • 05:14 • -23.91db
7% Popularity • 22% Danceability • 15% Energy • 12% Liveness
76% Instrumentalness • 15% Positiveness
7% Popularity • 22% Danceability • 15% Energy • 12% Liveness
76% Instrumentalness • 15% Positiveness
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Domenico Cimarosa
Il matrimonio segreto / Act 1: Silenzio,...
91 bpm • G Maj • 04:14 • -21.57db
2% Popularity • 31% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
2% Popularity • 31% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Andreas Scholl
Stabat Mater
85 bpm • F Maj • 02:01 • -11.05db
37% Popularity • 36% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 36% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Jean-Philippe Rameau
Rameau: Les Indes galantes, Quatrième e...
85 bpm • F# min • 04:46 • -17.92db
33% Popularity • 43% Danceability • 29% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 43% Danceability • 29% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: 1. Stabat Mater dol...
85 bpm • F min • 03:53 • -24db
17% Popularity • 14% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
17% Popularity • 14% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Franz Schubert
Winterreise, D. 911: No. 24, Der Leierma...
91 bpm • F min • 03:26 • -33.03db
6% Popularity • 37% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
6% Popularity • 37% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Johann Sebastian Bach
Sehet, wir gehn hinauf gen Jerusalem, BW...
89 bpm • A# min • 03:39 • -19db
2% Popularity • 22% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
2% Popularity • 22% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Henry Purcell
The Cold Song: King Arthur
85 bpm • C min • 03:34 • -23.83db
12% Popularity • 47% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 47% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Domenico Cimarosa
Il matrimonio segreto / Act 1: È vero c...
92 bpm • F Maj • 05:09 • -17.29db
3% Popularity • 38% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
3% Popularity • 38% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Engelbert Humperdinck
Hänsel und Gretel / Act 1: "Wenn sie si...
84 bpm • C Maj • 04:08 • -17.96db
3% Popularity • 27% Danceability • 21% Energy • 46% Liveness
4% Instrumentalness • 10% Positiveness
3% Popularity • 27% Danceability • 21% Energy • 46% Liveness
4% Instrumentalness • 10% Positiveness
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Alessandro Scarlatti
Son tutta duolo
92 bpm • G min • 02:56 • -26.33db
24% Popularity • 28% Danceability • 4% Energy • 11% Liveness
16% Instrumentalness • 7% Positiveness
24% Popularity • 28% Danceability • 4% Energy • 11% Liveness
16% Instrumentalness • 7% Positiveness
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Franz Schubert
Auf dem wasser zu singen D. 774
84 bpm • G# min • 03:21 • -23db
16% Popularity • 34% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 34% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Johann Sebastian Bach
Concerto for Violin & Oboe in C Minor, B...
84 bpm • C min • 05:32 • -22.9db
19% Popularity • 18% Danceability • 6% Energy • 10% Liveness
60% Instrumentalness • 13% Positiveness
19% Popularity • 18% Danceability • 6% Energy • 10% Liveness
60% Instrumentalness • 13% Positiveness
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Henry Purcell
Oedipus: Music For A While, Z583
85 bpm • E min • 04:13 • -18db
26% Popularity • 21% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 21% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH.5 / Act 1: Due...
84 bpm • G min • 05:39 • -25.29db
2% Popularity • 21% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
2% Popularity • 21% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Marin Marais
La Rêveuse - 4ème livre de Pièces de ...
84 bpm • E min • 05:00 • -28.07db
31% Popularity • 18% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
31% Popularity • 18% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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George Frideric Handel
Rinaldo, HWV 7b: Act II Scene 4: Aria: L...
84 bpm • E Maj • 06:03 • -26db
35% Popularity • 25% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
35% Popularity • 25% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Franz Schubert
Auf dem Wasser zu singen, Op. 72, D. 774
83 bpm • G# min • 03:24 • -22db
17% Popularity • 42% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
17% Popularity • 42% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
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Johann Sebastian Bach
Matthäus-Passion, BWV 244, Erster Teil:...
87 bpm • D# min • 06:58 • -16.42db
45% Popularity • 15% Danceability • 19% Energy • 9% Liveness
39% Instrumentalness • 10% Positiveness
45% Popularity • 15% Danceability • 19% Energy • 9% Liveness
39% Instrumentalness • 10% Positiveness
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Jan Dismas Zelenka
Zelenka: Laetatus sum, ZWV 90: III. Roga...
83 bpm • A# min • 03:08 • -14db
17% Popularity • 19% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 19% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Jean-Philippe Rameau
Rameau: Castor et Pollux: "Tristes appr�...
93 bpm • D Maj • 05:05 • -24db
13% Popularity • 17% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Reynaldo Hahn
Hahn: Chansons grises: No. 5, L'heure ex...
83 bpm • B Maj • 02:15 • -38db
25% Popularity • 24% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 24% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: "Thy Hand Belin...
83 bpm • F# min • 04:06 • -28.04db
39% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: Dixit Dominus
93 bpm • F# min • 06:10 • -16.55db
21% Popularity • 45% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 45% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
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Johann Sebastian Bach
Johannes-Passion, BWV 245: No. 9, Ich fo...
89 bpm • D min • 08:03 • -24db
8% Popularity • 28% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 28% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater in F Minor, P. 77: I. Staba...
83 bpm • E min • 04:48 • -23.46db
22% Popularity • 18% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Mass In C, Op. 86: 3. Credo
83 bpm • C Maj • 11:00 • -19.33db
1% Popularity • 18% Danceability • 15% Energy • 8% Liveness
4% Instrumentalness • 9% Positiveness
1% Popularity • 18% Danceability • 15% Energy • 8% Liveness
4% Instrumentalness • 9% Positiveness
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Derek Lee Ragin
Salve Regina in C Minor - Transp. in A-F...
82 bpm • C# min • 03:48 • -22.01db
29% Popularity • 14% Danceability • 5% Energy • 31% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 5% Energy • 31% Liveness
1% Instrumentalness • 4% Positiveness
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Joseph Haydn
Stabat mater, Hob. XX:bis: IV. Quis non ...
95 bpm • F Maj • 06:25 • -19.36db
1% Popularity • 21% Danceability • 14% Energy • 10% Liveness
58% Instrumentalness • 8% Positiveness
1% Popularity • 21% Danceability • 14% Energy • 10% Liveness
58% Instrumentalness • 8% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act 3:...
82 bpm • C# Maj • 03:47 • -20.11db
22% Popularity • 36% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 36% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Johann Sebastian Bach
Aus der Tiefen rufe ich, Herr, zu dir, B...
89 bpm • G# min • 03:55 • -20.53db
8% Popularity • 28% Danceability • 16% Energy • 13% Liveness
82% Instrumentalness • 17% Positiveness
8% Popularity • 28% Danceability • 16% Energy • 13% Liveness
82% Instrumentalness • 17% Positiveness
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Giovanni Battista Pergolesi
Stabat mater: Aria: Eia Mater (Contralto...
94 bpm • C min • 03:11 • -27.79db
1% Popularity • 18% Danceability • 2% Energy • 36% Liveness
1% Instrumentalness • 7% Positiveness
1% Popularity • 18% Danceability • 2% Energy • 36% Liveness
1% Instrumentalness • 7% Positiveness
► Preview
Domenico Cimarosa
Il matrimonio segreto / Act 1: Le faccio...
95 bpm • G Maj • 05:18 • -17.88db
5% Popularity • 40% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
5% Popularity • 40% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Felix Mendelssohn
Hör mein Bitten, WoO 15
81 bpm • G Maj • 09:53 • -20.66db
10% Popularity • 18% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 18% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Claudio Monteverdi
Lamento della ninfa, SV 163: Amor, amor
95 bpm • A min • 04:24 • -19.28db
33% Popularity • 23% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 23% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Marin Marais
Le Badinage - 4ème livre de Pièces de ...
96 bpm • F min • 06:59 • -26.93db
27% Popularity • 28% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
27% Popularity • 28% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
► Preview
Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part Two:...
87 bpm • A# min • 07:35 • -25db
17% Popularity • 17% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Pieter Jan Leusink
II. Ich Liebe Den Höchsten Von Ganzem G...
95 bpm • F# Maj • 05:48 • -20db
9% Popularity • 58% Danceability • 19% Energy • 20% Liveness
65% Instrumentalness • 66% Positiveness
9% Popularity • 58% Danceability • 19% Energy • 20% Liveness
65% Instrumentalness • 66% Positiveness
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The City of Prague Philharmonic Orchestra
Sarabande
81 bpm • D min • 04:02 • -18.59db
40% Popularity • 26% Danceability • 6% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
40% Popularity • 26% Danceability • 6% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
Ludwig van Beethoven
Mass In C, Op. 86: 2. Gloria
81 bpm • C Maj • 10:30 • -19.49db
1% Popularity • 17% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
1% Popularity • 17% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
Eugen d'Albert
Passacaglia and Fugue in C Minor, BWV 58...
80 bpm • C min • 13:20 • -19.6db
19% Popularity • 22% Danceability • 18% Energy • 6% Liveness
90% Instrumentalness • 7% Positiveness
19% Popularity • 22% Danceability • 18% Energy • 6% Liveness
90% Instrumentalness • 7% Positiveness
► Preview
Dietrich Buxtehude
In dulci jubilo, BuxWV52
96 bpm • F Maj • 08:37 • -23.71db
9% Popularity • 21% Danceability • 7% Energy • 12% Liveness
25% Instrumentalness • 17% Positiveness
9% Popularity • 21% Danceability • 7% Energy • 12% Liveness
25% Instrumentalness • 17% Positiveness
► Preview
Johann Sebastian Bach
St. Matthew Passion, BWV 244, Pt. 1: No....
89 bpm • D# min • 06:58 • -16db
32% Popularity • 16% Danceability • 22% Energy • 15% Liveness
16% Instrumentalness • 17% Positiveness
32% Popularity • 16% Danceability • 22% Energy • 15% Liveness
16% Instrumentalness • 17% Positiveness
► Preview
George Frideric Handel
Rinaldo, HWV 7a: Lascia ch'io pianga
80 bpm • E Maj • 04:11 • -25.44db
15% Popularity • 22% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 22% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
The City of Prague Philharmonic Orchestra
Concerto in E-Minor
81 bpm • E min • 05:05 • -11.33db
19% Popularity • 15% Danceability • 40% Energy • 8% Liveness
9% Instrumentalness • 6% Positiveness
19% Popularity • 15% Danceability • 40% Energy • 8% Liveness
9% Instrumentalness • 6% Positiveness
► Preview
Henry Purcell
Purcell: Dido and Aeneas, Z. 626, Act II...
80 bpm • F# min • 03:54 • -22.6db
29% Popularity • 17% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 17% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Giovanni Battista Pergolesi
Stabat Mater, P. 77: I. Stabat Mater dol...
80 bpm • F min • 04:38 • -28.71db
42% Popularity • 18% Danceability • 5% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
42% Popularity • 18% Danceability • 5% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
Oberon, J.306 / Act 2: "Arabiens einsam ...
80 bpm • E Maj • 02:52 • -23.1db
2% Popularity • 25% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
2% Popularity • 25% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Johann Sebastian Bach
Matthäuspassion, BWV 244: Kommt, ihr To...
87 bpm • E min • 06:36 • -19.8db
48% Popularity • 18% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
48% Popularity • 18% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
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George Frideric Handel
Rinaldo: Act II, scene 4: Almirena : "La...
97 bpm • E Maj • 06:10 • -26.6db
26% Popularity • 21% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
26% Popularity • 21% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Stephen Stubbs
Refrain 4 / Monteverdi: Amor dov'è la f...
80 bpm • A min • 07:53 • -28.65db
16% Popularity • 16% Danceability • 2% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 2% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Henry Purcell
Purcell: Trumpet Sonata in D Major, Z. 8...
97 bpm • A# min • 01:30 • -26db
38% Popularity • 22% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
38% Popularity • 22% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: 1. Stabat Mater
80 bpm • E min • 04:12 • -22.46db
32% Popularity • 12% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Marin Marais
5e livre de viole: Prélude en harpègem...
98 bpm • G# min • 02:37 • -33.35db
26% Popularity • 13% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
26% Popularity • 13% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244: No. 23, Ch...
89 bpm • D# Maj • 01:53 • -18.38db
7% Popularity • 22% Danceability • 22% Energy • 28% Liveness
81% Instrumentalness • 15% Positiveness
7% Popularity • 22% Danceability • 22% Energy • 28% Liveness
81% Instrumentalness • 15% Positiveness
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Franz Schubert
Schubert: Stabat Mater in F Minor, D. 38...
79 bpm • A# min • 03:01 • -19.03db
26% Popularity • 17% Danceability • 7% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
26% Popularity • 17% Danceability • 7% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 35 Ari...
79 bpm • A# min • 04:22 • -18.24db
14% Popularity • 15% Danceability • 3% Energy • 10% Liveness
28% Instrumentalness • 7% Positiveness
14% Popularity • 15% Danceability • 3% Energy • 10% Liveness
28% Instrumentalness • 7% Positiveness
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Henry Purcell
O Solitude, Z. 406
80 bpm • F min • 05:54 • -21db
13% Popularity • 21% Danceability • 4% Energy • 11% Liveness
7% Instrumentalness • 6% Positiveness
13% Popularity • 21% Danceability • 4% Energy • 11% Liveness
7% Instrumentalness • 6% Positiveness
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Domenico Cimarosa
Il matrimonio segreto / Act 1: "Certo sa...
79 bpm • C# Maj • 02:13 • -21.51db
2% Popularity • 64% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
2% Popularity • 64% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Claudio Monteverdi
Lamento della ninfa
98 bpm • A min • 04:22 • -22.23db
32% Popularity • 27% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
32% Popularity • 27% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244: No. 39 Ari...
90 bpm • E min • 07:06 • -19.51db
10% Popularity • 20% Danceability • 15% Energy • 17% Liveness
13% Instrumentalness • 14% Positiveness
10% Popularity • 20% Danceability • 15% Energy • 17% Liveness
13% Instrumentalness • 14% Positiveness
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George Frideric Handel
Salve Regina, HWV 241: I. Salve Regina
79 bpm • F# min • 03:36 • -18db
15% Popularity • 21% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 21% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Nouvelle ent...
98 bpm • F# min • 03:40 • -14.38db
31% Popularity • 47% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 47% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Act I: Ah, se intorno...
99 bpm • C min • 08:51 • -22.1db
4% Popularity • 15% Danceability • 9% Energy • 16% Liveness
45% Instrumentalness • 3% Positiveness
4% Popularity • 15% Danceability • 9% Energy • 16% Liveness
45% Instrumentalness • 3% Positiveness
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Wilhelm Friedemann Bach
Concerto n°5 en la mineur: Allegro ma n...
78 bpm • A min • 06:27 • -18db
21% Popularity • 24% Danceability • 20% Energy • 11% Liveness
28% Instrumentalness • 46% Positiveness
21% Popularity • 24% Danceability • 20% Energy • 11% Liveness
28% Instrumentalness • 46% Positiveness
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Giovanni Battista Pergolesi
Stabat mater: Chorus: Stabat Mater
78 bpm • F min • 04:53 • -29.95db
4% Popularity • 15% Danceability • 2% Energy • 13% Liveness
48% Instrumentalness • 3% Positiveness
4% Popularity • 15% Danceability • 2% Energy • 13% Liveness
48% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Matthäuspassion, BWV 244: Erbarme dich
90 bpm • F# Maj • 06:31 • -23.89db
6% Popularity • 16% Danceability • 7% Energy • 31% Liveness
0% Instrumentalness • 6% Positiveness
6% Popularity • 16% Danceability • 7% Energy • 31% Liveness
0% Instrumentalness • 6% Positiveness
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Franz Liszt
Don Sanche (The Castle of Love), S476/R1...
99 bpm • C Maj • 02:23 • -18.36db
1% Popularity • 34% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
1% Popularity • 34% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
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Giacomo Puccini
Madama Butterfly / Act 2: Coro a bocca c...
78 bpm • A# Maj • 03:03 • -44.15db
41% Popularity • 16% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
41% Popularity • 16% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Stefano Landi
Augellin
100 bpm • D min • 05:06 • -25db
22% Popularity • 37% Danceability • 9% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 37% Danceability • 9% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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Claudio Monteverdi
Canzonette d'amore
100 bpm • B min • 02:36 • -25db
31% Popularity • 23% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
31% Popularity • 23% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Giovanni Battista Pergolesi
Stabat mater: Aria: Vidit suum dulcem na...
78 bpm • F min • 04:32 • -29.6db
1% Popularity • 10% Danceability • 2% Energy • 11% Liveness
49% Instrumentalness • 4% Positiveness
1% Popularity • 10% Danceability • 2% Energy • 11% Liveness
49% Instrumentalness • 4% Positiveness
