Songs like Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.12 in F minor BWV857 by Daniel Barenboim
Based on a tempo of (+/- 10%) and a similar genre
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Johannes Brahms
4 Ballades, Op. 10: No. 4 In B
71 bpm • B Maj • 09:27 • -32db
28% Popularity • 31% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
28% Popularity • 31% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: VII. Träumerei
71 bpm • F Maj • 02:32 • -35.49db
22% Popularity • 44% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 28% Positiveness
22% Popularity • 44% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 28% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
71 bpm • F min • 01:48 • -30db
42% Popularity • 34% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 23% Positiveness
42% Popularity • 34% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 23% Positiveness
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John Field
Nocturne No. 6 in F Major
71 bpm • F Maj • 05:08 • -32db
30% Popularity • 27% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 6% Positiveness
30% Popularity • 27% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 6% Positiveness
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Giovanni Sgambati
Orfeo ed Euridice: Melody (arr. G. Sgamb...
71 bpm • D min • 03:49 • -34.2db
44% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
44% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
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Richard Wagner
Wagner: Lohengrin, WWV 75: Prelude to Ac...
70 bpm • A Maj • 08:53 • -31db
13% Popularity • 6% Danceability • 2% Energy • 30% Liveness
90% Instrumentalness • 3% Positiveness
13% Popularity • 6% Danceability • 2% Energy • 30% Liveness
90% Instrumentalness • 3% Positiveness
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Gustav Mahler
Symphony No. 5 in C-Sharp Minor (arr. J....
71 bpm • F Maj • 09:59 • -24.95db
34% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
34% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Franz Liszt
6 Consolations, S. 172: No. 6 in E Major...
72 bpm • E Maj • 02:46 • -25.09db
24% Popularity • 33% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
24% Popularity • 33% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Ivo Janssen
Concerto in G minor, after unknown, BWV ...
72 bpm • G min • 02:17 • -26db
32% Popularity • 47% Danceability • 3% Energy • 16% Liveness
93% Instrumentalness • 37% Positiveness
32% Popularity • 47% Danceability • 3% Energy • 16% Liveness
93% Instrumentalness • 37% Positiveness
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John Field
Nocturne No. 3 in A-Flat Major
70 bpm • G# Maj • 04:54 • -33.76db
30% Popularity • 20% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
30% Popularity • 20% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
70 bpm • G# min • 04:24 • -28.68db
25% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
25% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
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George Frideric Handel
Keyboard Suite No. 2 (Set I) in F Major,...
72 bpm • D min • 03:01 • -30db
39% Popularity • 40% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
39% Popularity • 40% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
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Christoph Willibald Gluck
Melodie from "Orfeo ed Euridice", Wq. 30...
70 bpm • D min • 03:52 • -31.87db
26% Popularity • 34% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
26% Popularity • 34% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Ignaz Friedman
Orfeo ed Euridice: Ballet des Ombres Heu...
70 bpm • F# Maj • 03:58 • -33db
45% Popularity • 29% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
45% Popularity • 29% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
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Gabriel Fauré
8 Pièces brèves, Op. 84: No. 5, Improv...
70 bpm • F# min • 02:00 • -26db
46% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
46% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Jean-Philippe Rameau
Deuxieme livre, Suite en Mi: X. Tambouri...
70 bpm • E min • 01:30 • -27db
44% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
44% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu V
72 bpm • B min • 03:51 • -31.63db
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
24 Preludes & Fugues, Op. 87: Prelude no...
72 bpm • F# Maj • 02:27 • -38.64db
47% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
47% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: 1. Arietta
70 bpm • D# Maj • 01:07 • -32db
32% Popularity • 43% Danceability • 2% Energy • 16% Liveness
91% Instrumentalness • 22% Positiveness
32% Popularity • 43% Danceability • 2% Energy • 16% Liveness
91% Instrumentalness • 22% Positiveness
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Alexander Scriabin
Etude in C-Sharp Minor, Op. 2/1
70 bpm • C# min • 02:24 • -27.72db
27% Popularity • 19% Danceability • 1% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
27% Popularity • 19% Danceability • 1% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
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Bedřich Smetana
Album Leaf for Kateřina Kolářová in ...
70 bpm • B Maj • 01:57 • -30.77db
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Prélude In G-Sharp Minor, Op. 32, No. 1...
70 bpm • E Maj • 02:32 • -25.61db
33% Popularity • 20% Danceability • 4% Energy • 62% Liveness
88% Instrumentalness • 4% Positiveness
33% Popularity • 20% Danceability • 4% Energy • 62% Liveness
88% Instrumentalness • 4% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
72 bpm • D Maj • 01:11 • -22.99db
38% Popularity • 31% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 84% Positiveness
38% Popularity • 31% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 84% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 1 in C Minor, Op. 35:...
72 bpm • C Maj • 08:15 • -22.66db
22% Popularity • 13% Danceability • 3% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
22% Popularity • 13% Danceability • 3% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
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Robert Schumann
No. 1, Von fremden Ländern und Menschen
70 bpm • G Maj • 01:33 • -35.55db
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
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Alexander Scriabin
Scriabin: 24 Preludes, Op. 11: No. 21 in...
70 bpm • D# Maj • 01:47 • -43.21db
59% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
59% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
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Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Joseph Haydn
Sonata in D Major, Hob. XVI:37: II. Larg...
70 bpm • D min • 03:50 • -33.14db
25% Popularity • 34% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 31% Positiveness
25% Popularity • 34% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 31% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 2 In A Major, Op. 2, No...
72 bpm • D Maj • 07:16 • -32.18db
32% Popularity • 44% Danceability • 0% Energy • 7% Liveness
91% Instrumentalness • 22% Positiveness
32% Popularity • 44% Danceability • 0% Energy • 7% Liveness
91% Instrumentalness • 22% Positiveness
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George Frideric Handel
Rinaldo, HWV 7, Act II: Lascia ch'io pia...
70 bpm • D Maj • 02:32 • -31.48db
20% Popularity • 48% Danceability • 1% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 48% Danceability • 1% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Études, Op. 25: No. 1 in A Flat Major
73 bpm • G# Maj • 02:51 • -30.01db
36% Popularity • 22% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
36% Popularity • 22% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 30: No. 1. Andant...
69 bpm • D# Maj • 04:23 • -27db
30% Popularity • 32% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
30% Popularity • 32% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
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Johannes Brahms
Intermezzi, Op. 117: No. 1 in E-Flat Maj...
73 bpm • D# Maj • 05:43 • -36.94db
25% Popularity • 36% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
25% Popularity • 36% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
69 bpm • G# Maj • 04:29 • -31db
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Franz Liszt
6 Consolations, S. 172: No. 3 in D-Flat ...
69 bpm • C# Maj • 04:14 • -36.76db
59% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
59% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 38, Book II: VIII. Kan...
69 bpm • D# min • 05:00 • -28.95db
23% Popularity • 28% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
23% Popularity • 28% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre,...
69 bpm • E Maj • 05:01 • -28db
12% Popularity • 27% Danceability • 5% Energy • 7% Liveness
85% Instrumentalness • 18% Positiveness
12% Popularity • 27% Danceability • 5% Energy • 7% Liveness
85% Instrumentalness • 18% Positiveness
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Robert Schumann
Waldszenen, Op. 82: 3. Einsame Blumen
69 bpm • A# Maj • 02:40 • -39db
36% Popularity • 41% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 46% Positiveness
36% Popularity • 41% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 46% Positiveness
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Federico Mompou
Damunt de tu Només les flors
73 bpm • F min • 04:12 • -27.57db
20% Popularity • 26% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
20% Popularity • 26% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Schoenberg: 6 Little Piano Pieces, Op. 1...
69 bpm • A min • 01:14 • -35db
31% Popularity • 40% Danceability • 0% Energy • 7% Liveness
81% Instrumentalness • 13% Positiveness
31% Popularity • 40% Danceability • 0% Energy • 7% Liveness
81% Instrumentalness • 13% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
73 bpm • F Maj • 01:37 • -27.52db
51% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
51% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Edvard Grieg
Lyric Pieces Book IV, Op. 47: No. 3 Melo...
73 bpm • D min • 04:00 • -30db
27% Popularity • 27% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
27% Popularity • 27% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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César Franck
Franck: Violin Sonata in A Major, FWV 8:...
73 bpm • F# min • 06:29 • -25.78db
13% Popularity • 16% Danceability • 5% Energy • 5% Liveness
2% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 5% Energy • 5% Liveness
2% Instrumentalness • 4% Positiveness
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Johannes Brahms
Sechs Klavierstücke, Op. 118: II. Inter...
69 bpm • A Maj • 06:18 • -30.92db
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
6 Pieces, Op. 19: IV. Nocturne (Andante ...
69 bpm • C# min • 03:36 • -28.51db
12% Popularity • 31% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
12% Popularity • 31% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
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Wilhelm Kempff
Menuet in G Minor (trans. W. Kempff)
73 bpm • G min • 03:13 • -33db
51% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
51% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Claude Debussy
La plus que lente, L. 121
69 bpm • F# Maj • 04:22 • -25.46db
39% Popularity • 26% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
39% Popularity • 26% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
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Frédéric Chopin
Nocturne No. 13 in C Minor, Op. 48 No. 1
73 bpm • C Maj • 06:14 • -23.26db
27% Popularity • 35% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
27% Popularity • 35% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Franz Liszt
6 Consolations, S. 172: No. 2 in E Major...
69 bpm • B Maj • 03:14 • -32.1db
29% Popularity • 36% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 6% Positiveness
29% Popularity • 36% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 6% Positiveness
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Vladimir Horowitz
Waltz in F Minor
69 bpm • A# min • 02:15 • -34db
36% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
36% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
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François Couperin
Troisième livre de pièces de clavecin:...
73 bpm • F Maj • 02:10 • -24.62db
40% Popularity • 50% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 89% Positiveness
40% Popularity • 50% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 89% Positiveness
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Jules Massenet
Massenet: Élégie (Arr. for Cello and P...
73 bpm • E min • 01:44 • -26db
45% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
45% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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John Field
Nocturne No. 1 in E-Flat Major
73 bpm • D# Maj • 03:52 • -36db
46% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
46% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
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Frédéric Chopin
Nocturne No. 4 in F Major , Op. 15 No. 1
73 bpm • F Maj • 04:27 • -27.48db
31% Popularity • 31% Danceability • 1% Energy • 5% Liveness
92% Instrumentalness • 5% Positiveness
31% Popularity • 31% Danceability • 1% Energy • 5% Liveness
92% Instrumentalness • 5% Positiveness
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Alexander Scriabin
24 Preludes for piano, Op. 11: No. 12 In...
73 bpm • G# min • 01:30 • -40.34db
35% Popularity • 20% Danceability • 0% Energy • 9% Liveness
81% Instrumentalness • 16% Positiveness
35% Popularity • 20% Danceability • 0% Energy • 9% Liveness
81% Instrumentalness • 16% Positiveness
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George Frideric Handel
Sarabande Variations : Variation VIII
74 bpm • C# Maj • 01:28 • -42db
47% Popularity • 40% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
47% Popularity • 40% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
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Claude Debussy
Estampes, L. 100: I. Pagodes
68 bpm • B Maj • 05:34 • -24.64db
26% Popularity • 33% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
26% Popularity • 33% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Christoph Willibald Gluck
Melody from « Orfeo »
74 bpm • D min • 03:25 • -36db
46% Popularity • 34% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 34% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
► Preview
John Field
Nocturne No. 4 in A Major
69 bpm • A Maj • 05:30 • -32.39db
27% Popularity • 30% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
27% Popularity • 30% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
► Preview
Frédéric Chopin
Nocturne No. 18 in E Major , Op. 62 No. ...
68 bpm • E Maj • 06:10 • -27.4db
25% Popularity • 29% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
25% Popularity • 29% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
► Preview
Johannes Brahms
5 Lieder, Op. 107: No. 5, Mädchenlied (...
74 bpm • A min • 01:33 • -24.49db
24% Popularity • 14% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
24% Popularity • 14% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
► Preview
George Frideric Handel
Suite in D Minor, HWV 447: Allemande
74 bpm • D min • 01:36 • -32.68db
52% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
52% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
► Preview
Tamara Konstantin
Cello Sonata: II. —
74 bpm • G min • 02:55 • -24db
27% Popularity • 19% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
27% Popularity • 19% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
► Preview
Sergei Rachmaninoff
6 Moments musicaux, Op. 16: No. 5, Adagi...
68 bpm • C# Maj • 04:06 • -36.93db
35% Popularity • 36% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
35% Popularity • 36% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
John Field
Nocturne No. 5 in B-Flat Major
73 bpm • A# Maj • 02:54 • -35db
52% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
52% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
► Preview
AntonÃn Dvořák
Cello Concerto in B Minor, Op. 104, B. 1...
68 bpm • G Maj • 12:06 • -26.47db
27% Popularity • 7% Danceability • 4% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
27% Popularity • 7% Danceability • 4% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
68 bpm • C min • 01:33 • -22.73db
50% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
50% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
► Preview
George Frideric Handel
Rinaldo, HWV 7: Lascia ch'io pianga (Arr...
68 bpm • F Maj • 04:28 • -31.27db
52% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
52% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
► Preview
Maurice Ravel
Piano Concerto in G Major, M. 83: II. Ad...
74 bpm • E Maj • 09:23 • -34.6db
45% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
45% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Jean-Philippe Rameau
Suite en La Mineur, RCT 5: I. Allemande
74 bpm • A min • 06:01 • -30.12db
17% Popularity • 20% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
17% Popularity • 20% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
► Preview
John Field
Nocturne No. 13 in D Minor
68 bpm • D min • 03:46 • -35db
36% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
36% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
► Preview
Frédéric Chopin
Nocturne No. 9 in B Major , Op. 32 No. 1
68 bpm • B Maj • 05:20 • -31.09db
29% Popularity • 41% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 14% Positiveness
29% Popularity • 41% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 14% Positiveness
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Franz Liszt
Tre Sonetti di Petrarca, S. 270: Sonetto...
74 bpm • C# Maj • 05:30 • -27.66db
21% Popularity • 33% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
21% Popularity • 33% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Joseph Haydn
Sonata No. 13, Hob. XVI:6: Sonata No. 13...
74 bpm • G min • 04:42 • -28.44db
30% Popularity • 39% Danceability • 5% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
30% Popularity • 39% Danceability • 5% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
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Edvard Grieg
Lyric Pieces, Livre 5, Op. 54: IV. Nottu...
68 bpm • C Maj • 04:17 • -30.4db
24% Popularity • 34% Danceability • 1% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
24% Popularity • 34% Danceability • 1% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
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Alexander Borodin
Piano Quintet in C Minor: I. Andante
68 bpm • C min • 04:27 • -23.19db
40% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
40% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
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Johannes Brahms
Clarinet Trio in A Minor, Op. 114: I. Al...
68 bpm • A min • 07:39 • -20db
34% Popularity • 13% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
34% Popularity • 13% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Modest Mussorgsky
Mussorgsky: Pictures at an Exhibition: I...
68 bpm • C# Maj • 05:21 • -37.64db
28% Popularity • 35% Danceability • 0% Energy • 20% Liveness
95% Instrumentalness • 7% Positiveness
28% Popularity • 35% Danceability • 0% Energy • 20% Liveness
95% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Albumblatt in E Minor, Op. 117, MWV U134
68 bpm • E min • 04:49 • -23.67db
29% Popularity • 19% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
29% Popularity • 19% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
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John Field
Nocturne No. 1 in E Flat Major, H.24
75 bpm • D# Maj • 03:41 • -25.07db
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D. 899: No. 3 in G...
67 bpm • F# Maj • 06:17 • -36.15db
47% Popularity • 13% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
47% Popularity • 13% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Antonio Vivaldi
Concerto In D Major For 2 Violins, Strin...
75 bpm • E min • 04:27 • -26db
39% Popularity • 20% Danceability • 2% Energy • 11% Liveness
6% Instrumentalness • 17% Positiveness
39% Popularity • 20% Danceability • 2% Energy • 11% Liveness
6% Instrumentalness • 17% Positiveness
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Frédéric Chopin
Nocturne No. 12 in G Major, Op. 37 No. 2
67 bpm • G Maj • 05:44 • -33.9db
30% Popularity • 25% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 5% Positiveness
30% Popularity • 25% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 5% Positiveness
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Edvard Grieg
Lyric Pieces Book II, Op. 38: I. Berceus...
67 bpm • D Maj • 02:46 • -30db
42% Popularity • 37% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
42% Popularity • 37% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Johannes Brahms
Brahms: 3 Intermezzi, Op. 117: No. 1 in ...
67 bpm • D# Maj • 05:29 • -37.68db
31% Popularity • 42% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
31% Popularity • 42% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 1 In F Minor, Op. 2, No...
67 bpm • F Maj • 05:17 • -33.39db
35% Popularity • 27% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 23% Positiveness
35% Popularity • 27% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 23% Positiveness
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Édouard Lalo
Symphonie Espagnole In D Minor, Op. 21: ...
75 bpm • D min • 07:58 • -18.48db
31% Popularity • 34% Danceability • 13% Energy • 9% Liveness
24% Instrumentalness • 28% Positiveness
31% Popularity • 34% Danceability • 13% Energy • 9% Liveness
24% Instrumentalness • 28% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 10. Fast zu ernst
67 bpm • G# min • 02:00 • -34.37db
42% Popularity • 39% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
42% Popularity • 39% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19
67 bpm • E min • 06:29 • -31db
43% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
43% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
75 bpm • F# min • 03:23 • -32.5db
19% Popularity • 31% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
19% Popularity • 31% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Johannes Brahms
Intermezzo in B-Flat Minor, Op. 117/2
67 bpm • C# Maj • 05:10 • -29db
31% Popularity • 31% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
31% Popularity • 31% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Franz Liszt
Liebestraum No. 1 in A Flat Major, S. 54...
75 bpm • C# Maj • 07:37 • -31db
26% Popularity • 20% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Charles-Valentin Alkan
Nocturne in B Major, Op. 22
67 bpm • B Maj • 05:50 • -29db
19% Popularity • 32% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
19% Popularity • 32% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
John Field
Nocturne No. 2 in C Minor
67 bpm • C min • 03:43 • -33.29db
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Franz Schubert
Du bist die Ruh, Op. 59/3, D. 776
67 bpm • D# Maj • 05:01 • -27.52db
42% Popularity • 20% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
42% Popularity • 20% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
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Christoph Willibald Gluck
Orpheo ed Euridice, Wq. 30, Act II: Danc...
67 bpm • D min • 03:27 • -25.5db
44% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
44% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
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Johannes Brahms
Drei Intermezzi, Op. 117: I. Andante mod...
75 bpm • D# Maj • 05:31 • -38db
27% Popularity • 31% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
27% Popularity • 31% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness