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Back in the Saddle
Songs like
Back in the Saddle
by
Someone Still Loves You Boris Yeltsin
Based on a tempo of (+/- 10%) and a similar genre
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Someone Still Loves You Boris Yeltsin
Back in the Saddle
86 bpm • E Maj • 04:28 • -8db
16% Popularity • 28% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 15% Positiveness
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Plants and Animals
Lightshow
85 bpm • G min • 03:35 • -6db
29% Popularity • 40% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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The Love Language
Heart to Tell
87 bpm • E min • 02:26 • -4db
29% Popularity • 49% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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The Long Winters
Cinnamon
85 bpm • G# Maj • 04:12 • -6db
36% Popularity • 46% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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The Elected
Not Going Home
88 bpm • A# Maj • 04:45 • -5.38db
15% Popularity • 50% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Bishop Allen
Busted Heart
84 bpm • G Maj • 03:53 • -7.45db
21% Popularity • 80% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Kevin Devine
Brooklyn Boy
83 bpm • C Maj • 03:30 • -9.96db
15% Popularity • 53% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Cold War Kids
Out Of The Wilderness
84 bpm • G# Maj • 04:07 • -7.32db
11% Popularity • 31% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Throw Me The Statue
Waving At The Shore
90 bpm • A Maj • 04:35 • -5.46db
10% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Tokyo Police Club
Gone
90 bpm • F Maj • 03:04 • -8.24db
23% Popularity • 56% Danceability • 77% Energy • 48% Liveness
0% Instrumentalness • 62% Positiveness
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Say Hi
The Stars Just Blink for Us
90 bpm • C Maj • 03:30 • -11.13db
26% Popularity • 69% Danceability • 46% Energy • 7% Liveness
32% Instrumentalness • 62% Positiveness
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Bishop Allen
Don't Hide Away
90 bpm • C Maj • 02:28 • -7.96db
14% Popularity • 71% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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JR JR
Morning Thought
82 bpm • A Maj • 03:35 • -4db
17% Popularity • 53% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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The Decemberists
Valerie Plame
90 bpm • D Maj • 04:55 • -6.65db
20% Popularity • 33% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Math and Physics Club
Jimmy Had A Polaroid
91 bpm • E Maj • 02:27 • -5.06db
13% Popularity • 52% Danceability • 84% Energy • 15% Liveness
6% Instrumentalness • 76% Positiveness
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Plants and Animals
Bye Bye Bye
82 bpm • A min • 03:37 • -5.31db
28% Popularity • 21% Danceability • 77% Energy • 27% Liveness
17% Instrumentalness • 37% Positiveness
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Say Hi
Dots On Maps
90 bpm • E Maj • 03:45 • -8.55db
19% Popularity • 70% Danceability • 47% Energy • 10% Liveness
3% Instrumentalness • 36% Positiveness
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Conor Oberst
Souled Out!!!
81 bpm • D Maj • 03:32 • -5.07db
26% Popularity • 39% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Frightened Rabbit
Swim Until You Can't See Land
81 bpm • G Maj • 04:19 • -4.32db
41% Popularity • 32% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Coconut Records
Minding My Own Business
92 bpm • A min • 02:16 • -4.38db
29% Popularity • 66% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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The Morning Benders
Patient Patient
80 bpm • D Maj • 02:32 • -4.1db
24% Popularity • 81% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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1,2,3
Work
80 bpm • D Maj • 03:39 • -6db
18% Popularity • 57% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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Someone Still Loves You Boris Yeltsin
Young Presidents
80 bpm • B min • 02:57 • -6db
39% Popularity • 57% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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Her Space Holiday
Sleepy Tigers
80 bpm • B Maj • 03:27 • -3db
26% Popularity • 71% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Throw Me The Statue
Hi-Fi Goon
93 bpm • C Maj • 02:40 • -4.15db
15% Popularity • 57% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Coconut Records
West Coast
80 bpm • A# Maj • 03:30 • -6db
61% Popularity • 53% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Generationals
Black and White
93 bpm • B Maj • 03:19 • -8.92db
23% Popularity • 56% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Cold War Kids
Mine Is Yours
93 bpm • B Maj • 04:16 • -8.72db
19% Popularity • 58% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Shout Out Louds
Oh, Sweetheart
93 bpm • G Maj • 03:20 • -3.6db
22% Popularity • 32% Danceability • 90% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
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Frightened Rabbit
Nothing Like You
79 bpm • D Maj • 03:05 • -5.01db
34% Popularity • 34% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Bright Eyes
One For You, One For Me
94 bpm • F Maj • 06:35 • -10.06db
24% Popularity • 44% Danceability • 75% Energy • 7% Liveness
5% Instrumentalness • 64% Positiveness
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Coconut Records
The Summer
80 bpm • C# min • 02:45 • -9db
44% Popularity • 47% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Band of Horses
Islands On The Coast
78 bpm • C# Maj • 03:34 • -4.3db
35% Popularity • 13% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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The Long Winters
Fire Island, AK
94 bpm • A min • 03:42 • -6.32db
27% Popularity • 64% Danceability • 73% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
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Peter Wolf Crier
Crutch & Cane
78 bpm • G Maj • 03:01 • -6db
9% Popularity • 51% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 42% Positiveness
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The Morning Benders
Dammit Anna
95 bpm • E min • 01:58 • -2.94db
31% Popularity • 43% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Jenny And Johnny
Slavedriver
95 bpm • C Maj • 02:13 • -7.3db
14% Popularity • 58% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Born Ruffians
Little Garçon
95 bpm • A Maj • 04:09 • -12.19db
31% Popularity • 51% Danceability • 31% Energy • 65% Liveness
0% Instrumentalness • 38% Positiveness
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French Kicks
Abandon
96 bpm • G Maj • 04:22 • -5.26db
24% Popularity • 40% Danceability • 77% Energy • 38% Liveness
2% Instrumentalness • 35% Positiveness
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Bishop Allen
Ghosts Are Good Company
96 bpm • C Maj • 03:00 • -10.12db
10% Popularity • 68% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Local Natives
Airplanes
96 bpm • D Maj • 03:58 • -7.88db
35% Popularity • 59% Danceability • 52% Energy • 13% Liveness
5% Instrumentalness • 59% Positiveness
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The Morning Benders
Promises
78 bpm • C# min • 03:03 • -4.17db
24% Popularity • 40% Danceability • 81% Energy • 71% Liveness
0% Instrumentalness • 52% Positiveness
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Band of Horses
Older
96 bpm • C Maj • 03:28 • -5.85db
30% Popularity • 44% Danceability • 50% Energy • 54% Liveness
0% Instrumentalness • 46% Positiveness
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Say Hi
But She Beat My High Score
77 bpm • C Maj • 02:10 • -12.5db
21% Popularity • 38% Danceability • 36% Energy • 53% Liveness
28% Instrumentalness • 14% Positiveness
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Born Ruffians
Red, Yellow & Blue
96 bpm • C Maj • 02:32 • -10.17db
23% Popularity • 50% Danceability • 22% Energy • 15% Liveness
2% Instrumentalness • 24% Positiveness
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Brakes
Worry About It Later
97 bpm • G# Maj • 02:03 • -6.01db
10% Popularity • 60% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Phantom Planet
Raise The Dead
97 bpm • E Maj • 04:27 • -5.85db
21% Popularity • 48% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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The Morning Benders
Cold War
78 bpm • B Maj • 01:44 • -5db
32% Popularity • 58% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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Mates of State
Parachutes (Funeral Song)
76 bpm • G# Maj • 03:47 • -7db
16% Popularity • 46% Danceability • 65% Energy • 11% Liveness
2% Instrumentalness • 46% Positiveness
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The Shins
Fall Of '82
97 bpm • A Maj • 03:48 • -6.69db
30% Popularity • 69% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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Born Ruffians
Hedonistic Me
97 bpm • A# Maj • 02:39 • -7.76db
22% Popularity • 67% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Monsters Of Folk
Say Please
98 bpm • D Maj • 02:48 • -5.16db
17% Popularity • 52% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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The Republic Tigers
Made Concrete
75 bpm • D Maj • 03:52 • -6.6db
15% Popularity • 55% Danceability • 80% Energy • 7% Liveness
7% Instrumentalness • 71% Positiveness
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The Morning Benders
Heavy Hearts
98 bpm • C min • 03:51 • -7.93db
16% Popularity • 74% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Architecture In Helsinki
Maybe You Can Owe Me
99 bpm • F# Maj • 04:02 • -10.01db
12% Popularity • 49% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
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Nada Surf
Concrete Bed
75 bpm • A Maj • 02:29 • -6.03db
9% Popularity • 51% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Generationals
I Promise
99 bpm • G Maj • 02:38 • -6.17db
31% Popularity • 62% Danceability • 85% Energy • 15% Liveness
1% Instrumentalness • 80% Positiveness
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Coconut Records
The Thanks I Get
100 bpm • E Maj • 02:22 • -7.19db
22% Popularity • 57% Danceability • 36% Energy • 9% Liveness
4% Instrumentalness • 58% Positiveness
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Maritime
Guns Of Navarone
100 bpm • G# Maj • 02:59 • -6.05db
11% Popularity • 51% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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Say Hi
Take Ya' Dancin'
100 bpm • A Maj • 03:01 • -7.02db
29% Popularity • 73% Danceability • 60% Energy • 10% Liveness
2% Instrumentalness • 58% Positiveness
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Someone Still Loves You Boris Yeltsin
Travel Song
100 bpm • C# min • 03:21 • -8.65db
22% Popularity • 65% Danceability • 49% Energy • 10% Liveness
21% Instrumentalness • 48% Positiveness
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Bishop Allen
Eve Of Destruction
100 bpm • G Maj • 03:35 • -11.53db
11% Popularity • 86% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Liam Finn
Cold Feet
101 bpm • C# Maj • 04:16 • -6.61db
8% Popularity • 64% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Coconut Records
It's Not You It's Me
101 bpm • A Maj • 02:40 • -4db
47% Popularity • 57% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Tokyo Police Club
Wait Up (Boots of Danger)
101 bpm • F Maj • 03:09 • -6.11db
36% Popularity • 49% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
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Mates of State
Get Better
102 bpm • G# Maj • 03:27 • -7db
2% Popularity • 50% Danceability • 78% Energy • 24% Liveness
6% Instrumentalness • 8% Positiveness
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Stars
Elevator Love Letter
102 bpm • C Maj • 04:03 • -5.28db
37% Popularity • 56% Danceability • 88% Energy • 45% Liveness
0% Instrumentalness • 86% Positiveness
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Bishop Allen
Things Are What You Make Of Them
101 bpm • C Maj • 03:57 • -7.76db
18% Popularity • 68% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Yellow Ostrich
Stay At Home
102 bpm • A Maj • 03:05 • -6.45db
22% Popularity • 61% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Coconut Records
Drummer
103 bpm • C Maj • 02:55 • -9db
23% Popularity • 69% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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The Deadly Syndrome
Eucalyptus
104 bpm • A Maj • 04:05 • -6.1db
15% Popularity • 54% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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The 88
How Good It Can Be
104 bpm • C min • 03:53 • -6.51db
32% Popularity • 70% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 87% Positiveness
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Born Ruffians
I Need A Life
105 bpm • D Maj • 03:26 • -5db
29% Popularity • 73% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Bishop Allen
The Chinatown Bus
102 bpm • B Maj • 03:21 • -8.44db
11% Popularity • 71% Danceability • 63% Energy • 11% Liveness
8% Instrumentalness • 32% Positiveness
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The Shins
Red Rabbits
105 bpm • G# Maj • 04:29 • -8.47db
37% Popularity • 57% Danceability • 37% Energy • 70% Liveness
0% Instrumentalness • 33% Positiveness
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Coconut Records
Easy Girl
103 bpm • D Maj • 02:15 • -5db
26% Popularity • 58% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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Say Hi
Audrey
105 bpm • E Maj • 01:38 • -11.64db
21% Popularity • 47% Danceability • 39% Energy • 12% Liveness
7% Instrumentalness • 34% Positiveness
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Islands
Hallways
106 bpm • A# Maj • 02:53 • -6.98db
33% Popularity • 68% Danceability • 74% Energy • 35% Liveness
1% Instrumentalness • 72% Positiveness
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Someone Still Loves You Boris Yeltsin
Anne Elephant
105 bpm • F Maj • 04:49 • -8.93db
19% Popularity • 61% Danceability • 55% Energy • 14% Liveness
14% Instrumentalness • 15% Positiveness
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Youth Group
The Destruction Of Laurel Canyon
107 bpm • G Maj • 05:03 • -6.84db
3% Popularity • 43% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Cold War Kids
Royal Blue
108 bpm • B Maj • 03:33 • -8db
23% Popularity • 65% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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The Dodos
Red And Purple
106 bpm • A# min • 04:40 • -6.85db
11% Popularity • 49% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Benjamin Gibbard
Teardrop Windows
108 bpm • G Maj • 02:47 • -6.48db
4% Popularity • 51% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
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Islands
Never Go Solo
106 bpm • D min • 04:45 • -7.73db
9% Popularity • 60% Danceability • 59% Energy • 13% Liveness
3% Instrumentalness • 51% Positiveness
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Headlights
Cherry Tulips
108 bpm • G Maj • 03:28 • -9.22db
20% Popularity • 51% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Kishi Bashi
Bright Whites - EP Mix
108 bpm • G Maj • 04:16 • -6.8db
20% Popularity • 66% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 61% Positiveness
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The Boy Least Likely To
Be Gentle With Me
108 bpm • B min • 03:47 • -6db
29% Popularity • 73% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Okkervil River
Starry Stairs
108 bpm • C# min • 04:01 • -6.36db
25% Popularity • 55% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Maps & Atlases
Fever
109 bpm • C# Maj • 05:05 • -7.03db
10% Popularity • 57% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
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Tapes 'n Tapes
Freak Out
109 bpm • A Maj • 04:05 • -5.24db
30% Popularity • 55% Danceability • 86% Energy • 28% Liveness
24% Instrumentalness • 44% Positiveness
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The Spinto Band
Brown Boxes
109 bpm • G# Maj • 02:28 • -6.05db
11% Popularity • 67% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
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Voxhaul Broadcast
Rotten Apples
109 bpm • D Maj • 02:59 • -4.65db
15% Popularity • 52% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Blitzen Trapper
God & Suicide
109 bpm • C Maj • 02:21 • -7.61db
40% Popularity • 70% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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Bishop Allen
Like Castanets
110 bpm • F Maj • 03:16 • -6.31db
14% Popularity • 64% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 27% Positiveness
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Hamilton Leithauser
Alexandra
110 bpm • G Maj • 02:46 • -3.08db
21% Popularity • 33% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Free Energy
Dance All Night
110 bpm • A Maj • 05:15 • -6.31db
16% Popularity • 64% Danceability • 56% Energy • 29% Liveness
2% Instrumentalness • 48% Positiveness
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Mates of State
These Days
110 bpm • F Maj • 03:32 • -12.35db
17% Popularity • 50% Danceability • 25% Energy • 13% Liveness
23% Instrumentalness • 20% Positiveness
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Born Ruffians
What To Say
111 bpm • G# Maj • 04:32 • -10.24db
17% Popularity • 81% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Crooked Fingers
She Tows the Line
111 bpm • C# min • 04:36 • -9.6db
17% Popularity • 45% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Islands
Don't Call Me Whitney, Bobby
111 bpm • F# Maj • 02:31 • -9.93db
29% Popularity • 74% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Back in the Saddle