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Back On The Path
Songs like
Back On The Path
by
Marcin Przybyłowicz
Based on a tempo of (+/- 10%) and a similar genre
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Critical Role
Above the Living Rooftops
140 bpm • F min • 02:33 • -11.02db
33% Popularity • 48% Danceability • 89% Energy • 19% Liveness
90% Instrumentalness • 11% Positiveness
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Percival Schuttenbach
Drink Up, There's More!
140 bpm • A min • 01:36 • -12.95db
47% Popularity • 80% Danceability • 93% Energy • 13% Liveness
93% Instrumentalness • 72% Positiveness
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Doyle W. Donehoo
The Wages of Treason
140 bpm • D min • 03:19 • -13.6db
22% Popularity • 45% Danceability • 49% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
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Jessica Baran-Surel
Laridé
140 bpm • A# Maj • 02:03 • -7db
42% Popularity • 54% Danceability • 48% Energy • 11% Liveness
71% Instrumentalness • 76% Positiveness
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Jeff van Dyck
Tsunami
140 bpm • F min • 02:04 • -8db
30% Popularity • 65% Danceability • 87% Energy • 15% Liveness
81% Instrumentalness • 48% Positiveness
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Pawel Blaszczak
Prepare For Battle!
140 bpm • C# min • 01:08 • -13.11db
33% Popularity • 61% Danceability • 85% Energy • 11% Liveness
94% Instrumentalness • 43% Positiveness
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Marcin Przybyłowicz
Hearts Of Stone
140 bpm • G min • 02:53 • -12db
40% Popularity • 16% Danceability • 61% Energy • 11% Liveness
13% Instrumentalness • 6% Positiveness
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Percival Schuttenbach
Drink Up, There's More!
140 bpm • A min • 01:36 • -12.95db
29% Popularity • 80% Danceability • 93% Energy • 13% Liveness
93% Instrumentalness • 72% Positiveness
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Funcom Soundtrack
The Killing Sands
140 bpm • F# Maj • 01:09 • -16.32db
33% Popularity • 78% Danceability • 83% Energy • 11% Liveness
68% Instrumentalness • 7% Positiveness
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Collosia
The Road Most Travelled
140 bpm • G min • 02:57 • -22.36db
37% Popularity • 20% Danceability • 22% Energy • 11% Liveness
76% Instrumentalness • 13% Positiveness
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Joseph Trapanese
Rats
140 bpm • C Maj • 03:06 • -14.49db
15% Popularity • 64% Danceability • 37% Energy • 10% Liveness
12% Instrumentalness • 9% Positiveness
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P.T. Adamczyk
Duke Of Dogs
140 bpm • D min • 02:52 • -31.45db
27% Popularity • 19% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 12% Positiveness
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Marcin Przybyłowicz
Back On The Path
140 bpm • D min • 02:41 • -11.64db
47% Popularity • 57% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Jamie Christopherson
Battle at Sundown
140 bpm • G# min • 01:38 • -11db
34% Popularity • 41% Danceability • 76% Energy • 12% Liveness
91% Instrumentalness • 34% Positiveness
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Derek Duke
Urzael
140 bpm • A# min • 02:04 • -10.64db
24% Popularity • 36% Danceability • 83% Energy • 71% Liveness
80% Instrumentalness • 4% Positiveness
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Collosia
The Road Most Travelled
140 bpm • G min • 02:54 • -22.08db
31% Popularity • 18% Danceability • 21% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
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Robert L. Euvino
Under an Old Tree
140 bpm • E min • 04:27 • -15.02db
32% Popularity • 65% Danceability • 27% Energy • 10% Liveness
35% Instrumentalness • 35% Positiveness
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Percival Schuttenbach
...Steel For Humans
140 bpm • A# Maj • 01:27 • -7.54db
29% Popularity • 49% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Marcin Przybyłowicz
Invisible Strike
140 bpm • A# Maj • 02:56 • -14.57db
23% Popularity • 38% Danceability • 66% Energy • 9% Liveness
75% Instrumentalness • 28% Positiveness
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Jamie Christopherson
March of Heroes
140 bpm • D min • 01:32 • -16.09db
36% Popularity • 41% Danceability • 41% Energy • 20% Liveness
93% Instrumentalness • 30% Positiveness
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Adam Skorupa
Dusk Of A Northern Kingdom
141 bpm • C Maj • 04:34 • -21db
36% Popularity • 24% Danceability • 13% Energy • 10% Liveness
75% Instrumentalness • 7% Positiveness
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Joseph Trapanese
Vuilpanne
139 bpm • C min • 03:19 • -11.81db
23% Popularity • 14% Danceability • 58% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Robert L. Euvino
Dark Time
140 bpm • A# min • 03:58 • -17.96db
22% Popularity • 30% Danceability • 21% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
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Percival Schuttenbach
...Steel For Humans
140 bpm • A# Maj • 01:27 • -7.54db
51% Popularity • 49% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Marcin Przybyłowicz
You're... Immortal?
140 bpm • G min • 02:54 • -10db
42% Popularity • 52% Danceability • 64% Energy • 26% Liveness
3% Instrumentalness • 6% Positiveness
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Jason Hayes
Teldrassil
139 bpm • D# Maj • 03:56 • -15.95db
40% Popularity • 17% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Daniel Licht
Dishonored 2 Main Theme
141 bpm • C min • 02:30 • -17.31db
42% Popularity • 37% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Brad Derrick
Grazelands Dawn
141 bpm • G min • 05:01 • -15.34db
45% Popularity • 14% Danceability • 22% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Mikolai Stroinski
Fanfares And Flowers
139 bpm • D min • 03:10 • -11db
45% Popularity • 24% Danceability • 41% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
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Chance Thomas
Shadow of the Argonath
141 bpm • G Maj • 03:08 • -18.64db
32% Popularity • 14% Danceability • 19% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Marcin Przybyłowicz
Kaer Morhen
140 bpm • D min • 02:35 • -13.48db
56% Popularity • 40% Danceability • 33% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
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Austin Wintory
How Did It Come to This?
138 bpm • A Maj • 02:47 • -19.53db
30% Popularity • 16% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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The Flight
Years of Training - Part 1 - Motherland
142 bpm • G Maj • 02:22 • -17db
38% Popularity • 45% Danceability • 52% Energy • 10% Liveness
81% Instrumentalness • 11% Positiveness
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Geoff Knorr
England (The Medieval Era)
138 bpm • G Maj • 04:09 • -14db
39% Popularity • 54% Danceability • 38% Energy • 11% Liveness
96% Instrumentalness • 27% Positiveness
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Edo Guidotti
Ley Lines
143 bpm • A min • 03:11 • -16.05db
32% Popularity • 14% Danceability • 23% Energy • 16% Liveness
98% Instrumentalness • 4% Positiveness
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Adam Skorupa
In Temeria
143 bpm • D Maj • 01:31 • -11db
33% Popularity • 20% Danceability • 58% Energy • 13% Liveness
93% Instrumentalness • 17% Positiveness
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Marcin Przybyłowicz
Back On The Path
140 bpm • D min • 02:41 • -11.64db
23% Popularity • 57% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Austin Wintory
Cut with a Keen-Edged Sword
138 bpm • A min • 03:31 • -10.05db
25% Popularity • 45% Danceability • 58% Energy • 4% Liveness
48% Instrumentalness • 14% Positiveness
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Justin Bell
Dyrford
137 bpm • G Maj • 04:35 • -13.6db
36% Popularity • 15% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Derek Duke
Felwood
143 bpm • C# Maj • 02:38 • -15.84db
34% Popularity • 14% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Adam Sporka
Town Atmosphere 19
137 bpm • C min • 01:50 • -16db
21% Popularity • 17% Danceability • 24% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
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Joseph Trapanese
A Time of Contempt
136 bpm • G Maj • 05:59 • -17.07db
35% Popularity • 22% Danceability • 23% Energy • 10% Liveness
61% Instrumentalness • 5% Positiveness
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Marcin Przybyłowicz
Words On Wind
141 bpm • D min • 02:48 • -15.53db
42% Popularity • 14% Danceability • 22% Energy • 20% Liveness
74% Instrumentalness • 4% Positiveness
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Jesper Kyd
Vermintide End Times
144 bpm • A# Maj • 03:58 • -12.33db
33% Popularity • 41% Danceability • 44% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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Sonya Belousova
Everytime You Leave
144 bpm • B min • 02:07 • -15db
52% Popularity • 33% Danceability • 31% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
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Russell Shaw
The Great Hall
136 bpm • F min • 04:14 • -23.49db
24% Popularity • 25% Danceability • 5% Energy • 6% Liveness
97% Instrumentalness • 3% Positiveness
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Roland Rizzo
Norway (The Atomic Era)
144 bpm • G Maj • 03:52 • -12.05db
26% Popularity • 25% Danceability • 37% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
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Bear McCreary
Valkyries
144 bpm • A min • 05:08 • -14.57db
40% Popularity • 18% Danceability • 38% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
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Marcin Przybyłowicz
Wind In The Caroberta Woods
142 bpm • D min • 03:19 • -23.1db
45% Popularity • 14% Danceability • 8% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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Stuart Chatwood
Town in Chaos
144 bpm • A Maj • 06:08 • -10db
39% Popularity • 51% Danceability • 99% Energy • 34% Liveness
75% Instrumentalness • 23% Positiveness
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Danny Bensi and Saunder Jurriaans
Ragnar's Ride
136 bpm • G Maj • 02:32 • -13.37db
25% Popularity • 34% Danceability • 35% Energy • 17% Liveness
81% Instrumentalness • 15% Positiveness
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Collosia
Drumbeat of the Dunmer
135 bpm • D Maj • 02:01 • -24.36db
28% Popularity • 26% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 5% Positiveness
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Kevin Riepl
War of Shadows
145 bpm • G min • 02:21 • -12.54db
26% Popularity • 43% Danceability • 66% Energy • 13% Liveness
87% Instrumentalness • 33% Positiveness
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Rik Schaffer
The Heart of Nirn
135 bpm • F min • 06:17 • -22.17db
41% Popularity • 16% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Marcin Przybyłowicz
Blood And Wine - Live at Video Game Show...
145 bpm • D Maj • 02:56 • -15db
18% Popularity • 31% Danceability • 33% Energy • 27% Liveness
71% Instrumentalness • 14% Positiveness
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Stuart Chatwood
The Final Combat
136 bpm • G# Maj • 05:21 • -8db
37% Popularity • 55% Danceability • 85% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Jan Valta
Rattay Feasts
135 bpm • C Maj • 01:34 • -11.44db
35% Popularity • 69% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Ivan Duch
Givmaru Trading Harbor Combat
135 bpm • C# Maj • 01:04 • -11.88db
43% Popularity • 66% Danceability • 77% Energy • 11% Liveness
88% Instrumentalness • 43% Positiveness
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Robert L. Euvino
The Smith
135 bpm • D# min • 03:01 • -17.76db
21% Popularity • 53% Danceability • 34% Energy • 13% Liveness
81% Instrumentalness • 33% Positiveness
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ASKII
Bring the Ale!
134 bpm • D Maj • 02:12 • -12.03db
39% Popularity • 72% Danceability • 51% Energy • 20% Liveness
65% Instrumentalness • 14% Positiveness
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Marcin Przybyłowicz
Another Round For Everyone
135 bpm • D min • 01:57 • -11.33db
46% Popularity • 71% Danceability • 89% Energy • 14% Liveness
86% Instrumentalness • 96% Positiveness
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Bear McCreary
The Banner of Captain Flint
147 bpm • D Maj • 03:35 • -16.59db
26% Popularity • 74% Danceability • 48% Energy • 9% Liveness
88% Instrumentalness • 60% Positiveness
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Jason Graves
Last Respite
134 bpm • E min • 05:38 • -19.7db
23% Popularity • 17% Danceability • 9% Energy • 7% Liveness
74% Instrumentalness • 14% Positiveness
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Sonya Belousova
Marilka That's My Name
147 bpm • G Maj • 02:47 • -15.53db
33% Popularity • 37% Danceability • 33% Energy • 10% Liveness
75% Instrumentalness • 9% Positiveness
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Collosia
Dance of Swords
133 bpm • C# Maj • 02:16 • -21.43db
28% Popularity • 17% Danceability • 33% Energy • 12% Liveness
44% Instrumentalness • 12% Positiveness
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Joseph Trapanese
Water
132 bpm • D min • 02:16 • -14.15db
18% Popularity • 38% Danceability • 40% Energy • 6% Liveness
78% Instrumentalness • 4% Positiveness
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Marcin Przybyłowicz
Blood And Wine
146 bpm • G min • 02:57 • -11.15db
43% Popularity • 16% Danceability • 50% Energy • 12% Liveness
36% Instrumentalness • 6% Positiveness
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Critical Role
The Whispered One
132 bpm • G# Maj • 03:14 • -10.78db
36% Popularity • 39% Danceability • 66% Energy • 20% Liveness
92% Instrumentalness • 26% Positiveness
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Justin Bell
Their Hearts Grew Bold
131 bpm • G Maj • 01:46 • -11.77db
34% Popularity • 49% Danceability • 51% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
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Mikolai Stroinski
Spikeroog
149 bpm • D min • 03:05 • -13.89db
54% Popularity • 14% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
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Todd Masten
Whirling Dulcimer (Medieval Melody)
150 bpm • C# Maj • 03:18 • -15db
32% Popularity • 46% Danceability • 77% Energy • 11% Liveness
85% Instrumentalness • 68% Positiveness
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Travis Savoie
Dancing With the Wolves
150 bpm • D Maj • 03:18 • -14.75db
29% Popularity • 43% Danceability • 51% Energy • 22% Liveness
91% Instrumentalness • 42% Positiveness
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Stuart Chatwood
Combat in the Ruins
150 bpm • G Maj • 03:36 • -8.29db
41% Popularity • 53% Danceability • 93% Energy • 14% Liveness
81% Instrumentalness • 26% Positiveness
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Krzysztof Wierzynkiewicz
The Wild Hunt
150 bpm • G min • 01:18 • -10db
26% Popularity • 48% Danceability • 79% Energy • 18% Liveness
60% Instrumentalness • 20% Positiveness
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P.T. Adamczyk
Claws And Scales
150 bpm • A# Maj • 02:47 • -19.54db
23% Popularity • 40% Danceability • 46% Energy • 21% Liveness
87% Instrumentalness • 55% Positiveness
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Jason Hayes
Song of Elune
150 bpm • C# min • 02:15 • -12db
41% Popularity • 37% Danceability • 38% Energy • 12% Liveness
97% Instrumentalness • 12% Positiveness
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Mikolai Stroinski
Blood On The Cobblestones
150 bpm • C min • 02:02 • -10db
43% Popularity • 56% Danceability • 76% Energy • 60% Liveness
74% Instrumentalness • 55% Positiveness
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Marios Aristopoulos
Ares: God of War
150 bpm • G Maj • 04:05 • -21db
13% Popularity • 55% Danceability • 37% Energy • 21% Liveness
89% Instrumentalness • 18% Positiveness
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Piotr Musiał
Titans Of Infamy
130 bpm • D min • 01:38 • -10db
36% Popularity • 68% Danceability • 80% Energy • 16% Liveness
95% Instrumentalness • 18% Positiveness
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Justin Bell
The Fox and the Farmer
130 bpm • D min • 01:11 • -15db
45% Popularity • 59% Danceability • 52% Energy • 25% Liveness
28% Instrumentalness • 51% Positiveness
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P.T. Adamczyk
Sea Dogs
130 bpm • D Maj • 06:20 • -24.04db
25% Popularity • 19% Danceability • 15% Energy • 11% Liveness
75% Instrumentalness • 17% Positiveness
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Pawel Blaszczak
Kingdom & Betrayal
130 bpm • G Maj • 01:48 • -13.34db
24% Popularity • 27% Danceability • 62% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Marcin Przybyłowicz
The Big Four
150 bpm • A# Maj • 01:32 • -13.51db
36% Popularity • 12% Danceability • 45% Energy • 44% Liveness
98% Instrumentalness • 8% Positiveness
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Jan Valta
Beer and Women
130 bpm • C# Maj • 01:50 • -6.96db
40% Popularity • 60% Danceability • 52% Energy • 33% Liveness
50% Instrumentalness • 68% Positiveness
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Krzysztof Wierzynkiewicz
Violence
130 bpm • A min • 01:06 • -11.47db
28% Popularity • 45% Danceability • 97% Energy • 45% Liveness
98% Instrumentalness • 11% Positiveness
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Todd Masten
Maps of the World
130 bpm • A min • 01:58 • -20db
27% Popularity • 54% Danceability • 9% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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P.T. Adamczyk
Riches And Glory
130 bpm • D Maj • 03:53 • -14.55db
29% Popularity • 52% Danceability • 70% Energy • 74% Liveness
14% Instrumentalness • 68% Positiveness
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Frida Johansson
A Murder of Crows
130 bpm • D Maj • 03:21 • -8.78db
23% Popularity • 47% Danceability • 53% Energy • 34% Liveness
90% Instrumentalness • 26% Positiveness
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Marcin Przybyłowicz
The Vagabond
130 bpm • D min • 02:47 • -19.92db
52% Popularity • 37% Danceability • 7% Energy • 11% Liveness
82% Instrumentalness • 7% Positiveness
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Percival Schuttenbach
Cloak And Dagger
130 bpm • D Maj • 02:46 • -14.43db
24% Popularity • 55% Danceability • 40% Energy • 22% Liveness
88% Instrumentalness • 26% Positiveness
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Adam Skorupa
Arena Of Rage
130 bpm • C min • 01:11 • -9.54db
35% Popularity • 46% Danceability • 84% Energy • 10% Liveness
61% Instrumentalness • 12% Positiveness
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Joris de Man
City On The Mesa - Part 3 - Onwards to M...
130 bpm • F Maj • 04:07 • -22db
35% Popularity • 42% Danceability • 16% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
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Sonya Belousova
Pretty Ballads Hide Bastard Truths
130 bpm • F Maj • 02:19 • -11.37db
28% Popularity • 70% Danceability • 52% Energy • 11% Liveness
97% Instrumentalness • 24% Positiveness
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Austin Wintory
From the Table to the Axe
152 bpm • C# min • 01:15 • -12.12db
20% Popularity • 17% Danceability • 29% Energy • 7% Liveness
10% Instrumentalness • 13% Positiveness
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Marcin Przybyłowicz
On The Champs-Désolés
130 bpm • G Maj • 02:02 • -7.21db
39% Popularity • 40% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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Mikolai Stroinski
Forged In Fire
130 bpm • A# Maj • 02:03 • -12.08db
44% Popularity • 70% Danceability • 71% Energy • 48% Liveness
70% Instrumentalness • 96% Positiveness
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David Arkenstone
Slaughtered Lamb
129 bpm • C Maj • 02:32 • -12.67db
35% Popularity • 58% Danceability • 32% Energy • 34% Liveness
71% Instrumentalness • 64% Positiveness
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Chance Thomas
Rivendell
129 bpm • C# min • 02:03 • -15.23db
35% Popularity • 25% Danceability • 28% Energy • 54% Liveness
1% Instrumentalness • 4% Positiveness
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Jason Hayes
Temple
152 bpm • A# min • 01:04 • -14.27db
41% Popularity • 11% Danceability • 17% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
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Bear McCreary
Magni and Modi
152 bpm • C Maj • 02:49 • -14.57db
37% Popularity • 58% Danceability • 49% Energy • 11% Liveness
80% Instrumentalness • 19% Positiveness
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Back On The Path