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Back on the Train
Songs like
Back on the Train
by
Phish
Based on a tempo of (+/- 10%) and a similar genre
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JJ Grey & Mofro
Mississippi
162 bpm • D min • 04:28 • -6.66db
49% Popularity • 66% Danceability • 60% Energy • 12% Liveness
20% Instrumentalness • 82% Positiveness
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Dangermuffin
Fuego
162 bpm • F# min • 04:02 • -9.45db
39% Popularity • 67% Danceability • 52% Energy • 23% Liveness
1% Instrumentalness • 63% Positiveness
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Phish
Back on the Train
162 bpm • F Maj • 03:02 • -9db
40% Popularity • 68% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Anders Osborne
Lafayette
164 bpm • D Maj • 03:58 • -8.14db
37% Popularity • 61% Danceability • 66% Energy • 9% Liveness
9% Instrumentalness • 78% Positiveness
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Shinyribs
Who Built the Moon
164 bpm • F# min • 05:09 • -7.37db
45% Popularity • 66% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Assembly of Dust
Telling Sue
164 bpm • E Maj • 04:22 • -8.66db
18% Popularity • 62% Danceability • 81% Energy • 9% Liveness
10% Instrumentalness • 86% Positiveness
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John Prine
Sweet Revenge
164 bpm • G Maj • 02:41 • -12db
46% Popularity • 58% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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Daniel Donato
Back on the Train
164 bpm • A# Maj • 04:09 • -6.27db
26% Popularity • 63% Danceability • 86% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
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Phish
Scent of a Mule
163 bpm • G Maj • 04:02 • -9.02db
24% Popularity • 41% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Lukas Nelson and Promise of the Real
Toppers
164 bpm • G# min • 04:03 • -5.74db
30% Popularity • 63% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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The Big Wu
Midnight Rudy
160 bpm • B Maj • 06:03 • -12.26db
18% Popularity • 60% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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The Marcus King Band
Guitar In My Hands
164 bpm • C Maj • 02:54 • -7.01db
36% Popularity • 30% Danceability • 63% Energy • 23% Liveness
3% Instrumentalness • 51% Positiveness
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Joe Russo's Almost Dead
Silvio -> - Live 2019-03-02
159 bpm • G Maj • 08:14 • -11.48db
16% Popularity • 35% Danceability • 70% Energy • 81% Liveness
54% Instrumentalness • 83% Positiveness
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Daniel Donato
Fire on the Mountain
165 bpm • E Maj • 09:04 • -6.23db
37% Popularity • 52% Danceability • 68% Energy • 8% Liveness
13% Instrumentalness • 52% Positiveness
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Blind Melon
The Pusher
165 bpm • A Maj • 03:06 • -9db
49% Popularity • 44% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Phish
Loving Cup
164 bpm • G Maj • 06:07 • -4.4db
32% Popularity • 19% Danceability • 94% Energy • 90% Liveness
0% Instrumentalness • 52% Positiveness
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Keller & The Keels
Pepper
158 bpm • D Maj • 03:12 • -8db
29% Popularity • 51% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Donna The Buffalo
Conscious Evolution
166 bpm • A Maj • 05:10 • -5.82db
19% Popularity • 50% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Umphrey's McGee
No Diablo
166 bpm • D# Maj • 04:13 • -7.13db
38% Popularity • 65% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Fruition
Just One of Them Nights
158 bpm • D# Maj • 02:50 • -9.64db
39% Popularity • 60% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Michael Houser
Low Country
158 bpm • B min • 05:31 • -10.58db
1% Popularity • 54% Danceability • 60% Energy • 26% Liveness
24% Instrumentalness • 58% Positiveness
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Phish
Sparkle
159 bpm • C Maj • 03:54 • -10.56db
24% Popularity • 38% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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The Rolling Stones
Loving Cup
157 bpm • G Maj • 04:24 • -5.7db
51% Popularity • 47% Danceability • 84% Energy • 77% Liveness
4% Instrumentalness • 63% Positiveness
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Orebolo
Rockdale
157 bpm • D# Maj • 08:41 • -8.21db
25% Popularity • 40% Danceability • 77% Energy • 97% Liveness
1% Instrumentalness • 48% Positiveness
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Perpetual Groove
It Starts Where It Ends
157 bpm • D Maj • 06:10 • -5.62db
24% Popularity • 33% Danceability • 78% Energy • 6% Liveness
5% Instrumentalness • 23% Positiveness
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Rusted Root
Heaven
168 bpm • D Maj • 04:01 • -9.36db
32% Popularity • 55% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Dangermuffin
Nowhere Path
168 bpm • G Maj • 02:49 • -15.83db
33% Popularity • 59% Danceability • 30% Energy • 10% Liveness
3% Instrumentalness • 65% Positiveness
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Phish
Character Zero
166 bpm • D Maj • 03:58 • -6.99db
38% Popularity • 33% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Daniel Donato
Lose Your Mind
156 bpm • A# Maj • 03:43 • -5.21db
36% Popularity • 44% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Merl Saunders & Friends
Lonely Avenue - Live
168 bpm • C min • 08:53 • -8.4db
19% Popularity • 37% Danceability • 54% Energy • 70% Liveness
70% Instrumentalness • 55% Positiveness
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Spafford
Leave the Light On
156 bpm • E Maj • 04:13 • -8db
34% Popularity • 63% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Ween
Bananas and Blow
156 bpm • E min • 03:34 • -6.75db
46% Popularity • 73% Danceability • 88% Energy • 12% Liveness
47% Instrumentalness • 91% Positiveness
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Dangermuffin
What's in a Bottle
156 bpm • C Maj • 03:03 • -8.46db
39% Popularity • 56% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Anders Osborne
47
169 bpm • C# Maj • 04:44 • -4.01db
23% Popularity • 55% Danceability • 87% Energy • 9% Liveness
4% Instrumentalness • 80% Positiveness
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North Mississippi Allstars
Moonshine
169 bpm • A# Maj • 04:18 • -6.95db
12% Popularity • 47% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Cabinet
Treesap
155 bpm • C Maj • 04:09 • -13.07db
42% Popularity • 62% Danceability • 56% Energy • 10% Liveness
87% Instrumentalness • 62% Positiveness
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Donna The Buffalo
Movin' On
155 bpm • G Maj • 02:54 • -9.44db
33% Popularity • 52% Danceability • 63% Energy • 37% Liveness
1% Instrumentalness • 85% Positiveness
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Billy Strings
Dealing Despair
154 bpm • C Maj • 02:58 • -7.63db
47% Popularity • 44% Danceability • 81% Energy • 35% Liveness
12% Instrumentalness • 87% Positiveness
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Phil Lesh
Welcome to the Underground
154 bpm • A min • 05:28 • -11db
12% Popularity • 65% Danceability • 50% Energy • 35% Liveness
7% Instrumentalness • 72% Positiveness
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Anders Osborne
Flower Box
169 bpm • C Maj • 03:32 • -6.24db
33% Popularity • 49% Danceability • 71% Energy • 37% Liveness
3% Instrumentalness • 74% Positiveness
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Big Something
Amanda Lynn
171 bpm • D Maj • 06:00 • -6.07db
30% Popularity • 38% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Daniel Donato
Angel from Montgomery
154 bpm • D# Maj • 05:32 • -8.04db
29% Popularity • 61% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Donna The Buffalo
The Ones You Love
155 bpm • G Maj • 03:25 • -12.54db
17% Popularity • 48% Danceability • 69% Energy • 40% Liveness
0% Instrumentalness • 70% Positiveness
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Ekoostik Hookah
Raging River
171 bpm • A# Maj • 09:14 • -6.78db
19% Popularity • 39% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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The Infamous Stringdusters
Just Like Heaven
153 bpm • G Maj • 04:08 • -10db
44% Popularity • 52% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Keller & The Keels
Teen Angst
153 bpm • C Maj • 04:19 • -8.34db
15% Popularity • 42% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Merl Saunders & Friends
After Midnight
172 bpm • A Maj • 05:01 • -11.07db
44% Popularity • 55% Danceability • 71% Energy • 11% Liveness
74% Instrumentalness • 90% Positiveness
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North Mississippi Allstars
Dyin' days
153 bpm • D Maj • 04:10 • -13.88db
32% Popularity • 59% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Warren Haynes
Stella Blue
153 bpm • E Maj • 06:19 • -14.22db
15% Popularity • 60% Danceability • 33% Energy • 72% Liveness
1% Instrumentalness • 18% Positiveness
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Perpetual Groove
Three Weeks
172 bpm • D Maj • 09:27 • -7.77db
24% Popularity • 38% Danceability • 80% Energy • 9% Liveness
3% Instrumentalness • 37% Positiveness
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The String Cheese Incident
Sirens
172 bpm • A min • 05:07 • -5db
45% Popularity • 53% Danceability • 70% Energy • 9% Liveness
1% Instrumentalness • 32% Positiveness
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Phish
Fast Enough for You
152 bpm • F Maj • 04:51 • -10.9db
32% Popularity • 40% Danceability • 54% Energy • 45% Liveness
7% Instrumentalness • 18% Positiveness
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Billy Strings
Everything's The Same
152 bpm • G Maj • 02:54 • -8.02db
50% Popularity • 43% Danceability • 70% Energy • 8% Liveness
10% Instrumentalness • 96% Positiveness
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Cracker
Euro-Trash Girl
172 bpm • C Maj • 08:04 • -11.42db
38% Popularity • 49% Danceability • 42% Energy • 27% Liveness
1% Instrumentalness • 72% Positiveness
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Daniel Donato
Gotta Get Southbound
152 bpm • C Maj • 07:55 • -5.34db
27% Popularity • 47% Danceability • 88% Energy • 14% Liveness
12% Instrumentalness • 68% Positiveness
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moe.
Okayalright
173 bpm • C Maj • 04:12 • -5db
39% Popularity • 51% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Taj Mahal
Further On Down The Road
173 bpm • G Maj • 05:00 • -7.75db
38% Popularity • 53% Danceability • 62% Energy • 98% Liveness
0% Instrumentalness • 49% Positiveness
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Twiddle
Lost in the Cold (Live)
174 bpm • C Maj • 07:10 • -14db
33% Popularity • 38% Danceability • 60% Energy • 74% Liveness
1% Instrumentalness • 53% Positiveness
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Billy Strings
Red Daisy
152 bpm • F# Maj • 02:40 • -6db
50% Popularity • 50% Danceability • 80% Energy • 27% Liveness
1% Instrumentalness • 69% Positiveness
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Lukas Nelson and Promise of the Real
Four Letter Word
173 bpm • A Maj • 04:01 • -4.55db
24% Popularity • 40% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
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Jeff Austin
15 Steps
174 bpm • D Maj • 03:17 • -7db
21% Popularity • 50% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Donna The Buffalo
Funky Side
150 bpm • G Maj • 05:11 • -6.15db
27% Popularity • 57% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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G. Love & Special Sauce
Hot Cookin'
175 bpm • G Maj • 03:44 • -8db
37% Popularity • 66% Danceability • 72% Energy • 10% Liveness
2% Instrumentalness • 73% Positiveness
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Dangermuffin
Cicada
150 bpm • G Maj • 04:11 • -13.27db
30% Popularity • 79% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Billy Strings
Doin' things Right
174 bpm • A Maj • 04:13 • -6.81db
42% Popularity • 53% Danceability • 67% Energy • 42% Liveness
0% Instrumentalness • 80% Positiveness
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The Big Wu
Southern Energy
150 bpm • A Maj • 08:43 • -6.11db
19% Popularity • 60% Danceability • 82% Energy • 58% Liveness
0% Instrumentalness • 92% Positiveness
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Kitchen Dwellers
Mountain
150 bpm • C Maj • 04:57 • -11.3db
37% Popularity • 58% Danceability • 63% Energy • 28% Liveness
12% Instrumentalness • 66% Positiveness
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The Code Talkers
Body in the Lake
175 bpm • C Maj • 06:44 • -5.76db
14% Popularity • 54% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Cabinet
Caroline
150 bpm • D Maj • 06:04 • -16db
30% Popularity • 61% Danceability • 48% Energy • 11% Liveness
28% Instrumentalness • 48% Positiveness
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John Hartford
Back in the Goodle Days
149 bpm • G Maj • 03:39 • -16.44db
33% Popularity • 50% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Billy Strings
On the Line
151 bpm • C# min • 03:49 • -5.76db
51% Popularity • 50% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Big Head Todd and The Monsters
Please Don't Tell Her
176 bpm • G Maj • 04:07 • -10.11db
39% Popularity • 61% Danceability • 58% Energy • 8% Liveness
4% Instrumentalness • 58% Positiveness
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ALO
Maria
176 bpm • A Maj • 03:53 • -6.7db
30% Popularity • 51% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Phish
Piper
149 bpm • C Maj • 04:27 • -8.35db
24% Popularity • 28% Danceability • 78% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
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JJ Grey & Mofro
Hide & Seek
177 bpm • G Maj • 03:44 • -8.03db
47% Popularity • 61% Danceability • 68% Energy • 21% Liveness
1% Instrumentalness • 85% Positiveness
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Blitzen Trapper
Big Black Bird
148 bpm • G Maj • 02:47 • -5db
36% Popularity • 65% Danceability • 79% Energy • 11% Liveness
10% Instrumentalness • 90% Positiveness
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Billy Strings
Slow Train
149 bpm • B Maj • 03:59 • -7.5db
50% Popularity • 50% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Perpetual Groove
And Everything
148 bpm • B Maj • 02:16 • -10.83db
47% Popularity • 45% Danceability • 58% Energy • 9% Liveness
92% Instrumentalness • 31% Positiveness
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Donna The Buffalo
In This Life
148 bpm • E Maj • 04:38 • -5.43db
16% Popularity • 56% Danceability • 87% Energy • 89% Liveness
0% Instrumentalness • 89% Positiveness
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The Radiators
Never Let Your Fire Go Out
178 bpm • D Maj • 03:40 • -11.9db
23% Popularity • 44% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Phish
Julius
178 bpm • G Maj • 04:42 • -8.89db
33% Popularity • 31% Danceability • 87% Energy • 88% Liveness
0% Instrumentalness • 49% Positiveness
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Dickey Betts
Sweet Virginia
178 bpm • A Maj • 03:43 • -9db
21% Popularity • 36% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Cbdb
Fun Run
179 bpm • C# min • 03:43 • -6.98db
33% Popularity • 39% Danceability • 86% Energy • 30% Liveness
4% Instrumentalness • 92% Positiveness
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Mike Gordon
Yarmouth Road
147 bpm • C# Maj • 04:41 • -6.24db
28% Popularity • 78% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Eric Lindell
Josephine
179 bpm • C Maj • 02:46 • -4db
39% Popularity • 45% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Chris Robinson Brotherhood
High Is Not the Top
179 bpm • D Maj • 03:49 • -8.06db
26% Popularity • 46% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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The Heavy Pets
Drenched
147 bpm • C Maj • 03:48 • -6.08db
36% Popularity • 52% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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The Gourds
Lower 48
147 bpm • F Maj • 04:31 • -5.45db
34% Popularity • 58% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Umphrey's McGee
Women Wine and Song
146 bpm • D Maj • 03:53 • -7.43db
32% Popularity • 62% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Big Head Todd and The Monsters
Resignation Superman
146 bpm • G Maj • 04:03 • -6.29db
32% Popularity • 49% Danceability • 93% Energy • 9% Liveness
6% Instrumentalness • 61% Positiveness
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Cabinet
Doors
180 bpm • B Maj • 05:11 • -10.72db
30% Popularity • 45% Danceability • 68% Energy • 18% Liveness
43% Instrumentalness • 68% Positiveness
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moe.
Happy Hour Hero
146 bpm • D Maj • 05:01 • -7.52db
36% Popularity • 49% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Phish
Farmhouse
144 bpm • C Maj • 04:02 • -6.57db
49% Popularity • 45% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Blues Traveler
Alone
144 bpm • D Maj • 07:33 • -11db
40% Popularity • 45% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Anders Osborne
Let It Go
183 bpm • B min • 04:35 • -5.21db
30% Popularity • 44% Danceability • 79% Energy • 10% Liveness
9% Instrumentalness • 69% Positiveness
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Billy Strings
Running
143 bpm • G Maj • 02:58 • -8db
42% Popularity • 41% Danceability • 69% Energy • 12% Liveness
2% Instrumentalness • 97% Positiveness
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Daniel Donato
Justice
183 bpm • A Maj • 03:44 • -5.67db
32% Popularity • 39% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
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Eggy
Jack Straw (Charleston Pour House, Charl...
142 bpm • A Maj • 10:11 • -10.02db
20% Popularity • 35% Danceability • 68% Energy • 38% Liveness
43% Instrumentalness • 27% Positiveness
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Phish
46 Days
145 bpm • E Maj • 06:15 • -5.95db
19% Popularity • 36% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Umphrey's McGee
Life During Exodus
142 bpm • E min • 08:41 • -9db
34% Popularity • 73% Danceability • 57% Energy • 6% Liveness
1% Instrumentalness • 86% Positiveness
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Back on the Train