Songs like Back Stabbers - A Tom Moulton Mix by The O'Jays
Based on a tempo of (+/- 10%) and a similar genre
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Ashford & Simpson
Found A Cure - A Tom Moulton Mix
124 bpm • G# min • 10:33 • -9.39db
6% Popularity • 75% Danceability • 62% Energy • 8% Liveness
6% Instrumentalness • 81% Positiveness
6% Popularity • 75% Danceability • 62% Energy • 8% Liveness
6% Instrumentalness • 81% Positiveness
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Sister Sledge
Got to Love Somebody
124 bpm • G Maj • 06:53 • -6db
34% Popularity • 74% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 74% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Moment Of Truth
Helplessly (12" Mix)
124 bpm • F Maj • 06:24 • -10.1db
9% Popularity • 63% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 63% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Stargard
Wear It Out
124 bpm • F# min • 05:17 • -12db
33% Popularity • 76% Danceability • 71% Energy • 3% Liveness
10% Instrumentalness • 97% Positiveness
33% Popularity • 76% Danceability • 71% Energy • 3% Liveness
10% Instrumentalness • 97% Positiveness
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Dee Dee Sharp Gamble
Breaking and Entering - 12" Version
124 bpm • A# Maj • 07:00 • -7.84db
19% Popularity • 74% Danceability • 93% Energy • 23% Liveness
1% Instrumentalness • 90% Positiveness
19% Popularity • 74% Danceability • 93% Energy • 23% Liveness
1% Instrumentalness • 90% Positiveness
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Archie Bell & The Drells
Tighten Up at the Disco
124 bpm • G Maj • 05:41 • -10.57db
10% Popularity • 71% Danceability • 75% Energy • 67% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 71% Danceability • 75% Energy • 67% Liveness
0% Instrumentalness • 87% Positiveness
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The Trammps
Trammps Disco Theme / Zing Went The Stri...
124 bpm • E Maj • 06:43 • -6.29db
10% Popularity • 67% Danceability • 72% Energy • 19% Liveness
5% Instrumentalness • 77% Positiveness
10% Popularity • 67% Danceability • 72% Energy • 19% Liveness
5% Instrumentalness • 77% Positiveness
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Jackie Moore
This Time Baby
124 bpm • A# min • 07:13 • -11.09db
16% Popularity • 84% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
16% Popularity • 84% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Rufus & Chaka Khan
Any Love
124 bpm • G min • 04:52 • -14.45db
34% Popularity • 77% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
34% Popularity • 77% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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The O'Jays
Identify
124 bpm • A min • 04:53 • -6.87db
10% Popularity • 89% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 89% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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Bobby Thurston
Check Out the Groove
124 bpm • B min • 07:29 • -15.34db
32% Popularity • 56% Danceability • 58% Energy • 4% Liveness
1% Instrumentalness • 86% Positiveness
32% Popularity • 56% Danceability • 58% Energy • 4% Liveness
1% Instrumentalness • 86% Positiveness
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Deniece Williams
I've Got the Next Dance
124 bpm • A# min • 05:50 • -8db
26% Popularity • 82% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 82% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Billy Paul
The Whole Town's Talking - A Tom Moulton...
124 bpm • C Maj • 08:39 • -7.15db
4% Popularity • 76% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
4% Popularity • 76% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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Lou Rawls
See You When I Git There
124 bpm • C Maj • 04:28 • -3.43db
42% Popularity • 65% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
42% Popularity • 65% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Jackie Moore
This Time Baby - Special 12" Version
124 bpm • A# min • 07:13 • -11.46db
27% Popularity • 85% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 85% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The O'Jays
Back Stabbers
124 bpm • A# Maj • 03:06 • -11.61db
60% Popularity • 75% Danceability • 71% Energy • 64% Liveness
0% Instrumentalness • 94% Positiveness
60% Popularity • 75% Danceability • 71% Energy • 64% Liveness
0% Instrumentalness • 94% Positiveness
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C.J. & Co.
Devil's Gun
124 bpm • G Maj • 07:18 • -11.17db
21% Popularity • 72% Danceability • 74% Energy • 23% Liveness
5% Instrumentalness • 57% Positiveness
21% Popularity • 72% Danceability • 74% Energy • 23% Liveness
5% Instrumentalness • 57% Positiveness
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G.Q.
Standing Ovation
124 bpm • E Maj • 05:30 • -11db
21% Popularity • 65% Danceability • 71% Energy • 91% Liveness
2% Instrumentalness • 95% Positiveness
21% Popularity • 65% Danceability • 71% Energy • 91% Liveness
2% Instrumentalness • 95% Positiveness
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Switch
Best Beat In Town
124 bpm • C Maj • 04:46 • -10db
12% Popularity • 85% Danceability • 51% Energy • 9% Liveness
14% Instrumentalness • 77% Positiveness
12% Popularity • 85% Danceability • 51% Energy • 9% Liveness
14% Instrumentalness • 77% Positiveness
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Lou Rawls
See You When I Git There - A Tom Moulton...
125 bpm • C Maj • 09:39 • -7db
11% Popularity • 60% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 60% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Jackie Moore
This Time Baby
124 bpm • A# min • 07:12 • -9db
35% Popularity • 81% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
35% Popularity • 81% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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The O'Jays
Back Stabbers - A Tom Moulton Mix
124 bpm • A# Maj • 09:36 • -5.98db
11% Popularity • 68% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 68% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Moment Of Truth
Helplessly
123 bpm • F Maj • 03:44 • -8.86db
15% Popularity • 58% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 58% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Smokey Robinson
Melody Man
125 bpm • G# min • 04:53 • -9.65db
8% Popularity • 77% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 77% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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The Joneses
Sugar Pie Guy
123 bpm • F Maj • 04:33 • -12.48db
14% Popularity • 77% Danceability • 54% Energy • 3% Liveness
1% Instrumentalness • 86% Positiveness
14% Popularity • 77% Danceability • 54% Energy • 3% Liveness
1% Instrumentalness • 86% Positiveness
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The Three Degrees
Year Of Decision - A Tom Moulton Mix
125 bpm • A# Maj • 06:47 • -7.52db
6% Popularity • 68% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 81% Positiveness
6% Popularity • 68% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 81% Positiveness
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The Controllers
People Want Music
125 bpm • C Maj • 05:04 • -13.83db
9% Popularity • 64% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 64% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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The O'Jays
Make a Joyful Noise
124 bpm • C Maj • 03:56 • -7.15db
10% Popularity • 59% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 59% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Sarah Dash
Sinner Man
123 bpm • F# Maj • 05:38 • -11.31db
21% Popularity • 76% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 76% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Tasha Thomas
Shoot Me (With Your Love) - LP / 12" Ver...
123 bpm • F# Maj • 07:09 • -12.63db
17% Popularity • 64% Danceability • 57% Energy • 36% Liveness
1% Instrumentalness • 83% Positiveness
17% Popularity • 64% Danceability • 57% Energy • 36% Liveness
1% Instrumentalness • 83% Positiveness
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Rose Royce
Still In Love
123 bpm • A# min • 05:38 • -10.39db
21% Popularity • 67% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 67% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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The Trammps
That's Where the Happy People Go
123 bpm • F Maj • 07:54 • -13.82db
24% Popularity • 70% Danceability • 71% Energy • 30% Liveness
2% Instrumentalness • 40% Positiveness
24% Popularity • 70% Danceability • 71% Energy • 30% Liveness
2% Instrumentalness • 40% Positiveness
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Bionic Boogie
Cream (Always Rises To The Top) - (Remix...
123 bpm • D Maj • 06:42 • -11.22db
9% Popularity • 74% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 74% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
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The O'Jays
Sing A Happy Song
123 bpm • C Maj • 04:59 • -9db
34% Popularity • 82% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
34% Popularity • 82% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Skyy
Here's To You (Dimitri From Paris DJ Fri...
123 bpm • B min • 06:36 • -6.35db
17% Popularity • 84% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 84% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Average White Band
Let's Go Round Again - Dimitri from Pari...
125 bpm • B min • 09:02 • -7.92db
17% Popularity • 82% Danceability • 70% Energy • 31% Liveness
2% Instrumentalness • 80% Positiveness
17% Popularity • 82% Danceability • 70% Energy • 31% Liveness
2% Instrumentalness • 80% Positiveness
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The Futures
Party Time Man - A Tom Moulton Mix
123 bpm • C Maj • 09:11 • -7.87db
3% Popularity • 72% Danceability • 61% Energy • 5% Liveness
24% Instrumentalness • 60% Positiveness
3% Popularity • 72% Danceability • 61% Energy • 5% Liveness
24% Instrumentalness • 60% Positiveness
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The Originals
Down To Love Town - Single Version
123 bpm • C# Maj • 02:54 • -10.15db
9% Popularity • 76% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 76% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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The Trammps
Soul Bones
125 bpm • G# Maj • 05:35 • -17.33db
5% Popularity • 81% Danceability • 54% Energy • 30% Liveness
1% Instrumentalness • 72% Positiveness
5% Popularity • 81% Danceability • 54% Energy • 30% Liveness
1% Instrumentalness • 72% Positiveness
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The O'Jays
People Keep Tellin' Me
123 bpm • C Maj • 03:58 • -6.32db
22% Popularity • 67% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 67% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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B.T. Express
Peace Pipe
125 bpm • E min • 06:04 • -5.99db
18% Popularity • 68% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 68% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Tom Moulton
Small Circle Of Friends
123 bpm • D Maj • 11:13 • -9.76db
15% Popularity • 60% Danceability • 86% Energy • 9% Liveness
2% Instrumentalness • 90% Positiveness
15% Popularity • 60% Danceability • 86% Energy • 9% Liveness
2% Instrumentalness • 90% Positiveness
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Barbara Pennington
24 Hours a Day
125 bpm • C Maj • 03:12 • -9.5db
16% Popularity • 66% Danceability • 63% Energy • 7% Liveness
2% Instrumentalness • 89% Positiveness
16% Popularity • 66% Danceability • 63% Energy • 7% Liveness
2% Instrumentalness • 89% Positiveness
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Bunny Sigler
By the Way You Dance (I Knew It Was You)
125 bpm • D min • 07:22 • -11.55db
8% Popularity • 85% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 85% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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The Trammps
Where Do We Go from Here
125 bpm • C# Maj • 04:26 • -5.99db
11% Popularity • 76% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 76% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Gloria Scott
(A Case Of) Too Much Lovemakin'
123 bpm • C# Maj • 03:54 • -8.54db
20% Popularity • 63% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
20% Popularity • 63% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Dee Dee Sharp Gamble
Nobody Could Take Your Place
123 bpm • F Maj • 04:58 • -9.22db
20% Popularity • 58% Danceability • 59% Energy • 65% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 58% Danceability • 59% Energy • 65% Liveness
0% Instrumentalness • 67% Positiveness
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Tata Vega
I Just Keep Thinking About You Baby
123 bpm • E Maj • 04:21 • -5.69db
11% Popularity • 68% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 68% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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The O'Jays
Love Train
123 bpm • C Maj • 02:58 • -9.63db
68% Popularity • 74% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
68% Popularity • 74% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Fatback Band
Spanish Hustle
123 bpm • G min • 05:15 • -11db
22% Popularity • 56% Danceability • 82% Energy • 9% Liveness
40% Instrumentalness • 67% Positiveness
22% Popularity • 56% Danceability • 82% Energy • 9% Liveness
40% Instrumentalness • 67% Positiveness
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The Trammps
Disco Party
125 bpm • C# Maj • 08:12 • -13.5db
15% Popularity • 68% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 68% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 90% Positiveness
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The Chi-Lites
My First Mistake
123 bpm • F# Maj • 05:43 • -10.83db
15% Popularity • 46% Danceability • 73% Energy • 2% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 46% Danceability • 73% Energy • 2% Liveness
0% Instrumentalness • 84% Positiveness
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Archie Bell & The Drells
The Soul City Walk
125 bpm • F min • 03:08 • -7.11db
16% Popularity • 65% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 65% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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G.Q.
Disco Nights (Rock Freak)
123 bpm • F min • 05:54 • -12.23db
40% Popularity • 80% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
40% Popularity • 80% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Ripple
The Beat Goes on and On
126 bpm • A# Maj • 04:32 • -15.06db
24% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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The Emotions
I Should Be Dancing
126 bpm • A# min • 04:16 • -11db
24% Popularity • 78% Danceability • 86% Energy • 32% Liveness
15% Instrumentalness • 91% Positiveness
24% Popularity • 78% Danceability • 86% Energy • 32% Liveness
15% Instrumentalness • 91% Positiveness
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The Trammps
The Night the Lights Went Out (Edit)
123 bpm • D# Maj • 03:26 • -6.24db
7% Popularity • 60% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 60% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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The Originals
Down To Love Town
122 bpm • C# Maj • 05:59 • -10.95db
27% Popularity • 73% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
27% Popularity • 73% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Skyy
Here's to You
122 bpm • B min • 05:20 • -11.26db
27% Popularity • 80% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 80% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Stone
Time (Instrumental)
122 bpm • D Maj • 07:31 • -6.54db
15% Popularity • 68% Danceability • 95% Energy • 25% Liveness
72% Instrumentalness • 64% Positiveness
15% Popularity • 68% Danceability • 95% Energy • 25% Liveness
72% Instrumentalness • 64% Positiveness
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The O'Jays
Start Stoppin'
122 bpm • A# min • 04:09 • -2.99db
24% Popularity • 77% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 77% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Love Committee
Just as Long as I Got You (2012 - Remast...
126 bpm • G min • 05:35 • -9.95db
12% Popularity • 67% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 67% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
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Al Johnson
School of the Groove
126 bpm • F min • 04:47 • -11.61db
11% Popularity • 79% Danceability • 83% Energy • 18% Liveness
1% Instrumentalness • 96% Positiveness
11% Popularity • 79% Danceability • 83% Energy • 18% Liveness
1% Instrumentalness • 96% Positiveness
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The Brothers Johnson
Light Up The Night
122 bpm • B min • 03:45 • -11db
37% Popularity • 88% Danceability • 71% Energy • 4% Liveness
14% Instrumentalness • 93% Positiveness
37% Popularity • 88% Danceability • 71% Energy • 4% Liveness
14% Instrumentalness • 93% Positiveness
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Thelma Houston
I'm Here Again
122 bpm • A# min • 06:32 • -10.87db
12% Popularity • 52% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 52% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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G.Q.
Make My Dreams a Reality
122 bpm • G Maj • 06:15 • -13db
23% Popularity • 77% Danceability • 49% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
23% Popularity • 77% Danceability • 49% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
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Charles Johnson
Never Had a Love so Good
122 bpm • F Maj • 03:36 • -11db
13% Popularity • 74% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 74% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
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Sarah Dash
Sinner Man
122 bpm • A# min • 06:32 • -6.14db
9% Popularity • 77% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 77% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Raw Silk
Just in Time (2012 - Remaster)
122 bpm • G Maj • 06:54 • -10.86db
21% Popularity • 70% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 70% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 82% Positiveness
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The Trammps
Where Do We Go from Here - A Tom Moulton...
126 bpm • C# Maj • 05:33 • -6.91db
4% Popularity • 77% Danceability • 88% Energy • 31% Liveness
4% Instrumentalness • 48% Positiveness
4% Popularity • 77% Danceability • 88% Energy • 31% Liveness
4% Instrumentalness • 48% Positiveness
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The Intruders
I'll Always Love My Mama - A Tom Moulton...
122 bpm • B min • 09:40 • -11.14db
5% Popularity • 65% Danceability • 74% Energy • 52% Liveness
0% Instrumentalness • 69% Positiveness
5% Popularity • 65% Danceability • 74% Energy • 52% Liveness
0% Instrumentalness • 69% Positiveness
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The O'Jays
Rich Get Richer
126 bpm • F Maj • 04:23 • -6.61db
11% Popularity • 66% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 66% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
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The Jacksons
Shake Your Body (Down to the Ground) - 1...
122 bpm • C# Maj • 08:37 • -8.65db
18% Popularity • 72% Danceability • 87% Energy • 12% Liveness
7% Instrumentalness • 89% Positiveness
18% Popularity • 72% Danceability • 87% Energy • 12% Liveness
7% Instrumentalness • 89% Positiveness
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Four Below Zero
My Baby's Got ESP
122 bpm • G min • 03:31 • -13.93db
16% Popularity • 66% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 66% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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Rene & Angela
Free And Easy
122 bpm • F min • 05:45 • -5db
22% Popularity • 86% Danceability • 86% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
22% Popularity • 86% Danceability • 86% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
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The Philadelphia International All-Stars
Let's Clean Up the Ghetto - 12" Version
122 bpm • A min • 08:41 • -9db
37% Popularity • 82% Danceability • 72% Energy • 5% Liveness
1% Instrumentalness • 95% Positiveness
37% Popularity • 82% Danceability • 72% Energy • 5% Liveness
1% Instrumentalness • 95% Positiveness
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Bombers
Everybody Get Dancin'
126 bpm • B min • 09:28 • -8.65db
17% Popularity • 72% Danceability • 63% Energy • 33% Liveness
2% Instrumentalness • 63% Positiveness
17% Popularity • 72% Danceability • 63% Energy • 33% Liveness
2% Instrumentalness • 63% Positiveness
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Ron Hall
The Way You Love Me - Dimitri From Pari...
126 bpm • D min • 09:44 • -9db
15% Popularity • 76% Danceability • 72% Energy • 7% Liveness
1% Instrumentalness • 90% Positiveness
15% Popularity • 76% Danceability • 72% Energy • 7% Liveness
1% Instrumentalness • 90% Positiveness
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G.Q.
Boogie Oogie Oogie - 12" Disco Remix
126 bpm • C Maj • 06:12 • -14db
13% Popularity • 80% Danceability • 53% Energy • 2% Liveness
4% Instrumentalness • 96% Positiveness
13% Popularity • 80% Danceability • 53% Energy • 2% Liveness
4% Instrumentalness • 96% Positiveness
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The Jones Girls
Keep It Comin'
122 bpm • F min • 04:49 • -8db
29% Popularity • 79% Danceability • 63% Energy • 10% Liveness
2% Instrumentalness • 95% Positiveness
29% Popularity • 79% Danceability • 63% Energy • 10% Liveness
2% Instrumentalness • 95% Positiveness
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The Ritchie Family
Give Me a Break
126 bpm • F min • 06:26 • -9db
20% Popularity • 83% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 83% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Ashford & Simpson
Nobody Knows - 12" Disco Mix
122 bpm • F Maj • 06:37 • -9db
11% Popularity • 77% Danceability • 90% Energy • 9% Liveness
5% Instrumentalness • 44% Positiveness
11% Popularity • 77% Danceability • 90% Energy • 9% Liveness
5% Instrumentalness • 44% Positiveness
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Harvey Mason
Groovin' You
122 bpm • C min • 04:53 • -8.33db
30% Popularity • 79% Danceability • 86% Energy • 4% Liveness
28% Instrumentalness • 87% Positiveness
30% Popularity • 79% Danceability • 86% Energy • 4% Liveness
28% Instrumentalness • 87% Positiveness
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Bionic Boogie
Risky Changes
122 bpm • G# Maj • 06:21 • -9db
18% Popularity • 69% Danceability • 91% Energy • 34% Liveness
34% Instrumentalness • 78% Positiveness
18% Popularity • 69% Danceability • 91% Energy • 34% Liveness
34% Instrumentalness • 78% Positiveness
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G.Q.
Boogie Oogie Oogie
126 bpm • C Maj • 04:14 • -15db
24% Popularity • 74% Danceability • 57% Energy • 4% Liveness
1% Instrumentalness • 96% Positiveness
24% Popularity • 74% Danceability • 57% Energy • 4% Liveness
1% Instrumentalness • 96% Positiveness
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The O'Jays
Unity
122 bpm • C Maj • 04:59 • -7.91db
17% Popularity • 53% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 53% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Carol Williams
Love Is You (A Tom Moulton Mix)
122 bpm • A min • 07:53 • -8.69db
30% Popularity • 65% Danceability • 74% Energy • 9% Liveness
4% Instrumentalness • 65% Positiveness
30% Popularity • 65% Danceability • 74% Energy • 9% Liveness
4% Instrumentalness • 65% Positiveness
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The Isley Brothers
That Lady, Pts. 1 & 2
126 bpm • F min • 05:34 • -9db
55% Popularity • 34% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
55% Popularity • 34% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Thelma Houston
I'm Here Again
122 bpm • A# min • 04:02 • -7db
18% Popularity • 49% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 49% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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The Spinners
Medley: Working My Way Back to You / For...
122 bpm • A min • 04:03 • -6.4db
40% Popularity • 84% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
40% Popularity • 84% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Miami
Party Freaks
122 bpm • D# Maj • 02:50 • -10.63db
13% Popularity • 48% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 48% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 66% Positiveness
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The O'Jays
Livin' for the Weekend
126 bpm • A min • 06:36 • -9db
33% Popularity • 51% Danceability • 72% Energy • 58% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 51% Danceability • 72% Energy • 58% Liveness
0% Instrumentalness • 69% Positiveness
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Melba Moore
You Got Me Loving You
122 bpm • B Maj • 03:43 • -8.01db
9% Popularity • 70% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 70% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Double Exposure
Ten Percent
121 bpm • C Maj • 07:07 • -8.67db
36% Popularity • 54% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 54% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Billy Paul
People Power
121 bpm • A min • 04:17 • -9db
21% Popularity • 58% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
21% Popularity • 58% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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The Spinners
Working My Way Back to You / Forgive Me,...
122 bpm • A min • 04:05 • -9.39db
50% Popularity • 84% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
50% Popularity • 84% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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G.Q.
Disco Nights (Rock Freak) - 12" Disco Re...
121 bpm • F min • 08:50 • -14.44db
25% Popularity • 81% Danceability • 49% Energy • 25% Liveness
1% Instrumentalness • 78% Positiveness
25% Popularity • 81% Danceability • 49% Energy • 25% Liveness
1% Instrumentalness • 78% Positiveness
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The Strikers
Inch by Inch - Remix
121 bpm • E Maj • 08:13 • -7db
11% Popularity • 85% Danceability • 92% Energy • 6% Liveness
2% Instrumentalness • 96% Positiveness
11% Popularity • 85% Danceability • 92% Energy • 6% Liveness
2% Instrumentalness • 96% Positiveness