Songs like Back to Home by Tristan Prettyman
Based on a tempo of (+/- 10%) and a similar genre
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Tristan Prettyman
Back to Home
117 bpm • A Maj • 03:46 • -6.51db
31% Popularity • 64% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 64% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Roméo Testa
Light It Up
116 bpm • A min • 03:24 • -7.1db
7% Popularity • 54% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 54% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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Michael Logen
Breaking Your Own Heart
118 bpm • G Maj • 03:44 • -12.16db
10% Popularity • 47% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 47% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Shelly Fraley
All That I Wanted
117 bpm • F Maj • 03:39 • -10db
16% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Megan Davies
White Walls/Can't Hold Us/Same Love/Thri...
116 bpm • A min • 04:25 • -4.68db
26% Popularity • 71% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 71% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Shake Shake Go
Doors to Heaven
116 bpm • D Maj • 03:38 • -4.27db
25% Popularity • 43% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 43% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Jamie McDell
Back Of My Mind
116 bpm • G Maj • 03:10 • -3.98db
9% Popularity • 65% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 65% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Nova & the Experience
Jennifer Lawrence
118 bpm • A Maj • 04:08 • -6.13db
11% Popularity • 63% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 63% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Skyline Motel
Language of Love
116 bpm • D Maj • 04:17 • -8db
13% Popularity • 57% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 57% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Lee DeWyze
Don't Be Afraid
116 bpm • D# Maj • 03:04 • -9db
21% Popularity • 60% Danceability • 75% Energy • 11% Liveness
42% Instrumentalness • 80% Positiveness
21% Popularity • 60% Danceability • 75% Energy • 11% Liveness
42% Instrumentalness • 80% Positiveness
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Monica Heldal
Tape 03
116 bpm • F Maj • 04:40 • -10.3db
20% Popularity • 40% Danceability • 47% Energy • 11% Liveness
15% Instrumentalness • 31% Positiveness
20% Popularity • 40% Danceability • 47% Energy • 11% Liveness
15% Instrumentalness • 31% Positiveness
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Jason Reeves
Someone Somewhere.
118 bpm • F Maj • 04:28 • -4.83db
20% Popularity • 52% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 52% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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Mikaela
A Song for You
116 bpm • C Maj • 04:07 • -8db
20% Popularity • 56% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 56% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Mindy Smith
Hurricane
116 bpm • F# Maj • 03:32 • -14.27db
22% Popularity • 60% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
22% Popularity • 60% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Skyline Motel
Skyline Motel
116 bpm • F Maj • 03:44 • -5.41db
13% Popularity • 57% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 57% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Tristan Prettyman
Deepest Ocean Blue
118 bpm • B Maj • 05:30 • -11.39db
12% Popularity • 51% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 51% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Erato
Till the World Ends - Livingroom Session
119 bpm • D# Maj • 02:37 • -10.24db
23% Popularity • 56% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 56% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Rosi Golan
Can't Go Back
119 bpm • D# Maj • 03:47 • -11db
39% Popularity • 56% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 56% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Greg Holden
Boys in the Street
115 bpm • C Maj • 04:14 • -14db
30% Popularity • 58% Danceability • 17% Energy • 4% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 58% Danceability • 17% Energy • 4% Liveness
0% Instrumentalness • 26% Positiveness
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Matrimony
Obey Your Guns
115 bpm • C# Maj • 03:01 • -5.21db
11% Popularity • 64% Danceability • 88% Energy • 7% Liveness
2% Instrumentalness • 75% Positiveness
11% Popularity • 64% Danceability • 88% Energy • 7% Liveness
2% Instrumentalness • 75% Positiveness
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Casey Abrams
Midnight Girl
115 bpm • A Maj • 03:07 • -10.88db
18% Popularity • 73% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 73% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Tristan Prettyman
Toxic - NapsterLive Mix
118 bpm • D Maj • 02:40 • -9.1db
4% Popularity • 90% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
4% Popularity • 90% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Lucy Schwartz
Feeling of Being
115 bpm • C Maj • 03:05 • -14db
31% Popularity • 48% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 48% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Rosi Golan
Flicker
119 bpm • C Maj • 03:47 • -10db
22% Popularity • 68% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 68% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Matt Nathanson
Kiss Quick
115 bpm • C# Maj • 04:25 • -8.69db
27% Popularity • 64% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 64% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Brett Dennen
Out of My Head
115 bpm • C Maj • 03:41 • -6.74db
16% Popularity • 80% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 80% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
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Ryan Corn
Wonderful Things
115 bpm • E min • 03:38 • -4.55db
18% Popularity • 64% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
18% Popularity • 64% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Tristan Prettyman
Quit You
119 bpm • E min • 03:08 • -8.6db
14% Popularity • 82% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 82% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Lee DeWyze
Frames
115 bpm • C Maj • 04:21 • -6db
9% Popularity • 60% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 60% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Ira Wolf
Sun Tomorrow
119 bpm • C# Maj • 05:25 • -12db
22% Popularity • 63% Danceability • 32% Energy • 16% Liveness
1% Instrumentalness • 8% Positiveness
22% Popularity • 63% Danceability • 32% Energy • 16% Liveness
1% Instrumentalness • 8% Positiveness
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Thomas Lundell
Slow Dance
115 bpm • E min • 03:19 • -8.42db
14% Popularity • 58% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 58% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Vanessa Carlton
Willows
119 bpm • A Maj • 02:53 • -10.01db
4% Popularity • 52% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
4% Popularity • 52% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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Isobel Anderson
Waiting for You
120 bpm • D Maj • 03:06 • -11db
34% Popularity • 34% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 34% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Willemijn May
I Will Fall
120 bpm • D Maj • 03:20 • -8.66db
7% Popularity • 67% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 67% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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The Weepies
Can't Go Back Now
120 bpm • F Maj • 02:17 • -9db
47% Popularity • 69% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 69% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Katie Herzig
Walk Through Walls
120 bpm • C Maj • 04:24 • -9db
10% Popularity • 70% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 70% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Charles Perry
Stranger To Love
120 bpm • F Maj • 03:33 • -6.12db
23% Popularity • 63% Danceability • 57% Energy • 49% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 63% Danceability • 57% Energy • 49% Liveness
0% Instrumentalness • 52% Positiveness
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Jillette Johnson
True North
120 bpm • C# Maj • 03:29 • -9.42db
12% Popularity • 58% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
12% Popularity • 58% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Tristan Prettyman
War Out Of Peace
120 bpm • F Maj • 03:49 • -8db
8% Popularity • 69% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 69% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Alex & Sierra
Scarecrow
120 bpm • B Maj • 03:26 • -5db
39% Popularity • 66% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 66% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Andrew Belle
The Daylight
120 bpm • C# Maj • 04:42 • -6db
28% Popularity • 72% Danceability • 57% Energy • 8% Liveness
17% Instrumentalness • 57% Positiveness
28% Popularity • 72% Danceability • 57% Energy • 8% Liveness
17% Instrumentalness • 57% Positiveness
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Lissie
I Bet on You
120 bpm • G# Maj • 04:33 • -6.38db
20% Popularity • 64% Danceability • 63% Energy • 3% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 64% Danceability • 63% Energy • 3% Liveness
0% Instrumentalness • 28% Positiveness
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Brendan James
The Skeptic
120 bpm • G Maj • 03:56 • -5.47db
12% Popularity • 72% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 72% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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The Wind and The Wave
My Mama Said Be Careful Where You Lay Yo...
120 bpm • C Maj • 03:39 • -5.48db
17% Popularity • 55% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 55% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
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Matt White
Falling in Love (With My Best Friend)
120 bpm • C Maj • 03:09 • -6db
25% Popularity • 66% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 66% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Imaginary Future
Open Up Each Other
120 bpm • G Maj • 03:25 • -5.42db
9% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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The Jepettos
Møving Ūndergrøūnd
120 bpm • B min • 04:02 • -10.75db
11% Popularity • 54% Danceability • 46% Energy • 32% Liveness
1% Instrumentalness • 27% Positiveness
11% Popularity • 54% Danceability • 46% Energy • 32% Liveness
1% Instrumentalness • 27% Positiveness
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Catey Shaw
Revolution
120 bpm • A# Maj • 04:06 • -7.18db
12% Popularity • 62% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 62% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Echosmith
Tell Her You Love Her
120 bpm • G Maj • 04:06 • -7.63db
40% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Katie Herzig
Lost and Found
120 bpm • C Maj • 04:47 • -7.69db
37% Popularity • 70% Danceability • 76% Energy • 29% Liveness
14% Instrumentalness • 29% Positiveness
37% Popularity • 70% Danceability • 76% Energy • 29% Liveness
14% Instrumentalness • 29% Positiveness
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Perrin Lamb
Let it Linger
120 bpm • C# Maj • 03:13 • -12db
14% Popularity • 60% Danceability • 44% Energy • 14% Liveness
11% Instrumentalness • 30% Positiveness
14% Popularity • 60% Danceability • 44% Energy • 14% Liveness
11% Instrumentalness • 30% Positiveness
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Brett Dennen
You Make It Easy
120 bpm • D Maj • 03:06 • -7.97db
22% Popularity • 85% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 85% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Scars On 45
Change My Needs
114 bpm • A Maj • 04:16 • -10.86db
19% Popularity • 61% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 61% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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NONONO
Hungry Eyes
120 bpm • F Maj • 03:50 • -4.22db
18% Popularity • 60% Danceability • 78% Energy • 33% Liveness
22% Instrumentalness • 15% Positiveness
18% Popularity • 60% Danceability • 78% Energy • 33% Liveness
22% Instrumentalness • 15% Positiveness
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Tristan Prettyman
The Story - NapsterLive Mix
113 bpm • D Maj • 02:54 • -9.23db
1% Popularity • 67% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
1% Popularity • 67% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Daniel Gidlund
Untold
120 bpm • D# Maj • 04:10 • -10.49db
18% Popularity • 41% Danceability • 38% Energy • 12% Liveness
17% Instrumentalness • 27% Positiveness
18% Popularity • 41% Danceability • 38% Energy • 12% Liveness
17% Instrumentalness • 27% Positiveness
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Oh Honey
Don't You Worry
121 bpm • F Maj • 03:46 • -8db
22% Popularity • 56% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 56% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Jason Reeves
No One Ever Taught Us
121 bpm • A Maj • 04:01 • -6.52db
20% Popularity • 66% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 66% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Dia Frampton
Daniel
113 bpm • C Maj • 03:35 • -7db
19% Popularity • 65% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 65% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Nina Nesbitt
Make Me Fall
113 bpm • D Maj • 03:50 • -12.67db
12% Popularity • 64% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 64% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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NONONO
Pumpin Blood - Acoustic Version
113 bpm • G Maj • 03:46 • -8db
16% Popularity • 69% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 69% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Shane Alexander
Skyway Drive-In
121 bpm • D# Maj • 03:17 • -14db
23% Popularity • 48% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 48% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Schuyler Fisk
Restless Heart
122 bpm • G Maj • 05:15 • -16.68db
11% Popularity • 46% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 46% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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A Fine Frenzy
Come On, Come Out
122 bpm • C Maj • 03:35 • -5db
25% Popularity • 49% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 49% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Matthew Perryman Jones
Waiting On the Light to Change
122 bpm • B Maj • 03:30 • -9db
29% Popularity • 84% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 84% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Malin Kojola
Skinny Love
122 bpm • B Maj • 04:18 • -13.54db
32% Popularity • 56% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
32% Popularity • 56% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Holley Maher
I Do
122 bpm • E Maj • 03:39 • -5.61db
29% Popularity • 71% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 71% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Marit Larsen
Faith & Science
112 bpm • F# min • 03:18 • -4.17db
17% Popularity • 72% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 72% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 53% Positiveness
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The Well Pennies
String Around My Finger
112 bpm • E Maj • 03:21 • -8.73db
11% Popularity • 52% Danceability • 59% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 52% Danceability • 59% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
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Jason Reeves
You in a Song.
112 bpm • D min • 03:53 • -8.08db
23% Popularity • 76% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 76% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Tristan Prettyman
When You Come Down
112 bpm • C# Maj • 03:24 • -8.06db
14% Popularity • 70% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 70% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Schuyler Fisk
You're Only Lonely
112 bpm • B Maj • 04:19 • -8.85db
13% Popularity • 63% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 63% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Matt Nathanson
Love Comes Tumbling Down
112 bpm • G# Maj • 04:40 • -7db
21% Popularity • 71% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 71% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Hurricane Love
You Are the Sun
122 bpm • D Maj • 03:33 • -9.1db
11% Popularity • 50% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 50% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Kye Sones
Save the World
123 bpm • G# min • 03:21 • -6.83db
24% Popularity • 54% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 54% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Nina Nesbitt
Statues
112 bpm • C Maj • 04:13 • -11.22db
10% Popularity • 45% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 45% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 12% Positiveness
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Oh Honey
Until You Let Me
123 bpm • F# Maj • 03:42 • -10.6db
19% Popularity • 64% Danceability • 60% Energy • 46% Liveness
2% Instrumentalness • 59% Positiveness
19% Popularity • 64% Danceability • 60% Energy • 46% Liveness
2% Instrumentalness • 59% Positiveness
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Schuyler Fisk
Like A Fool
112 bpm • F Maj • 02:45 • -5.89db
18% Popularity • 73% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 73% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Luke Sital-Singh
Nearly Morning - Demo
123 bpm • C Maj • 05:42 • -11.78db
10% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Imaginary Future
Love is Beginning
111 bpm • G Maj • 03:43 • -7.08db
32% Popularity • 60% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 60% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 20% Positiveness
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Emily Hearn
Cutting Ties
124 bpm • C# Maj • 03:43 • -8db
17% Popularity • 61% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 61% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Rosi Golan
Say It Anyway
124 bpm • A# Maj • 03:28 • -9.64db
28% Popularity • 71% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 71% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Mikey Wax
Counting On You
124 bpm • C Maj • 03:31 • -4.92db
14% Popularity • 51% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 51% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Brendan James
Windblown
124 bpm • A Maj • 03:14 • -7db
14% Popularity • 63% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 63% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Scars On 45
Golden
124 bpm • D Maj • 03:27 • -5.98db
23% Popularity • 53% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 53% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Tyler Hilton
I Believe in You - Acoustic
124 bpm • B Maj • 04:08 • -8.63db
29% Popularity • 68% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 68% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Corey Crowder
Leaving You
110 bpm • C# Maj • 03:02 • -10.3db
24% Popularity • 58% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 58% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Garrison Starr
Sit With Me Tonight
124 bpm • A# Maj • 02:41 • -18.98db
16% Popularity • 61% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 61% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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High Dive Heart
Vintage
124 bpm • C# Maj • 03:54 • -6.91db
24% Popularity • 42% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 42% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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NONONO
One Wish
110 bpm • G Maj • 03:17 • -5db
14% Popularity • 63% Danceability • 81% Energy • 11% Liveness
2% Instrumentalness • 41% Positiveness
14% Popularity • 63% Danceability • 81% Energy • 11% Liveness
2% Instrumentalness • 41% Positiveness
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Kris Allen
Young Love ("Paul Simon")
110 bpm • D Maj • 03:26 • -7.59db
12% Popularity • 72% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 72% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Jason Reeves
Helium Hearts
110 bpm • C Maj • 04:08 • -5db
23% Popularity • 63% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 63% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Erato
It's Not My Fault I'm Happy
110 bpm • G Maj • 03:30 • -9.34db
17% Popularity • 69% Danceability • 18% Energy • 26% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 69% Danceability • 18% Energy • 26% Liveness
0% Instrumentalness • 31% Positiveness
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Trevor Guthrie
Strong Hands
110 bpm • D# Maj • 02:41 • -8db
12% Popularity • 72% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 72% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Tristan Prettyman
Come Clean
110 bpm • D Maj • 03:54 • -10.27db
14% Popularity • 64% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 64% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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ZZ Ward
Last Love Song
110 bpm • D# Maj • 03:30 • -6.2db
35% Popularity • 64% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 64% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Priscilla Ahn
Dream
110 bpm • D Maj • 03:31 • -10.36db
51% Popularity • 51% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
51% Popularity • 51% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Bess Rogers
What We Want
110 bpm • C# Maj • 03:40 • -10.17db
13% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
