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Backroad Song
Songs like
Backroad Song
by
Granger Smith
Based on a tempo of (+/- 10%) and a similar genre
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Granger Smith
Backroad Song
174 bpm • B Maj • 03:56 • -6.57db
57% Popularity • 49% Danceability • 83% Energy • 34% Liveness
2% Instrumentalness • 75% Positiveness
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The Lacs
Dirt Road Dollars
174 bpm • A# min • 04:38 • -4.44db
57% Popularity • 59% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Craig Morgan
Bonfire
176 bpm • C Maj • 02:59 • -3db
45% Popularity • 43% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Mike Ryan
Dancing All Around It
172 bpm • B min • 03:34 • -5db
43% Popularity • 42% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Toby Keith
Made in America
172 bpm • A Maj • 03:13 • -6db
64% Popularity • 50% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Chris Cagle
What Kinda Gone
172 bpm • F Maj • 03:01 • -5.24db
60% Popularity • 49% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Granger Smith
They Were There
176 bpm • B min • 03:24 • -4.6db
34% Popularity • 45% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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Morgan Wallen
Gone Girl
172 bpm • D Maj • 02:43 • -2.65db
55% Popularity • 53% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Randy Houser
Runnin' Outta Moonlight
172 bpm • D Maj • 03:13 • -3.72db
66% Popularity • 53% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Buddy Brown
The Judge
176 bpm • C# Maj • 03:31 • -6.37db
31% Popularity • 52% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Jake Owen
Barefoot Blue Jean Night
172 bpm • E Maj • 02:47 • -4.68db
72% Popularity • 60% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Kip Moore
Somethin' 'Bout A Truck
176 bpm • B Maj • 03:33 • -5.42db
70% Popularity • 55% Danceability • 79% Energy • 63% Liveness
0% Instrumentalness • 79% Positiveness
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Easton Corbin
Clockwork
172 bpm • C Maj • 03:09 • -4.85db
47% Popularity • 59% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Granger Smith
If Money Didn't Matter
172 bpm • C Maj • 03:50 • -5.45db
26% Popularity • 54% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Emerson Drive
Just Got Paid
172 bpm • A# Maj • 03:00 • -5.82db
34% Popularity • 61% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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The Bone Collector
Duck Blind
172 bpm • D Maj • 02:35 • -4db
41% Popularity • 62% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Chad Brownlee
Dear Drunk Me
177 bpm • C Maj • 02:56 • -5.19db
32% Popularity • 52% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 38% Positiveness
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Lee Brice
Parking Lot Party
172 bpm • C# Maj • 03:27 • -5.76db
53% Popularity • 54% Danceability • 86% Energy • 63% Liveness
0% Instrumentalness • 86% Positiveness
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Easton Corbin
Yup
172 bpm • A# Maj • 03:13 • -6db
45% Popularity • 63% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Bailey Zimmerman
Small Town Crazy
170 bpm • G Maj • 02:42 • -2.85db
57% Popularity • 50% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Morgan Wallen
Yin Yang Girl
170 bpm • C Maj • 03:27 • -4.94db
47% Popularity • 53% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
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Brett Kissel
Airwaves
170 bpm • G# Maj • 03:29 • -5db
37% Popularity • 50% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Scotty McCreery
See You Tonight
170 bpm • A Maj • 03:46 • -6db
53% Popularity • 50% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Rodney Atkins
Take A Back Road
170 bpm • D# Maj • 03:29 • -4db
70% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Thomas Rhett
Drink A Little Beer
168 bpm • A Maj • 03:34 • -4.65db
40% Popularity • 34% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Kolby Cooper
One Night Stand
168 bpm • G# Maj • 03:48 • -5db
46% Popularity • 44% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Craig Morgan
Redneck Yacht Club
168 bpm • G# Maj • 03:50 • -5.41db
65% Popularity • 49% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Jameson Rodgers
Some Girls
168 bpm • G# Maj • 03:04 • -5db
57% Popularity • 42% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Easton Corbin
Baby Be My Love Song
168 bpm • C Maj • 03:19 • -6.15db
49% Popularity • 49% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Florida Georgia Line
Smoke
168 bpm • A# Maj • 03:34 • -3db
51% Popularity • 43% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
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Tyler Farr
C.O.U.N.T.R.Y.
182 bpm • A min • 03:21 • -4db
41% Popularity • 46% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
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Adam Sanders
What If I'm Right
168 bpm • C Maj • 02:46 • -3.42db
38% Popularity • 43% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Trey Lewis
Single Again
166 bpm • F# Maj • 03:13 • -4db
47% Popularity • 49% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Riley Green
Runnin' With An Angel
166 bpm • F# Maj • 03:55 • -5.91db
44% Popularity • 52% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Granger Smith
City Boy Stuck
166 bpm • G Maj • 04:25 • -4.93db
43% Popularity • 59% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Dierks Bentley
Am I The Only One
166 bpm • D Maj • 03:11 • -5.4db
56% Popularity • 58% Danceability • 88% Energy • 79% Liveness
0% Instrumentalness • 88% Positiveness
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High Valley
Country Music, Girls & Trucks
166 bpm • E Maj • 02:49 • -5db
35% Popularity • 48% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
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Joe Nichols
Yeah
166 bpm • B Maj • 03:51 • -4.65db
54% Popularity • 40% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
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Tyler Wood
Still Ridin Shotgun
165 bpm • E Maj • 03:17 • -5.64db
49% Popularity • 54% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
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Jade Eagleson
Count The Ways
165 bpm • F# Maj • 03:15 • -5db
43% Popularity • 61% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Scotty McCreery
Feelin’ It
184 bpm • G Maj • 03:18 • -5db
49% Popularity • 59% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Noah Hicks
I Can Tell You're Small Town
164 bpm • F# Maj • 03:02 • -4db
51% Popularity • 54% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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David Nail
Night's On Fire
164 bpm • E Maj • 03:09 • -4.16db
55% Popularity • 54% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
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Craig Campbell
See You Try
164 bpm • E Maj • 03:02 • -5.42db
33% Popularity • 56% Danceability • 78% Energy • 41% Liveness
0% Instrumentalness • 60% Positiveness
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Buddy Brown
Pedro
185 bpm • A# Maj • 03:50 • -8.24db
27% Popularity • 29% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Granger Smith
Gimme Something
164 bpm • D Maj • 03:11 • -5.28db
31% Popularity • 46% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Blake Shelton
A Guy with a Girl
164 bpm • C Maj • 03:09 • -4.59db
60% Popularity • 55% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Chad Brownlee
The Way You Roll
163 bpm • C Maj • 02:55 • -5db
37% Popularity • 55% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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Jon Pardi
Up All Night
163 bpm • A Maj • 03:29 • -4.94db
58% Popularity • 55% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Walker McGuire
Best Kinda Bad
163 bpm • D Maj • 03:41 • -2.78db
38% Popularity • 44% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Jade Eagleson
Got Your Name On It
162 bpm • C# Maj • 03:09 • -4.81db
52% Popularity • 59% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Granger Smith
If the Boot Fits
162 bpm • D# Maj • 02:50 • -5.74db
45% Popularity • 53% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Eric Paslay
Young Forever
162 bpm • C Maj • 03:17 • -5.39db
40% Popularity • 55% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Chris Cagle
Let There Be Cowgirls
162 bpm • B Maj • 04:33 • -5.56db
51% Popularity • 54% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Jon Pardi
California Sunrise
186 bpm • G Maj • 04:16 • -4db
44% Popularity • 37% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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James Barker Band
Lawn Chair Lazy
162 bpm • C# Maj • 03:16 • -5db
40% Popularity • 59% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Luke Combs
A Long Way
162 bpm • D Maj • 03:37 • -5.03db
58% Popularity • 48% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Scotty McCreery
Why You Gotta Be Like That
188 bpm • G# Maj • 02:50 • -6db
38% Popularity • 52% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Florida Georgia Line
Smooth
161 bpm • F# Maj • 02:50 • -5.42db
50% Popularity • 48% Danceability • 85% Energy • 67% Liveness
0% Instrumentalness • 33% Positiveness
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David Nail
Whatever She's Got
160 bpm • C# Maj • 03:56 • -6.13db
60% Popularity • 53% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Canaan Smith
This Night Back
160 bpm • A Maj • 03:04 • -5db
41% Popularity • 58% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Drew Parker
Raised Up Right
188 bpm • D Maj • 02:58 • -5.82db
43% Popularity • 39% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Luke Combs
Let the Moonshine
162 bpm • F# Maj • 03:29 • -5db
58% Popularity • 49% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Chris Cagle
Got My Country On
160 bpm • G Maj • 03:53 • -5db
41% Popularity • 50% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 51% Positiveness
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Russell Dickerson
Blue Tacoma
160 bpm • A Maj • 03:32 • -4.88db
63% Popularity • 46% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Chris Young
She's Got a Way
160 bpm • A Maj • 02:51 • -5.13db
50% Popularity • 58% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Granger Smith
Reppin’ My Roots
160 bpm • A# Maj • 02:49 • -4.51db
25% Popularity • 53% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Travis Denning
ABBY
160 bpm • D# Maj • 03:15 • -4.58db
52% Popularity • 60% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Buddy Brown
If This Country Still Had Balls
160 bpm • G Maj • 03:09 • -6.21db
48% Popularity • 52% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Chris Cagle
Laredo
160 bpm • A# min • 03:50 • -6db
45% Popularity • 48% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Michael Ray
One That Got Away
160 bpm • A# Maj • 03:38 • -4db
49% Popularity • 56% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Craig Campbell
Fish
160 bpm • F# Maj • 02:47 • -6.28db
50% Popularity • 63% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Tyler Braden
Little Red Wine
160 bpm • C Maj • 03:31 • -4.54db
49% Popularity • 49% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Luke Bryan
What Makes You Country
160 bpm • C Maj • 03:55 • -1.72db
57% Popularity • 52% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Drew Parker
Party In The Back
160 bpm • G Maj • 03:19 • -5.16db
35% Popularity • 60% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Granger Smith
Miles and Mud Tires
160 bpm • G# Maj • 02:48 • -4.56db
33% Popularity • 63% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Jon Langston
She's so Georgia
160 bpm • C# Maj • 03:21 • -5db
37% Popularity • 42% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 64% Positiveness
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Jon Pardi
What I Can't Put Down
160 bpm • G Maj • 03:23 • -4db
61% Popularity • 57% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Jameson Rodgers
Things That Matter
160 bpm • D# Maj • 03:13 • -9db
43% Popularity • 55% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Luke Combs
Be Careful What You Wish For
159 bpm • D# Maj • 02:55 • -5db
60% Popularity • 50% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Randy Houser
Whistlin' Dixie
159 bpm • F# Maj • 03:08 • -4.42db
54% Popularity • 63% Danceability • 79% Energy • 10% Liveness
6% Instrumentalness • 81% Positiveness
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Jade Eagleson
Close
158 bpm • F Maj • 03:04 • -4db
40% Popularity • 43% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Kip Moore
That Was Us
158 bpm • D Maj • 03:59 • -7db
46% Popularity • 60% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Chase Bryant
Take it On Back
158 bpm • D Maj • 04:06 • -5.38db
40% Popularity • 56% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Dean Brody
Where'd You Learn How To Do That
158 bpm • C# Maj • 02:54 • -3.61db
39% Popularity • 53% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Walker McGuire
Til Tomorrow
157 bpm • C Maj • 04:09 • -4.03db
39% Popularity • 45% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Granger Smith
Anything Like Me
156 bpm • F# Maj • 02:50 • -4.87db
29% Popularity • 49% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Jade Eagleson
Lucky
158 bpm • C# Maj • 03:18 • -5.71db
37% Popularity • 61% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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Adam Sanders
Sippin' on the Good Times
156 bpm • E Maj • 03:08 • -7.97db
31% Popularity • 51% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Jake Owen
Best Thing Since Backroads
156 bpm • G Maj • 03:07 • -3.8db
58% Popularity • 51% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Chris Young
Hangin' On
156 bpm • G# Maj • 03:05 • -4.77db
53% Popularity • 43% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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HIXTAPE
Beer Song
156 bpm • E Maj • 03:31 • -4.14db
37% Popularity • 52% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Granger Smith
Still Holds Up
156 bpm • E Maj • 02:57 • -4.18db
25% Popularity • 60% Danceability • 87% Energy • 41% Liveness
0% Instrumentalness • 74% Positiveness
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Dean Brody
Brothers
156 bpm • D# Maj • 04:58 • -7.24db
36% Popularity • 55% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Adam Sanders
Nothin' to Do but Drink
156 bpm • E Maj • 03:16 • -4.55db
37% Popularity • 50% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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Josh Turner
Hometown Girl
156 bpm • D# min • 03:35 • -5.47db
63% Popularity • 50% Danceability • 79% Energy • 14% Liveness
4% Instrumentalness • 44% Positiveness
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Austin Burke
Town Home
156 bpm • F Maj • 02:50 • -5.7db
42% Popularity • 63% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Craig Campbell
Family Man
156 bpm • B Maj • 03:39 • -7.08db
41% Popularity • 55% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Granger Smith
Buy A Boy A Baseball
156 bpm • G Maj • 02:32 • -5.45db
45% Popularity • 58% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Luke Combs
Blue Collar Boys
154 bpm • F Maj • 03:39 • -5.52db
60% Popularity • 53% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Backroad Song