Songs like Backyard Party by Ole Børud
Based on a tempo of (+/- 10%) and a similar genre
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Ole Børud
Your Love
95 bpm • F# Maj • 04:13 • -7.42db
17% Popularity • 72% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 72% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Benny Greb
Twist
95 bpm • A Maj • 03:14 • -6.94db
12% Popularity • 71% Danceability • 70% Energy • 31% Liveness
4% Instrumentalness • 64% Positiveness
12% Popularity • 71% Danceability • 70% Energy • 31% Liveness
4% Instrumentalness • 64% Positiveness
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Doctorfunk
What's My Cut?
95 bpm • C Maj • 05:41 • -6.24db
9% Popularity • 86% Danceability • 80% Energy • 77% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 86% Danceability • 80% Energy • 77% Liveness
0% Instrumentalness • 80% Positiveness
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Funkisch
Gonna Be Somebody
95 bpm • A# min • 06:55 • -9.44db
8% Popularity • 68% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
8% Popularity • 68% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Gary McKay
Division 5, Pt. 1
95 bpm • D Maj • 02:09 • -6.66db
27% Popularity • 79% Danceability • 85% Energy • 14% Liveness
67% Instrumentalness • 88% Positiveness
27% Popularity • 79% Danceability • 85% Energy • 14% Liveness
67% Instrumentalness • 88% Positiveness
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Tom McGuire & the Brassholes
D.R.E.A.D
95 bpm • A Maj • 05:46 • -9.18db
23% Popularity • 68% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 68% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Brother Strut
Happy Feat
95 bpm • D Maj • 04:17 • -6.63db
20% Popularity • 68% Danceability • 83% Energy • 15% Liveness
1% Instrumentalness • 74% Positiveness
20% Popularity • 68% Danceability • 83% Energy • 15% Liveness
1% Instrumentalness • 74% Positiveness
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Bill Champlin
Love Is Gonna Find You
95 bpm • F min • 05:35 • -8.74db
10% Popularity • 68% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 68% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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TOTO
Cruel
95 bpm • F min • 05:54 • -8.35db
27% Popularity • 73% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 73% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Samuel Ljungblahd
If the Lord Has Been Good to You
95 bpm • C# Maj • 04:16 • -8.46db
15% Popularity • 67% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 67% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Ole Børud
Backyard Party
95 bpm • C Maj • 03:08 • -5.51db
33% Popularity • 56% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
33% Popularity • 56% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
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Richard Bona
Please Don't Stop
95 bpm • F min • 06:55 • -11.11db
8% Popularity • 69% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 70% Positiveness
8% Popularity • 69% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 70% Positiveness
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Zapp Zapp
The Same Thing
96 bpm • A# min • 03:08 • -7.24db
17% Popularity • 80% Danceability • 88% Energy • 1% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 80% Danceability • 88% Energy • 1% Liveness
0% Instrumentalness • 91% Positiveness
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Tomo Fujita
Meltdown
94 bpm • A Maj • 03:58 • -10.94db
8% Popularity • 53% Danceability • 68% Energy • 12% Liveness
84% Instrumentalness • 93% Positiveness
8% Popularity • 53% Danceability • 68% Energy • 12% Liveness
84% Instrumentalness • 93% Positiveness
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Cory Henry
Rise (Extended Version)
95 bpm • B min • 04:29 • -5.22db
21% Popularity • 69% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 69% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Trine Rein
Where Do We Go
94 bpm • C Maj • 04:08 • -8.89db
3% Popularity • 63% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
3% Popularity • 63% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Frank Adahl
My Feet Are on the Rock
96 bpm • F Maj • 03:45 • -7.14db
13% Popularity • 51% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 51% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Ida Nielsen
Accidental Balls
96 bpm • G min • 02:45 • -10db
22% Popularity • 86% Danceability • 60% Energy • 9% Liveness
2% Instrumentalness • 29% Positiveness
22% Popularity • 86% Danceability • 60% Energy • 9% Liveness
2% Instrumentalness • 29% Positiveness
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Zapp Zapp
Forget About October
94 bpm • A Maj • 04:03 • -9.04db
12% Popularity • 78% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 78% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Bernhoft
On Time
94 bpm • F# min • 03:49 • -7.06db
24% Popularity • 71% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 71% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Funkisch
You Walk Away
96 bpm • B min • 04:19 • -10.49db
18% Popularity • 70% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 70% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Dirty Loops
Accidentally In Love
96 bpm • G Maj • 03:43 • -4.34db
32% Popularity • 45% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 45% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Timo Kahilainen
Love Remains The Same
96 bpm • G Maj • 03:54 • -6.25db
9% Popularity • 60% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 60% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Ida Nielsen
Sometimes a Girl Needs Some Sugar Too
94 bpm • A Maj • 03:05 • -6.12db
15% Popularity • 65% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 65% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Bronk
Mr Collins
96 bpm • C Maj • 04:16 • -7.76db
9% Popularity • 89% Danceability • 70% Energy • 7% Liveness
47% Instrumentalness • 50% Positiveness
9% Popularity • 89% Danceability • 70% Energy • 7% Liveness
47% Instrumentalness • 50% Positiveness
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Bernhoft
Buried Gold
94 bpm • A min • 05:04 • -6.71db
28% Popularity • 71% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 71% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Phillip Doc Martin
Funky Lovin'
96 bpm • C# Maj • 03:44 • -7.12db
27% Popularity • 72% Danceability • 60% Energy • 7% Liveness
11% Instrumentalness • 78% Positiveness
27% Popularity • 72% Danceability • 60% Energy • 7% Liveness
11% Instrumentalness • 78% Positiveness
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Richard Elliot
West Coast Jam
96 bpm • F Maj • 03:58 • -5.78db
29% Popularity • 83% Danceability • 63% Energy • 12% Liveness
47% Instrumentalness • 74% Positiveness
29% Popularity • 83% Danceability • 63% Energy • 12% Liveness
47% Instrumentalness • 74% Positiveness
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Samuel Ljungblahd
Praise You
94 bpm • C# Maj • 03:57 • -7.5db
8% Popularity • 72% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 72% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Ida Nielsen
Heart of Stone
94 bpm • D Maj • 04:33 • -7.06db
15% Popularity • 72% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 72% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Cory Henry
Rise
94 bpm • D Maj • 04:34 • -4.74db
22% Popularity • 69% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 69% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Doctorfunk
Right Here
93 bpm • F# min • 04:15 • -4.79db
9% Popularity • 65% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 65% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Brasstracks
Basket Case
97 bpm • B min • 03:48 • -7.1db
30% Popularity • 81% Danceability • 66% Energy • 7% Liveness
83% Instrumentalness • 74% Positiveness
30% Popularity • 81% Danceability • 66% Energy • 7% Liveness
83% Instrumentalness • 74% Positiveness
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Andreas Aleman
Livin' with a Stranger
97 bpm • C Maj • 03:44 • -5.77db
20% Popularity • 77% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 77% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Samuel Ljungblahd
Praise You
94 bpm • C# Maj • 06:45 • -9.63db
25% Popularity • 68% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 68% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Ida Nielsen
Rock the Bass
97 bpm • G# Maj • 03:07 • -6.67db
21% Popularity • 82% Danceability • 84% Energy • 54% Liveness
1% Instrumentalness • 66% Positiveness
21% Popularity • 82% Danceability • 84% Energy • 54% Liveness
1% Instrumentalness • 66% Positiveness
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Lawrence
The Heartburn Song
93 bpm • A# min • 04:11 • -5.4db
39% Popularity • 67% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
39% Popularity • 67% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Paulo Mendonca
3rd Leg
97 bpm • G Maj • 03:19 • -5.31db
10% Popularity • 65% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 65% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Snarky Puppy
Brother, I'm Hungry
97 bpm • G Maj • 08:35 • -8.75db
21% Popularity • 51% Danceability • 78% Energy • 70% Liveness
6% Instrumentalness • 63% Positiveness
21% Popularity • 51% Danceability • 78% Energy • 70% Liveness
6% Instrumentalness • 63% Positiveness
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Donald Fagen
Morph the Cat
93 bpm • E min • 06:48 • -7.54db
34% Popularity • 73% Danceability • 48% Energy • 23% Liveness
3% Instrumentalness • 58% Positiveness
34% Popularity • 73% Danceability • 48% Energy • 23% Liveness
3% Instrumentalness • 58% Positiveness
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Janne Schaffer
Happy Feet
92 bpm • A Maj • 04:12 • -8.11db
13% Popularity • 59% Danceability • 76% Energy • 24% Liveness
86% Instrumentalness • 60% Positiveness
13% Popularity • 59% Danceability • 76% Energy • 24% Liveness
86% Instrumentalness • 60% Positiveness
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Ida Nielsen
F.U.NKWHY
96 bpm • G Maj • 03:43 • -6.58db
28% Popularity • 73% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 73% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
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Luca Bright
Once again
98 bpm • A# Maj • 03:19 • -5.91db
19% Popularity • 74% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 74% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Cory Henry
Takes All Time
98 bpm • C# Maj • 05:03 • -5db
15% Popularity • 64% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 64% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Andreas Aleman
Dirty Love
98 bpm • F Maj • 04:20 • -6.77db
12% Popularity • 73% Danceability • 69% Energy • 64% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 73% Danceability • 69% Energy • 64% Liveness
0% Instrumentalness • 90% Positiveness
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Ole Børud
She's Like No Other
98 bpm • B Maj • 04:21 • -5.43db
29% Popularity • 77% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 77% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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MF Robots
Brand New Day
98 bpm • C Maj • 03:59 • -9db
25% Popularity • 76% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 76% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
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Ida Nielsen
Vibe It Out
94 bpm • F Maj • 02:36 • -11db
29% Popularity • 72% Danceability • 60% Energy • 8% Liveness
76% Instrumentalness • 75% Positiveness
29% Popularity • 72% Danceability • 60% Energy • 8% Liveness
76% Instrumentalness • 75% Positiveness
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The Lionyls
Pocket (Radio Edit)
92 bpm • C# min • 03:47 • -6.2db
17% Popularity • 58% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
17% Popularity • 58% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Cory Henry
Happy Days
98 bpm • C# Maj • 03:52 • -7.27db
41% Popularity • 71% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
41% Popularity • 71% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
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Andreas Aleman
Right out Loud
98 bpm • G Maj • 05:16 • -6.19db
25% Popularity • 72% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 72% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Swatkins
Gotta Give It Away (If You're Gonna Keep...
92 bpm • G Maj • 04:38 • -5.1db
30% Popularity • 73% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 73% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Rai Thistlethwayte
You Gotta Go
98 bpm • G Maj • 03:15 • -10.08db
8% Popularity • 81% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 81% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Ida Nielsen
Rubber Toy In My Bathtub
98 bpm • A Maj • 03:28 • -6.36db
10% Popularity • 70% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 70% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Ole Børud
All Because of You
98 bpm • A Maj • 03:54 • -6.3db
22% Popularity • 63% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 63% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Cory Henry
Switch
98 bpm • C# Maj • 03:16 • -7.74db
39% Popularity • 86% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
39% Popularity • 86% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Andreas Aleman
I Knew It Was You
92 bpm • G# Maj • 04:07 • -7db
15% Popularity • 62% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 62% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Gerald Veasley
Hear Now!
92 bpm • G Maj • 05:04 • -9.34db
20% Popularity • 82% Danceability • 58% Energy • 12% Liveness
84% Instrumentalness • 82% Positiveness
20% Popularity • 82% Danceability • 58% Energy • 12% Liveness
84% Instrumentalness • 82% Positiveness
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Giacomo Turra
Virtual Insanity
92 bpm • C# Maj • 02:41 • -5.43db
32% Popularity • 66% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 66% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Chris Minh Doky
Don't Get Funny with My Money
92 bpm • F min • 05:05 • -7.65db
14% Popularity • 85% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 85% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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The Aquaducks
Got Me Funked Up
92 bpm • A# min • 03:32 • -7.6db
26% Popularity • 75% Danceability • 65% Energy • 31% Liveness
2% Instrumentalness • 77% Positiveness
26% Popularity • 75% Danceability • 65% Energy • 31% Liveness
2% Instrumentalness • 77% Positiveness
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Cindy Latin
In a Year From Now
92 bpm • D Maj • 03:09 • -4.18db
13% Popularity • 61% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 61% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Andreas Aleman
There Ain't Nothin'
92 bpm • G# Maj • 03:44 • -6.71db
16% Popularity • 69% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 69% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Philip Lassiter
Repent
98 bpm • F Maj • 05:16 • -4db
25% Popularity • 78% Danceability • 96% Energy • 6% Liveness
7% Instrumentalness • 60% Positiveness
25% Popularity • 78% Danceability • 96% Energy • 6% Liveness
7% Instrumentalness • 60% Positiveness
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Hans Christian Jochimsen
We are here
92 bpm • C# Maj • 04:31 • -6.07db
22% Popularity • 59% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 59% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Baba Nation
Raggamuffin Mini
98 bpm • F# min • 04:01 • -6.2db
11% Popularity • 58% Danceability • 81% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 58% Danceability • 81% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
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Peter Friestedt
There Ain't Nothin'
99 bpm • F min • 03:49 • -4.7db
12% Popularity • 66% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 66% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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D'Sound
Ain't Giving Up - Radio Version
92 bpm • B min • 03:32 • -7.47db
17% Popularity • 73% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
17% Popularity • 73% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
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Andreas Aleman
Power
92 bpm • F Maj • 03:43 • -6.65db
24% Popularity • 60% Danceability • 76% Energy • 52% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 60% Danceability • 76% Energy • 52% Liveness
0% Instrumentalness • 78% Positiveness
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Per-Erik Hallin
Gospel Train
91 bpm • E min • 05:32 • -11.16db
16% Popularity • 72% Danceability • 57% Energy • 31% Liveness
1% Instrumentalness • 82% Positiveness
16% Popularity • 72% Danceability • 57% Energy • 31% Liveness
1% Instrumentalness • 82% Positiveness
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High Red
I Got It Bad
99 bpm • F# min • 04:20 • -6.72db
10% Popularity • 65% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 65% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
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Santa Fe & The Fat City Horns
Let the Healing Begin
99 bpm • E min • 04:46 • -6.57db
9% Popularity • 72% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 72% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Doug Johns
Scrumpt
99 bpm • G Maj • 03:27 • -7.63db
17% Popularity • 80% Danceability • 81% Energy • 34% Liveness
84% Instrumentalness • 67% Positiveness
17% Popularity • 80% Danceability • 81% Energy • 34% Liveness
84% Instrumentalness • 67% Positiveness
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Zapp Zapp
Don't Change Horses (In the Middle of th...
91 bpm • F min • 05:38 • -9.45db
9% Popularity • 69% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 69% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Andreas Aleman
Keep on Keepin' Funky
91 bpm • A Maj • 04:41 • -5.95db
21% Popularity • 69% Danceability • 91% Energy • 65% Liveness
0% Instrumentalness • 95% Positiveness
21% Popularity • 69% Danceability • 91% Energy • 65% Liveness
0% Instrumentalness • 95% Positiveness
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Jurassik Funk
The Funk Connection
99 bpm • B Maj • 03:48 • -5db
11% Popularity • 84% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 84% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Stanley Clarke
We Supply
99 bpm • D Maj • 04:19 • -13.27db
25% Popularity • 76% Danceability • 71% Energy • 16% Liveness
1% Instrumentalness • 85% Positiveness
25% Popularity • 76% Danceability • 71% Energy • 16% Liveness
1% Instrumentalness • 85% Positiveness
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Dumpstaphunk
Justice
100 bpm • D Maj • 04:31 • -6db
23% Popularity • 69% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 69% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Michael Ruff
What Kind of World
100 bpm • F# Maj • 04:42 • -14db
12% Popularity • 60% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
12% Popularity • 60% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
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Bastian Steven
Back Home
100 bpm • C Maj • 03:10 • -4.96db
10% Popularity • 78% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 78% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Mingo Fishtrap
Sugadoo
100 bpm • C Maj • 03:29 • -8db
24% Popularity • 72% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 72% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Dennis Chambers
Practice What You Preaching
100 bpm • G Maj • 04:51 • -8.17db
18% Popularity • 75% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
18% Popularity • 75% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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Doctorfunk
Second Opinion
100 bpm • D Maj • 04:48 • -4.39db
14% Popularity • 87% Danceability • 74% Energy • 2% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 87% Danceability • 74% Energy • 2% Liveness
0% Instrumentalness • 81% Positiveness
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The Norwegian Fords
Surfing on the Sun
100 bpm • F# min • 04:34 • -11db
16% Popularity • 72% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 72% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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The Stanley Clarke Band
I Wanna Play for You Too
100 bpm • E min • 04:13 • -6.56db
21% Popularity • 82% Danceability • 87% Energy • 8% Liveness
53% Instrumentalness • 83% Positiveness
21% Popularity • 82% Danceability • 87% Energy • 8% Liveness
53% Instrumentalness • 83% Positiveness
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Philip Lassiter
Sugar Coat Me
100 bpm • C# Maj • 04:47 • -6.59db
18% Popularity • 75% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 75% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Brother Strut
Funk That Junk
100 bpm • A Maj • 02:35 • -5.66db
34% Popularity • 80% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 80% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Paulo Mendonca
Different Faces
100 bpm • F# min • 03:58 • -7.22db
10% Popularity • 57% Danceability • 91% Energy • 7% Liveness
1% Instrumentalness • 81% Positiveness
10% Popularity • 57% Danceability • 91% Energy • 7% Liveness
1% Instrumentalness • 81% Positiveness
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Johan Randén
Cheese & Miller
100 bpm • F# min • 04:16 • -7.87db
12% Popularity • 70% Danceability • 78% Energy • 4% Liveness
88% Instrumentalness • 89% Positiveness
12% Popularity • 70% Danceability • 78% Energy • 4% Liveness
88% Instrumentalness • 89% Positiveness
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Kinga Glyk
Let's Play Some Funky Groove
100 bpm • G# min • 02:51 • -10.79db
35% Popularity • 70% Danceability • 60% Energy • 12% Liveness
82% Instrumentalness • 86% Positiveness
35% Popularity • 70% Danceability • 60% Energy • 12% Liveness
82% Instrumentalness • 86% Positiveness
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Redtenbacher's Funkestra
Funktionality
100 bpm • F# min • 03:07 • -5.06db
42% Popularity • 78% Danceability • 60% Energy • 7% Liveness
82% Instrumentalness • 74% Positiveness
42% Popularity • 78% Danceability • 60% Energy • 7% Liveness
82% Instrumentalness • 74% Positiveness
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The Bottom 40
Higher Ground
100 bpm • C Maj • 05:58 • -5.23db
10% Popularity • 51% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 51% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Per-Erik Hallin
Let It Out
90 bpm • C# Maj • 03:37 • -9.68db
12% Popularity • 69% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 69% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Richard Bona
Please Don't Stop
90 bpm • F min • 03:59 • -10.42db
40% Popularity • 72% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
40% Popularity • 72% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Jonah Nilsson
I Just Need
90 bpm • B Maj • 04:04 • -10.34db
20% Popularity • 73% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 73% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Gábor Vermes Group
Chill Out
90 bpm • E min • 03:09 • -4.81db
20% Popularity • 76% Danceability • 74% Energy • 12% Liveness
17% Instrumentalness • 83% Positiveness
20% Popularity • 76% Danceability • 74% Energy • 12% Liveness
17% Instrumentalness • 83% Positiveness
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Ole Børud
Under Control
90 bpm • C# min • 04:01 • -6.8db
23% Popularity • 68% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 68% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
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Andreas Aleman
Somehow I Found Home
90 bpm • F Maj • 05:36 • -7.98db
19% Popularity • 67% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 95% Positiveness
19% Popularity • 67% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 95% Positiveness
