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Baker Street
Songs like
Baker Street
by
Shawn Colvin
Based on a tempo of (+/- 10%) and a similar genre
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Ray Bonneville
Listen
97 bpm • G min • 03:48 • -14db
34% Popularity • 61% Danceability • 38% Energy • 11% Liveness
6% Instrumentalness • 73% Positiveness
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Suzanne Vega
Carson's Blues
97 bpm • A Maj • 02:55 • -11db
20% Popularity • 51% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Martin Simpson
Blues Run the Game
97 bpm • D# Maj • 04:30 • -11db
21% Popularity • 44% Danceability • 52% Energy • 14% Liveness
8% Instrumentalness • 51% Positiveness
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Greg Brown
Sleeper
97 bpm • A Maj • 04:29 • -21.19db
19% Popularity • 48% Danceability • 22% Energy • 30% Liveness
4% Instrumentalness • 25% Positiveness
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Janis Ian
Tattoo
97 bpm • A# min • 04:20 • -21.27db
10% Popularity • 46% Danceability • 22% Energy • 12% Liveness
3% Instrumentalness • 22% Positiveness
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Shawn Colvin
Baker Street
97 bpm • A# Maj • 04:30 • -14.11db
35% Popularity • 62% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Mark Knopfler
Go, Love
98 bpm • B min • 04:52 • -14.88db
46% Popularity • 64% Danceability • 23% Energy • 11% Liveness
13% Instrumentalness • 14% Positiveness
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Lucy Kaplansky
More Than This
98 bpm • D# Maj • 04:22 • -12.53db
23% Popularity • 50% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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The Waifs
Beautiful You
96 bpm • F Maj • 04:35 • -10db
28% Popularity • 72% Danceability • 28% Energy • 11% Liveness
4% Instrumentalness • 34% Positiveness
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Greg Brown
Blue Car
98 bpm • D Maj • 04:11 • -11.58db
30% Popularity • 78% Danceability • 39% Energy • 10% Liveness
28% Instrumentalness • 57% Positiveness
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The Peter Malick Group
Heart Of Mine
96 bpm • D# Maj • 05:08 • -8.69db
35% Popularity • 77% Danceability • 48% Energy • 7% Liveness
4% Instrumentalness • 29% Positiveness
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Shawn Colvin
Tenderness On The Block
98 bpm • F Maj • 05:04 • -11.72db
21% Popularity • 72% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Aoife O'Donovan
You Turn Me On, I'm a Radio - Acoustic
96 bpm • C# Maj • 03:21 • -13.08db
38% Popularity • 51% Danceability • 8% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
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Bap Kennedy
Good as Gold
98 bpm • C# min • 02:48 • -13.71db
18% Popularity • 70% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Joan Baez
She Moved Through The Fair
96 bpm • C Maj • 05:44 • -12.66db
26% Popularity • 17% Danceability • 39% Energy • 92% Liveness
0% Instrumentalness • 17% Positiveness
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Janis Ian
His Hands
96 bpm • G# Maj • 05:16 • -17.75db
8% Popularity • 77% Danceability • 18% Energy • 11% Liveness
13% Instrumentalness • 37% Positiveness
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Eric Clapton
Three Little Girls
99 bpm • C Maj • 02:44 • -10.89db
36% Popularity • 70% Danceability • 39% Energy • 13% Liveness
40% Instrumentalness • 73% Positiveness
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Laura Marling
Kathy’s Song - Recorded at Spotify Stu...
95 bpm • A Maj • 02:44 • -14.83db
38% Popularity • 61% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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John Hiatt
Long Time Comin'
99 bpm • E Maj • 04:12 • -9.58db
38% Popularity • 65% Danceability • 42% Energy • 8% Liveness
53% Instrumentalness • 26% Positiveness
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Dick Gaughan
Ruby Tuesday
99 bpm • G Maj • 04:31 • -19.43db
22% Popularity • 49% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Mark Knopfler
Sailing To Philadelphia
99 bpm • F# min • 05:28 • -11.06db
50% Popularity • 61% Danceability • 43% Energy • 10% Liveness
4% Instrumentalness • 20% Positiveness
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Kristina Train
Dark Black
95 bpm • C Maj • 03:04 • -14db
51% Popularity • 33% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Shawn Colvin
Something To Believe In
95 bpm • D Maj • 04:09 • -14.31db
13% Popularity • 67% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Cheryl Wheeler
Northern Girl
99 bpm • A Maj • 03:46 • -15.04db
31% Popularity • 57% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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John Hiatt
Lipstick Sunset
95 bpm • D Maj • 04:11 • -12.91db
32% Popularity • 57% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Mike Scott
She Is so Beautiful
95 bpm • D Maj • 03:56 • -10db
40% Popularity • 65% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Allan Taylor
Running on Dreams
100 bpm • C Maj • 05:22 • -15.23db
9% Popularity • 51% Danceability • 31% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
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Crosby & Nash
Half Your Angels
100 bpm • A# Maj • 05:04 • -14.1db
14% Popularity • 40% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Shawn Colvin
(Looking For) The Heart Of Saturday - Li...
99 bpm • B Maj • 03:34 • -13.66db
20% Popularity • 58% Danceability • 8% Energy • 70% Liveness
0% Instrumentalness • 40% Positiveness
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Molly Johnson
Streets Of Philadelphia
94 bpm • C Maj • 03:15 • -11.02db
45% Popularity • 73% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Dar Williams
The One Who Knows
100 bpm • D Maj • 03:46 • -9.73db
32% Popularity • 47% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Mark Knopfler
Every Heart In The Room
100 bpm • E min • 04:30 • -17db
31% Popularity • 79% Danceability • 28% Energy • 9% Liveness
6% Instrumentalness • 48% Positiveness
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Allan Taylor
So Long
100 bpm • G Maj • 04:28 • -16.76db
20% Popularity • 61% Danceability • 19% Energy • 9% Liveness
6% Instrumentalness • 26% Positiveness
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Avalanche Quartet
Lover, Lover, Lover - Live
93 bpm • G Maj • 04:53 • -7.56db
13% Popularity • 55% Danceability • 74% Energy • 68% Liveness
0% Instrumentalness • 52% Positiveness
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Shawn Colvin
Crazy
100 bpm • D Maj • 03:30 • -11.12db
24% Popularity • 45% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Kathleen Edwards
Goodnight, California
93 bpm • G min • 06:28 • -8db
35% Popularity • 46% Danceability • 58% Energy • 11% Liveness
70% Instrumentalness • 42% Positiveness
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Janis Ian
I'm Still Standing
93 bpm • G# Maj • 03:12 • -12.83db
25% Popularity • 58% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Crosby & Nash
Lay Me Down
93 bpm • A# min • 03:36 • -10.6db
42% Popularity • 59% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Allan Taylor
Kerouac's Dream
93 bpm • G Maj • 03:57 • -13.62db
22% Popularity • 60% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Paula Nelson
Have You Ever Seen the Rain
101 bpm • A Maj • 04:32 • -11.83db
31% Popularity • 51% Danceability • 26% Energy • 10% Liveness
2% Instrumentalness • 19% Positiveness
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Shawn Colvin
Stranded
94 bpm • D Maj • 04:01 • -18.02db
14% Popularity • 68% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Delbert McClinton
Rosy
101 bpm • F Maj • 03:23 • -7db
36% Popularity • 80% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Patty Larkin
The Cranes
101 bpm • F# Maj • 02:50 • -14.54db
27% Popularity • 50% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Patty Smyth
Ode to Billy Joe
101 bpm • G Maj • 06:07 • -13.44db
35% Popularity • 74% Danceability • 21% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Eliza Gilkyson
Sooner or Later
102 bpm • E min • 04:21 • -8.88db
20% Popularity • 49% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Mark Knopfler
Floating Away
101 bpm • F min • 05:03 • -19db
31% Popularity • 75% Danceability • 23% Energy • 9% Liveness
53% Instrumentalness • 61% Positiveness
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Shawn Colvin
Outbound Plane
100 bpm • D Maj • 04:04 • -11.79db
17% Popularity • 74% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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David Crosby
What's Broken
92 bpm • G Maj • 03:48 • -11.11db
30% Popularity • 70% Danceability • 54% Energy • 13% Liveness
10% Instrumentalness • 45% Positiveness
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Jon Allen
Hummingbird Blues
102 bpm • F# Maj • 03:34 • -12.97db
7% Popularity • 58% Danceability • 28% Energy • 11% Liveness
3% Instrumentalness • 48% Positiveness
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Graham Nash
Southbound Train - Remastered Version
102 bpm • F Maj • 03:55 • -10.62db
31% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Tanita Tikaram
Only the Ones We Love (Acoustic)
92 bpm • F Maj • 02:27 • -10.87db
43% Popularity • 65% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Chris Rea
Nothing Left Behind
92 bpm • C Maj • 05:29 • -9.17db
36% Popularity • 60% Danceability • 43% Energy • 9% Liveness
12% Instrumentalness • 36% Positiveness
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Shawn Colvin
New Thing Now
94 bpm • G# Maj • 03:34 • -14.76db
9% Popularity • 50% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Lucy Kaplansky
Ring Of Fire
92 bpm • E Maj • 04:25 • -9.84db
14% Popularity • 67% Danceability • 59% Energy • 9% Liveness
3% Instrumentalness • 56% Positiveness
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Beth Nielsen Chapman
Simple Things
92 bpm • C Maj • 03:29 • -7.55db
18% Popularity • 55% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Amy LaVere
Dreamer
102 bpm • A# Maj • 02:52 • -9.18db
22% Popularity • 72% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Richard Thompson
Persuasion
92 bpm • C Maj • 04:38 • -11.77db
38% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Pieta Brown
Do You Know?
92 bpm • A Maj • 03:01 • -8.85db
49% Popularity • 53% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Shawn Colvin
Object Of My Affection
93 bpm • B Maj • 03:50 • -12.1db
16% Popularity • 64% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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John Hiatt
Light Of The Burning Sun
103 bpm • F Maj • 04:38 • -15.26db
18% Popularity • 45% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Norah Jones
I'll Be Your Baby Tonight
103 bpm • F Maj • 03:17 • -11.51db
39% Popularity • 45% Danceability • 33% Energy • 12% Liveness
3% Instrumentalness • 29% Positiveness
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Graham Nash
Another Broken Heart
91 bpm • C min • 04:57 • -11.67db
18% Popularity • 63% Danceability • 43% Energy • 12% Liveness
26% Instrumentalness • 53% Positiveness
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David Crosby
Ships In The Night
103 bpm • F# min • 03:25 • -11.41db
24% Popularity • 89% Danceability • 43% Energy • 11% Liveness
16% Instrumentalness • 72% Positiveness
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Tanita Tikaram
Wonderful Shadow (Acoustic)
91 bpm • G Maj • 04:59 • -12.52db
26% Popularity • 50% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Greg Brown
'Cept You & Me Babe
103 bpm • B min • 04:32 • -13db
29% Popularity • 56% Danceability • 51% Energy • 12% Liveness
5% Instrumentalness • 48% Positiveness
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Colin Vearncombe
Wonderful Life
104 bpm • F min • 05:27 • -20db
30% Popularity • 70% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Alice Fredenham
Coconut Grove
104 bpm • B min • 02:51 • -11.8db
30% Popularity • 42% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Bruce Cockburn
Isn't That What Friends Are For?
104 bpm • D Maj • 05:23 • -20.01db
15% Popularity • 64% Danceability • 19% Energy • 11% Liveness
5% Instrumentalness • 8% Positiveness
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Mark Knopfler
River Towns
90 bpm • B Maj • 06:16 • -15.74db
36% Popularity • 67% Danceability • 34% Energy • 10% Liveness
43% Instrumentalness • 41% Positiveness
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Chris Smither
She Said She Said
104 bpm • D Maj • 02:54 • -8.95db
36% Popularity • 65% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Richard Thompson
Persuasion
104 bpm • B Maj • 03:54 • -12db
21% Popularity • 62% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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The Notting Hillbillies
Your Own Sweet Way
104 bpm • D min • 04:31 • -19.49db
51% Popularity • 51% Danceability • 18% Energy • 8% Liveness
68% Instrumentalness • 60% Positiveness
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Don Henley
Searching For A Heart
104 bpm • B Maj • 04:05 • -11.09db
29% Popularity • 74% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Shawn Colvin
You're Gonna Make Me Lonesome When You G...
90 bpm • C Maj • 04:11 • -13.03db
25% Popularity • 38% Danceability • 27% Energy • 97% Liveness
0% Instrumentalness • 50% Positiveness
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Kristina Train
Stick Together
104 bpm • G Maj • 03:43 • -14.16db
33% Popularity • 40% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Chris Smither
I Am The Ride
90 bpm • B min • 03:59 • -10.13db
32% Popularity • 45% Danceability • 42% Energy • 75% Liveness
1% Instrumentalness • 32% Positiveness
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Geraint Watkins
Heaven Only Knows
90 bpm • C Maj • 04:24 • -9.32db
33% Popularity • 71% Danceability • 44% Energy • 8% Liveness
24% Instrumentalness • 59% Positiveness
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Tanita Tikaram
Cool Waters
90 bpm • A Maj • 04:11 • -10.58db
21% Popularity • 58% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Sarah Jarosz
Orange and Blue
90 bpm • D# Maj • 03:37 • -12.6db
35% Popularity • 64% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Graham Nash
Sleep Song
105 bpm • C Maj • 03:00 • -23db
30% Popularity • 44% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Shawn Colvin
Ricochet In Time
90 bpm • A Maj • 03:09 • -19.06db
21% Popularity • 70% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Nouvelle Vague
Road to Nowhere
105 bpm • A Maj • 03:11 • -8.28db
38% Popularity • 55% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 26% Positiveness
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Dar Williams
After All
90 bpm • C Maj • 04:48 • -11.31db
33% Popularity • 51% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Ted Hawkins
Long As I Can See The Light
105 bpm • G# Maj • 03:13 • -11.68db
30% Popularity • 43% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Paul Carrack
If I Should Fall Behind
105 bpm • E Maj • 04:36 • -13.44db
38% Popularity • 71% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Mary Chapin Carpenter
The Things That We Are Made Of
89 bpm • E Maj • 05:30 • -18.18db
11% Popularity • 48% Danceability • 11% Energy • 11% Liveness
2% Instrumentalness • 26% Positiveness
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Shawn Colvin
Satin Sheets - Live at the Bottom Line, ...
90 bpm • C Maj • 03:07 • -15.66db
16% Popularity • 52% Danceability • 20% Energy • 70% Liveness
0% Instrumentalness • 13% Positiveness
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Graham Nash
Page 43
106 bpm • E Maj • 02:53 • -9.41db
25% Popularity • 65% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
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Hans Theessink
Sympathy for the Devil
89 bpm • A Maj • 07:20 • -13.15db
18% Popularity • 53% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Marike Jager
Don't You
106 bpm • E Maj • 03:03 • -17.98db
42% Popularity • 65% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Ray Bonneville
Sabine River
106 bpm • G# Maj • 04:46 • -11db
27% Popularity • 67% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Janis Ian
All Roads to the River
89 bpm • C Maj • 03:05 • -15.74db
16% Popularity • 67% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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Shawn Colvin
Shotgun Down The Avalanche
89 bpm • C Maj • 05:02 • -14.44db
29% Popularity • 62% Danceability • 46% Energy • 20% Liveness
1% Instrumentalness • 46% Positiveness
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Cheryl Wheeler
Driving Home
106 bpm • F Maj • 04:50 • -14.84db
22% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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The Neville Brothers
Fallin' Rain
106 bpm • D Maj • 03:59 • -16.81db
19% Popularity • 63% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Graham Nash
Immigration Man - Remastered Version
89 bpm • G Maj • 02:59 • -8.6db
19% Popularity • 51% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Bruce Cockburn
Creation Dream
88 bpm • D Maj • 04:07 • -11.06db
27% Popularity • 57% Danceability • 69% Energy • 9% Liveness
1% Instrumentalness • 70% Positiveness
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Susan Tedeschi
Lord Protect My Child
106 bpm • G# Maj • 04:44 • -6.75db
30% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Shawn Colvin
I Used To Be A King
106 bpm • D Maj • 05:08 • -9.89db
11% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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CPR
Little Blind Fish
88 bpm • C Maj • 03:37 • -12.77db
9% Popularity • 73% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Baker Street