Songs like Ballantyne - Movement 2 The Edge of the Sea by Calum Martin
Based on a tempo of (+/- 10%) and a similar genre
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Brian Eno
Emerald and Stone (Arr. Knoth)
82 bpm • B Maj • 02:25 • -14.89db
27% Popularity • 8% Danceability • 25% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 25% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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Calum Martin
Ballantyne (Movement 2 The Edge of the S...
82 bpm • F Maj • 02:52 • -14.32db
16% Popularity • 9% Danceability • 23% Energy • 13% Liveness
80% Instrumentalness • 4% Positiveness
16% Popularity • 9% Danceability • 23% Energy • 13% Liveness
80% Instrumentalness • 4% Positiveness
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Dominique Charpentier
Libeccio
82 bpm • F# min • 01:39 • -15.04db
44% Popularity • 42% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 15% Positiveness
44% Popularity • 42% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 15% Positiveness
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Mark Isham
Time Passing II
82 bpm • A Maj • 01:17 • -24db
43% Popularity • 29% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
43% Popularity • 29% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
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Dirk Maassen
Friedland
82 bpm • D# min • 03:56 • -16.05db
11% Popularity • 17% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
11% Popularity • 17% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
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James Newton Howard
A Hidden Life
82 bpm • F min • 02:50 • -27.16db
50% Popularity • 10% Danceability • 5% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
50% Popularity • 10% Danceability • 5% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
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Jim Perkins
A Spring Morning
82 bpm • G Maj • 02:18 • -16.09db
38% Popularity • 20% Danceability • 8% Energy • 12% Liveness
51% Instrumentalness • 15% Positiveness
38% Popularity • 20% Danceability • 8% Energy • 12% Liveness
51% Instrumentalness • 15% Positiveness
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Atli Örvarsson
Breathing
82 bpm • A Maj • 05:13 • -19db
14% Popularity • 8% Danceability • 11% Energy • 24% Liveness
88% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 11% Energy • 24% Liveness
88% Instrumentalness • 4% Positiveness
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Martin Phipps
New Start
81 bpm • G Maj • 03:41 • -17.54db
43% Popularity • 8% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
43% Popularity • 8% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Max Richter
In The Garden - Recorded at Spotify Stud...
83 bpm • F# Maj • 04:58 • -16.96db
26% Popularity • 23% Danceability • 20% Energy • 10% Liveness
63% Instrumentalness • 14% Positiveness
26% Popularity • 23% Danceability • 20% Energy • 10% Liveness
63% Instrumentalness • 14% Positiveness
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Sebastián Escofet
Ondulante
83 bpm • F Maj • 03:00 • -21.87db
34% Popularity • 8% Danceability • 8% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
34% Popularity • 8% Danceability • 8% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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HILMA
After the Storm
81 bpm • F min • 02:56 • -27.44db
22% Popularity • 19% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
22% Popularity • 19% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
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Schrello Classic
Edelweiss - Live, arr. cello quartet
81 bpm • G Maj • 02:43 • -21.59db
14% Popularity • 13% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
14% Popularity • 13% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Calum Martin
Ballantyne (Movement 10 Nightfall)
83 bpm • D min • 02:02 • -23.29db
7% Popularity • 16% Danceability • 8% Energy • 23% Liveness
86% Instrumentalness • 5% Positiveness
7% Popularity • 16% Danceability • 8% Energy • 23% Liveness
86% Instrumentalness • 5% Positiveness
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Christian Badzura
K.A.H.D. - Home Session
81 bpm • C Maj • 04:23 • -31.02db
18% Popularity • 39% Danceability • 0% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
18% Popularity • 39% Danceability • 0% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
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Ludovico Einaudi
White Night
81 bpm • E Maj • 03:13 • -21.2db
25% Popularity • 9% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
25% Popularity • 9% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
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Kjartan Sveinsson
The Last Farm 5
83 bpm • C# min • 02:46 • -11.76db
23% Popularity • 21% Danceability • 24% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
23% Popularity • 21% Danceability • 24% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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GabrÃel Ólafs
FantasÃa
81 bpm • G Maj • 02:37 • -31.61db
38% Popularity • 14% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
38% Popularity • 14% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
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Jim Wallis
Seventh Man
81 bpm • G Maj • 06:42 • -19.5db
29% Popularity • 8% Danceability • 14% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
29% Popularity • 8% Danceability • 14% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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ABBOTT
Home
81 bpm • B Maj • 03:19 • -17.49db
32% Popularity • 14% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Calum Martin
Tha Do Rioghachd
83 bpm • E min • 04:14 • -13.38db
0% Popularity • 19% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 19% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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W CELLO
Swan Lake Story, Op.1
81 bpm • F Maj • 02:50 • -18.89db
23% Popularity • 12% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
23% Popularity • 12% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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Martin Bloch
Suite in D IV (Dreamland)
83 bpm • A min • 02:54 • -27.74db
43% Popularity • 32% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 48% Positiveness
43% Popularity • 32% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 48% Positiveness
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L'Orchestra Nazionale di Mendoni
Enigma Variations: Nimrod
83 bpm • D# Maj • 03:09 • -15.02db
29% Popularity • 19% Danceability • 24% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
29% Popularity • 19% Danceability • 24% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Diminuendo
El Dorado
83 bpm • A# Maj • 03:43 • -13.95db
24% Popularity • 18% Danceability • 30% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
24% Popularity • 18% Danceability • 30% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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EydÃs Evensen
Wandering II
81 bpm • G min • 02:39 • -20db
43% Popularity • 15% Danceability • 15% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
43% Popularity • 15% Danceability • 15% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
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Jeremy Cullen
Arabesque
84 bpm • G Maj • 02:03 • -16db
33% Popularity • 15% Danceability • 21% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
33% Popularity • 15% Danceability • 21% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Kerry Muzzey
The Heart Wants
84 bpm • G min • 05:45 • -14.15db
37% Popularity • 13% Danceability • 18% Energy • 29% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 13% Danceability • 18% Energy • 29% Liveness
92% Instrumentalness • 4% Positiveness
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James Newton Howard
Hope
80 bpm • A min • 02:30 • -35db
36% Popularity • 9% Danceability • 1% Energy • 8% Liveness
13% Instrumentalness • 6% Positiveness
36% Popularity • 9% Danceability • 1% Energy • 8% Liveness
13% Instrumentalness • 6% Positiveness
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Ryan Stewart
Old Irish Piano
80 bpm • B min • 02:47 • -20.45db
37% Popularity • 40% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 46% Positiveness
37% Popularity • 40% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 46% Positiveness
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Diminuendo
Pictures
81 bpm • F# min • 02:40 • -26.1db
38% Popularity • 16% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
38% Popularity • 16% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Rachel Portman
The Pier
84 bpm • E min • 02:18 • -19.12db
21% Popularity • 26% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
21% Popularity • 26% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Doug Kaufman
The Garden
80 bpm • F# Maj • 02:56 • -17.3db
45% Popularity • 21% Danceability • 24% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
45% Popularity • 21% Danceability • 24% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Ludovico Einaudi
Corale
84 bpm • C# Maj • 02:05 • -29db
51% Popularity • 20% Danceability • 3% Energy • 11% Liveness
99% Instrumentalness • 3% Positiveness
51% Popularity • 20% Danceability • 3% Energy • 11% Liveness
99% Instrumentalness • 3% Positiveness
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Gaelic Psalm Singers
Morven Psalm 103: 13-14 - Live
80 bpm • B Maj • 02:25 • -13.92db
3% Popularity • 14% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
3% Popularity • 14% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Alex Baranowski
A New Beginning
80 bpm • D min • 03:10 • -19.39db
34% Popularity • 8% Danceability • 13% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
34% Popularity • 8% Danceability • 13% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
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Søndag Søndag
Søndag
84 bpm • E min • 03:13 • -22db
27% Popularity • 40% Danceability • 11% Energy • 6% Liveness
93% Instrumentalness • 22% Positiveness
27% Popularity • 40% Danceability • 11% Energy • 6% Liveness
93% Instrumentalness • 22% Positiveness
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Peter Cavallo
Serenade for Violin and Viola
80 bpm • G min • 04:12 • -23.19db
17% Popularity • 17% Danceability • 4% Energy • 12% Liveness
4% Instrumentalness • 5% Positiveness
17% Popularity • 17% Danceability • 4% Energy • 12% Liveness
4% Instrumentalness • 5% Positiveness
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Calum Martin
A' Choille Gharbh
80 bpm • C Maj • 03:27 • -8.74db
2% Popularity • 50% Danceability • 67% Energy • 51% Liveness
0% Instrumentalness • 64% Positiveness
2% Popularity • 50% Danceability • 67% Energy • 51% Liveness
0% Instrumentalness • 64% Positiveness
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EydÃs Evensen
Bylur
80 bpm • D Maj • 04:11 • -17db
45% Popularity • 18% Danceability • 21% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
45% Popularity • 18% Danceability • 21% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
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Biba Dupont
Circumstance
84 bpm • D# Maj • 03:21 • -11.99db
8% Popularity • 20% Danceability • 31% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 31% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Arelius
Rise
84 bpm • C Maj • 03:02 • -27.67db
42% Popularity • 23% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
42% Popularity • 23% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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Max Richter
Three Worlds: Music from Woolf Works / M...
84 bpm • C# Maj • 06:56 • -19.91db
37% Popularity • 17% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
37% Popularity • 17% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Ólafur Arnalds
momentary - string quartet version
80 bpm • F# min • 02:10 • -18.66db
31% Popularity • 25% Danceability • 8% Energy • 17% Liveness
77% Instrumentalness • 7% Positiveness
31% Popularity • 25% Danceability • 8% Energy • 17% Liveness
77% Instrumentalness • 7% Positiveness
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Calum Martin
That's Alright With Me
80 bpm • D# Maj • 03:41 • -6.62db
0% Popularity • 60% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 60% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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James Whitbourn
Requiem canticorum: De profundis
80 bpm • A min • 01:47 • -29db
31% Popularity • 18% Danceability • 4% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
31% Popularity • 18% Danceability • 4% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Alexis Grapsas
Different Kinds Of Cry
84 bpm • A# Maj • 03:33 • -24.58db
44% Popularity • 8% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
44% Popularity • 8% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Eleni Karaindrou
Je ne me consolerai jamais
84 bpm • E min • 01:21 • -22.66db
42% Popularity • 16% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
42% Popularity • 16% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Erasmus Talbot
The Sanctuary Within
80 bpm • C min • 03:06 • -12.32db
33% Popularity • 8% Danceability • 25% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
33% Popularity • 8% Danceability • 25% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
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Ludovico Einaudi
Seven Days Walking / Day 2: Low Mist Var...
85 bpm • D min • 02:44 • -34.88db
30% Popularity • 25% Danceability • 2% Energy • 11% Liveness
78% Instrumentalness • 15% Positiveness
30% Popularity • 25% Danceability • 2% Energy • 11% Liveness
78% Instrumentalness • 15% Positiveness
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Joe Alexander Shepherd
Beautiful Girl
79 bpm • F min • 05:47 • -18.45db
31% Popularity • 23% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
31% Popularity • 23% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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GabrÃel Ólafs
Solon Islandus
79 bpm • A# min • 03:28 • -23.8db
15% Popularity • 10% Danceability • 10% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
15% Popularity • 10% Danceability • 10% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Puppi
CRISALIDE 6
79 bpm • C Maj • 04:21 • -19.76db
42% Popularity • 12% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
42% Popularity • 12% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Arvo Pärt
Pärt: Spiegel im Spiegel
85 bpm • F Maj • 09:04 • -26.91db
44% Popularity • 31% Danceability • 3% Energy • 8% Liveness
8% Instrumentalness • 11% Positiveness
44% Popularity • 31% Danceability • 3% Energy • 8% Liveness
8% Instrumentalness • 11% Positiveness
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Charlie Grey and Joseph Peach
Gathan-grèin
85 bpm • G Maj • 02:47 • -13.28db
28% Popularity • 17% Danceability • 15% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 15% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Jakob Lindhagen
Afterwards
85 bpm • A min • 04:17 • -16.66db
20% Popularity • 16% Danceability • 16% Energy • 7% Liveness
95% Instrumentalness • 12% Positiveness
20% Popularity • 16% Danceability • 16% Energy • 7% Liveness
95% Instrumentalness • 12% Positiveness
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Mari Samuelsen
Moonlight
85 bpm • C# min • 05:43 • -12.48db
29% Popularity • 9% Danceability • 31% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
29% Popularity • 9% Danceability • 31% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Max Richter
Little Requiems - Cello Version
79 bpm • F Maj • 07:35 • -22.35db
35% Popularity • 8% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
35% Popularity • 8% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Tõnu Kõrvits
Songs from Dolores's Songbook: No. 7, Az...
85 bpm • B Maj • 02:47 • -30db
27% Popularity • 14% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
27% Popularity • 14% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Benedikt Schiefer
Universal Kiss
85 bpm • C# min • 09:18 • -17.97db
4% Popularity • 8% Danceability • 14% Energy • 11% Liveness
60% Instrumentalness • 2% Positiveness
4% Popularity • 8% Danceability • 14% Energy • 11% Liveness
60% Instrumentalness • 2% Positiveness
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Wide Eyed
Mia
85 bpm • A Maj • 03:28 • -15.78db
30% Popularity • 14% Danceability • 20% Energy • 10% Liveness
97% Instrumentalness • 5% Positiveness
30% Popularity • 14% Danceability • 20% Energy • 10% Liveness
97% Instrumentalness • 5% Positiveness
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Peter Pritchard
Rust And Gold
85 bpm • D# min • 07:32 • -29.59db
34% Popularity • 30% Danceability • 4% Energy • 15% Liveness
93% Instrumentalness • 30% Positiveness
34% Popularity • 30% Danceability • 4% Energy • 15% Liveness
93% Instrumentalness • 30% Positiveness
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Jane Antonia Cornish
Continuum: I
79 bpm • F# min • 07:24 • -21.93db
33% Popularity • 15% Danceability • 13% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
33% Popularity • 15% Danceability • 13% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Sophie Hutchings
By Night (Arr. Lawson)
85 bpm • A# Maj • 04:38 • -24db
29% Popularity • 15% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
29% Popularity • 15% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Philippe Paquet
Révérence: II
79 bpm • D min • 06:21 • -12.84db
31% Popularity • 12% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 18% Positiveness
31% Popularity • 12% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 18% Positiveness
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Scott Buckley
Hiraeth
85 bpm • C min • 05:46 • -16.52db
29% Popularity • 11% Danceability • 22% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
29% Popularity • 11% Danceability • 22% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
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Tim Linghaus
Self-Service Laundry
85 bpm • G# Maj • 02:17 • -25.07db
40% Popularity • 31% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 11% Positiveness
40% Popularity • 31% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 11% Positiveness
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James Newton Howard
Love and Suffering
85 bpm • F min • 07:45 • -35.28db
22% Popularity • 9% Danceability • 0% Energy • 17% Liveness
76% Instrumentalness • 4% Positiveness
22% Popularity • 9% Danceability • 0% Energy • 17% Liveness
76% Instrumentalness • 4% Positiveness
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Jane Antonia Cornish
Luminescence
79 bpm • A min • 05:18 • -15.92db
10% Popularity • 17% Danceability • 18% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
10% Popularity • 17% Danceability • 18% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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Dobrinka Tabakova
Concerto For Violoncello And Strings: II...
85 bpm • F Maj • 08:42 • -19db
29% Popularity • 14% Danceability • 15% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
29% Popularity • 14% Danceability • 15% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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Freya Arde
Moon Window
85 bpm • A min • 02:47 • -19.06db
29% Popularity • 12% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
29% Popularity • 12% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Laura Sullivan
A Darker Season
79 bpm • F min • 03:32 • -23db
14% Popularity • 24% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
14% Popularity • 24% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Georg Holm
FljótavÃk
85 bpm • G# Maj • 04:08 • -15db
44% Popularity • 14% Danceability • 14% Energy • 6% Liveness
56% Instrumentalness • 4% Positiveness
44% Popularity • 14% Danceability • 14% Energy • 6% Liveness
56% Instrumentalness • 4% Positiveness
► Preview
Ludovico Einaudi
Underwood
79 bpm • F# min • 04:13 • -29.85db
48% Popularity • 30% Danceability • 2% Energy • 18% Liveness
18% Instrumentalness • 10% Positiveness
48% Popularity • 30% Danceability • 2% Energy • 18% Liveness
18% Instrumentalness • 10% Positiveness
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Challem
Fall
79 bpm • G Maj • 03:43 • -20.73db
38% Popularity • 19% Danceability • 9% Energy • 12% Liveness
86% Instrumentalness • 10% Positiveness
38% Popularity • 19% Danceability • 9% Energy • 12% Liveness
86% Instrumentalness • 10% Positiveness
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Nikolas Ricard
Once in a Lifetime
86 bpm • G Maj • 02:37 • -22.87db
33% Popularity • 15% Danceability • 8% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
33% Popularity • 15% Danceability • 8% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Takuma Itoh
Kohola Sings (Humpback Whales)
79 bpm • F# Maj • 05:15 • -30.75db
9% Popularity • 18% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Pêtr Aleksänder
In the Soft Light
86 bpm • C min • 03:53 • -13.07db
27% Popularity • 12% Danceability • 31% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
27% Popularity • 12% Danceability • 31% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Silvan Rupp
Silence
78 bpm • A min • 02:29 • -24.57db
35% Popularity • 29% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
35% Popularity • 29% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
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Music Within
Julichka's Theme (String Quartet)
86 bpm • D# Maj • 02:38 • -11.38db
36% Popularity • 14% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
36% Popularity • 14% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
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Bruno Sanfilippo
The Poet
86 bpm • G# min • 03:33 • -15.6db
30% Popularity • 13% Danceability • 23% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
30% Popularity • 13% Danceability • 23% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
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Julie Cooper
MOONGLADE in Jet Black
86 bpm • F min • 05:05 • -15.87db
42% Popularity • 9% Danceability • 23% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
42% Popularity • 9% Danceability • 23% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Dan Evmark
Désir
86 bpm • C Maj • 05:38 • -19.32db
27% Popularity • 29% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
27% Popularity • 29% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 24, Always Sum...
78 bpm • A# Maj • 02:29 • -25db
36% Popularity • 34% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
36% Popularity • 34% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
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Max Richter
The Haunted Ocean - Exiles Version
86 bpm • C# Maj • 02:19 • -17.58db
32% Popularity • 30% Danceability • 37% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
32% Popularity • 30% Danceability • 37% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Tegelhof Kammerorchester
Sinfonia in B Minor
78 bpm • B Maj • 02:37 • -16.13db
22% Popularity • 9% Danceability • 21% Energy • 15% Liveness
82% Instrumentalness • 4% Positiveness
22% Popularity • 9% Danceability • 21% Energy • 15% Liveness
82% Instrumentalness • 4% Positiveness
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RØRE
Ã…lesund
78 bpm • B min • 02:35 • -15.41db
37% Popularity • 30% Danceability • 36% Energy • 30% Liveness
91% Instrumentalness • 4% Positiveness
37% Popularity • 30% Danceability • 36% Energy • 30% Liveness
91% Instrumentalness • 4% Positiveness
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Peter Cavallo
Requiem for the Melancholy
78 bpm • C min • 04:10 • -14.98db
12% Popularity • 11% Danceability • 15% Energy • 14% Liveness
84% Instrumentalness • 3% Positiveness
12% Popularity • 11% Danceability • 15% Energy • 14% Liveness
84% Instrumentalness • 3% Positiveness
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Felix Rösch
Humming Bird Rework
78 bpm • F min • 03:21 • -17.59db
33% Popularity • 14% Danceability • 11% Energy • 11% Liveness
44% Instrumentalness • 3% Positiveness
33% Popularity • 14% Danceability • 11% Energy • 11% Liveness
44% Instrumentalness • 3% Positiveness
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Autonomy
Black Dog
78 bpm • E Maj • 02:07 • -13.24db
34% Popularity • 41% Danceability • 26% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
34% Popularity • 41% Danceability • 26% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
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GabrÃel Ólafs
The Drifter
78 bpm • B min • 02:48 • -26db
39% Popularity • 19% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 19% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Calum Martin
Stornoway Ps 133
78 bpm • E Maj • 04:46 • -9.69db
1% Popularity • 12% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
1% Popularity • 12% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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Julie Cooper
VENUS in Sunlight Grey
87 bpm • G# Maj • 04:07 • -14.14db
28% Popularity • 12% Danceability • 17% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 12% Danceability • 17% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Anna Phoebe
Flight
77 bpm • C# min • 01:44 • -11.98db
23% Popularity • 39% Danceability • 20% Energy • 6% Liveness
93% Instrumentalness • 7% Positiveness
23% Popularity • 39% Danceability • 20% Energy • 6% Liveness
93% Instrumentalness • 7% Positiveness
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Stephen Warbeck
Alone
87 bpm • D Maj • 01:10 • -22.81db
54% Popularity • 10% Danceability • 7% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
54% Popularity • 10% Danceability • 7% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
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Edvard Kravchuk
Transience
87 bpm • B min • 02:59 • -32.05db
41% Popularity • 44% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 51% Positiveness
41% Popularity • 44% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 51% Positiveness
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Max Richter
All Human Beings (Voiceless Mix) - Pt. 4
87 bpm • D Maj • 00:58 • -40.63db
17% Popularity • 9% Danceability • 1% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
17% Popularity • 9% Danceability • 1% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Calum Martin
Loch Roag
87 bpm • E min • 02:43 • -12.14db
0% Popularity • 13% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 13% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
