Songs like Banal Street by Will Vinson
Based on a tempo of (+/- 10%) and a similar genre
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Juraj Stanik Trio
The Feeling of Jazz
95 bpm • F# Maj • 04:52 • -18.55db
13% Popularity • 55% Danceability • 30% Energy • 28% Liveness
39% Instrumentalness • 55% Positiveness
13% Popularity • 55% Danceability • 30% Energy • 28% Liveness
39% Instrumentalness • 55% Positiveness
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Michael Ragonese
Rivers
95 bpm • D Maj • 05:56 • -18db
8% Popularity • 35% Danceability • 37% Energy • 23% Liveness
92% Instrumentalness • 33% Positiveness
8% Popularity • 35% Danceability • 37% Energy • 23% Liveness
92% Instrumentalness • 33% Positiveness
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Eric Legnini Trio
Amarone
95 bpm • E min • 02:20 • -19.23db
42% Popularity • 41% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 13% Positiveness
42% Popularity • 41% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 13% Positiveness
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Immanuel Wilkins
The Dreamer
95 bpm • D# Maj • 03:37 • -18.13db
45% Popularity • 43% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 27% Positiveness
45% Popularity • 43% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 27% Positiveness
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Cyrus Chestnut
Gymnopédie No. 3
95 bpm • A min • 04:06 • -19.97db
15% Popularity • 36% Danceability • 19% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
15% Popularity • 36% Danceability • 19% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
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Johnathan Blake
Tears I Cannot Hide
96 bpm • C# Maj • 05:21 • -17.32db
36% Popularity • 37% Danceability • 21% Energy • 11% Liveness
61% Instrumentalness • 14% Positiveness
36% Popularity • 37% Danceability • 21% Energy • 11% Liveness
61% Instrumentalness • 14% Positiveness
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Juraj Stanik Trio
Close Enough for Love
96 bpm • G min • 02:56 • -20.41db
38% Popularity • 46% Danceability • 18% Energy • 29% Liveness
71% Instrumentalness • 12% Positiveness
38% Popularity • 46% Danceability • 18% Energy • 29% Liveness
71% Instrumentalness • 12% Positiveness
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Cory Weeds
Street Scenes
96 bpm • G# Maj • 06:03 • -8.75db
12% Popularity • 60% Danceability • 59% Energy • 9% Liveness
87% Instrumentalness • 80% Positiveness
12% Popularity • 60% Danceability • 59% Energy • 9% Liveness
87% Instrumentalness • 80% Positiveness
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Will Vinson
Skyrider
95 bpm • F min • 09:15 • -10.3db
1% Popularity • 46% Danceability • 44% Energy • 34% Liveness
77% Instrumentalness • 46% Positiveness
1% Popularity • 46% Danceability • 44% Energy • 34% Liveness
77% Instrumentalness • 46% Positiveness
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Christian Pabst
Golden
94 bpm • F# Maj • 05:39 • -16.06db
2% Popularity • 47% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 27% Positiveness
2% Popularity • 47% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 27% Positiveness
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Judith O'Higgins
Los Bandidos Bogarolles
96 bpm • D# Maj • 06:55 • -13db
35% Popularity • 64% Danceability • 38% Energy • 7% Liveness
5% Instrumentalness • 48% Positiveness
35% Popularity • 64% Danceability • 38% Energy • 7% Liveness
5% Instrumentalness • 48% Positiveness
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Christophe Marguet
Waltz for an Absent Lover
96 bpm • D min • 04:04 • -16.95db
12% Popularity • 49% Danceability • 15% Energy • 10% Liveness
59% Instrumentalness • 33% Positiveness
12% Popularity • 49% Danceability • 15% Energy • 10% Liveness
59% Instrumentalness • 33% Positiveness
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Johnathan Blake
Passage
94 bpm • A min • 09:38 • -11.37db
22% Popularity • 37% Danceability • 50% Energy • 13% Liveness
75% Instrumentalness • 46% Positiveness
22% Popularity • 37% Danceability • 50% Energy • 13% Liveness
75% Instrumentalness • 46% Positiveness
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Cecilie Strange
The Clearing
94 bpm • G# min • 04:19 • -13.61db
26% Popularity • 52% Danceability • 30% Energy • 11% Liveness
69% Instrumentalness • 14% Positiveness
26% Popularity • 52% Danceability • 30% Energy • 11% Liveness
69% Instrumentalness • 14% Positiveness
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ARTEMIS
Lights Away from Home
97 bpm • F min • 04:51 • -12db
13% Popularity • 51% Danceability • 41% Energy • 13% Liveness
84% Instrumentalness • 54% Positiveness
13% Popularity • 51% Danceability • 41% Energy • 13% Liveness
84% Instrumentalness • 54% Positiveness
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Brad Mehldau Trio
Seymour Reads the Constitution
93 bpm • F# min • 08:03 • -15db
35% Popularity • 59% Danceability • 28% Energy • 10% Liveness
78% Instrumentalness • 39% Positiveness
35% Popularity • 59% Danceability • 28% Energy • 10% Liveness
78% Instrumentalness • 39% Positiveness
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Will Vinson
Who, Me?
94 bpm • C Maj • 02:22 • -10.29db
0% Popularity • 68% Danceability • 14% Energy • 8% Liveness
76% Instrumentalness • 88% Positiveness
0% Popularity • 68% Danceability • 14% Energy • 8% Liveness
76% Instrumentalness • 88% Positiveness
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Tom Gibbs
The Smile That Never Forgets
97 bpm • A# Maj • 06:59 • -14.53db
1% Popularity • 50% Danceability • 27% Energy • 10% Liveness
75% Instrumentalness • 18% Positiveness
1% Popularity • 50% Danceability • 27% Energy • 10% Liveness
75% Instrumentalness • 18% Positiveness
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Furio Di Castri
Who
97 bpm • A# min • 03:18 • -25.74db
24% Popularity • 54% Danceability • 1% Energy • 11% Liveness
74% Instrumentalness • 12% Positiveness
24% Popularity • 54% Danceability • 1% Energy • 11% Liveness
74% Instrumentalness • 12% Positiveness
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Förnuft och Känsla
Blues Vaccine
97 bpm • A# min • 06:00 • -14.98db
18% Popularity • 59% Danceability • 41% Energy • 12% Liveness
87% Instrumentalness • 66% Positiveness
18% Popularity • 59% Danceability • 41% Energy • 12% Liveness
87% Instrumentalness • 66% Positiveness
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Thomas Agergaard
The Great Belonging
97 bpm • C# Maj • 06:11 • -16db
45% Popularity • 36% Danceability • 6% Energy • 11% Liveness
57% Instrumentalness • 17% Positiveness
45% Popularity • 36% Danceability • 6% Energy • 11% Liveness
57% Instrumentalness • 17% Positiveness
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Scott Hamilton
My Reverie
97 bpm • C Maj • 06:12 • -13.09db
43% Popularity • 48% Danceability • 22% Energy • 12% Liveness
62% Instrumentalness • 23% Positiveness
43% Popularity • 48% Danceability • 22% Energy • 12% Liveness
62% Instrumentalness • 23% Positiveness
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Brian Blade & The Fellowship Band
Catalysts
93 bpm • C# min • 05:04 • -11.41db
21% Popularity • 42% Danceability • 52% Energy • 10% Liveness
82% Instrumentalness • 42% Positiveness
21% Popularity • 42% Danceability • 52% Energy • 10% Liveness
82% Instrumentalness • 42% Positiveness
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Michel Bisceglia
Secondo
97 bpm • A min • 06:09 • -22.38db
13% Popularity • 60% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 21% Positiveness
13% Popularity • 60% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 21% Positiveness
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Jacky Terrasson
My Lys
93 bpm • C# Maj • 06:28 • -14.29db
9% Popularity • 48% Danceability • 42% Energy • 8% Liveness
90% Instrumentalness • 17% Positiveness
9% Popularity • 48% Danceability • 42% Energy • 8% Liveness
90% Instrumentalness • 17% Positiveness
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Jeremy Pelt
Slow Hot Wind
97 bpm • D min • 05:19 • -11.98db
18% Popularity • 41% Danceability • 32% Energy • 11% Liveness
96% Instrumentalness • 25% Positiveness
18% Popularity • 41% Danceability • 32% Energy • 11% Liveness
96% Instrumentalness • 25% Positiveness
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Steve Kuhn
Romance
97 bpm • E Maj • 04:27 • -25.96db
26% Popularity • 39% Danceability • 11% Energy • 9% Liveness
83% Instrumentalness • 8% Positiveness
26% Popularity • 39% Danceability • 11% Energy • 9% Liveness
83% Instrumentalness • 8% Positiveness
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Will Vinson
Stiltskin (Some Drunk Funk)
97 bpm • C# Maj • 06:58 • -10.31db
0% Popularity • 60% Danceability • 50% Energy • 10% Liveness
88% Instrumentalness • 56% Positiveness
0% Popularity • 60% Danceability • 50% Energy • 10% Liveness
88% Instrumentalness • 56% Positiveness
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Art Roho
Dark Turn of Mind
92 bpm • A# Maj • 05:38 • -15.86db
36% Popularity • 43% Danceability • 29% Energy • 11% Liveness
28% Instrumentalness • 29% Positiveness
36% Popularity • 43% Danceability • 29% Energy • 11% Liveness
28% Instrumentalness • 29% Positiveness
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Bruce Barth
Refuge
92 bpm • B Maj • 06:41 • -12.4db
30% Popularity • 38% Danceability • 23% Energy • 71% Liveness
69% Instrumentalness • 12% Positiveness
30% Popularity • 38% Danceability • 23% Energy • 71% Liveness
69% Instrumentalness • 12% Positiveness
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Jacky Terrasson
Resilience
98 bpm • G Maj • 03:19 • -22.29db
31% Popularity • 45% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 13% Positiveness
31% Popularity • 45% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 13% Positiveness
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Immanuel Wilkins
Grace And Mercy
98 bpm • G Maj • 06:49 • -11db
22% Popularity • 36% Danceability • 50% Energy • 9% Liveness
46% Instrumentalness • 28% Positiveness
22% Popularity • 36% Danceability • 50% Energy • 9% Liveness
46% Instrumentalness • 28% Positiveness
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Martin Nodeland
Isfahan
98 bpm • F# Maj • 06:05 • -11.65db
0% Popularity • 49% Danceability • 43% Energy • 20% Liveness
8% Instrumentalness • 50% Positiveness
0% Popularity • 49% Danceability • 43% Energy • 20% Liveness
8% Instrumentalness • 50% Positiveness
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Will Vinson
Limp of Faith
93 bpm • F min • 04:46 • -21.47db
0% Popularity • 35% Danceability • 1% Energy • 10% Liveness
16% Instrumentalness • 7% Positiveness
0% Popularity • 35% Danceability • 1% Energy • 10% Liveness
16% Instrumentalness • 7% Positiveness
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New York Trio
Don't Explain
92 bpm • D min • 05:56 • -16.97db
28% Popularity • 37% Danceability • 20% Energy • 11% Liveness
52% Instrumentalness • 11% Positiveness
28% Popularity • 37% Danceability • 20% Energy • 11% Liveness
52% Instrumentalness • 11% Positiveness
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Connie Han
The Gallû Pursuit
98 bpm • G Maj • 03:26 • -13db
17% Popularity • 40% Danceability • 58% Energy • 14% Liveness
94% Instrumentalness • 46% Positiveness
17% Popularity • 40% Danceability • 58% Energy • 14% Liveness
94% Instrumentalness • 46% Positiveness
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Eric Legnini
Introspection #2
92 bpm • C min • 01:29 • -16db
42% Popularity • 48% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 37% Positiveness
42% Popularity • 48% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 37% Positiveness
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Dave Liebman
Designs
98 bpm • B min • 04:38 • -16db
35% Popularity • 41% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
35% Popularity • 41% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Danny Grissett
Some Other Time
98 bpm • F# Maj • 08:44 • -24.71db
8% Popularity • 38% Danceability • 13% Energy • 10% Liveness
44% Instrumentalness • 15% Positiveness
8% Popularity • 38% Danceability • 13% Energy • 10% Liveness
44% Instrumentalness • 15% Positiveness
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Tord Gustavsen Trio
Stream
92 bpm • G# Maj • 07:03 • -34db
34% Popularity • 45% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
34% Popularity • 45% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
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Spiral TRIO
Once upon a Summertime
98 bpm • G Maj • 10:21 • -22db
37% Popularity • 41% Danceability • 8% Energy • 17% Liveness
91% Instrumentalness • 11% Positiveness
37% Popularity • 41% Danceability • 8% Energy • 17% Liveness
91% Instrumentalness • 11% Positiveness
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Joel Lyssarides
Down and Out
92 bpm • F# min • 03:10 • -26.34db
43% Popularity • 29% Danceability • 4% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
43% Popularity • 29% Danceability • 4% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
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Will Vinson
Upside
98 bpm • F Maj • 04:11 • -10.15db
1% Popularity • 49% Danceability • 48% Energy • 10% Liveness
27% Instrumentalness • 49% Positiveness
1% Popularity • 49% Danceability • 48% Energy • 10% Liveness
27% Instrumentalness • 49% Positiveness
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Henrik Gunde
Fanølyng
98 bpm • G min • 05:18 • -19db
35% Popularity • 35% Danceability • 22% Energy • 8% Liveness
47% Instrumentalness • 20% Positiveness
35% Popularity • 35% Danceability • 22% Energy • 8% Liveness
47% Instrumentalness • 20% Positiveness
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Förnuft och Känsla
Händelse
92 bpm • F Maj • 04:39 • -16.12db
19% Popularity • 64% Danceability • 34% Energy • 10% Liveness
78% Instrumentalness • 85% Positiveness
19% Popularity • 64% Danceability • 34% Energy • 10% Liveness
78% Instrumentalness • 85% Positiveness
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Lars Danielsson
Evening Song for B
98 bpm • D Maj • 04:23 • -12.65db
13% Popularity • 44% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
13% Popularity • 44% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
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Shai Maestro
In a Sentimental Mood
99 bpm • C Maj • 05:47 • -19db
20% Popularity • 61% Danceability • 25% Energy • 6% Liveness
87% Instrumentalness • 50% Positiveness
20% Popularity • 61% Danceability • 25% Energy • 6% Liveness
87% Instrumentalness • 50% Positiveness
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Paolo Fresu
Palfium
91 bpm • F min • 03:15 • -16db
35% Popularity • 65% Danceability • 28% Energy • 11% Liveness
85% Instrumentalness • 76% Positiveness
35% Popularity • 65% Danceability • 28% Energy • 11% Liveness
85% Instrumentalness • 76% Positiveness
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Diego Rivera
Dignified Response
99 bpm • C min • 06:12 • -13.85db
37% Popularity • 42% Danceability • 27% Energy • 37% Liveness
86% Instrumentalness • 23% Positiveness
37% Popularity • 42% Danceability • 27% Energy • 37% Liveness
86% Instrumentalness • 23% Positiveness
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Jan Harbeck Quartet
Tangorrus Field
91 bpm • E min • 07:24 • -17.86db
30% Popularity • 47% Danceability • 12% Energy • 15% Liveness
75% Instrumentalness • 16% Positiveness
30% Popularity • 47% Danceability • 12% Energy • 15% Liveness
75% Instrumentalness • 16% Positiveness
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Edward Simon
Simplicity
91 bpm • D Maj • 05:09 • -22.12db
42% Popularity • 49% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 13% Positiveness
42% Popularity • 49% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 13% Positiveness
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Sullivan Fortner
Pep Talk
91 bpm • A Maj • 04:24 • -13.52db
15% Popularity • 61% Danceability • 29% Energy • 10% Liveness
76% Instrumentalness • 55% Positiveness
15% Popularity • 61% Danceability • 29% Energy • 10% Liveness
76% Instrumentalness • 55% Positiveness
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Doxas Brothers
A Word from the Wise
91 bpm • G# Maj • 05:57 • -13.5db
26% Popularity • 50% Danceability • 27% Energy • 14% Liveness
91% Instrumentalness • 26% Positiveness
26% Popularity • 50% Danceability • 27% Energy • 14% Liveness
91% Instrumentalness • 26% Positiveness
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Samuel Torres
Alegria
91 bpm • C min • 07:52 • -11.99db
1% Popularity • 65% Danceability • 54% Energy • 63% Liveness
75% Instrumentalness • 79% Positiveness
1% Popularity • 65% Danceability • 54% Energy • 63% Liveness
75% Instrumentalness • 79% Positiveness
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Eric Reed
Search for Peace
99 bpm • D Maj • 06:36 • -16.71db
14% Popularity • 40% Danceability • 20% Energy • 14% Liveness
50% Instrumentalness • 9% Positiveness
14% Popularity • 40% Danceability • 20% Energy • 14% Liveness
50% Instrumentalness • 9% Positiveness
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Cyrus Chestnut
Son binocle
91 bpm • C Maj • 04:04 • -23.71db
37% Popularity • 44% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
37% Popularity • 44% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
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Marc Copland
Rainy Night House
99 bpm • A min • 06:30 • -25.26db
29% Popularity • 44% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
29% Popularity • 44% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
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Benjamin Sanz
Awakening
91 bpm • C Maj • 04:30 • -9db
17% Popularity • 39% Danceability • 67% Energy • 6% Liveness
90% Instrumentalness • 40% Positiveness
17% Popularity • 39% Danceability • 67% Energy • 6% Liveness
90% Instrumentalness • 40% Positiveness
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Dave Stryker
As We Were
99 bpm • E min • 05:25 • -17.85db
32% Popularity • 42% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
32% Popularity • 42% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Sean Mason
Final Voyage
99 bpm • D Maj • 06:18 • -10.93db
29% Popularity • 50% Danceability • 50% Energy • 12% Liveness
83% Instrumentalness • 55% Positiveness
29% Popularity • 50% Danceability • 50% Energy • 12% Liveness
83% Instrumentalness • 55% Positiveness
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Martin Nodeland
Ballard
91 bpm • G Maj • 05:30 • -12.44db
0% Popularity • 50% Danceability • 42% Energy • 10% Liveness
7% Instrumentalness • 16% Positiveness
0% Popularity • 50% Danceability • 42% Energy • 10% Liveness
7% Instrumentalness • 16% Positiveness
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André Ceccarelli
Balkis
100 bpm • F# Maj • 02:29 • -15.56db
47% Popularity • 35% Danceability • 24% Energy • 11% Liveness
5% Instrumentalness • 14% Positiveness
47% Popularity • 35% Danceability • 24% Energy • 11% Liveness
5% Instrumentalness • 14% Positiveness
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David Tixier Trio
Nutra
91 bpm • A# min • 06:00 • -11.72db
17% Popularity • 47% Danceability • 61% Energy • 10% Liveness
88% Instrumentalness • 56% Positiveness
17% Popularity • 47% Danceability • 61% Energy • 10% Liveness
88% Instrumentalness • 56% Positiveness
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Tom Gibbs
The Trip
91 bpm • D Maj • 04:52 • -9.94db
0% Popularity • 43% Danceability • 53% Energy • 14% Liveness
5% Instrumentalness • 33% Positiveness
0% Popularity • 43% Danceability • 53% Energy • 14% Liveness
5% Instrumentalness • 33% Positiveness
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Will Vinson
Lubes
90 bpm • F Maj • 01:40 • -8.1db
2% Popularity • 71% Danceability • 27% Energy • 7% Liveness
70% Instrumentalness • 95% Positiveness
2% Popularity • 71% Danceability • 27% Energy • 7% Liveness
70% Instrumentalness • 95% Positiveness
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Vijay Iyer Trio
Work
90 bpm • D Maj • 06:14 • -22db
16% Popularity • 43% Danceability • 21% Energy • 12% Liveness
80% Instrumentalness • 37% Positiveness
16% Popularity • 43% Danceability • 21% Energy • 12% Liveness
80% Instrumentalness • 37% Positiveness
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Agnas Bros
9
100 bpm • C min • 09:04 • -13.19db
17% Popularity • 40% Danceability • 46% Energy • 9% Liveness
52% Instrumentalness • 32% Positiveness
17% Popularity • 40% Danceability • 46% Energy • 9% Liveness
52% Instrumentalness • 32% Positiveness
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Luis Perdomo
Bewildered Minds Wait
100 bpm • C# Maj • 04:59 • -14.18db
0% Popularity • 37% Danceability • 46% Energy • 9% Liveness
2% Instrumentalness • 35% Positiveness
0% Popularity • 37% Danceability • 46% Energy • 9% Liveness
2% Instrumentalness • 35% Positiveness
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Bill Frisell
Wise Woman
90 bpm • D Maj • 03:46 • -16db
33% Popularity • 33% Danceability • 23% Energy • 31% Liveness
71% Instrumentalness • 5% Positiveness
33% Popularity • 33% Danceability • 23% Energy • 31% Liveness
71% Instrumentalness • 5% Positiveness
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Daniel GarcÃa Trio
Spring of Life
100 bpm • C# Maj • 03:35 • -19db
40% Popularity • 58% Danceability • 26% Energy • 13% Liveness
88% Instrumentalness • 28% Positiveness
40% Popularity • 58% Danceability • 26% Energy • 13% Liveness
88% Instrumentalness • 28% Positiveness
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Will Vinson
Three Things You Might Have Been (Thing ...
100 bpm • C Maj • 03:19 • -10.73db
0% Popularity • 58% Danceability • 7% Energy • 7% Liveness
14% Instrumentalness • 75% Positiveness
0% Popularity • 58% Danceability • 7% Energy • 7% Liveness
14% Instrumentalness • 75% Positiveness
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Peter Bernstein Trio
Metamorphosis
100 bpm • F min • 09:01 • -14db
18% Popularity • 52% Danceability • 41% Energy • 17% Liveness
82% Instrumentalness • 50% Positiveness
18% Popularity • 52% Danceability • 41% Energy • 17% Liveness
82% Instrumentalness • 50% Positiveness
► Preview
Jerry Bergonzi
I Will Never Stop Loving You
100 bpm • A# Maj • 02:53 • -12.19db
35% Popularity • 53% Danceability • 24% Energy • 20% Liveness
52% Instrumentalness • 34% Positiveness
35% Popularity • 53% Danceability • 24% Energy • 20% Liveness
52% Instrumentalness • 34% Positiveness
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Little North
Colors
100 bpm • D min • 05:51 • -18.76db
32% Popularity • 35% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
32% Popularity • 35% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Alan Broadbent Trio
Clifford Notes
90 bpm • C min • 08:46 • -13.26db
33% Popularity • 62% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 62% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Eddie Henderson
It Never Entered My Mind
100 bpm • C Maj • 08:45 • -20.85db
17% Popularity • 39% Danceability • 6% Energy • 15% Liveness
10% Instrumentalness • 14% Positiveness
17% Popularity • 39% Danceability • 6% Energy • 15% Liveness
10% Instrumentalness • 14% Positiveness
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Tord Gustavsen Trio
Curves
101 bpm • A Maj • 06:19 • -28.95db
47% Popularity • 52% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
47% Popularity • 52% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
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Bobby Watson
I'm Glad There Is You
89 bpm • F Maj • 07:15 • -14.16db
35% Popularity • 42% Danceability • 8% Energy • 11% Liveness
4% Instrumentalness • 24% Positiveness
35% Popularity • 42% Danceability • 8% Energy • 11% Liveness
4% Instrumentalness • 24% Positiveness
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Eric Legnini Trio
Trastevere
101 bpm • C Maj • 02:27 • -16.47db
44% Popularity • 46% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 34% Positiveness
44% Popularity • 46% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 34% Positiveness
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Filip Jers
For my lady
101 bpm • A min • 03:23 • -10.29db
25% Popularity • 59% Danceability • 23% Energy • 6% Liveness
66% Instrumentalness • 31% Positiveness
25% Popularity • 59% Danceability • 23% Energy • 6% Liveness
66% Instrumentalness • 31% Positiveness
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Tom Harrell
Autumn In New York
101 bpm • F Maj • 07:49 • -14.08db
13% Popularity • 44% Danceability • 39% Energy • 14% Liveness
90% Instrumentalness • 28% Positiveness
13% Popularity • 44% Danceability • 39% Energy • 14% Liveness
90% Instrumentalness • 28% Positiveness
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Jason Moran
Body And Soul
101 bpm • C# Maj • 03:46 • -22.15db
34% Popularity • 43% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
34% Popularity • 43% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
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Tom Gibbs
Farming Stock
101 bpm • A# Maj • 04:13 • -12.26db
0% Popularity • 64% Danceability • 44% Energy • 11% Liveness
87% Instrumentalness • 54% Positiveness
0% Popularity • 64% Danceability • 44% Energy • 11% Liveness
87% Instrumentalness • 54% Positiveness
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ARTEMIS
Song For Abdullah - Bonus
101 bpm • C# Maj • 06:11 • -17.35db
14% Popularity • 43% Danceability • 19% Energy • 14% Liveness
78% Instrumentalness • 15% Positiveness
14% Popularity • 43% Danceability • 19% Energy • 14% Liveness
78% Instrumentalness • 15% Positiveness
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Will Vinson
Desolation Tango
101 bpm • F# Maj • 05:56 • -14.81db
1% Popularity • 25% Danceability • 24% Energy • 9% Liveness
77% Instrumentalness • 10% Positiveness
1% Popularity • 25% Danceability • 24% Energy • 9% Liveness
77% Instrumentalness • 10% Positiveness
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Alvin Queen Trio
Have You Met Miss Jones?
89 bpm • D min • 03:44 • -19.35db
12% Popularity • 49% Danceability • 15% Energy • 11% Liveness
8% Instrumentalness • 39% Positiveness
12% Popularity • 49% Danceability • 15% Energy • 11% Liveness
8% Instrumentalness • 39% Positiveness
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Gathering in Jazz
Enclosure
101 bpm • D Maj • 04:40 • -11.04db
13% Popularity • 44% Danceability • 43% Energy • 13% Liveness
80% Instrumentalness • 21% Positiveness
13% Popularity • 44% Danceability • 43% Energy • 13% Liveness
80% Instrumentalness • 21% Positiveness
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Marcin Wasilewski Trio
January
102 bpm • B min • 08:38 • -24.26db
38% Popularity • 32% Danceability • 9% Energy • 16% Liveness
76% Instrumentalness • 5% Positiveness
38% Popularity • 32% Danceability • 9% Energy • 16% Liveness
76% Instrumentalness • 5% Positiveness
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Tom Gibbs
Rebecca Song
101 bpm • E Maj • 07:27 • -13.53db
1% Popularity • 41% Danceability • 36% Energy • 9% Liveness
88% Instrumentalness • 17% Positiveness
1% Popularity • 41% Danceability • 36% Energy • 9% Liveness
88% Instrumentalness • 17% Positiveness
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Johnathan Blake
Rivers & Parks
102 bpm • E min • 07:59 • -9.58db
16% Popularity • 50% Danceability • 53% Energy • 12% Liveness
70% Instrumentalness • 37% Positiveness
16% Popularity • 50% Danceability • 53% Energy • 12% Liveness
70% Instrumentalness • 37% Positiveness
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Will Vinson
Three Things You Might Have Been (Thing ...
102 bpm • G# Maj • 02:11 • -9.82db
0% Popularity • 70% Danceability • 34% Energy • 7% Liveness
84% Instrumentalness • 97% Positiveness
0% Popularity • 70% Danceability • 34% Energy • 7% Liveness
84% Instrumentalness • 97% Positiveness
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Alex Goodman
No Man's Land
102 bpm • E min • 04:48 • -11.89db
8% Popularity • 50% Danceability • 29% Energy • 9% Liveness
65% Instrumentalness • 42% Positiveness
8% Popularity • 50% Danceability • 29% Energy • 9% Liveness
65% Instrumentalness • 42% Positiveness
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Roy Hargrove Quintet
The Left Side
102 bpm • A Maj • 06:48 • -13.74db
11% Popularity • 44% Danceability • 45% Energy • 97% Liveness
22% Instrumentalness • 38% Positiveness
11% Popularity • 44% Danceability • 45% Energy • 97% Liveness
22% Instrumentalness • 38% Positiveness
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Carl Bagge
Runmarö
89 bpm • G# Maj • 05:41 • -14.07db
8% Popularity • 39% Danceability • 32% Energy • 11% Liveness
12% Instrumentalness • 36% Positiveness
8% Popularity • 39% Danceability • 32% Energy • 11% Liveness
12% Instrumentalness • 36% Positiveness
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Shai Maestro
Hank and Charlie
102 bpm • D Maj • 04:41 • -28.37db
17% Popularity • 35% Danceability • 6% Energy • 26% Liveness
76% Instrumentalness • 10% Positiveness
17% Popularity • 35% Danceability • 6% Energy • 26% Liveness
76% Instrumentalness • 10% Positiveness
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Johnathan Blake
Out of Sight, Out of Mind
102 bpm • C min • 07:07 • -23.98db
33% Popularity • 36% Danceability • 8% Energy • 20% Liveness
63% Instrumentalness • 6% Positiveness
33% Popularity • 36% Danceability • 8% Energy • 20% Liveness
63% Instrumentalness • 6% Positiveness
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Pulse Trio
Tears Of The Forest
102 bpm • G# Maj • 02:54 • -20.43db
2% Popularity • 46% Danceability • 17% Energy • 60% Liveness
24% Instrumentalness • 13% Positiveness
2% Popularity • 46% Danceability • 17% Energy • 60% Liveness
24% Instrumentalness • 13% Positiveness
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Thomas Sejthen Trio
Monkish
102 bpm • G Maj • 03:46 • -12.21db
25% Popularity • 56% Danceability • 34% Energy • 28% Liveness
26% Instrumentalness • 40% Positiveness
25% Popularity • 56% Danceability • 34% Energy • 28% Liveness
26% Instrumentalness • 40% Positiveness
