Songs like Banarasi Dhun - Taal Dadra by Bismillah Khan
Based on a tempo of (+/- 10%) and a similar genre
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Bismillah Khan
Banarasi Dhun - Taal Dadra
161 bpm • C# Maj • 07:14 • -17.55db
18% Popularity • 43% Danceability • 49% Energy • 23% Liveness
84% Instrumentalness • 86% Positiveness
18% Popularity • 43% Danceability • 49% Energy • 23% Liveness
84% Instrumentalness • 86% Positiveness
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Phani Narayana
Swaminatha Paripalaya - Instrumental
160 bpm • A Maj • 05:54 • -13.17db
1% Popularity • 64% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
1% Popularity • 64% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Bharat Balvalli
Vilopale Madhu Milnat Ya
160 bpm • A min • 06:13 • -10.24db
8% Popularity • 44% Danceability • 58% Energy • 8% Liveness
29% Instrumentalness • 68% Positiveness
8% Popularity • 44% Danceability • 58% Energy • 8% Liveness
29% Instrumentalness • 68% Positiveness
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Qais Essar
Sheikh Ali
162 bpm • D Maj • 02:16 • -8.11db
14% Popularity • 61% Danceability • 53% Energy • 36% Liveness
62% Instrumentalness • 73% Positiveness
14% Popularity • 61% Danceability • 53% Energy • 36% Liveness
62% Instrumentalness • 73% Positiveness
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Emon Chowdhury
Keno Piriti Baraila Re Bondhu
159 bpm • E Maj • 07:32 • -10.68db
8% Popularity • 46% Danceability • 48% Energy • 8% Liveness
56% Instrumentalness • 43% Positiveness
8% Popularity • 46% Danceability • 48% Energy • 8% Liveness
56% Instrumentalness • 43% Positiveness
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Zakir Hussain & Sultan Khan
Ambala (India) 1987 - Tintal
160 bpm • B min • 04:04 • -19.56db
9% Popularity • 34% Danceability • 77% Energy • 19% Liveness
84% Instrumentalness • 62% Positiveness
9% Popularity • 34% Danceability • 77% Energy • 19% Liveness
84% Instrumentalness • 62% Positiveness
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Bismillah Khan
Dhun Maiyya Played In Punjab During Marr...
161 bpm • C Maj • 12:05 • -9.57db
6% Popularity • 40% Danceability • 75% Energy • 18% Liveness
87% Instrumentalness • 31% Positiveness
6% Popularity • 40% Danceability • 75% Energy • 18% Liveness
87% Instrumentalness • 31% Positiveness
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U. Srinivas
Raghupathi Raghava Rajaram
159 bpm • A min • 03:06 • -17db
18% Popularity • 66% Danceability • 29% Energy • 37% Liveness
88% Instrumentalness • 52% Positiveness
18% Popularity • 66% Danceability • 29% Energy • 37% Liveness
88% Instrumentalness • 52% Positiveness
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Shruti Sadolikar
Yaman
163 bpm • G# Maj • 03:41 • -18.13db
10% Popularity • 23% Danceability • 37% Energy • 17% Liveness
13% Instrumentalness • 38% Positiveness
10% Popularity • 23% Danceability • 37% Energy • 17% Liveness
13% Instrumentalness • 38% Positiveness
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Shahid Parvez
Raga Kirwani Gat
158 bpm • B Maj • 08:47 • -13db
11% Popularity • 24% Danceability • 59% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
11% Popularity • 24% Danceability • 59% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Veena Sahasrabuddhe
Mahadeva Deva
158 bpm • C# Maj • 04:32 • -19db
19% Popularity • 32% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 32% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Pravin Godkhindi
Bhoop - Instrumental
165 bpm • D Maj • 07:07 • -7.46db
12% Popularity • 39% Danceability • 67% Energy • 21% Liveness
79% Instrumentalness • 46% Positiveness
12% Popularity • 39% Danceability • 67% Energy • 21% Liveness
79% Instrumentalness • 46% Positiveness
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Vishwa Mohan Bhatt
Dhun in Rag Pahadi
157 bpm • C Maj • 08:29 • -24db
16% Popularity • 38% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
16% Popularity • 38% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
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Kishori Amonkar
Alap, 2
165 bpm • C# Maj • 01:55 • -17.07db
10% Popularity • 12% Danceability • 20% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 20% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Shruti Sadolikar
Tilang
165 bpm • G# Maj • 03:47 • -17.74db
8% Popularity • 23% Danceability • 42% Energy • 10% Liveness
2% Instrumentalness • 41% Positiveness
8% Popularity • 23% Danceability • 42% Energy • 10% Liveness
2% Instrumentalness • 41% Positiveness
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Vilayat Khan
Raga Gauti
165 bpm • C# Maj • 10:55 • -9.98db
22% Popularity • 28% Danceability • 53% Energy • 6% Liveness
76% Instrumentalness • 25% Positiveness
22% Popularity • 28% Danceability • 53% Energy • 6% Liveness
76% Instrumentalness • 25% Positiveness
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Pandit Chhannulal Mishra
Jai Shiv Shankar Aughar Dani; Shiv Stuti...
157 bpm • D# Maj • 07:19 • -9db
13% Popularity • 37% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 37% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Kumaar Sanjeev
Jagadeeshwari
165 bpm • A# min • 01:34 • -6.31db
15% Popularity • 49% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 49% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Roopa Panesar
Rag Gujri Todi - Madhya Laya Gat in Tal ...
166 bpm • A Maj • 08:55 • -10.37db
11% Popularity • 26% Danceability • 74% Energy • 8% Liveness
79% Instrumentalness • 33% Positiveness
11% Popularity • 26% Danceability • 74% Energy • 8% Liveness
79% Instrumentalness • 33% Positiveness
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Shobha Joshi
Na Aaye Piya - Thumri
154 bpm • C min • 07:07 • -7.52db
13% Popularity • 18% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 18% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Bismillah Khan
Shubh Aagman (Raga Mishra Mel Ki Malhar)
169 bpm • F# min • 14:44 • -17.4db
13% Popularity • 38% Danceability • 39% Energy • 8% Liveness
19% Instrumentalness • 72% Positiveness
13% Popularity • 38% Danceability • 39% Energy • 8% Liveness
19% Instrumentalness • 72% Positiveness
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M.S. Gopalakrishnan
Janani Ninnuvina
169 bpm • F# min • 09:29 • -8db
14% Popularity • 39% Danceability • 41% Energy • 22% Liveness
92% Instrumentalness • 36% Positiveness
14% Popularity • 39% Danceability • 41% Energy • 22% Liveness
92% Instrumentalness • 36% Positiveness
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Sunanda Sharma
Bandish Ki Thumri - Raag Bhairavi
153 bpm • E Maj • 07:25 • -7.67db
13% Popularity • 26% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 26% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Kishori Amonkar
Sanwariya Sanjh
153 bpm • C# min • 04:44 • -15db
15% Popularity • 31% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 31% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Shujaat Khan
Lajo Lajo
169 bpm • F# Maj • 08:50 • -13.68db
17% Popularity • 30% Danceability • 52% Energy • 23% Liveness
3% Instrumentalness • 42% Positiveness
17% Popularity • 30% Danceability • 52% Energy • 23% Liveness
3% Instrumentalness • 42% Positiveness
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Shahid Parvez
Raga Yaman Gat
153 bpm • C# Maj • 11:39 • -15db
13% Popularity • 29% Danceability • 40% Energy • 13% Liveness
96% Instrumentalness • 26% Positiveness
13% Popularity • 29% Danceability • 40% Energy • 13% Liveness
96% Instrumentalness • 26% Positiveness
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Bharat Balvalli
Shura Mee Vandile
170 bpm • E Maj • 08:11 • -8.94db
9% Popularity • 32% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 32% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Qais Essar
Man Randa Ze Maikhana Am
170 bpm • C# min • 02:37 • -9.3db
11% Popularity • 66% Danceability • 54% Energy • 9% Liveness
92% Instrumentalness • 61% Positiveness
11% Popularity • 66% Danceability • 54% Energy • 9% Liveness
92% Instrumentalness • 61% Positiveness
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Kumar Gandharva
Avdhuta Kudarat Ki Gat Nyari - Kabir
152 bpm • F Maj • 10:21 • -12.98db
13% Popularity • 36% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 36% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Milind Date
Romantic Flute-Gorakh Kalyan-Teen Taal
170 bpm • E Maj • 03:51 • -9.27db
12% Popularity • 65% Danceability • 60% Energy • 9% Liveness
89% Instrumentalness • 46% Positiveness
12% Popularity • 65% Danceability • 60% Energy • 9% Liveness
89% Instrumentalness • 46% Positiveness
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B. V. Balasai
Ram Ratan Dhan Payo - Instrumental
170 bpm • D Maj • 03:25 • -9db
14% Popularity • 53% Danceability • 59% Energy • 12% Liveness
1% Instrumentalness • 73% Positiveness
14% Popularity • 53% Danceability • 59% Energy • 12% Liveness
1% Instrumentalness • 73% Positiveness
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Rajan & Sajan Mishra
Jai Hanuman Mahan
152 bpm • D# min • 06:37 • -16db
9% Popularity • 31% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 31% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Bharat Balvalli
Atma Shatak
170 bpm • F Maj • 05:22 • -10.5db
10% Popularity • 41% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 41% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Jayanthi Kumaresh
Kamach Thillana
152 bpm • A Maj • 05:07 • -12db
9% Popularity • 69% Danceability • 40% Energy • 19% Liveness
33% Instrumentalness • 69% Positiveness
9% Popularity • 69% Danceability • 40% Energy • 19% Liveness
33% Instrumentalness • 69% Positiveness
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Bismillah Khan
Raga Mishra Mel Ki Malhar - Vilambit Tee...
171 bpm • F# min • 15:00 • -5.89db
10% Popularity • 38% Danceability • 75% Energy • 9% Liveness
25% Instrumentalness • 62% Positiveness
10% Popularity • 38% Danceability • 75% Energy • 9% Liveness
25% Instrumentalness • 62% Positiveness
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Pandit Jasraj
Mata Kalika
152 bpm • C# Maj • 06:45 • -7.2db
23% Popularity • 39% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 39% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Bombay Jayashri
Raghavam
152 bpm • D Maj • 09:46 • -13.36db
7% Popularity • 48% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 42% Positiveness
7% Popularity • 48% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 42% Positiveness
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Manbir Singh
Naasro Mansoor (ਨਾਸਿਰੋ ਮ�...
152 bpm • C# min • 02:06 • -16.34db
8% Popularity • 57% Danceability • 43% Energy • 18% Liveness
90% Instrumentalness • 57% Positiveness
8% Popularity • 57% Danceability • 43% Energy • 18% Liveness
90% Instrumentalness • 57% Positiveness
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Kishori Amonkar
Avgha To Shakun
151 bpm • F min • 04:23 • -13db
6% Popularity • 34% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
6% Popularity • 34% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Pandit Chhannulal Mishra
Durga Stuti (Raga Hamsadhwani)
151 bpm • D# Maj • 09:22 • -9db
10% Popularity • 36% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 36% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Bismillah Khan
Meeting of Hearts
152 bpm • A Maj • 09:53 • -13.15db
4% Popularity • 34% Danceability • 62% Energy • 8% Liveness
79% Instrumentalness • 58% Positiveness
4% Popularity • 34% Danceability • 62% Energy • 8% Liveness
79% Instrumentalness • 58% Positiveness
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Stevin McNamara
Moonlight Invocation
172 bpm • G# Maj • 01:25 • -12.47db
23% Popularity • 8% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 8% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Birju Maharaj
Kanha Main Tose Haari
151 bpm • C# min • 05:46 • -11.01db
5% Popularity • 44% Danceability • 60% Energy • 17% Liveness
2% Instrumentalness • 64% Positiveness
5% Popularity • 44% Danceability • 60% Energy • 17% Liveness
2% Instrumentalness • 64% Positiveness
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Suhel Rais Khan, Ustad Sultan Khan
Found you again - Original
150 bpm • D Maj • 04:27 • -7.93db
14% Popularity • 39% Danceability • 61% Energy • 28% Liveness
85% Instrumentalness • 37% Positiveness
14% Popularity • 39% Danceability • 61% Energy • 28% Liveness
85% Instrumentalness • 37% Positiveness
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Shivkumar Sharma
Twilight Shadows
150 bpm • F Maj • 03:56 • -15db
19% Popularity • 49% Danceability • 35% Energy • 25% Liveness
4% Instrumentalness • 28% Positiveness
19% Popularity • 49% Danceability • 35% Energy • 25% Liveness
4% Instrumentalness • 28% Positiveness
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Niladri Kumar
Calling Ganesha
150 bpm • G Maj • 09:43 • -6.72db
9% Popularity • 48% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 19% Positiveness
9% Popularity • 48% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 19% Positiveness
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Bharat Balvalli
Parvashta Pash Deve
150 bpm • A# Maj • 06:55 • -9.39db
7% Popularity • 50% Danceability • 78% Energy • 15% Liveness
69% Instrumentalness • 66% Positiveness
7% Popularity • 50% Danceability • 78% Energy • 15% Liveness
69% Instrumentalness • 66% Positiveness
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Amjad Ali Khan
Bhajan - Vaishnav Jana To Tene Re Kahie
174 bpm • G min • 09:35 • -19.53db
12% Popularity • 42% Danceability • 33% Energy • 36% Liveness
14% Instrumentalness • 25% Positiveness
12% Popularity • 42% Danceability • 33% Energy • 36% Liveness
14% Instrumentalness • 25% Positiveness
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Shujaat Khan
Rehna Nahi Is Des
149 bpm • G Maj • 10:49 • -7.72db
10% Popularity • 41% Danceability • 63% Energy • 9% Liveness
3% Instrumentalness • 61% Positiveness
10% Popularity • 41% Danceability • 63% Energy • 9% Liveness
3% Instrumentalness • 61% Positiveness
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Aziz Herawi
Amaturi
149 bpm • D Maj • 04:01 • -20.48db
9% Popularity • 54% Danceability • 28% Energy • 5% Liveness
98% Instrumentalness • 76% Positiveness
9% Popularity • 54% Danceability • 28% Energy • 5% Liveness
98% Instrumentalness • 76% Positiveness
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Rajalakshmee Sanjay
Sai Chant
174 bpm • E min • 04:54 • -14db
12% Popularity • 19% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 19% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Bismillah Khan
Mishra Bhairavi
149 bpm • C# Maj • 05:53 • -11.62db
22% Popularity • 40% Danceability • 49% Energy • 17% Liveness
65% Instrumentalness • 60% Positiveness
22% Popularity • 40% Danceability • 49% Energy • 17% Liveness
65% Instrumentalness • 60% Positiveness
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Kunnakudi Vaidyanathan
Ennappan Allava
149 bpm • F# min • 03:39 • -9.82db
14% Popularity • 64% Danceability • 50% Energy • 35% Liveness
84% Instrumentalness • 61% Positiveness
14% Popularity • 64% Danceability • 50% Energy • 35% Liveness
84% Instrumentalness • 61% Positiveness
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Milind Date
Durga-Teen Taal
175 bpm • E Maj • 08:10 • -12.96db
11% Popularity • 35% Danceability • 52% Energy • 15% Liveness
82% Instrumentalness • 36% Positiveness
11% Popularity • 35% Danceability • 52% Energy • 15% Liveness
82% Instrumentalness • 36% Positiveness
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Kudamaloor Janardanan
Alai Payuthe - Canada - Adi
148 bpm • G# Maj • 08:00 • -9.04db
12% Popularity • 57% Danceability • 50% Energy • 30% Liveness
88% Instrumentalness • 62% Positiveness
12% Popularity • 57% Danceability • 50% Energy • 30% Liveness
88% Instrumentalness • 62% Positiveness
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Ustad Bismillahkhan
Todi - Instrumental
148 bpm • D# Maj • 03:30 • -15db
13% Popularity • 34% Danceability • 40% Energy • 23% Liveness
91% Instrumentalness • 31% Positiveness
13% Popularity • 34% Danceability • 40% Energy • 23% Liveness
91% Instrumentalness • 31% Positiveness
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Bharat Balvalli
Sukhi Sadhna
175 bpm • B Maj • 06:03 • -8.88db
7% Popularity • 38% Danceability • 72% Energy • 14% Liveness
13% Instrumentalness • 47% Positiveness
7% Popularity • 38% Danceability • 72% Energy • 14% Liveness
13% Instrumentalness • 47% Positiveness
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Srinjoy Mukherjee
Jazbaa, Morning Peace Bhairavi
148 bpm • G# min • 11:04 • -6.31db
8% Popularity • 49% Danceability • 56% Energy • 17% Liveness
54% Instrumentalness • 27% Positiveness
8% Popularity • 49% Danceability • 56% Energy • 17% Liveness
54% Instrumentalness • 27% Positiveness
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Vishwa Mohan Bhatt
Kajari from Varanasi
148 bpm • D Maj • 08:34 • -24db
9% Popularity • 41% Danceability • 24% Energy • 6% Liveness
96% Instrumentalness • 16% Positiveness
9% Popularity • 41% Danceability • 24% Energy • 6% Liveness
96% Instrumentalness • 16% Positiveness
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Juanfe Pérez
Remolino de Hojas (Preludio)
176 bpm • G Maj • 01:33 • -16.1db
9% Popularity • 29% Danceability • 13% Energy • 14% Liveness
49% Instrumentalness • 28% Positiveness
9% Popularity • 29% Danceability • 13% Energy • 14% Liveness
49% Instrumentalness • 28% Positiveness
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Bismillah Khan
Babul Mora - Kajri
176 bpm • C# Maj • 05:34 • -5.88db
9% Popularity • 33% Danceability • 94% Energy • 12% Liveness
74% Instrumentalness • 70% Positiveness
9% Popularity • 33% Danceability • 94% Energy • 12% Liveness
74% Instrumentalness • 70% Positiveness
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Ram Narayan
Raga Mishra Khamal: Thumri in Teentaal
147 bpm • E Maj • 09:45 • -16.47db
19% Popularity • 33% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 33% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Shahid Parvez
Raga Yaman Drut
147 bpm • C# Maj • 08:56 • -13db
18% Popularity • 20% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 9% Positiveness
18% Popularity • 20% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 9% Positiveness
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Rajan & Sajan Mishra
Mangal Murti Marut Nandan
147 bpm • C# Maj • 08:44 • -17db
16% Popularity • 33% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 33% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Amjad Ali Khan
Raga Miya-Ki-Malhar Teental
177 bpm • A# Maj • 05:24 • -16.96db
24% Popularity • 35% Danceability • 32% Energy • 15% Liveness
86% Instrumentalness • 41% Positiveness
24% Popularity • 35% Danceability • 32% Energy • 15% Liveness
86% Instrumentalness • 41% Positiveness
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Ustad Bismillahkhan
Shudh Sarang - Instrumental
177 bpm • D# Maj • 03:26 • -13db
13% Popularity • 21% Danceability • 62% Energy • 12% Liveness
94% Instrumentalness • 42% Positiveness
13% Popularity • 21% Danceability • 62% Energy • 12% Liveness
94% Instrumentalness • 42% Positiveness
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Bismillah Khan
The Beloveds Call
147 bpm • D Maj • 09:57 • -12.84db
3% Popularity • 43% Danceability • 61% Energy • 13% Liveness
92% Instrumentalness • 75% Positiveness
3% Popularity • 43% Danceability • 61% Energy • 13% Liveness
92% Instrumentalness • 75% Positiveness
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Vishwa Mohan Bhatt
Vaisnava Bhajan
147 bpm • D Maj • 09:15 • -24db
28% Popularity • 41% Danceability • 23% Energy • 9% Liveness
96% Instrumentalness • 15% Positiveness
28% Popularity • 41% Danceability • 23% Energy • 9% Liveness
96% Instrumentalness • 15% Positiveness
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Shubha Mudgal
Raga Tilak Kamod - Raga Tilak Kamod - Te...
178 bpm • C# Maj • 12:30 • -9.45db
8% Popularity • 20% Danceability • 64% Energy • 39% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 20% Danceability • 64% Energy • 39% Liveness
0% Instrumentalness • 34% Positiveness
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Ahmed Jan Thirakwa
Reel Three (Madhya Laya)
145 bpm • G Maj • 06:58 • -8.93db
14% Popularity • 50% Danceability • 82% Energy • 26% Liveness
84% Instrumentalness • 54% Positiveness
14% Popularity • 50% Danceability • 82% Energy • 26% Liveness
84% Instrumentalness • 54% Positiveness
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Satish Vyas, Vijay Ghate, Kunal Gunjal
Raga Dhani - Drut Gat In Ektaal
145 bpm • D min • 10:03 • -14db
14% Popularity • 26% Danceability • 73% Energy • 4% Liveness
94% Instrumentalness • 74% Positiveness
14% Popularity • 26% Danceability • 73% Energy • 4% Liveness
94% Instrumentalness • 74% Positiveness
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Ensemble traditionnel de l'Orissa
Mangala Charan
145 bpm • D Maj • 06:07 • -14.61db
8% Popularity • 30% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 30% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 19% Positiveness
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Bismillah Khan
Delightful Journey
147 bpm • D Maj • 09:55 • -11.28db
14% Popularity • 40% Danceability • 71% Energy • 13% Liveness
56% Instrumentalness • 45% Positiveness
14% Popularity • 40% Danceability • 71% Energy • 13% Liveness
56% Instrumentalness • 45% Positiveness
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Vishwa Mohan Bhatt
Romantic Dhun
146 bpm • G Maj • 10:43 • -25db
14% Popularity • 40% Danceability • 17% Energy • 5% Liveness
96% Instrumentalness • 12% Positiveness
14% Popularity • 40% Danceability • 17% Energy • 5% Liveness
96% Instrumentalness • 12% Positiveness
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Sur - Sudha
Rajamati(Flute+Sitar)
145 bpm • D Maj • 11:27 • -15.72db
8% Popularity • 36% Danceability • 34% Energy • 44% Liveness
3% Instrumentalness • 32% Positiveness
8% Popularity • 36% Danceability • 34% Energy • 44% Liveness
3% Instrumentalness • 32% Positiveness
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Bickram Ghosh
The Wanderlust Of Apu
180 bpm • C# Maj • 01:50 • -7.54db
17% Popularity • 36% Danceability • 43% Energy • 11% Liveness
91% Instrumentalness • 34% Positiveness
17% Popularity • 36% Danceability • 43% Energy • 11% Liveness
91% Instrumentalness • 34% Positiveness
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Nayan Ghosh
Tabla Solo - Taal Rupak
144 bpm • C# Maj • 05:48 • -9.85db
18% Popularity • 50% Danceability • 94% Energy • 32% Liveness
91% Instrumentalness • 86% Positiveness
18% Popularity • 50% Danceability • 94% Energy • 32% Liveness
91% Instrumentalness • 86% Positiveness
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Partha Bose
Baul: Raga Bhairavi - Folk-Tune from Ben...
144 bpm • G min • 09:12 • -7db
12% Popularity • 27% Danceability • 72% Energy • 13% Liveness
6% Instrumentalness • 48% Positiveness
12% Popularity • 27% Danceability • 72% Energy • 13% Liveness
6% Instrumentalness • 48% Positiveness
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Bismillah Khan
Holi Matrimony
147 bpm • D Maj • 09:55 • -13.72db
11% Popularity • 40% Danceability • 59% Energy • 11% Liveness
42% Instrumentalness • 52% Positiveness
11% Popularity • 40% Danceability • 59% Energy • 11% Liveness
42% Instrumentalness • 52% Positiveness
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Pejman Tadayon
Herat
144 bpm • A# min • 03:35 • -6.72db
15% Popularity • 59% Danceability • 86% Energy • 12% Liveness
78% Instrumentalness • 59% Positiveness
15% Popularity • 59% Danceability • 86% Energy • 12% Liveness
78% Instrumentalness • 59% Positiveness
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Shamim Ahmed Khan
Multani
144 bpm • C Maj • 05:36 • -7.6db
11% Popularity • 31% Danceability • 85% Energy • 37% Liveness
5% Instrumentalness • 54% Positiveness
11% Popularity • 31% Danceability • 85% Energy • 37% Liveness
5% Instrumentalness • 54% Positiveness
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Bickram Ghosh
The Song Of The Little Road
180 bpm • F# min • 01:34 • -8db
25% Popularity • 53% Danceability • 52% Energy • 16% Liveness
53% Instrumentalness • 67% Positiveness
25% Popularity • 53% Danceability • 52% Energy • 16% Liveness
53% Instrumentalness • 67% Positiveness
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Shaant Man
Raga Bageshri
180 bpm • A min • 03:43 • -6.82db
25% Popularity • 35% Danceability • 76% Energy • 13% Liveness
21% Instrumentalness • 23% Positiveness
25% Popularity • 35% Danceability • 76% Energy • 13% Liveness
21% Instrumentalness • 23% Positiveness
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Bhai Baljit Singh Ji
Jo Maghe Thakur Apne Te
143 bpm • G min • 09:20 • -13.4db
8% Popularity • 31% Danceability • 50% Energy • 15% Liveness
27% Instrumentalness • 51% Positiveness
8% Popularity • 31% Danceability • 50% Energy • 15% Liveness
27% Instrumentalness • 51% Positiveness
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Bismillah Khan
Raag - Shyam Kalyan Jhap Taal
179 bpm • A Maj • 09:56 • -15.91db
0% Popularity • 19% Danceability • 45% Energy • 18% Liveness
89% Instrumentalness • 31% Positiveness
0% Popularity • 19% Danceability • 45% Energy • 18% Liveness
89% Instrumentalness • 31% Positiveness
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Erode Rajamani
Kaushalya Supraja
143 bpm • C Maj • 02:28 • -10.89db
10% Popularity • 30% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 30% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Rishab Rikhiram Sharma
Raga Nat Bhairav: Gat in Ektal
143 bpm • C# Maj • 09:42 • -9.27db
15% Popularity • 31% Danceability • 52% Energy • 5% Liveness
90% Instrumentalness • 30% Positiveness
15% Popularity • 31% Danceability • 52% Energy • 5% Liveness
90% Instrumentalness • 30% Positiveness
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Veena Sahasrabuddhe
Om Namah Shivay
143 bpm • B Maj • 07:56 • -17.21db
11% Popularity • 26% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 26% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Kumar Gandharva
Raag Malkauns (Drut Ektala)
143 bpm • E min • 03:51 • -9.22db
11% Popularity • 44% Danceability • 69% Energy • 19% Liveness
14% Instrumentalness • 54% Positiveness
11% Popularity • 44% Danceability • 69% Energy • 19% Liveness
14% Instrumentalness • 54% Positiveness
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Anindo Chatterjee
Tal Pravh and Laggi
142 bpm • F# min • 04:28 • -18.19db
10% Popularity • 36% Danceability • 65% Energy • 28% Liveness
94% Instrumentalness • 63% Positiveness
10% Popularity • 36% Danceability • 65% Energy • 28% Liveness
94% Instrumentalness • 63% Positiveness
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Bismillah Khan
Raga Purbi: Alap in Rupaktaal
143 bpm • D Maj • 09:40 • -11.1db
10% Popularity • 38% Danceability • 67% Energy • 10% Liveness
68% Instrumentalness • 54% Positiveness
10% Popularity • 38% Danceability • 67% Energy • 10% Liveness
68% Instrumentalness • 54% Positiveness
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Ram Narayan
Raga Kirvani - Alap
142 bpm • F min • 02:34 • -24.42db
31% Popularity • 24% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 24% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Kadri Gopalnath
Vaishnava Janato - Pahadi - Adi Tala
141 bpm • D# Maj • 05:18 • -9db
12% Popularity • 38% Danceability • 58% Energy • 69% Liveness
55% Instrumentalness • 56% Positiveness
12% Popularity • 38% Danceability • 58% Energy • 69% Liveness
55% Instrumentalness • 56% Positiveness
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Rajan & Sajan Mishra
Manojavam Marut Tulyavegam
141 bpm • F# Maj • 04:45 • -19.98db
13% Popularity • 20% Danceability • 9% Energy • 15% Liveness
46% Instrumentalness • 14% Positiveness
13% Popularity • 20% Danceability • 9% Energy • 15% Liveness
46% Instrumentalness • 14% Positiveness
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Amjad Ali Khan
Ekla Chalo Re
141 bpm • C Maj • 03:53 • -6.4db
29% Popularity • 66% Danceability • 60% Energy • 5% Liveness
89% Instrumentalness • 61% Positiveness
29% Popularity • 66% Danceability • 60% Energy • 5% Liveness
89% Instrumentalness • 61% Positiveness
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V.S.Narasimhan
Khamas Raga
141 bpm • G Maj • 03:19 • -14.08db
8% Popularity • 29% Danceability • 8% Energy • 9% Liveness
28% Instrumentalness • 30% Positiveness
8% Popularity • 29% Danceability • 8% Energy • 9% Liveness
28% Instrumentalness • 30% Positiveness
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Pandit Jasraj
Pranayam Mantra
140 bpm • A Maj • 02:38 • -12.55db
24% Popularity • 23% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
24% Popularity • 23% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
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Sound royal
Broken - Acoustic
140 bpm • D min • 01:00 • -20.74db
31% Popularity • 20% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 20% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
