Songs like Bandit Fight (Mount and Blade Original Video Game Soundtrack) by Jesse Hopkins
Based on a tempo of (+/- 10%) and a similar genre
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Russell Brower
The Wandering Isle
130 bpm • G min • 02:32 • -9.51db
32% Popularity • 33% Danceability • 60% Energy • 63% Liveness
71% Instrumentalness • 22% Positiveness
32% Popularity • 33% Danceability • 60% Energy • 63% Liveness
71% Instrumentalness • 22% Positiveness
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P.T. Adamczyk
Riches And Glory
130 bpm • D Maj • 03:53 • -14.55db
29% Popularity • 52% Danceability • 70% Energy • 74% Liveness
14% Instrumentalness • 68% Positiveness
29% Popularity • 52% Danceability • 70% Energy • 74% Liveness
14% Instrumentalness • 68% Positiveness
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Funcom Soundtrack
An Exile Hunted
130 bpm • F# Maj • 01:04 • -21.44db
27% Popularity • 83% Danceability • 34% Energy • 11% Liveness
60% Instrumentalness • 56% Positiveness
27% Popularity • 83% Danceability • 34% Energy • 11% Liveness
60% Instrumentalness • 56% Positiveness
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Mikolai Stroinski
Forged In Fire
130 bpm • A# Maj • 02:03 • -12.08db
44% Popularity • 70% Danceability • 71% Energy • 48% Liveness
70% Instrumentalness • 96% Positiveness
44% Popularity • 70% Danceability • 71% Energy • 48% Liveness
70% Instrumentalness • 96% Positiveness
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Jesse Hopkins
Lord's Hall Swadian - Mount and Blade Or...
130 bpm • G# min • 02:05 • -38.83db
35% Popularity • 65% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 40% Positiveness
35% Popularity • 65% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 40% Positiveness
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Todd Masten
Maps of the World
130 bpm • A min • 01:58 • -20db
27% Popularity • 54% Danceability • 9% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
27% Popularity • 54% Danceability • 9% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Russell Brower
Tides of War
130 bpm • A min • 03:10 • -7.23db
25% Popularity • 35% Danceability • 47% Energy • 34% Liveness
28% Instrumentalness • 19% Positiveness
25% Popularity • 35% Danceability • 47% Energy • 34% Liveness
28% Instrumentalness • 19% Positiveness
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Jan Valta
Beer and Women
130 bpm • C# Maj • 01:50 • -6.96db
40% Popularity • 60% Danceability • 52% Energy • 33% Liveness
50% Instrumentalness • 68% Positiveness
40% Popularity • 60% Danceability • 52% Energy • 33% Liveness
50% Instrumentalness • 68% Positiveness
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Audinity
A Prospering Country
130 bpm • C Maj • 03:07 • -26.72db
22% Popularity • 18% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Piotr Musiał
Titans Of Infamy
130 bpm • D min • 01:38 • -10db
36% Popularity • 68% Danceability • 80% Energy • 16% Liveness
95% Instrumentalness • 18% Positiveness
36% Popularity • 68% Danceability • 80% Energy • 16% Liveness
95% Instrumentalness • 18% Positiveness
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Percival Schuttenbach
Cloak And Dagger
130 bpm • D Maj • 02:46 • -14.43db
48% Popularity • 55% Danceability • 40% Energy • 22% Liveness
88% Instrumentalness • 26% Positiveness
48% Popularity • 55% Danceability • 40% Energy • 22% Liveness
88% Instrumentalness • 26% Positiveness
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Adam Skorupa
Arena Of Rage
130 bpm • C min • 01:11 • -9.54db
35% Popularity • 46% Danceability • 84% Energy • 10% Liveness
61% Instrumentalness • 12% Positiveness
35% Popularity • 46% Danceability • 84% Energy • 10% Liveness
61% Instrumentalness • 12% Positiveness
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Jesse Hopkins
Bandit Fight (Mount and Blade Original V...
130 bpm • G min • 03:09 • -30.93db
25% Popularity • 45% Danceability • 5% Energy • 14% Liveness
87% Instrumentalness • 49% Positiveness
25% Popularity • 45% Danceability • 5% Energy • 14% Liveness
87% Instrumentalness • 49% Positiveness
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Russell Brower
Curse of the Worgen
131 bpm • D min • 03:25 • -10.36db
19% Popularity • 18% Danceability • 36% Energy • 35% Liveness
87% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 36% Energy • 35% Liveness
87% Instrumentalness • 4% Positiveness
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Justin Bell
Their Hearts Grew Bold
131 bpm • G Maj • 01:46 • -11.77db
34% Popularity • 49% Danceability • 51% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
34% Popularity • 49% Danceability • 51% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
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Greg Edmonson
The City's Secret
131 bpm • F min • 03:32 • -20.08db
23% Popularity • 20% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
23% Popularity • 20% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Chance Thomas
Rivendell
129 bpm • C# min • 02:03 • -15.23db
35% Popularity • 25% Danceability • 28% Energy • 54% Liveness
1% Instrumentalness • 4% Positiveness
35% Popularity • 25% Danceability • 28% Energy • 54% Liveness
1% Instrumentalness • 4% Positiveness
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Pawel Blaszczak
Silver Sword
128 bpm • F min • 01:33 • -19db
34% Popularity • 17% Danceability • 11% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 11% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Breakdown Epiphanies
The Black Iron Pact (Orcs)
128 bpm • C# min • 04:43 • -15.6db
16% Popularity • 51% Danceability • 42% Energy • 12% Liveness
93% Instrumentalness • 41% Positiveness
16% Popularity • 51% Danceability • 42% Energy • 12% Liveness
93% Instrumentalness • 41% Positiveness
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Russell Brower
Kingdoms Will Burn
129 bpm • A min • 10:42 • -12db
30% Popularity • 19% Danceability • 38% Energy • 35% Liveness
88% Instrumentalness • 5% Positiveness
30% Popularity • 19% Danceability • 38% Energy • 35% Liveness
88% Instrumentalness • 5% Positiveness
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Jeff Rona
Lure of a Goddess
128 bpm • D Maj • 02:07 • -14.46db
28% Popularity • 56% Danceability • 46% Energy • 10% Liveness
98% Instrumentalness • 7% Positiveness
28% Popularity • 56% Danceability • 46% Energy • 10% Liveness
98% Instrumentalness • 7% Positiveness
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Greg Edmonson
Sir Francis Drake
128 bpm • G min • 01:07 • -16.44db
26% Popularity • 32% Danceability • 23% Energy • 11% Liveness
75% Instrumentalness • 34% Positiveness
26% Popularity • 32% Danceability • 23% Energy • 11% Liveness
75% Instrumentalness • 34% Positiveness
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Jason Hayes
Illidan
133 bpm • D min • 03:10 • -19.02db
29% Popularity • 16% Danceability • 20% Energy • 30% Liveness
82% Instrumentalness • 5% Positiveness
29% Popularity • 16% Danceability • 20% Energy • 30% Liveness
82% Instrumentalness • 5% Positiveness
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Jake Lefkowitz
Revendreth Sired
128 bpm • D Maj • 02:07 • -11.2db
22% Popularity • 33% Danceability • 47% Energy • 11% Liveness
29% Instrumentalness • 30% Positiveness
22% Popularity • 33% Danceability • 47% Energy • 11% Liveness
29% Instrumentalness • 30% Positiveness
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Stephen Rippy
Last Name Crane, Icabod
133 bpm • F Maj • 03:12 • -10.62db
19% Popularity • 32% Danceability • 33% Energy • 9% Liveness
36% Instrumentalness • 5% Positiveness
19% Popularity • 32% Danceability • 33% Energy • 9% Liveness
36% Instrumentalness • 5% Positiveness
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Neal Acree
The Eternal Conflict
133 bpm • D Maj • 02:37 • -15.02db
30% Popularity • 16% Danceability • 40% Energy • 28% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 16% Danceability • 40% Energy • 28% Liveness
91% Instrumentalness • 4% Positiveness
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Jan Valta
In the Name of the King
133 bpm • D# Maj • 00:44 • -17.9db
26% Popularity • 44% Danceability • 8% Energy • 15% Liveness
91% Instrumentalness • 27% Positiveness
26% Popularity • 44% Danceability • 8% Energy • 15% Liveness
91% Instrumentalness • 27% Positiveness
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Adam Skorupa
Assassins Of Kings
126 bpm • C Maj • 02:06 • -11db
31% Popularity • 24% Danceability • 60% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
31% Popularity • 24% Danceability • 60% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
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Jason Hayes
Orgrimmar
134 bpm • F Maj • 02:15 • -14.91db
37% Popularity • 33% Danceability • 48% Energy • 13% Liveness
88% Instrumentalness • 31% Positiveness
37% Popularity • 33% Danceability • 48% Energy • 13% Liveness
88% Instrumentalness • 31% Positiveness
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Ilan Eshkeri
The Tale of Sensei Ishikawa
127 bpm • G min • 04:36 • -13.44db
30% Popularity • 48% Danceability • 44% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
30% Popularity • 48% Danceability • 44% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Geoff Knorr
England (The Industrial Era)
126 bpm • D Maj • 03:58 • -13.63db
37% Popularity • 17% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 17% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Dynamedion
Moneycounters (Variation)
134 bpm • G min • 02:39 • -18.94db
25% Popularity • 65% Danceability • 16% Energy • 14% Liveness
94% Instrumentalness • 47% Positiveness
25% Popularity • 65% Danceability • 16% Energy • 14% Liveness
94% Instrumentalness • 47% Positiveness
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Jerry Goldsmith
Viking Heads
134 bpm • A# Maj • 01:33 • -17.16db
29% Popularity • 56% Danceability • 41% Energy • 33% Liveness
93% Instrumentalness • 5% Positiveness
29% Popularity • 56% Danceability • 41% Energy • 33% Liveness
93% Instrumentalness • 5% Positiveness
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Simon Ravn
Fortunes from Above
126 bpm • A# Maj • 02:17 • -22.26db
9% Popularity • 22% Danceability • 8% Energy • 5% Liveness
92% Instrumentalness • 15% Positiveness
9% Popularity • 22% Danceability • 8% Energy • 5% Liveness
92% Instrumentalness • 15% Positiveness
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Jason Hayes
My Life for Aiur
126 bpm • C min • 02:15 • -12.71db
22% Popularity • 18% Danceability • 27% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 27% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Jamie Christopherson
The Enemy Warlord Appears
134 bpm • E min • 01:55 • -7.45db
31% Popularity • 44% Danceability • 73% Energy • 18% Liveness
94% Instrumentalness • 45% Positiveness
31% Popularity • 44% Danceability • 73% Energy • 18% Liveness
94% Instrumentalness • 45% Positiveness
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Mikolai Stroinski
Witch Hunters
135 bpm • D# Maj • 02:40 • -10.15db
40% Popularity • 16% Danceability • 37% Energy • 38% Liveness
94% Instrumentalness • 3% Positiveness
40% Popularity • 16% Danceability • 37% Energy • 38% Liveness
94% Instrumentalness • 3% Positiveness
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Neal Acree
Xaxas
135 bpm • C# Maj • 02:16 • -10db
21% Popularity • 31% Danceability • 46% Energy • 10% Liveness
80% Instrumentalness • 12% Positiveness
21% Popularity • 31% Danceability • 46% Energy • 10% Liveness
80% Instrumentalness • 12% Positiveness
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Jan Valta
Rattay Feasts
135 bpm • C Maj • 01:34 • -11.44db
34% Popularity • 69% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
34% Popularity • 69% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Jesse Hopkins
Travel Rhodok - Mount and Blade Original...
135 bpm • G min • 01:48 • -27.22db
22% Popularity • 50% Danceability • 5% Energy • 15% Liveness
94% Instrumentalness • 30% Positiveness
22% Popularity • 50% Danceability • 5% Energy • 15% Liveness
94% Instrumentalness • 30% Positiveness
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Russell Brower
And The Heavens Shall Tremble
135 bpm • F Maj • 02:23 • -11.81db
30% Popularity • 26% Danceability • 27% Energy • 22% Liveness
97% Instrumentalness • 7% Positiveness
30% Popularity • 26% Danceability • 27% Energy • 22% Liveness
97% Instrumentalness • 7% Positiveness
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Bill Brown
Final Crisis
125 bpm • E min • 01:58 • -9db
32% Popularity • 29% Danceability • 76% Energy • 30% Liveness
60% Instrumentalness • 47% Positiveness
32% Popularity • 29% Danceability • 76% Energy • 30% Liveness
60% Instrumentalness • 47% Positiveness
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Collosia
Drumbeat of the Dunmer
135 bpm • D Maj • 02:01 • -24.36db
28% Popularity • 26% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 5% Positiveness
28% Popularity • 26% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 5% Positiveness
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Mikolai Stroinski
Yes, I Do...
135 bpm • G Maj • 01:33 • -14.99db
47% Popularity • 18% Danceability • 16% Energy • 18% Liveness
45% Instrumentalness • 8% Positiveness
47% Popularity • 18% Danceability • 16% Energy • 18% Liveness
45% Instrumentalness • 8% Positiveness
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Dmitry V. Silantyev
Crusaders' March
125 bpm • A Maj • 01:07 • -14.06db
28% Popularity • 37% Danceability • 46% Energy • 14% Liveness
98% Instrumentalness • 14% Positiveness
28% Popularity • 37% Danceability • 46% Energy • 14% Liveness
98% Instrumentalness • 14% Positiveness
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Jesse Hopkins
V. Botanical Overture - Live
125 bpm • C Maj • 04:59 • -13.24db
3% Popularity • 38% Danceability • 34% Energy • 67% Liveness
86% Instrumentalness • 26% Positiveness
3% Popularity • 38% Danceability • 34% Energy • 67% Liveness
86% Instrumentalness • 26% Positiveness
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Todd Masten
Main Theme - Extended Mix
124 bpm • D Maj • 05:59 • -12.45db
26% Popularity • 32% Danceability • 50% Energy • 10% Liveness
53% Instrumentalness • 29% Positiveness
26% Popularity • 32% Danceability • 50% Energy • 10% Liveness
53% Instrumentalness • 29% Positiveness
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League of Legends
Butcher's Bridge - Late Game
124 bpm • D min • 04:49 • -14.15db
31% Popularity • 69% Danceability • 42% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
31% Popularity • 69% Danceability • 42% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
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Justin Bell
Dyrford
137 bpm • G Maj • 04:35 • -13.6db
37% Popularity • 15% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
37% Popularity • 15% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Greg Edmonson
A Rock and a Hard Place
137 bpm • A# min • 03:43 • -14.64db
18% Popularity • 20% Danceability • 40% Energy • 16% Liveness
73% Instrumentalness • 8% Positiveness
18% Popularity • 20% Danceability • 40% Energy • 16% Liveness
73% Instrumentalness • 8% Positiveness
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Robin Carolan
Valkyrie
123 bpm • G# Maj • 01:09 • -13.11db
47% Popularity • 38% Danceability • 66% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
47% Popularity • 38% Danceability • 66% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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Russell Shaw
The Lady of Rosewood: Will You Dance
123 bpm • G# Maj • 02:13 • -21db
32% Popularity • 40% Danceability • 22% Energy • 11% Liveness
68% Instrumentalness • 7% Positiveness
32% Popularity • 40% Danceability • 22% Energy • 11% Liveness
68% Instrumentalness • 7% Positiveness
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Todd Masten
I Will Beat on Your Behind
124 bpm • G min • 04:07 • -14.39db
32% Popularity • 41% Danceability • 35% Energy • 11% Liveness
78% Instrumentalness • 13% Positiveness
32% Popularity • 41% Danceability • 35% Energy • 11% Liveness
78% Instrumentalness • 13% Positiveness
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Shigeru Umebayashi
Tsushima Suite: IV. Kodoku
123 bpm • D Maj • 09:50 • -18.91db
29% Popularity • 26% Danceability • 24% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
29% Popularity • 26% Danceability • 24% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
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Justin Bell
The Harbingers Doom
137 bpm • A# min • 01:04 • -11.93db
33% Popularity • 56% Danceability • 22% Energy • 16% Liveness
99% Instrumentalness • 43% Positiveness
33% Popularity • 56% Danceability • 22% Energy • 16% Liveness
99% Instrumentalness • 43% Positiveness
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Henry Jackman
No Escape
138 bpm • C Maj • 03:51 • -10.36db
24% Popularity • 23% Danceability • 51% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
24% Popularity • 23% Danceability • 51% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Jim Bonney
Splintered Past
138 bpm • G Maj • 03:44 • -8.14db
18% Popularity • 67% Danceability • 55% Energy • 10% Liveness
89% Instrumentalness • 25% Positiveness
18% Popularity • 67% Danceability • 55% Energy • 10% Liveness
89% Instrumentalness • 25% Positiveness
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Jan Valta
Skalitz 1403
122 bpm • A Maj • 02:21 • -12db
37% Popularity • 18% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 18% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Greg Edmonson
Small Beginnings
138 bpm • A# Maj • 02:16 • -16db
31% Popularity • 54% Danceability • 22% Energy • 9% Liveness
67% Instrumentalness • 28% Positiveness
31% Popularity • 54% Danceability • 22% Energy • 9% Liveness
67% Instrumentalness • 28% Positiveness
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SIE Sound Team
One Who Craves Souls
122 bpm • B min • 04:27 • -14.17db
33% Popularity • 18% Danceability • 28% Energy • 9% Liveness
67% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 28% Energy • 9% Liveness
67% Instrumentalness • 4% Positiveness
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Steffen Brinkmann
A Palace Made of Lies (Land of Lions DLC...
138 bpm • F# Maj • 01:04 • -14.13db
13% Popularity • 35% Danceability • 26% Energy • 8% Liveness
86% Instrumentalness • 39% Positiveness
13% Popularity • 35% Danceability • 26% Energy • 8% Liveness
86% Instrumentalness • 39% Positiveness
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Ramin Djawadi
Embark
138 bpm • A min • 01:32 • -16.1db
20% Popularity • 32% Danceability • 30% Energy • 13% Liveness
98% Instrumentalness • 5% Positiveness
20% Popularity • 32% Danceability • 30% Energy • 13% Liveness
98% Instrumentalness • 5% Positiveness
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Mikolai Stroinski
Fanfares And Flowers
139 bpm • D min • 03:10 • -11db
45% Popularity • 24% Danceability • 41% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
45% Popularity • 24% Danceability • 41% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
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Jason Hayes
Teldrassil
139 bpm • D# Maj • 03:56 • -15.95db
40% Popularity • 17% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
40% Popularity • 17% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Greg Edmonson
The Settlement
122 bpm • C# Maj • 02:58 • -14.59db
21% Popularity • 54% Danceability • 34% Energy • 10% Liveness
69% Instrumentalness • 20% Positiveness
21% Popularity • 54% Danceability • 34% Energy • 10% Liveness
69% Instrumentalness • 20% Positiveness
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Joris de Man
Victory - Part 1 - Motherland
121 bpm • C# Maj • 03:02 • -18.92db
33% Popularity • 17% Danceability • 31% Energy • 11% Liveness
38% Instrumentalness • 5% Positiveness
33% Popularity • 17% Danceability • 31% Energy • 11% Liveness
38% Instrumentalness • 5% Positiveness
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Audinity
To Build A Factory
121 bpm • D Maj • 02:57 • -28.78db
18% Popularity • 31% Danceability • 3% Energy • 16% Liveness
9% Instrumentalness • 24% Positiveness
18% Popularity • 31% Danceability • 3% Energy • 16% Liveness
9% Instrumentalness • 24% Positiveness
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Håkan Glänte
The Final Frontier
140 bpm • E min • 03:12 • -13.72db
24% Popularity • 25% Danceability • 34% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 25% Danceability • 34% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Gareth Coker
Pocket's Lookin' Light
121 bpm • A min • 03:52 • -11.43db
15% Popularity • 62% Danceability • 44% Energy • 9% Liveness
72% Instrumentalness • 55% Positiveness
15% Popularity • 62% Danceability • 44% Energy • 9% Liveness
72% Instrumentalness • 55% Positiveness
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Robert L. Euvino
Dark Time
140 bpm • A# min • 03:58 • -17.96db
22% Popularity • 30% Danceability • 21% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
22% Popularity • 30% Danceability • 21% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Jamie Christopherson
March of Heroes
140 bpm • D min • 01:32 • -16.09db
37% Popularity • 41% Danceability • 41% Energy • 20% Liveness
93% Instrumentalness • 30% Positiveness
37% Popularity • 41% Danceability • 41% Energy • 20% Liveness
93% Instrumentalness • 30% Positiveness
► Preview
Jeremy Soule
Serpent Riders
140 bpm • F# min • 02:32 • -7.57db
27% Popularity • 27% Danceability • 60% Energy • 13% Liveness
89% Instrumentalness • 18% Positiveness
27% Popularity • 27% Danceability • 60% Energy • 13% Liveness
89% Instrumentalness • 18% Positiveness
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Collosia
The Road Most Travelled
140 bpm • G min • 02:57 • -22.36db
37% Popularity • 20% Danceability • 22% Energy • 11% Liveness
76% Instrumentalness • 13% Positiveness
37% Popularity • 20% Danceability • 22% Energy • 11% Liveness
76% Instrumentalness • 13% Positiveness
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Audinity
Tea Time
140 bpm • D Maj • 02:50 • -27.5db
18% Popularity • 32% Danceability • 2% Energy • 12% Liveness
7% Instrumentalness • 27% Positiveness
18% Popularity • 32% Danceability • 2% Energy • 12% Liveness
7% Instrumentalness • 27% Positiveness
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Filippo Beck Peccoz
Preparing for Battle
140 bpm • G Maj • 02:09 • -19db
16% Popularity • 69% Danceability • 9% Energy • 10% Liveness
70% Instrumentalness • 19% Positiveness
16% Popularity • 69% Danceability • 9% Energy • 10% Liveness
70% Instrumentalness • 19% Positiveness
► Preview
Pawel Blaszczak
Prepare For Battle!
140 bpm • C# min • 01:08 • -13.11db
33% Popularity • 61% Danceability • 85% Energy • 11% Liveness
94% Instrumentalness • 43% Positiveness
33% Popularity • 61% Danceability • 85% Energy • 11% Liveness
94% Instrumentalness • 43% Positiveness
► Preview
Funcom Soundtrack
The Killing Sands
140 bpm • F# Maj • 01:09 • -16.32db
33% Popularity • 78% Danceability • 83% Energy • 11% Liveness
68% Instrumentalness • 7% Positiveness
33% Popularity • 78% Danceability • 83% Energy • 11% Liveness
68% Instrumentalness • 7% Positiveness
► Preview
Jeff van Dyck
Tsunami
140 bpm • F min • 02:04 • -8db
30% Popularity • 65% Danceability • 87% Energy • 15% Liveness
81% Instrumentalness • 48% Positiveness
30% Popularity • 65% Danceability • 87% Energy • 15% Liveness
81% Instrumentalness • 48% Positiveness
► Preview
Mikolai Stroinski
The Shrieker Contract
140 bpm • G min • 01:42 • -11.76db
40% Popularity • 51% Danceability • 88% Energy • 31% Liveness
3% Instrumentalness • 39% Positiveness
40% Popularity • 51% Danceability • 88% Energy • 31% Liveness
3% Instrumentalness • 39% Positiveness
► Preview
Jason Graves
Adventure Found Me
140 bpm • G Maj • 01:02 • -17.04db
36% Popularity • 39% Danceability • 32% Energy • 8% Liveness
14% Instrumentalness • 4% Positiveness
36% Popularity • 39% Danceability • 32% Energy • 8% Liveness
14% Instrumentalness • 4% Positiveness
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Robert L. Euvino
Sad Times
140 bpm • G min • 03:47 • -17.42db
26% Popularity • 51% Danceability • 11% Energy • 11% Liveness
74% Instrumentalness • 27% Positiveness
26% Popularity • 51% Danceability • 11% Energy • 11% Liveness
74% Instrumentalness • 27% Positiveness
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P.T. Adamczyk
Duke Of Dogs
140 bpm • D min • 02:52 • -31.45db
27% Popularity • 19% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 12% Positiveness
27% Popularity • 19% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 12% Positiveness
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Funcom Soundtrack
The Dance of Steel
140 bpm • G Maj • 01:17 • -10.64db
29% Popularity • 48% Danceability • 82% Energy • 7% Liveness
90% Instrumentalness • 22% Positiveness
29% Popularity • 48% Danceability • 82% Energy • 7% Liveness
90% Instrumentalness • 22% Positiveness
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Collosia
The Road Most Travelled
140 bpm • G min • 02:54 • -22.08db
31% Popularity • 18% Danceability • 21% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
31% Popularity • 18% Danceability • 21% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
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Jamie Christopherson
Battle at Sundown
140 bpm • G# min • 01:38 • -11db
34% Popularity • 41% Danceability • 76% Energy • 12% Liveness
91% Instrumentalness • 34% Positiveness
34% Popularity • 41% Danceability • 76% Energy • 12% Liveness
91% Instrumentalness • 34% Positiveness
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Jesse Hopkins
Outdoor Beautiful Land - Mount and Blade...
140 bpm • G# min • 02:44 • -28.3db
30% Popularity • 14% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
30% Popularity • 14% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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Jeff van Dyck
Rome HQ
140 bpm • C Maj • 01:01 • -12.19db
30% Popularity • 74% Danceability • 44% Energy • 10% Liveness
64% Instrumentalness • 8% Positiveness
30% Popularity • 74% Danceability • 44% Energy • 10% Liveness
64% Instrumentalness • 8% Positiveness
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Adam Skorupa
Dusk Of A Northern Kingdom
141 bpm • C Maj • 04:34 • -21db
36% Popularity • 24% Danceability • 13% Energy • 10% Liveness
75% Instrumentalness • 7% Positiveness
36% Popularity • 24% Danceability • 13% Energy • 10% Liveness
75% Instrumentalness • 7% Positiveness
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Two Worlds II
Play with me, my fellow!
120 bpm • E min • 02:03 • -15.16db
36% Popularity • 60% Danceability • 24% Energy • 10% Liveness
77% Instrumentalness • 35% Positiveness
36% Popularity • 60% Danceability • 24% Energy • 10% Liveness
77% Instrumentalness • 35% Positiveness
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Stephen Rippy
Felonious Junk
120 bpm • C min • 02:48 • -11db
26% Popularity • 40% Danceability • 24% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
26% Popularity • 40% Danceability • 24% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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Brian D'Oliveira
Vesemir's Trial
120 bpm • C# Maj • 02:26 • -13.25db
24% Popularity • 32% Danceability • 46% Energy • 16% Liveness
88% Instrumentalness • 7% Positiveness
24% Popularity • 32% Danceability • 46% Energy • 16% Liveness
88% Instrumentalness • 7% Positiveness
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Derek Duke
Chains of Fate
120 bpm • D# min • 04:53 • -14db
28% Popularity • 42% Danceability • 34% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
28% Popularity • 42% Danceability • 34% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Jeff van Dyck
Carthage Intro
140 bpm • D Maj • 01:18 • -15.43db
33% Popularity • 46% Danceability • 49% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
33% Popularity • 46% Danceability • 49% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
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Borislav Slavov
Rivellon - Light Version
120 bpm • G Maj • 02:17 • -17.07db
39% Popularity • 56% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
39% Popularity • 56% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Various Artists
The Industrial Era (Canada)
120 bpm • D Maj • 04:25 • -12.25db
19% Popularity • 50% Danceability • 27% Energy • 6% Liveness
90% Instrumentalness • 22% Positiveness
19% Popularity • 50% Danceability • 27% Energy • 6% Liveness
90% Instrumentalness • 22% Positiveness
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Stephen Rippy
Happy to You
120 bpm • G min • 02:56 • -13.03db
22% Popularity • 38% Danceability • 14% Energy • 40% Liveness
81% Instrumentalness • 6% Positiveness
22% Popularity • 38% Danceability • 14% Energy • 40% Liveness
81% Instrumentalness • 6% Positiveness
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James Hannigan
Autumn Voyage
120 bpm • E min • 02:33 • -20.31db
30% Popularity • 40% Danceability • 13% Energy • 10% Liveness
84% Instrumentalness • 18% Positiveness
30% Popularity • 40% Danceability • 13% Energy • 10% Liveness
84% Instrumentalness • 18% Positiveness
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Ilan Eshkeri
The Fate of Tsushima
120 bpm • G# Maj • 03:15 • -9.73db
30% Popularity • 59% Danceability • 71% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
30% Popularity • 59% Danceability • 71% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
