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Bang Bang You're Dead
Songs like
Bang Bang You're Dead
by
Dirty Pretty Things
Based on a tempo of (+/- 10%) and a similar genre
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Art Brut
Direct Hit
153 bpm • B min • 03:30 • -2db
23% Popularity • 29% Danceability • 96% Energy • 73% Liveness
0% Instrumentalness • 39% Positiveness
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The Cribs
I'm Alright Me
153 bpm • C Maj • 02:42 • -3.88db
24% Popularity • 30% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Twisted Wheel
Lucy the Castle
153 bpm • D Maj • 02:56 • -3.99db
20% Popularity • 53% Danceability • 87% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
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Young Knives
Dyed in the Wool
152 bpm • B min • 03:09 • -5db
9% Popularity • 56% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Klaxons
Magick
152 bpm • F min • 03:30 • -3db
31% Popularity • 26% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Air Traffic
Charlotte
152 bpm • D Maj • 02:24 • -3db
33% Popularity • 43% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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We Are Scientists
This Scene Is Dead
154 bpm • F# min • 03:43 • -4.84db
34% Popularity • 38% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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The Strokes
Take It Or Leave It
154 bpm • D min • 03:16 • -6.13db
52% Popularity • 43% Danceability • 92% Energy • 10% Liveness
35% Instrumentalness • 48% Positiveness
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Milburn
What Will You Do (When The Money Goes)?
154 bpm • E min • 03:53 • -3.68db
28% Popularity • 46% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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The Killers
Glamorous Indie Rock & Roll
154 bpm • D# Maj • 04:14 • -5.29db
50% Popularity • 32% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Klaxons
It's Not Over Yet
152 bpm • A Maj • 03:35 • -4db
54% Popularity • 27% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Maximo Park
Kiss You Better
155 bpm • D# Maj • 02:05 • -2.72db
28% Popularity • 51% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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The White Stripes
Blue Orchid
151 bpm • A# min • 02:37 • -8.54db
67% Popularity • 48% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
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The Strokes
Juicebox
155 bpm • D min • 03:14 • -2.37db
60% Popularity • 46% Danceability • 98% Energy • 9% Liveness
1% Instrumentalness • 55% Positiveness
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Primal Scream
Can't Go Back
155 bpm • D Maj • 03:43 • -3.58db
32% Popularity • 42% Danceability • 97% Energy • 10% Liveness
7% Instrumentalness • 31% Positiveness
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Arctic Monkeys
Leave Before The Lights Come On
151 bpm • C Maj • 03:53 • -4.58db
59% Popularity • 36% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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The Enemy
Be Somebody
155 bpm • C# Maj • 03:04 • -4db
34% Popularity • 44% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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The Cribs
Our Bovine Public
156 bpm • B Maj • 02:17 • -1.88db
24% Popularity • 31% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Hot Hot Heat
Bandages
150 bpm • E min • 03:32 • -4db
52% Popularity • 38% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Maximo Park
Graffiti
150 bpm • E Maj • 03:05 • -3db
39% Popularity • 16% Danceability • 90% Energy • 38% Liveness
14% Instrumentalness • 42% Positiveness
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Pete And The Pirates
Lost in the Woods
150 bpm • C Maj • 02:20 • -3.39db
14% Popularity • 34% Danceability • 96% Energy • 18% Liveness
87% Instrumentalness • 63% Positiveness
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We Are Scientists
Lousy Reputation
150 bpm • G# min • 02:35 • -4.65db
35% Popularity • 35% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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The Hives
Won't Be Long
150 bpm • C# min • 03:46 • -3.09db
43% Popularity • 60% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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The Cribs
Hey Scenesters!
150 bpm • B min • 03:11 • -3.56db
36% Popularity • 30% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Twisted Wheel
We Are Us
150 bpm • D Maj • 03:37 • -2.66db
16% Popularity • 23% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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The Holloways
Two Left Feet
150 bpm • D Maj • 03:01 • -3db
22% Popularity • 49% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Pete And The Pirates
Mr Understanding
150 bpm • D Maj • 03:15 • -5db
39% Popularity • 52% Danceability • 92% Energy • 9% Liveness
2% Instrumentalness • 77% Positiveness
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Supergrass
Richard III
150 bpm • A# Maj • 03:12 • -5.74db
45% Popularity • 14% Danceability • 78% Energy • 11% Liveness
71% Instrumentalness • 16% Positiveness
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The Hives
Good Samaritan
150 bpm • G min • 03:06 • -3.83db
44% Popularity • 19% Danceability • 92% Energy • 22% Liveness
1% Instrumentalness • 27% Positiveness
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Editors
Munich
149 bpm • G min • 03:46 • -4.4db
36% Popularity • 19% Danceability • 88% Energy • 29% Liveness
5% Instrumentalness • 39% Positiveness
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Twisted Wheel
You Stole the Sun
156 bpm • F Maj • 03:51 • -3.12db
28% Popularity • 34% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
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The Rifles
She's Got Standards
157 bpm • B min • 03:04 • -3.64db
22% Popularity • 34% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
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Black Rebel Motorcycle Club
Weapon Of Choice
149 bpm • F min • 02:49 • -1.93db
41% Popularity • 44% Danceability • 100% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Carl Barât
Glory Days
157 bpm • A min • 03:42 • -4.08db
12% Popularity • 48% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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The Von Bondies
The Fever
149 bpm • E Maj • 02:37 • -3.75db
21% Popularity • 45% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Pete And The Pirates
Knots
158 bpm • C Maj • 02:13 • -3.26db
26% Popularity • 38% Danceability • 93% Energy • 23% Liveness
62% Instrumentalness • 52% Positiveness
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Supergrass
Diamond Hoo Ha Man
148 bpm • C Maj • 03:25 • -5.48db
34% Popularity • 48% Danceability • 88% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
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The Rifles
Minute Mile
157 bpm • G Maj • 03:37 • -3.28db
22% Popularity • 50% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
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The Holloways
So This Is Great Britain?
158 bpm • B Maj • 03:01 • -2.61db
12% Popularity • 38% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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The Ordinary Boys
Talk Talk Talk
158 bpm • C Maj • 03:12 • -4.31db
24% Popularity • 55% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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The Von Bondies
Pale Bride
148 bpm • A# Maj • 02:55 • -4.59db
31% Popularity • 39% Danceability • 87% Energy • 25% Liveness
6% Instrumentalness • 46% Positiveness
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Maximo Park
Parisian Skies
158 bpm • C Maj • 03:56 • -5.41db
29% Popularity • 47% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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The Strokes
Reptilia
158 bpm • A Maj • 03:39 • -5.11db
79% Popularity • 49% Danceability • 65% Energy • 10% Liveness
71% Instrumentalness • 77% Positiveness
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The Enemy
Away from Here - US Version
158 bpm • C# Maj • 03:00 • -5db
43% Popularity • 50% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Stereophonics
C'est La Vie
148 bpm • A# Maj • 03:40 • -2.42db
32% Popularity • 46% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Graham Coxon
Freakin' Out
158 bpm • B min • 03:41 • -5.64db
34% Popularity • 42% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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Albert Hammond Jr
Caught by My Shadow
148 bpm • B min • 03:03 • -4.99db
44% Popularity • 52% Danceability • 88% Energy • 12% Liveness
3% Instrumentalness • 80% Positiveness
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The Strypes
What A Shame
158 bpm • D# min • 02:24 • -4.98db
23% Popularity • 37% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Good Shoes
In the City
148 bpm • D min • 02:37 • -7.21db
26% Popularity • 61% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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The Von Bondies
C'mon C'mon
148 bpm • F Maj • 02:13 • -4db
54% Popularity • 49% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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The Zutons
Zuton Fever
158 bpm • B Maj • 03:06 • -4db
38% Popularity • 39% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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Kings of Leon
Charmer
147 bpm • G Maj • 02:56 • -5db
43% Popularity • 40% Danceability • 79% Energy • 48% Liveness
1% Instrumentalness • 48% Positiveness
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Spector
Twenty Nothing
159 bpm • D Maj • 03:25 • -3.29db
25% Popularity • 53% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Biffy Clyro
Who's Got a Match?
159 bpm • D Maj • 02:23 • -5.2db
38% Popularity • 75% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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We Are Scientists
The Great Escape
147 bpm • A Maj • 03:18 • -5db
43% Popularity • 47% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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The Von Bondies
Tell Me What You See
147 bpm • D Maj • 01:56 • -2.74db
26% Popularity • 42% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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The Pigeon Detectives
I Found Out
147 bpm • E Maj • 02:07 • -1.67db
45% Popularity • 47% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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The Zutons
Why Won't You Give Me Your Love?
148 bpm • C Maj • 03:22 • -2.37db
31% Popularity • 26% Danceability • 92% Energy • 41% Liveness
0% Instrumentalness • 58% Positiveness
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Young Knives
Fit 4 U
147 bpm • E min • 03:16 • -5db
18% Popularity • 64% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Arctic Monkeys
The View From The Afternoon
146 bpm • A min • 03:42 • -5.19db
63% Popularity • 39% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Kings of Leon
Molly's Chambers
146 bpm • B Maj • 02:14 • -3.97db
65% Popularity • 60% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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Black Rebel Motorcycle Club
Whatever Happened To My Rock 'N' Roll (P...
146 bpm • D Maj • 04:38 • -3db
42% Popularity • 17% Danceability • 98% Energy • 68% Liveness
0% Instrumentalness • 10% Positiveness
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We Are Scientists
Cash Cow
160 bpm • C Maj • 02:35 • -4db
34% Popularity • 41% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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The Hives
Walk Idiot Walk
146 bpm • A Maj • 03:31 • -3.93db
57% Popularity • 62% Danceability • 95% Energy • 58% Liveness
1% Instrumentalness • 68% Positiveness
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Radio 4
Enemies Like This
160 bpm • E min • 04:21 • -1db
29% Popularity • 33% Danceability • 96% Energy • 19% Liveness
51% Instrumentalness • 59% Positiveness
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The View
Shock Horror
160 bpm • A Maj • 04:07 • -1.72db
30% Popularity • 25% Danceability • 93% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
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The Dandy Warhols
Get Off
146 bpm • E min • 03:10 • -4.88db
50% Popularity • 46% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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The Zutons
Havana Gang Brawl
160 bpm • F min • 04:30 • -6.01db
26% Popularity • 49% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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We Are Scientists
It's A Hit
160 bpm • C# min • 03:26 • -4db
32% Popularity • 38% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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The Hives
Hey Little World
160 bpm • G Maj • 03:22 • -2.57db
32% Popularity • 48% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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The Von Bondies
Shut Your Mouth
146 bpm • B min • 02:22 • -4.33db
32% Popularity • 49% Danceability • 98% Energy • 18% Liveness
3% Instrumentalness • 58% Positiveness
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Little Man Tate
European Lover
146 bpm • E Maj • 03:13 • -4.3db
28% Popularity • 32% Danceability • 80% Energy • 48% Liveness
0% Instrumentalness • 56% Positiveness
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The Cribs
Mirror Kissers
160 bpm • E Maj • 03:38 • -3.38db
39% Popularity • 31% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Bloc Party
Octopus
146 bpm • A min • 03:05 • -6db
44% Popularity • 52% Danceability • 86% Energy • 37% Liveness
66% Instrumentalness • 61% Positiveness
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We Are Scientists
After Hours
160 bpm • C# min • 03:52 • -4.56db
41% Popularity • 39% Danceability • 98% Energy • 17% Liveness
4% Instrumentalness • 34% Positiveness
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Sports Team
M5
146 bpm • B min • 03:37 • -5db
37% Popularity • 54% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Cajun Dance Party
Amylase
161 bpm • F Maj • 03:41 • -2db
30% Popularity • 10% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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OK Go
Here It Goes Again
146 bpm • C Maj • 02:59 • -2.31db
67% Popularity • 54% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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The Von Bondies
Earthquake
146 bpm • B Maj • 03:04 • -3.19db
18% Popularity • 52% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Kings of Leon
Red Morning Light
161 bpm • A Maj • 02:59 • -5.39db
56% Popularity • 53% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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The Hives
B is for Brutus
145 bpm • F# min • 02:36 • -3.37db
40% Popularity • 47% Danceability • 99% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Pete And The Pirates
Come on Feet
161 bpm • A Maj • 02:38 • -4db
22% Popularity • 28% Danceability • 87% Energy • 3% Liveness
70% Instrumentalness • 47% Positiveness
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The Reytons
Low Life (2018)
145 bpm • C Maj • 02:55 • -6db
53% Popularity • 58% Danceability • 76% Energy • 45% Liveness
0% Instrumentalness • 41% Positiveness
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Jamie T
Zombie
145 bpm • E Maj • 04:06 • -4.34db
56% Popularity • 54% Danceability • 91% Energy • 48% Liveness
0% Instrumentalness • 70% Positiveness
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Klaxons
Atlantis To Interzone
145 bpm • A min • 03:16 • -3.27db
43% Popularity • 21% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
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The Rifles
Peace & Quiet
161 bpm • F# min • 02:44 • -4.19db
33% Popularity • 21% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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The Automatic
Raoul
145 bpm • B Maj • 03:53 • -4.04db
28% Popularity • 68% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Good Shoes
Under Control
145 bpm • A min • 02:28 • -5.59db
45% Popularity • 66% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Pete And The Pirates
Motorbike
145 bpm • F min • 02:52 • -9.09db
14% Popularity • 43% Danceability • 76% Energy • 36% Liveness
12% Instrumentalness • 74% Positiveness
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Maximo Park
Going Missing
145 bpm • E min • 03:42 • -5db
41% Popularity • 39% Danceability • 84% Energy • 23% Liveness
47% Instrumentalness • 41% Positiveness
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Supergrass
Caught By the Fuzz
162 bpm • A Maj • 02:16 • -6.93db
45% Popularity • 32% Danceability • 95% Energy • 7% Liveness
22% Instrumentalness • 26% Positiveness
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The Futureheads
Robot
162 bpm • A Maj • 02:00 • -3db
18% Popularity • 44% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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We Are Scientists
Inaction
162 bpm • A min • 02:32 • -4.43db
39% Popularity • 41% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Arctic Monkeys
Dancing Shoes
144 bpm • C# Maj • 02:21 • -4.14db
65% Popularity • 52% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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Good Shoes
Sophia
162 bpm • C# min • 03:12 • -8.37db
24% Popularity • 52% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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The View
Wasted Little DJ's - Single Version
162 bpm • E Maj • 03:57 • -2.21db
35% Popularity • 18% Danceability • 97% Energy • 20% Liveness
1% Instrumentalness • 35% Positiveness
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The Cribs
Girls Like Mystery
144 bpm • D# Maj • 02:50 • -2.64db
20% Popularity • 60% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Young Knives
Up All Night
162 bpm • A Maj • 02:57 • -3.65db
15% Popularity • 46% Danceability • 94% Energy • 45% Liveness
0% Instrumentalness • 70% Positiveness
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We Are Scientists
Nobody Move, Nobody Get Hurt
144 bpm • F# Maj • 03:12 • -4.74db
50% Popularity • 47% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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The Dead 60s
Riot Radio
144 bpm • G min • 02:25 • -5.88db
47% Popularity • 57% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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