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Barbecue Bess
Songs like
Barbecue Bess
by
Lucille Bogan
Based on a tempo of (+/- 10%) and a similar genre
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The Boswell Sisters
Crazy People
113 bpm • F Maj • 02:33 • -15.12db
18% Popularity • 70% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Blind Lemon Jefferson
One Dime Blues
113 bpm • F Maj • 02:48 • -10db
10% Popularity • 50% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Stuff Smith
Here Comes the Man with the Jive
113 bpm • A min • 03:04 • -12db
14% Popularity • 78% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Furry Lewis
Falling Down Blues
113 bpm • D Maj • 02:48 • -14db
16% Popularity • 50% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Jazz Gillum
Reefer Head Woman
112 bpm • G Maj • 03:03 • -13.08db
14% Popularity • 79% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Professor Longhair
Gone So Long
112 bpm • C Maj • 02:14 • -11.97db
27% Popularity • 68% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Memphis Jug Band
Aunt Caroline Dyer Blues
112 bpm • F# Maj • 03:06 • -15.24db
3% Popularity • 63% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Ike Turner
She Made My Blood Run Cold
114 bpm • D min • 02:21 • -9db
18% Popularity • 66% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Son House
Walking Blues
112 bpm • B Maj • 06:35 • -11.16db
16% Popularity • 65% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Lucille Bogan
Struttin' My Stuff
112 bpm • A# Maj • 02:51 • -12.52db
3% Popularity • 56% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Mamie Smith
Crazy Blues
114 bpm • F Maj • 03:22 • -10db
26% Popularity • 45% Danceability • 24% Energy • 28% Liveness
88% Instrumentalness • 42% Positiveness
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Tommy Johnson
Big Road Blues
112 bpm • G# Maj • 03:12 • -13db
17% Popularity • 72% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Peetie Wheatstraw
Gangster's Blues
111 bpm • F Maj • 02:48 • -12.99db
20% Popularity • 69% Danceability • 24% Energy • 23% Liveness
14% Instrumentalness • 90% Positiveness
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Bo Carter
Warm My Weiner
112 bpm • G Maj • 02:56 • -13.36db
14% Popularity • 67% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
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Ruth Wallis
The Pop-Up Song
111 bpm • D# Maj • 02:45 • -10.58db
17% Popularity • 72% Danceability • 22% Energy • 75% Liveness
0% Instrumentalness • 83% Positiveness
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Lucille Bogan
Coffee Grindin' Blues
115 bpm • F min • 03:28 • -13.12db
4% Popularity • 58% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Charley Patton
Shake It and Break It (But Don't Let It ...
111 bpm • F Maj • 03:09 • -12.31db
18% Popularity • 54% Danceability • 32% Energy • 18% Liveness
39% Instrumentalness • 68% Positiveness
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Ralph Hart And The Texas Musical Harts
Ain't No Grave Gonna Hold My Body Down
111 bpm • A# min • 02:54 • -9.53db
12% Popularity • 60% Danceability • 53% Energy • 15% Liveness
26% Instrumentalness • 75% Positiveness
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Buffy Sainte-Marie
Cripple Creek
111 bpm • E min • 01:50 • -21db
29% Popularity • 63% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Brownie McGhee
Diggin' My Potatoes
111 bpm • A# Maj • 03:37 • -13.07db
30% Popularity • 65% Danceability • 38% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
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Son House
Death Letter Blues
116 bpm • G min • 04:19 • -15.42db
40% Popularity • 80% Danceability • 29% Energy • 8% Liveness
6% Instrumentalness • 86% Positiveness
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Lucille Bogan
Barbecue Blues
111 bpm • D# Maj • 02:42 • -12.55db
13% Popularity • 60% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Sonny Terry
Old Lost John
116 bpm • F Maj • 03:08 • -15.18db
9% Popularity • 58% Danceability • 34% Energy • 18% Liveness
6% Instrumentalness • 66% Positiveness
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Bukka White
Poor Boy Long Ways From Home
116 bpm • F# Maj • 02:20 • -15db
31% Popularity • 60% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Bo Carter
Let Me Roll Your Lemon
110 bpm • A Maj • 02:56 • -12.29db
11% Popularity • 66% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Victoria Spivey
Black Snake Swing
110 bpm • C Maj • 03:04 • -8.58db
8% Popularity • 66% Danceability • 27% Energy • 24% Liveness
7% Instrumentalness • 65% Positiveness
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Rev. Gary Davis
If I Had My Way
116 bpm • F# Maj • 04:46 • -13db
9% Popularity • 69% Danceability • 17% Energy • 13% Liveness
41% Instrumentalness • 64% Positiveness
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Blind Willie Johnson
Dark Was the Night, Cold Was the Ground
116 bpm • A Maj • 03:18 • -23.18db
45% Popularity • 39% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 20% Positiveness
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Lucille Bogan
They Ain't Walking No More
110 bpm • C Maj • 03:08 • -11db
0% Popularity • 52% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Bukka White
Fixin' to Die Blues
110 bpm • B Maj • 02:48 • -11.71db
32% Popularity • 56% Danceability • 27% Energy • 10% Liveness
57% Instrumentalness • 58% Positiveness
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Hoagy Carmichael
Hong Kong Blues
116 bpm • D min • 02:28 • -15.05db
27% Popularity • 83% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Robert Wilkins
Rollin' Stone, Pt. 1
110 bpm • G# Maj • 02:53 • -14.96db
13% Popularity • 60% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Mae West
I'm No Angel - The Original Commercial R...
110 bpm • F Maj • 03:38 • -11.78db
5% Popularity • 61% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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R. Crumb And His Cheap Suit Serenaders
Mysterious Mose
110 bpm • E min • 03:16 • -11.55db
9% Popularity • 81% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Lucille Bogan
Jim Tampa Blues
110 bpm • A Maj • 02:50 • -14.47db
2% Popularity • 59% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Louis Jordan & His Tympany Five
Beans and Cornbread (Alternate Take)
110 bpm • G Maj • 02:49 • -10.28db
4% Popularity • 79% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Jimmie Rodgers
Gambling Bar Room Blues
117 bpm • E Maj • 03:23 • -11.79db
18% Popularity • 80% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Blind Boy Fuller
Rag, Mama, Rag
117 bpm • G Maj • 03:03 • -12db
23% Popularity • 79% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 77% Positiveness
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Ruth Brown
If I Can't Sell It, I'll Keep Sittin' On...
109 bpm • D# Maj • 05:22 • -15.34db
19% Popularity • 74% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Charley Patton
High Water Everywhere, Pt. 1
117 bpm • B Maj • 03:08 • -11db
19% Popularity • 62% Danceability • 33% Energy • 10% Liveness
52% Instrumentalness • 71% Positiveness
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Othar Turner
Granny, Will Your Dog Bite
109 bpm • C# Maj • 02:25 • -8.7db
17% Popularity • 78% Danceability • 40% Energy • 10% Liveness
87% Instrumentalness • 29% Positiveness
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Charmaine Neville Band
the right key but the wrong keyhole
117 bpm • C Maj • 05:45 • -17.71db
9% Popularity • 70% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Ma Rainey
Oh Papa Blues
109 bpm • A# Maj • 02:52 • -12.23db
11% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Bo Carter
Pig Meat Is What I Crave
117 bpm • C min • 02:51 • -12db
10% Popularity • 66% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Gil Scott-Heron
Whitey on the Moon
117 bpm • E Maj • 01:29 • -19db
23% Popularity • 64% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Charley Patton
Mississippi Boweavil Blues
109 bpm • F# Maj • 03:11 • -10.2db
12% Popularity • 52% Danceability • 42% Energy • 15% Liveness
41% Instrumentalness • 17% Positiveness
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Eartha Kitt
I'd Rather Be Burned As A Witch
109 bpm • G# Maj • 02:20 • -14.48db
31% Popularity • 55% Danceability • 43% Energy • 27% Liveness
13% Instrumentalness • 62% Positiveness
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Cannon's Jug Stompers
Walk Right In
118 bpm • C Maj • 02:55 • -14db
14% Popularity • 66% Danceability • 27% Energy • 23% Liveness
5% Instrumentalness • 70% Positiveness
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Lonnie Young
Chevrolet
118 bpm • F min • 04:04 • -12.95db
15% Popularity • 72% Danceability • 81% Energy • 4% Liveness
2% Instrumentalness • 28% Positiveness
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Professor Longhair
Mardi Gras in New Orleans
109 bpm • A# Maj • 03:25 • -9.21db
32% Popularity • 50% Danceability • 47% Energy • 67% Liveness
7% Instrumentalness • 85% Positiveness
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Lil Johnson
Press My Button, Ring My Bell
118 bpm • E Maj • 03:18 • -7.87db
3% Popularity • 79% Danceability • 36% Energy • 34% Liveness
2% Instrumentalness • 59% Positiveness
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Bukka White
Bukka Jitterburg Swing
118 bpm • D Maj • 02:35 • -17db
34% Popularity • 68% Danceability • 26% Energy • 10% Liveness
20% Instrumentalness • 52% Positiveness
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Harry Choates
Devil In The Bayou
118 bpm • E min • 02:13 • -14.01db
9% Popularity • 79% Danceability • 35% Energy • 8% Liveness
84% Instrumentalness • 89% Positiveness
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Jelly Roll Morton
Hesitation Blues
108 bpm • A# min • 04:27 • -17.93db
10% Popularity • 65% Danceability • 6% Energy • 39% Liveness
9% Instrumentalness • 31% Positiveness
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Bessie Jones
Go to Sleep Little Baby
118 bpm • F min • 01:14 • -18.01db
20% Popularity • 72% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Lucille Bogan
Till The Cows Come Home
118 bpm • G Maj • 02:52 • -11.04db
18% Popularity • 68% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Willie Buck
Darling I Miss You So
118 bpm • E min • 03:02 • -7.62db
11% Popularity • 71% Danceability • 73% Energy • 10% Liveness
1% Instrumentalness • 83% Positiveness
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Dock Boggs
Sugar Baby
118 bpm • G# min • 02:57 • -13db
26% Popularity • 71% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Jubalaires
A Dream Is A Wish Your Heart Makes
108 bpm • F Maj • 02:36 • -22.23db
17% Popularity • 76% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Son House
Death Letter Blues
118 bpm • G Maj • 05:51 • -14.5db
9% Popularity • 71% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Vera Hall
Another Man Done Gone
108 bpm • D Maj • 01:24 • -20.31db
31% Popularity • 52% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Lucille Bogan
Nice and Kind Blues
118 bpm • C# Maj • 02:36 • -12.17db
3% Popularity • 58% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Charley Patton
High Water Everywhere, Pt. 1 (Alternate ...
118 bpm • E Maj • 03:04 • -13db
14% Popularity • 61% Danceability • 28% Energy • 11% Liveness
78% Instrumentalness • 57% Positiveness
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Bo Carter
Pussy Cat Blues
108 bpm • E Maj • 02:54 • -11.64db
11% Popularity • 58% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Duke Ellington
Diga Diga Doo
119 bpm • C Maj • 02:59 • -15.97db
12% Popularity • 72% Danceability • 28% Energy • 6% Liveness
19% Instrumentalness • 89% Positiveness
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Furry Lewis
John Henry
119 bpm • C# Maj • 04:51 • -16db
16% Popularity • 46% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Cannon's Jug Stompers
Going to Germany
107 bpm • G Maj • 02:31 • -13db
19% Popularity • 51% Danceability • 15% Energy • 14% Liveness
7% Instrumentalness • 64% Positiveness
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Dinah Washington
Evil Gal Blues
119 bpm • F Maj • 02:54 • -11.59db
26% Popularity • 64% Danceability • 29% Energy • 16% Liveness
8% Instrumentalness • 53% Positiveness
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Memphis Jug Band
Papa's Got Your Water On
119 bpm • A Maj • 02:32 • -13db
12% Popularity • 75% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Memphis Minnie
Blues Everywhere
107 bpm • A# Maj • 02:49 • -10.83db
13% Popularity • 77% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Lucille Bogan
Pot Hound Blues
119 bpm • F Maj • 03:22 • -12.02db
14% Popularity • 57% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Georgia White
I'll Keep Sittin' On It
119 bpm • G Maj • 02:58 • -14.49db
14% Popularity • 79% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Charley Patton
Down the Dirt Road Blues
119 bpm • C# Maj • 02:54 • -10db
29% Popularity • 47% Danceability • 30% Energy • 11% Liveness
4% Instrumentalness • 52% Positiveness
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Virginia Liston
I've Got What It Takes
120 bpm • A Maj • 03:18 • -11.23db
10% Popularity • 73% Danceability • 29% Energy • 39% Liveness
72% Instrumentalness • 80% Positiveness
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Arthur "Big Boy" Crudup
That's All Right
107 bpm • F min • 02:56 • -13.86db
36% Popularity • 59% Danceability • 42% Energy • 15% Liveness
2% Instrumentalness • 82% Positiveness
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Bukka White
High Fever Blues
107 bpm • A Maj • 02:50 • -12db
22% Popularity • 76% Danceability • 25% Energy • 11% Liveness
29% Instrumentalness • 72% Positiveness
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Blind Willie Johnson
Jesus Make Up My Dying Bed
120 bpm • D# Maj • 03:10 • -14db
23% Popularity • 63% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Rev. Gary Davis
I Am The Light
106 bpm • E Maj • 03:02 • -12.38db
15% Popularity • 60% Danceability • 34% Energy • 22% Liveness
84% Instrumentalness • 74% Positiveness
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Charley Patton
Pony Blues
120 bpm • A# Maj • 02:59 • -15.7db
13% Popularity • 44% Danceability • 32% Energy • 13% Liveness
96% Instrumentalness • 48% Positiveness
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Paul Lenart
Field Holler
106 bpm • C Maj • 01:52 • -14.91db
12% Popularity • 77% Danceability • 26% Energy • 16% Liveness
75% Instrumentalness • 54% Positiveness
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Frank Stokes
I Got Mine
106 bpm • C# Maj • 03:06 • -12db
18% Popularity • 76% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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Jelly Roll Morton
New Orleans Bump
120 bpm • F min • 03:30 • -11.87db
11% Popularity • 72% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Light Crust Doughboys
Pussy, Pussy, Pussy
106 bpm • F# min • 02:28 • -9.45db
14% Popularity • 66% Danceability • 55% Energy • 13% Liveness
88% Instrumentalness • 87% Positiveness
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Ma Rainey
Prove It on Me Blues (Alternate Take)
106 bpm • G min • 02:41 • -9.63db
13% Popularity • 70% Danceability • 32% Energy • 16% Liveness
7% Instrumentalness • 63% Positiveness
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Big Maybelle
One Monkey Don't Stop No Show
121 bpm • G# Maj • 02:50 • -4.53db
13% Popularity • 59% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Sister Gertrude Morgan
I was Healed by the Wounds in His Side
121 bpm • B Maj • 01:34 • -15.22db
22% Popularity • 84% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Warner Williams
Hey Bartender, There's a Big Bug in My B...
106 bpm • F Maj • 02:43 • -10db
14% Popularity • 82% Danceability • 55% Energy • 71% Liveness
0% Instrumentalness • 93% Positiveness
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Tampa Red
Anna Lou Blues
106 bpm • A# Maj • 02:54 • -8db
22% Popularity • 57% Danceability • 50% Energy • 16% Liveness
2% Instrumentalness • 80% Positiveness
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Geeshie Wiley
Skinny Leg Blues
106 bpm • C Maj • 03:13 • -13.39db
8% Popularity • 49% Danceability • 25% Energy • 40% Liveness
30% Instrumentalness • 57% Positiveness
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Memphis Minnie
Black Cat Blues
121 bpm • D# Maj • 02:54 • -15.21db
15% Popularity • 84% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Furry Lewis
Judge Harsh Blues
105 bpm • D Maj • 03:05 • -11db
23% Popularity • 49% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
Don Redman
Got The Jitters (01-09-34)
105 bpm • G min • 02:56 • -7.31db
1% Popularity • 75% Danceability • 54% Energy • 31% Liveness
4% Instrumentalness • 83% Positiveness
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Bukka White
Aberdeen Mississippi Blues
105 bpm • G# Maj • 02:35 • -14db
27% Popularity • 60% Danceability • 18% Energy • 10% Liveness
16% Instrumentalness • 60% Positiveness
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Jim Jackson
Old Dog Blue
121 bpm • F# Maj • 02:58 • -11db
7% Popularity • 53% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Mississippi Sheiks
The Jazz Fiddler
106 bpm • D# Maj • 03:12 • -6db
11% Popularity • 75% Danceability • 46% Energy • 33% Liveness
1% Instrumentalness • 96% Positiveness
► Preview
Tennessee Ernie Ford
The Cry Of The Wild Goose
121 bpm • G min • 03:14 • -18.05db
26% Popularity • 71% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Rosa Henderson
He May Be Your Dog But He's Wearing My C...
121 bpm • A Maj • 03:06 • -14.45db
16% Popularity • 54% Danceability • 20% Energy • 23% Liveness
3% Instrumentalness • 58% Positiveness
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Hattie Hart
I Let My Daddy Do That
105 bpm • C# Maj • 03:00 • -13.29db
9% Popularity • 67% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Blind Boy Fuller
Baby You Gotta Change Your Mind
105 bpm • F min • 03:12 • -11db
19% Popularity • 68% Danceability • 36% Energy • 8% Liveness
7% Instrumentalness • 70% Positiveness
► Preview
Fred Hall
Taint No Sin (To Take Off Your Skin)
105 bpm • B Maj • 03:22 • -9.25db
19% Popularity • 82% Danceability • 44% Energy • 6% Liveness
12% Instrumentalness • 90% Positiveness
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Barbecue Bess