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Barbed Wire
Songs like
Barbed Wire
by
Riddy Arman
Based on a tempo of (+/- 10%) and a similar genre
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Arlo McKinley
Suicidal Saturday Night
119 bpm • F Maj • 03:55 • -7.37db
26% Popularity • 47% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 59% Positiveness
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Dylan Earl
Cold as the Rockies
119 bpm • D Maj • 04:04 • -10.85db
10% Popularity • 36% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
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Brent Cobb
No Place Left to Leave
119 bpm • E Maj • 04:04 • -7.15db
45% Popularity • 67% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Pat Reedy
Highway Bound
119 bpm • A Maj • 01:50 • -3.43db
33% Popularity • 63% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Riddy Arman
Barbed Wire
119 bpm • A Maj • 03:23 • -8.7db
20% Popularity • 52% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 26% Positiveness
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Summer Dean
You're Lucky She's Lonely
119 bpm • E Maj • 03:26 • -10.66db
53% Popularity • 56% Danceability • 33% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Sierra Ferrell
Give It Time - Alternative Version
119 bpm • D Maj • 02:27 • -10.19db
35% Popularity • 61% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Luke Bell
Hold Me
119 bpm • C Maj • 03:15 • -6.8db
27% Popularity • 60% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 91% Positiveness
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Senora May
Only Want You
119 bpm • G Maj • 03:01 • -14db
21% Popularity • 42% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
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The Hill Country Devil
Ship Me Off To Hell
118 bpm • C Maj • 03:15 • -9.84db
28% Popularity • 55% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Brennen Leigh
Somebody's Drinking About You
119 bpm • D Maj • 02:56 • -6.12db
19% Popularity • 67% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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Arlo McKinley
Back Home
118 bpm • G Maj • 03:59 • -7.95db
24% Popularity • 53% Danceability • 51% Energy • 24% Liveness
1% Instrumentalness • 39% Positiveness
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Willy Tea Taylor
Chickamauga
118 bpm • F Maj • 05:14 • -13.67db
28% Popularity • 48% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Kassi Valazza
Early Morning Rising
118 bpm • A# Maj • 04:49 • -8.52db
23% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Timbo
Drink All Night
120 bpm • G Maj • 03:33 • -11.93db
11% Popularity • 68% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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Abby Hamilton
Big Time
118 bpm • A Maj • 02:39 • -7.5db
30% Popularity • 46% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Summer Dean
Queen of The Clowns
120 bpm • C Maj • 03:10 • -8.32db
32% Popularity • 73% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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Nicholas Jamerson
Lexington
118 bpm • G Maj • 04:04 • -10.4db
24% Popularity • 58% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Brennen Leigh
Running Out Of Hope, Arkansas - Acoustic
118 bpm • D# Maj • 02:03 • -9.9db
39% Popularity • 59% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Jaime Wyatt
Neon Cross
118 bpm • B Maj • 04:24 • -4.92db
11% Popularity • 55% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
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Brent Cobb
When It's My Time
120 bpm • G Maj • 04:33 • -10.08db
21% Popularity • 61% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Sierra Ferrell
Jeremiah
118 bpm • C Maj • 03:03 • -9.23db
56% Popularity • 66% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Dylan Earl
Yesterdays
120 bpm • A# Maj • 03:16 • -9.64db
8% Popularity • 58% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Nicholas Jamerson
It's a Long Way to Wheelwright
120 bpm • D Maj • 04:47 • -5.71db
26% Popularity • 57% Danceability • 51% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Brennen Leigh
I Ain't Through Honky Tonkin' Yet
121 bpm • E Maj • 02:42 • -6.14db
24% Popularity • 58% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Cole Chaney
Charlene (OurVinyl Sessions)
117 bpm • E Maj • 04:50 • -9.11db
32% Popularity • 64% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Sturgill Simpson
Ol' Dood (Part I)
117 bpm • A min • 02:57 • -10.67db
44% Popularity • 62% Danceability • 34% Energy • 30% Liveness
17% Instrumentalness • 38% Positiveness
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Colter Wall
Cow/Calf Blue Yodel
117 bpm • C Maj • 02:53 • -10db
45% Popularity • 73% Danceability • 48% Energy • 16% Liveness
2% Instrumentalness • 72% Positiveness
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Charlie Marie
El Paso
121 bpm • A Maj • 03:19 • -6.24db
3% Popularity • 70% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
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Nicholas Jamerson
Ride
118 bpm • G Maj • 04:39 • -7.94db
19% Popularity • 42% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Caroline Spence
Hotel Amarillo
121 bpm • C Maj • 04:00 • -7.09db
31% Popularity • 65% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Summer Dean
Unladylike
121 bpm • G Maj • 03:20 • -12.36db
26% Popularity • 53% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Pony Bradshaw
Calico Jim
117 bpm • F# Maj • 04:24 • -11.12db
35% Popularity • 69% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Ian Noe
Mountain Saint
117 bpm • C# min • 03:06 • -10.6db
30% Popularity • 69% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Brennen Leigh
If Tommy Duncan's Voice Was Booze
121 bpm • D Maj • 03:16 • -11.39db
36% Popularity • 68% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Ags Connolly
Wrong Again (You Lose a Life)
121 bpm • E Maj • 03:07 • -7.83db
0% Popularity • 49% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Benjamin Tod
The Paper And The Ink
116 bpm • C# min • 04:33 • -11.05db
32% Popularity • 61% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Zephaniah OHora
I Do Believe I've Had Enough
122 bpm • G Maj • 03:44 • -7.85db
21% Popularity • 74% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
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Sierra Ferrell
At The End Of The Rainbow
116 bpm • A Maj • 03:40 • -9db
44% Popularity • 63% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Ian Noe
Barbara's Song
121 bpm • D Maj • 03:25 • -9.18db
34% Popularity • 62% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Brennen Leigh
Obsessed With The West
122 bpm • A Maj • 03:27 • -14.83db
22% Popularity • 44% Danceability • 23% Energy • 13% Liveness
3% Instrumentalness • 37% Positiveness
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Willi Carlisle
Vanlife
122 bpm • A# Maj • 04:46 • -6.25db
31% Popularity • 60% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Jeremy Pinnell
Wanna Do Something
116 bpm • A Maj • 02:50 • -6.85db
36% Popularity • 70% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Kelsey Waldon
White Noise, White Lines
122 bpm • B Maj • 04:51 • -9.8db
11% Popularity • 66% Danceability • 56% Energy • 13% Liveness
2% Instrumentalness • 67% Positiveness
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Charlie Marie
Ramble on Man
122 bpm • A# Maj • 03:21 • -4.86db
1% Popularity • 63% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Ian Noe
Appalachia Haze
116 bpm • E min • 03:53 • -11.2db
29% Popularity • 47% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Summer Dean
The Biggest Life Worth Living Is the Sma...
116 bpm • C Maj • 03:23 • -7.21db
22% Popularity • 65% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Mary Bragg
Trouble Me Anytime
116 bpm • C Maj • 03:43 • -8.85db
24% Popularity • 60% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Riddy Arman
Herding Song
116 bpm • A Maj • 02:07 • -9.83db
17% Popularity • 61% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Sam Doores
Silver & Gold
116 bpm • G Maj • 02:22 • -8.6db
41% Popularity • 66% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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The Deslondes
One Of These Lonesome Mornings
123 bpm • A# Maj • 02:29 • -5.79db
12% Popularity • 52% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Bella White
Do You Think About Me At All
123 bpm • A# Maj • 03:16 • -10.56db
36% Popularity • 66% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Sierra Ferrell
Silver Dollar - Alternative Version
123 bpm • C Maj • 02:02 • -9.46db
39% Popularity • 59% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Pony Bradshaw
Dope Mountain
115 bpm • F Maj • 05:18 • -13.69db
28% Popularity • 62% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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JD Clayton
Goldmine
115 bpm • G# Maj • 03:56 • -5.43db
30% Popularity • 60% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Sam Doores
Wrong Time to Be Right
115 bpm • D Maj • 04:35 • -10.41db
24% Popularity • 64% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Colter Wall
Manitoba Man
123 bpm • E min • 03:58 • -13.96db
39% Popularity • 64% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Arlo McKinley
We Were Alright
115 bpm • E Maj • 04:00 • -9.85db
29% Popularity • 54% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Zach Bryson
Love Me Like You Do
124 bpm • E Maj • 03:15 • -11.39db
21% Popularity • 64% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Riddy Arman
Old Maid's Draw
114 bpm • F# Maj • 03:13 • -15.45db
19% Popularity • 59% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Senora May
Dogs of Mexico
114 bpm • A Maj • 03:53 • -9.63db
25% Popularity • 39% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Sierra Ferrell
Silver Dollar
124 bpm • C Maj • 02:05 • -8.96db
55% Popularity • 68% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Summer Dean
Three Timin Game
124 bpm • G Maj • 02:46 • -7.86db
27% Popularity • 70% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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David Quinn
Let Me Die with My Boots On
124 bpm • C Maj • 03:24 • -6.38db
17% Popularity • 73% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Nate Fredrick
The Dreamer
124 bpm • A# Maj • 04:36 • -8.01db
12% Popularity • 67% Danceability • 63% Energy • 11% Liveness
4% Instrumentalness • 55% Positiveness
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Riddy Arman
Problems of My Own
114 bpm • A# Maj • 03:31 • -17.17db
13% Popularity • 60% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Brent Cobb
Sometimes I'm a Clown
124 bpm • D Maj • 03:49 • -13.61db
21% Popularity • 70% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Dori Freeman
That's How I Feel
114 bpm • C# Maj • 02:43 • -7.33db
25% Popularity • 76% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Jeremy Pinnell
I'm Alright With This
114 bpm • A Maj • 03:59 • -8.24db
31% Popularity • 89% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Justin Wells
Still No Rain
114 bpm • A# Maj • 03:21 • -10.8db
31% Popularity • 65% Danceability • 52% Energy • 10% Liveness
3% Instrumentalness • 49% Positiveness
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Bella White
Flowers On My Bedside
114 bpm • C Maj • 04:49 • -7.52db
34% Popularity • 68% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Sierra Ferrell
Hey Me, Hey Mama
124 bpm • C Maj • 03:30 • -8.16db
47% Popularity • 56% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Ian Noe
That Kind of Life
124 bpm • F Maj • 03:20 • -10.67db
30% Popularity • 61% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Kassi Valazza
Sad Songs
124 bpm • A Maj • 04:06 • -10.98db
19% Popularity • 68% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Jeremy Pinnell
The Way Country Sounds
114 bpm • A Maj • 03:56 • -8.5db
24% Popularity • 73% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Senora May
By My Lonesome
124 bpm • G Maj • 03:38 • -15.2db
16% Popularity • 57% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Bella White
Broke (When I Realized)
114 bpm • B Maj • 03:38 • -12.32db
37% Popularity • 69% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Riddy Arman
Both of My Hands
114 bpm • B min • 03:55 • -7.59db
13% Popularity • 28% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Sturgill Simpson
I Wonder
114 bpm • A Maj • 03:14 • -9.1db
44% Popularity • 69% Danceability • 27% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
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Justin Townes Earle
What's She Crying For
125 bpm • C# Maj • 03:53 • -8.12db
13% Popularity • 54% Danceability • 64% Energy • 10% Liveness
4% Instrumentalness • 47% Positiveness
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Willi Carlisle
The Down and Back
125 bpm • E Maj • 01:45 • -5.98db
34% Popularity • 65% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Waylon Payne
Santa Ana Winds
125 bpm • G Maj • 04:16 • -9.1db
32% Popularity • 56% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
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JP Harris
When I Quit Drinking
125 bpm • G Maj • 03:56 • -7.6db
29% Popularity • 66% Danceability • 61% Energy • 11% Liveness
2% Instrumentalness • 48% Positiveness
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Colter Wall
Me and Big Dave
114 bpm • A Maj • 04:04 • -14.25db
43% Popularity • 60% Danceability • 14% Energy • 12% Liveness
6% Instrumentalness • 23% Positiveness
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Charlie Marie
Heard It Through the Red Wine
125 bpm • D Maj • 03:47 • -5.55db
3% Popularity • 65% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Todd Day Wait
Who's That Fella - Western AF Version
125 bpm • C Maj • 05:28 • -11.71db
26% Popularity • 63% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Arlo McKinley
Gone for Good
113 bpm • A Maj • 03:11 • -5.97db
24% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Dylan Earl
One More Time
113 bpm • G Maj • 03:15 • -8.78db
21% Popularity • 52% Danceability • 52% Energy • 19% Liveness
6% Instrumentalness • 36% Positiveness
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TK & The Holy Know-Nothings
Serenity Prayer
126 bpm • E Maj • 04:50 • -5.29db
22% Popularity • 73% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Ian Noe
Off This Mountaintop
113 bpm • C Maj • 03:32 • -10db
45% Popularity • 70% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Kassi Valazza
Chino
126 bpm • G Maj • 06:08 • -9.45db
22% Popularity • 46% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Wade Sapp
Beer Drinkin' Blues
126 bpm • C Maj • 03:25 • -7.27db
11% Popularity • 71% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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South Texas Tweek
Count on Me
112 bpm • E Maj • 03:02 • -8.17db
29% Popularity • 68% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
► Preview
Dylan Earl
Learning (What Leaving Means)
113 bpm • C Maj • 02:58 • -7.99db
22% Popularity • 61% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Jeremy Pinnell
Rodeo
112 bpm • C Maj • 03:10 • -7.17db
19% Popularity • 68% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Bella White
Not To Blame
126 bpm • D Maj • 02:55 • -9.56db
44% Popularity • 60% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Western Centuries
The Old You
112 bpm • C Maj • 03:09 • -8.13db
8% Popularity • 56% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Sierra Ferrell
Give It Time
112 bpm • D Maj • 03:37 • -10.78db
42% Popularity • 66% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Sturgill Simpson
Time After All
126 bpm • D Maj • 02:14 • -8.34db
42% Popularity • 61% Danceability • 64% Energy • 13% Liveness
5% Instrumentalness • 77% Positiveness
► Preview
Dylan Earl
Draw the Line
112 bpm • D Maj • 03:16 • -9.21db
10% Popularity • 54% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Barbed Wire