Songs like Barcarolle by Lubomyr Melnyk
Based on a tempo of (+/- 10%) and a similar genre
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A Winged Victory for the Sullen
So That The City Can Begin To Exist
86 bpm • F Maj • 04:46 • -23.4db
32% Popularity • 15% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 15% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Peter Broderick
Floating / Sinking
86 bpm • A min • 04:06 • -27.98db
34% Popularity • 18% Danceability • 7% Energy • 23% Liveness
75% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 7% Energy • 23% Liveness
75% Instrumentalness • 4% Positiveness
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Christoph Berg
Coda
86 bpm • B Maj • 04:07 • -17.01db
17% Popularity • 12% Danceability • 32% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
17% Popularity • 12% Danceability • 32% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
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Bryce Dessner
Requiem-Ashes
86 bpm • C Maj • 02:14 • -32db
11% Popularity • 19% Danceability • 2% Energy • 16% Liveness
88% Instrumentalness • 3% Positiveness
11% Popularity • 19% Danceability • 2% Energy • 16% Liveness
88% Instrumentalness • 3% Positiveness
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Bing & Ruth
And Then It Rained
86 bpm • F Maj • 04:51 • -23.71db
13% Popularity • 9% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
13% Popularity • 9% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Kiasmos
Blurred - Sven Helbig Rework
85 bpm • D Maj • 04:44 • -18.53db
30% Popularity • 9% Danceability • 12% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
30% Popularity • 9% Danceability • 12% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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A Winged Victory for the Sullen
Requiem for the Static King, Pt. 1
86 bpm • B Maj • 02:45 • -22.13db
35% Popularity • 14% Danceability • 13% Energy • 10% Liveness
78% Instrumentalness • 3% Positiveness
35% Popularity • 14% Danceability • 13% Energy • 10% Liveness
78% Instrumentalness • 3% Positiveness
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Brambles
To Speak Of Solitude
86 bpm • D# min • 04:21 • -25db
47% Popularity • 16% Danceability • 5% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
47% Popularity • 16% Danceability • 5% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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Jon Hopkins
Dawn Chorus
85 bpm • D Maj • 03:28 • -26db
41% Popularity • 29% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
41% Popularity • 29% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Michael Price
Easter
85 bpm • C Maj • 05:24 • -30.72db
16% Popularity • 28% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
16% Popularity • 28% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
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Patrick Jonsson
Suddenly We Looked Like Giants
85 bpm • D Maj • 06:11 • -18db
25% Popularity • 9% Danceability • 20% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
25% Popularity • 9% Danceability • 20% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Ben Lukas Boysen
Only in the Dark
85 bpm • C# Maj • 03:29 • -37db
46% Popularity • 10% Danceability • 0% Energy • 11% Liveness
75% Instrumentalness • 18% Positiveness
46% Popularity • 10% Danceability • 0% Energy • 11% Liveness
75% Instrumentalness • 18% Positiveness
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Rose Riebl
Over Salt Sea
87 bpm • A min • 03:40 • -23.94db
14% Popularity • 17% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Martyn Heyne
Afar
85 bpm • E Maj • 03:40 • -24.86db
27% Popularity • 42% Danceability • 3% Energy • 16% Liveness
95% Instrumentalness • 8% Positiveness
27% Popularity • 42% Danceability • 3% Energy • 16% Liveness
95% Instrumentalness • 8% Positiveness
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Jon Hopkins
Lost Map / The Hawk
85 bpm • C Maj • 03:48 • -22db
24% Popularity • 11% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
24% Popularity • 11% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Shida Shahabi
Sea Ear
87 bpm • C Maj • 06:46 • -20.24db
20% Popularity • 9% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 9% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Brian Eno
By this River (Arr. Badzura)
85 bpm • G min • 03:35 • -21db
28% Popularity • 18% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
28% Popularity • 18% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
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Nicholas Lens
Litany of Divine Absence
85 bpm • A min • 05:29 • -17db
21% Popularity • 24% Danceability • 7% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
21% Popularity • 24% Danceability • 7% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
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Hania Rani
Nora - from Nora
87 bpm • D min • 05:15 • -33.35db
16% Popularity • 43% Danceability • 0% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
16% Popularity • 43% Danceability • 0% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Daniel Thorne
Fear of Floating
87 bpm • B Maj • 06:37 • -13.96db
13% Popularity • 36% Danceability • 23% Energy • 10% Liveness
23% Instrumentalness • 9% Positiveness
13% Popularity • 36% Danceability • 23% Energy • 10% Liveness
23% Instrumentalness • 9% Positiveness
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Ben Frost
Reyja
88 bpm • C# min • 05:05 • -25.08db
22% Popularity • 9% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
22% Popularity • 9% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Peter Broderick
Eyes Closed And Traveling
84 bpm • F# Maj • 03:39 • -20.98db
50% Popularity • 42% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
50% Popularity • 42% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Arnold Kasar
Moon Square
88 bpm • C min • 03:29 • -23.15db
18% Popularity • 36% Danceability • 11% Energy • 16% Liveness
89% Instrumentalness • 47% Positiveness
18% Popularity • 36% Danceability • 11% Energy • 16% Liveness
89% Instrumentalness • 47% Positiveness
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Warren Ellis
Lale's Theme
88 bpm • D# Maj • 05:09 • -19.2db
21% Popularity • 12% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
21% Popularity • 12% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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A Winged Victory for the Sullen
Sullen Sonata
88 bpm • F Maj • 05:23 • -19.14db
31% Popularity • 9% Danceability • 12% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
31% Popularity • 9% Danceability • 12% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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King Creosote
Starboard Home
88 bpm • A# Maj • 05:53 • -22.85db
19% Popularity • 23% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
19% Popularity • 23% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Martyn Heyne
Patina
88 bpm • B min • 03:41 • -26.81db
28% Popularity • 44% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 6% Positiveness
28% Popularity • 44% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 6% Positiveness
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Colleen
GeometrÃa del Universo
88 bpm • C Maj • 02:49 • -16.78db
35% Popularity • 43% Danceability • 43% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
35% Popularity • 43% Danceability • 43% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
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Anne Müller
Being Anne
84 bpm • E min • 04:45 • -20db
15% Popularity • 20% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
15% Popularity • 20% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Martin Kohlstedt
JUL
88 bpm • D min • 05:01 • -20.6db
31% Popularity • 34% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
31% Popularity • 34% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Sebastian Plano
Purples
83 bpm • D# min • 07:58 • -14db
28% Popularity • 15% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
28% Popularity • 15% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
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Mary Lattimore
Sometimes He's In My Dreams
83 bpm • F# Maj • 03:46 • -20.4db
41% Popularity • 60% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
41% Popularity • 60% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
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Greg Haines
183 Times
89 bpm • A# min • 09:08 • -16db
36% Popularity • 10% Danceability • 41% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
36% Popularity • 10% Danceability • 41% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Julianna Barwick
Inspirit
89 bpm • B Maj • 04:12 • -11.74db
39% Popularity • 17% Danceability • 37% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 17% Danceability • 37% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Ben Lukas Boysen
Sleepers Beat Theme
83 bpm • D# Maj • 04:30 • -28.05db
16% Popularity • 36% Danceability • 16% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
16% Popularity • 36% Danceability • 16% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
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Niklas Paschburg
If
83 bpm • C# Maj • 05:07 • -12.48db
23% Popularity • 37% Danceability • 38% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
23% Popularity • 37% Danceability • 38% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
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Roger Goula
Something About Silence
83 bpm • D min • 08:23 • -14.31db
10% Popularity • 18% Danceability • 52% Energy • 20% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 52% Energy • 20% Liveness
92% Instrumentalness • 4% Positiveness
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Mary Lattimore
Silver Ladders
89 bpm • F# min • 03:45 • -19.7db
33% Popularity • 33% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
33% Popularity • 33% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Kjartan Sveinsson
The Last Farm 5
83 bpm • C# min • 02:46 • -11.76db
23% Popularity • 21% Danceability • 24% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
23% Popularity • 21% Danceability • 24% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Lubomyr Melnyk
Cloud-Passade Nr. 3
83 bpm • C Maj • 08:11 • -18db
11% Popularity • 11% Danceability • 23% Energy • 18% Liveness
87% Instrumentalness • 6% Positiveness
11% Popularity • 11% Danceability • 23% Energy • 18% Liveness
87% Instrumentalness • 6% Positiveness
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Ben Lukas Boysen
The Veil
83 bpm • D# min • 06:36 • -25.75db
12% Popularity • 11% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 13% Positiveness
12% Popularity • 11% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 13% Positiveness
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amiina
Kola - Lighthouse Version
90 bpm • A min • 05:15 • -14.57db
27% Popularity • 32% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
27% Popularity • 32% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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VÃkingur Ólafsson
La damoiselle élue - Hania Rani Rework ...
90 bpm • F min • 05:05 • -29.1db
20% Popularity • 36% Danceability • 3% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
20% Popularity • 36% Danceability • 3% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
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Niklas Paschburg
Journey Among Worlds
90 bpm • C# min • 05:36 • -16db
35% Popularity • 52% Danceability • 34% Energy • 38% Liveness
92% Instrumentalness • 7% Positiveness
35% Popularity • 52% Danceability • 34% Energy • 38% Liveness
92% Instrumentalness • 7% Positiveness
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Hania Rani
Hawaii Oslo
90 bpm • G min • 04:15 • -25.49db
43% Popularity • 34% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
43% Popularity • 34% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Dustin O'Halloran
Constellation No. 2
82 bpm • A# Maj • 04:21 • -22db
20% Popularity • 11% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
20% Popularity • 11% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Ben Lukas Boysen
Selene
83 bpm • F min • 03:20 • -31.05db
20% Popularity • 27% Danceability • 0% Energy • 12% Liveness
87% Instrumentalness • 32% Positiveness
20% Popularity • 27% Danceability • 0% Energy • 12% Liveness
87% Instrumentalness • 32% Positiveness
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A Winged Victory for the Sullen
Minuet for a Cheap Piano Number Two
90 bpm • F# min • 03:09 • -28.98db
30% Popularity • 17% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
30% Popularity • 17% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Conor Walsh
The Lucid
90 bpm • A min • 04:10 • -15db
21% Popularity • 22% Danceability • 24% Energy • 14% Liveness
90% Instrumentalness • 3% Positiveness
21% Popularity • 22% Danceability • 24% Energy • 14% Liveness
90% Instrumentalness • 3% Positiveness
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Niklas Paschburg
Opera - Dobrawa Czocher & Hannes Kretzer...
82 bpm • C min • 05:14 • -18.89db
11% Popularity • 11% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
11% Popularity • 11% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Lubomyr Melnyk
Love Song
82 bpm • F# Maj • 09:08 • -15.41db
10% Popularity • 23% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
10% Popularity • 23% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Erland Cooper
Kittiwaako
91 bpm • F Maj • 02:22 • -16.95db
28% Popularity • 15% Danceability • 8% Energy • 34% Liveness
59% Instrumentalness • 6% Positiveness
28% Popularity • 15% Danceability • 8% Energy • 34% Liveness
59% Instrumentalness • 6% Positiveness
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Clark
Citrus
91 bpm • A# min • 02:34 • -22db
35% Popularity • 20% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 7% Positiveness
35% Popularity • 20% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 7% Positiveness
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Rafael Anton Irisarri
Moments Descend On My Windowpane
81 bpm • D Maj • 05:14 • -19.4db
33% Popularity • 24% Danceability • 17% Energy • 8% Liveness
82% Instrumentalness • 7% Positiveness
33% Popularity • 24% Danceability • 17% Energy • 8% Liveness
82% Instrumentalness • 7% Positiveness
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Bing & Ruth
TWTGA
81 bpm • A# Maj • 05:55 • -30.65db
33% Popularity • 11% Danceability • 9% Energy • 12% Liveness
97% Instrumentalness • 10% Positiveness
33% Popularity • 11% Danceability • 9% Energy • 12% Liveness
97% Instrumentalness • 10% Positiveness
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h hunt
Go Home
81 bpm • C Maj • 03:17 • -31.44db
39% Popularity • 27% Danceability • 0% Energy • 36% Liveness
92% Instrumentalness • 5% Positiveness
39% Popularity • 27% Danceability • 0% Energy • 36% Liveness
92% Instrumentalness • 5% Positiveness
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Lubomyr Melnyk
Le miroir d'amour
81 bpm • C min • 09:25 • -16.47db
13% Popularity • 11% Danceability • 16% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 16% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
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Hampshire & Foat
Lullaby
81 bpm • C Maj • 05:07 • -13.78db
27% Popularity • 36% Danceability • 25% Energy • 36% Liveness
87% Instrumentalness • 9% Positiveness
27% Popularity • 36% Danceability • 25% Energy • 36% Liveness
87% Instrumentalness • 9% Positiveness
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Jon Hopkins
Wintergreen
92 bpm • A# Maj • 03:44 • -34.83db
37% Popularity • 31% Danceability • 16% Energy • 34% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 31% Danceability • 16% Energy • 34% Liveness
92% Instrumentalness • 4% Positiveness
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Chilly Gonzales
The Tearjerker Returns
81 bpm • G min • 03:32 • -23.13db
46% Popularity • 35% Danceability • 1% Energy • 10% Liveness
67% Instrumentalness • 12% Positiveness
46% Popularity • 35% Danceability • 1% Energy • 10% Liveness
67% Instrumentalness • 12% Positiveness
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Roger Goula
Soon Will Wake Up
92 bpm • A min • 05:51 • -17.64db
11% Popularity • 23% Danceability • 33% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
11% Popularity • 23% Danceability • 33% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Julianna Barwick
Healing Is A Miracle
80 bpm • C Maj • 04:10 • -12.67db
38% Popularity • 13% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
38% Popularity • 13% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Lubomyr Melnyk
Illirion
92 bpm • E min • 14:12 • -20.17db
15% Popularity • 22% Danceability • 15% Energy • 8% Liveness
82% Instrumentalness • 17% Positiveness
15% Popularity • 22% Danceability • 15% Energy • 8% Liveness
82% Instrumentalness • 17% Positiveness
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Nico Muhly
Opening Cards
80 bpm • G Maj • 01:53 • -18.66db
32% Popularity • 29% Danceability • 29% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
32% Popularity • 29% Danceability • 29% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Emilie Levienaise-Farrouch
Scale of Volatility
80 bpm • E min • 03:50 • -14db
15% Popularity • 48% Danceability • 15% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
15% Popularity • 48% Danceability • 15% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
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Bing & Ruth
Scrapes
80 bpm • C# Maj • 05:18 • -21db
22% Popularity • 9% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
22% Popularity • 9% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Maarten Vos
Epiloog
80 bpm • C min • 06:29 • -14.7db
9% Popularity • 14% Danceability • 20% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
9% Popularity • 14% Danceability • 20% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Hampshire & Foat
Galaxies Like Grains of Sand
92 bpm • D min • 06:15 • -13db
27% Popularity • 57% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
27% Popularity • 57% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
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Lubomyr Melnyk
Beyond Romance
92 bpm • G# min • 16:12 • -18.98db
12% Popularity • 26% Danceability • 25% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
12% Popularity • 26% Danceability • 25% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
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Carlos Cipa
dark tree
80 bpm • C min • 06:33 • -20.96db
25% Popularity • 12% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
25% Popularity • 12% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Hauschka
Hike
80 bpm • C Maj • 02:53 • -19db
26% Popularity • 20% Danceability • 32% Energy • 15% Liveness
89% Instrumentalness • 11% Positiveness
26% Popularity • 20% Danceability • 32% Energy • 15% Liveness
89% Instrumentalness • 11% Positiveness
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Martin Kohlstedt
SENIMB
80 bpm • G Maj • 05:07 • -17.27db
9% Popularity • 11% Danceability • 16% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
9% Popularity • 11% Danceability • 16% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Nathan Fake
HoursDaysMonthsSeasons - Olga Wojciechow...
79 bpm • F min • 04:03 • -18db
28% Popularity • 27% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
28% Popularity • 27% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Mary Lattimore
Jimmy V
79 bpm • F min • 05:57 • -16.56db
29% Popularity • 34% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
29% Popularity • 34% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Lubomyr Melnyk
The Six Day Moment
93 bpm • C Maj • 11:17 • -17db
15% Popularity • 20% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
15% Popularity • 20% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Anne Müller
Nummer 2
79 bpm • D min • 05:55 • -20db
29% Popularity • 9% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
29% Popularity • 9% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
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Bing & Ruth
Police Police Police Police Police
79 bpm • C# min • 06:04 • -23db
20% Popularity • 15% Danceability • 15% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
20% Popularity • 15% Danceability • 15% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
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Gernot Bronsert
A New Error
94 bpm • A min • 06:49 • -20.81db
34% Popularity • 12% Danceability • 30% Energy • 6% Liveness
86% Instrumentalness • 3% Positiveness
34% Popularity • 12% Danceability • 30% Energy • 6% Liveness
86% Instrumentalness • 3% Positiveness
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Erland Cooper
Maalie
94 bpm • F# Maj • 02:47 • -15db
27% Popularity • 34% Danceability • 36% Energy • 6% Liveness
2% Instrumentalness • 5% Positiveness
27% Popularity • 34% Danceability • 36% Energy • 6% Liveness
2% Instrumentalness • 5% Positiveness
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Maxence Cyrin
Endless Poetry
94 bpm • D min • 03:03 • -19.7db
25% Popularity • 43% Danceability • 16% Energy • 17% Liveness
89% Instrumentalness • 15% Positiveness
25% Popularity • 43% Danceability • 16% Energy • 17% Liveness
89% Instrumentalness • 15% Positiveness
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Richard Skelton
Noon Hill Wood
94 bpm • G min • 08:26 • -12.41db
19% Popularity • 14% Danceability • 26% Energy • 9% Liveness
4% Instrumentalness • 6% Positiveness
19% Popularity • 14% Danceability • 26% Energy • 9% Liveness
4% Instrumentalness • 6% Positiveness
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Origamibiro
Direct Voice
94 bpm • C Maj • 03:53 • -20.39db
15% Popularity • 80% Danceability • 28% Energy • 6% Liveness
72% Instrumentalness • 73% Positiveness
15% Popularity • 80% Danceability • 28% Energy • 6% Liveness
72% Instrumentalness • 73% Positiveness
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Hauschka
Dew and Spiderwebs
94 bpm • C Maj • 02:12 • -18.84db
35% Popularity • 41% Danceability • 22% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
35% Popularity • 41% Danceability • 22% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
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Masayoshi Fujita
Tears of Unicorn
78 bpm • G# min • 05:51 • -15db
25% Popularity • 19% Danceability • 10% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
25% Popularity • 19% Danceability • 10% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Roger Goula
Pale Blue Dot
94 bpm • G min • 08:23 • -20db
31% Popularity • 21% Danceability • 25% Energy • 9% Liveness
35% Instrumentalness • 6% Positiveness
31% Popularity • 21% Danceability • 25% Energy • 9% Liveness
35% Instrumentalness • 6% Positiveness
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Martyn Heyne
Sparks
95 bpm • E Maj • 04:01 • -23.2db
14% Popularity • 64% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
14% Popularity • 64% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Danny Norbury
Small Field
95 bpm • C# Maj • 03:56 • -17.81db
13% Popularity • 21% Danceability • 9% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
13% Popularity • 21% Danceability • 9% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Anne Müller
Solo? Repeat!
95 bpm • G# Maj • 06:20 • -18.56db
28% Popularity • 31% Danceability • 19% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
28% Popularity • 31% Danceability • 19% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
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Peter Broderick
Violin Solo No. 1
95 bpm • G min • 03:21 • -19.51db
16% Popularity • 23% Danceability • 8% Energy • 11% Liveness
5% Instrumentalness • 7% Positiveness
16% Popularity • 23% Danceability • 8% Energy • 11% Liveness
5% Instrumentalness • 7% Positiveness
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Niklas Paschburg
Holtnevel
95 bpm • F# Maj • 03:35 • -20.12db
40% Popularity • 48% Danceability • 40% Energy • 33% Liveness
86% Instrumentalness • 41% Positiveness
40% Popularity • 48% Danceability • 40% Energy • 33% Liveness
86% Instrumentalness • 41% Positiveness
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Hania Rani
Dunkel
95 bpm • G min • 04:56 • -20.47db
22% Popularity • 13% Danceability • 10% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
22% Popularity • 13% Danceability • 10% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Sarah Davachi
Play The Ghost
78 bpm • B min • 05:01 • -19.27db
28% Popularity • 14% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Secret of Elements
A Last Waltz
95 bpm • C min • 03:24 • -15.43db
22% Popularity • 17% Danceability • 32% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
22% Popularity • 17% Danceability • 32% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Kiasmos
Burnt - Lubomyr Melnyk Rework
95 bpm • C# min • 12:01 • -14.63db
24% Popularity • 21% Danceability • 31% Energy • 7% Liveness
89% Instrumentalness • 8% Positiveness
24% Popularity • 21% Danceability • 31% Energy • 7% Liveness
89% Instrumentalness • 8% Positiveness
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Masayoshi Fujita
Snowy Night Tale
95 bpm • G# min • 05:34 • -16.34db
18% Popularity • 18% Danceability • 15% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
18% Popularity • 18% Danceability • 15% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Shida Shahabi
Pretty In Plums
77 bpm • G# min • 04:40 • -25.33db
34% Popularity • 56% Danceability • 26% Energy • 12% Liveness
86% Instrumentalness • 50% Positiveness
34% Popularity • 56% Danceability • 26% Energy • 12% Liveness
86% Instrumentalness • 50% Positiveness
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Hanan Townshend
Lacrimosa
77 bpm • A min • 03:00 • -35.26db
30% Popularity • 20% Danceability • 1% Energy • 11% Liveness
58% Instrumentalness • 23% Positiveness
30% Popularity • 20% Danceability • 1% Energy • 11% Liveness
58% Instrumentalness • 23% Positiveness
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Aukai
Summer Tale
96 bpm • B min • 05:23 • -20.2db
9% Popularity • 34% Danceability • 17% Energy • 6% Liveness
86% Instrumentalness • 8% Positiveness
9% Popularity • 34% Danceability • 17% Energy • 6% Liveness
86% Instrumentalness • 8% Positiveness
