Songs like Barefoot In The Park (feat. ROSALÍA) by James Blake
Based on a tempo of (+/- 10%) and a similar genre
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Little Dragon
The Other Lover (Little Dragon & Moses S...
162 bpm • D# Maj • 04:04 • -9.66db
43% Popularity • 63% Danceability • 45% Energy • 10% Liveness
6% Instrumentalness • 48% Positiveness
43% Popularity • 63% Danceability • 45% Energy • 10% Liveness
6% Instrumentalness • 48% Positiveness
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James Blake
Barefoot In The Park
162 bpm • A min • 03:31 • -8.34db
58% Popularity • 56% Danceability • 63% Energy • 20% Liveness
10% Instrumentalness • 52% Positiveness
58% Popularity • 56% Danceability • 63% Energy • 20% Liveness
10% Instrumentalness • 52% Positiveness
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Arca
Desafío
161 bpm • C# min • 03:53 • -11.21db
44% Popularity • 16% Danceability • 48% Energy • 37% Liveness
42% Instrumentalness • 9% Positiveness
44% Popularity • 16% Danceability • 48% Energy • 37% Liveness
42% Instrumentalness • 9% Positiveness
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Arlo Parks
Caroline
160 bpm • A# Maj • 03:36 • -8db
59% Popularity • 60% Danceability • 58% Energy • 11% Liveness
9% Instrumentalness • 49% Positiveness
59% Popularity • 60% Danceability • 58% Energy • 11% Liveness
9% Instrumentalness • 49% Positiveness
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The Avalanches
We Will Always Love You
160 bpm • D min • 02:52 • -7.61db
50% Popularity • 54% Danceability • 63% Energy • 10% Liveness
75% Instrumentalness • 18% Positiveness
50% Popularity • 54% Danceability • 63% Energy • 10% Liveness
75% Instrumentalness • 18% Positiveness
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Jai Paul
Do You Love Her Now
160 bpm • D Maj • 04:34 • -10.96db
44% Popularity • 66% Danceability • 34% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
44% Popularity • 66% Danceability • 34% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
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Biig Piig
Roses and Gold - Acoustic
164 bpm • G min • 03:49 • -11.51db
24% Popularity • 62% Danceability • 51% Energy • 34% Liveness
80% Instrumentalness • 59% Positiveness
24% Popularity • 62% Danceability • 51% Energy • 34% Liveness
80% Instrumentalness • 59% Positiveness
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Sudan Archives
Come Meh Way
160 bpm • E min • 02:26 • -6.61db
52% Popularity • 68% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 68% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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slowthai
feel away
160 bpm • C Maj • 03:20 • -8.99db
53% Popularity • 40% Danceability • 53% Energy • 16% Liveness
16% Instrumentalness • 34% Positiveness
53% Popularity • 40% Danceability • 53% Energy • 16% Liveness
16% Instrumentalness • 34% Positiveness
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FKA twigs
holy terrain
160 bpm • G min • 04:03 • -7.54db
48% Popularity • 53% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
48% Popularity • 53% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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ROSALÍA
PIENSO EN TU MIRÁ - Cap.3: Celos
165 bpm • G# Maj • 03:13 • -6.03db
62% Popularity • 65% Danceability • 68% Energy • 9% Liveness
2% Instrumentalness • 41% Positiveness
62% Popularity • 65% Danceability • 68% Energy • 9% Liveness
2% Instrumentalness • 41% Positiveness
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Anderson .Paak
Come Home
165 bpm • G# Maj • 04:26 • -4.92db
55% Popularity • 57% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
55% Popularity • 57% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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BROCKHAMPTON
NO HALO
165 bpm • E Maj • 04:19 • -7.03db
55% Popularity • 64% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
55% Popularity • 64% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Tash Sultana
Cigarettes
158 bpm • B min • 05:22 • -5db
48% Popularity • 56% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
48% Popularity • 56% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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King Princess
Prophet
166 bpm • D Maj • 04:09 • -3.05db
44% Popularity • 52% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 52% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Moses Sumney
Cut Me
166 bpm • F# Maj • 04:10 • -11db
45% Popularity • 51% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 51% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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H.E.R.
Carried Away
158 bpm • D Maj • 03:41 • -7.48db
47% Popularity • 70% Danceability • 64% Energy • 10% Liveness
2% Instrumentalness • 53% Positiveness
47% Popularity • 70% Danceability • 64% Energy • 10% Liveness
2% Instrumentalness • 53% Positiveness
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Biig Piig
Oh No
166 bpm • G Maj • 02:44 • -9.15db
59% Popularity • 70% Danceability • 41% Energy • 11% Liveness
79% Instrumentalness • 38% Positiveness
59% Popularity • 70% Danceability • 41% Energy • 11% Liveness
79% Instrumentalness • 38% Positiveness
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Solange
Stay Flo
156 bpm • A Maj • 02:55 • -7.12db
58% Popularity • 82% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
58% Popularity • 82% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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James Blake
A Case Of You
167 bpm • G Maj • 02:57 • -11.19db
40% Popularity • 46% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
40% Popularity • 46% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Ari Lennox
Shea Butter Baby
155 bpm • E min • 03:31 • -7.46db
63% Popularity • 71% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
63% Popularity • 71% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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The Weeknd
Blinding Lights - Remix
171 bpm • F min • 03:36 • -5.79db
56% Popularity • 49% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
56% Popularity • 49% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Devendra Banhart
Love Song - Helado Negro Remix
153 bpm • C min • 04:19 • -15.84db
47% Popularity • 73% Danceability • 24% Energy • 6% Liveness
3% Instrumentalness • 68% Positiveness
47% Popularity • 73% Danceability • 24% Energy • 6% Liveness
3% Instrumentalness • 68% Positiveness
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FKA twigs
mary magdalene
172 bpm • C# min • 05:21 • -13.14db
48% Popularity • 39% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
48% Popularity • 39% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Mereba
Black Truck
172 bpm • B Maj • 04:14 • -7.18db
43% Popularity • 40% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
43% Popularity • 40% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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James Blake
The Wilhelm Scream
170 bpm • G Maj • 04:33 • -12db
46% Popularity • 55% Danceability • 29% Energy • 9% Liveness
93% Instrumentalness • 36% Positiveness
46% Popularity • 55% Danceability • 29% Energy • 9% Liveness
93% Instrumentalness • 36% Positiveness
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Snoh Aalegra
Worse
152 bpm • A# min • 02:12 • -14db
51% Popularity • 49% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
51% Popularity • 49% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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IAMDDB
Urban Jazz
152 bpm • A# Maj • 03:06 • -10db
47% Popularity • 55% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
47% Popularity • 55% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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ROSALÍA
Dolerme
174 bpm • G# min • 02:23 • -7.04db
59% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
59% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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SOHN
Hue
152 bpm • B min • 04:23 • -14.55db
26% Popularity • 45% Danceability • 23% Energy • 13% Liveness
14% Instrumentalness • 14% Positiveness
26% Popularity • 45% Danceability • 23% Energy • 13% Liveness
14% Instrumentalness • 14% Positiveness
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Thom Yorke
Suspirium
151 bpm • C# min • 03:21 • -15.43db
60% Popularity • 46% Danceability • 22% Energy • 14% Liveness
92% Instrumentalness • 44% Positiveness
60% Popularity • 46% Danceability • 22% Energy • 14% Liveness
92% Instrumentalness • 44% Positiveness
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James Blake
Into The Red
174 bpm • C# Maj • 04:17 • -9db
34% Popularity • 51% Danceability • 47% Energy • 13% Liveness
6% Instrumentalness • 15% Positiveness
34% Popularity • 51% Danceability • 47% Energy • 13% Liveness
6% Instrumentalness • 15% Positiveness
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Kwamie Liv
Look at What I've Done
174 bpm • G Maj • 03:32 • -10db
30% Popularity • 52% Danceability • 40% Energy • 12% Liveness
50% Instrumentalness • 4% Positiveness
30% Popularity • 52% Danceability • 40% Energy • 12% Liveness
50% Instrumentalness • 4% Positiveness
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The xx
Lips
174 bpm • C# Maj • 03:20 • -9db
49% Popularity • 52% Danceability • 59% Energy • 8% Liveness
51% Instrumentalness • 19% Positiveness
49% Popularity • 52% Danceability • 59% Energy • 8% Liveness
51% Instrumentalness • 19% Positiveness
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Niña Pastori
Cuando Te Beso - En Directo
174 bpm • E min • 03:17 • -3.83db
41% Popularity • 57% Danceability • 94% Energy • 94% Liveness
0% Instrumentalness • 41% Positiveness
41% Popularity • 57% Danceability • 94% Energy • 94% Liveness
0% Instrumentalness • 41% Positiveness
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Mac Miller
Good News
174 bpm • C# min • 05:42 • -12.92db
72% Popularity • 79% Danceability • 32% Energy • 11% Liveness
13% Instrumentalness • 24% Positiveness
72% Popularity • 79% Danceability • 32% Energy • 11% Liveness
13% Instrumentalness • 24% Positiveness
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Arlo Parks
Eugene
174 bpm • G min • 03:43 • -7.19db
61% Popularity • 62% Danceability • 59% Energy • 9% Liveness
1% Instrumentalness • 90% Positiveness
61% Popularity • 62% Danceability • 59% Energy • 9% Liveness
1% Instrumentalness • 90% Positiveness
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Billie Eilish
WHEN I WAS OLDER - Music Inspired By The...
150 bpm • F# Maj • 04:30 • -12.83db
64% Popularity • 70% Danceability • 33% Energy • 8% Liveness
43% Instrumentalness • 6% Positiveness
64% Popularity • 70% Danceability • 33% Energy • 8% Liveness
43% Instrumentalness • 6% Positiveness
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Kwamie Liv
Look At What I've Done - A COLORS SHOW
174 bpm • G Maj • 03:33 • -23.01db
18% Popularity • 58% Danceability • 13% Energy • 10% Liveness
49% Instrumentalness • 4% Positiveness
18% Popularity • 58% Danceability • 13% Energy • 10% Liveness
49% Instrumentalness • 4% Positiveness
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Sampha
Treasure
150 bpm • F# Maj • 04:39 • -12.25db
40% Popularity • 42% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 42% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Villagers
A Trick of the Light
150 bpm • B Maj • 04:08 • -8.16db
54% Popularity • 56% Danceability • 61% Energy • 13% Liveness
4% Instrumentalness • 42% Positiveness
54% Popularity • 56% Danceability • 61% Energy • 13% Liveness
4% Instrumentalness • 42% Positiveness
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James Blake
You're Too Precious
150 bpm • C# Maj • 03:43 • -9.46db
49% Popularity • 68% Danceability • 48% Energy • 10% Liveness
37% Instrumentalness • 30% Positiveness
49% Popularity • 68% Danceability • 48% Energy • 10% Liveness
37% Instrumentalness • 30% Positiveness
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James Vincent McMorrow
Get Low
150 bpm • F Maj • 04:10 • -12.91db
33% Popularity • 51% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 51% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Moses Sumney
Make Out in My Car - Sufjan Stevens Vers...
150 bpm • F Maj • 02:46 • -11.66db
52% Popularity • 55% Danceability • 38% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
52% Popularity • 55% Danceability • 38% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
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Weval
Days
176 bpm • A# min • 03:47 • -14.33db
36% Popularity • 58% Danceability • 47% Energy • 12% Liveness
76% Instrumentalness • 19% Positiveness
36% Popularity • 58% Danceability • 47% Energy • 12% Liveness
76% Instrumentalness • 19% Positiveness
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Daniela Andrade
Genesis
150 bpm • C Maj • 02:36 • -10.39db
42% Popularity • 64% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
42% Popularity • 64% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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Isaac Delusion
Isabella
177 bpm • D Maj • 05:13 • -10db
42% Popularity • 29% Danceability • 51% Energy • 14% Liveness
2% Instrumentalness • 10% Positiveness
42% Popularity • 29% Danceability • 51% Energy • 14% Liveness
2% Instrumentalness • 10% Positiveness
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James Blake
Tell Them
176 bpm • G# min • 03:28 • -8.66db
41% Popularity • 58% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
41% Popularity • 58% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Empress Of
Trust Me Baby
148 bpm • C# min • 03:17 • -6db
15% Popularity • 68% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 68% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Tora
Similar
148 bpm • C# Maj • 02:48 • -8.94db
41% Popularity • 41% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 41% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Cailin Russo
September Rose
178 bpm • F min • 03:41 • -8db
35% Popularity • 60% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 60% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Charlotte Day Wilson
Nothing New
147 bpm • G min • 03:12 • -9db
33% Popularity • 56% Danceability • 36% Energy • 8% Liveness
4% Instrumentalness • 52% Positiveness
33% Popularity • 56% Danceability • 36% Energy • 8% Liveness
4% Instrumentalness • 52% Positiveness
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Ama Lou
Tried Up
147 bpm • A min • 02:56 • -15db
44% Popularity • 68% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 68% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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James Blake
Are You In Love?
148 bpm • G# Maj • 03:17 • -12db
38% Popularity • 56% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 56% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Tash Sultana
Jungle
146 bpm • C# min • 05:15 • -6db
69% Popularity • 59% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
69% Popularity • 59% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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J Balvin
Brillo
146 bpm • A min • 02:39 • -10.05db
63% Popularity • 54% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
63% Popularity • 54% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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070 Shake
Guilty Conscience
180 bpm • G Maj • 03:33 • -6.05db
60% Popularity • 54% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
60% Popularity • 54% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Everything Is Recorded
Close But Not Quite
146 bpm • G min • 03:25 • -9.51db
39% Popularity • 80% Danceability • 62% Energy • 51% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 80% Danceability • 62% Energy • 51% Liveness
0% Instrumentalness • 56% Positiveness
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Mount Kimbie
Marilyn
180 bpm • C min • 04:11 • -11db
49% Popularity • 28% Danceability • 52% Energy • 10% Liveness
16% Instrumentalness • 31% Positiveness
49% Popularity • 28% Danceability • 52% Energy • 10% Liveness
16% Instrumentalness • 31% Positiveness
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ELIZA
Alone & Unafraid
180 bpm • G# Maj • 04:29 • -9.82db
40% Popularity • 41% Danceability • 49% Energy • 7% Liveness
29% Instrumentalness • 42% Positiveness
40% Popularity • 41% Danceability • 49% Energy • 7% Liveness
29% Instrumentalness • 42% Positiveness
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SOHN
The Wheel
180 bpm • F# min • 03:53 • -6.99db
50% Popularity • 67% Danceability • 43% Energy • 8% Liveness
2% Instrumentalness • 26% Positiveness
50% Popularity • 67% Danceability • 43% Energy • 8% Liveness
2% Instrumentalness • 26% Positiveness
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Sen Senra
Ya No Te Hago Falta
180 bpm • A Maj • 02:41 • -8.51db
60% Popularity • 56% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
60% Popularity • 56% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Ab-Soul
Bloody Waters
181 bpm • G# Maj • 04:32 • -8.76db
52% Popularity • 51% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
52% Popularity • 51% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Ambar Lucid
Questioning My Mind
180 bpm • F min • 04:14 • -5.19db
44% Popularity • 45% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
44% Popularity • 45% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Mount Kimbie
How We Got By
180 bpm • E min • 05:06 • -16db
35% Popularity • 46% Danceability • 32% Energy • 11% Liveness
16% Instrumentalness • 30% Positiveness
35% Popularity • 46% Danceability • 32% Energy • 11% Liveness
16% Instrumentalness • 30% Positiveness
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Billie Eilish
come out and play
145 bpm • C Maj • 03:30 • -14.6db
67% Popularity • 64% Danceability • 32% Energy • 11% Liveness
3% Instrumentalness • 18% Positiveness
67% Popularity • 64% Danceability • 32% Energy • 11% Liveness
3% Instrumentalness • 18% Positiveness
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Maribou State
Vale
145 bpm • B min • 04:07 • -8.86db
65% Popularity • 69% Danceability • 67% Energy • 15% Liveness
77% Instrumentalness • 72% Positiveness
65% Popularity • 69% Danceability • 67% Energy • 15% Liveness
77% Instrumentalness • 72% Positiveness
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James Blake
Life Round Here
145 bpm • A# min • 03:37 • -9.48db
48% Popularity • 60% Danceability • 66% Energy • 11% Liveness
33% Instrumentalness • 26% Positiveness
48% Popularity • 60% Danceability • 66% Energy • 11% Liveness
33% Instrumentalness • 26% Positiveness
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Bon Iver
Hey, Ma
144 bpm • C Maj • 03:36 • -10.96db
60% Popularity • 32% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
60% Popularity • 32% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Agar Agar
I'm That Guy
182 bpm • F min • 07:28 • -10.18db
47% Popularity • 63% Danceability • 39% Energy • 10% Liveness
70% Instrumentalness • 38% Positiveness
47% Popularity • 63% Danceability • 39% Energy • 10% Liveness
70% Instrumentalness • 38% Positiveness
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Isaac Delusion
The Sinner
182 bpm • A# Maj • 04:23 • -5db
42% Popularity • 38% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
42% Popularity • 38% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Little Dragon
Ritual Union
144 bpm • C# Maj • 03:30 • -4.4db
58% Popularity • 70% Danceability • 74% Energy • 22% Liveness
1% Instrumentalness • 80% Positiveness
58% Popularity • 70% Danceability • 74% Energy • 22% Liveness
1% Instrumentalness • 80% Positiveness
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Anderson .Paak
'Til It's Over
144 bpm • G min • 03:22 • -9.49db
45% Popularity • 74% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 74% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
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AlunaGeorge
Superior Emotion
144 bpm • C# Maj • 03:26 • -6.86db
33% Popularity • 68% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 68% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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James Blake
Life Is Not The Same
144 bpm • F# Maj • 03:19 • -10db
47% Popularity • 64% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 21% Positiveness
47% Popularity • 64% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 21% Positiveness
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Cleo Sol
Miles Song
144 bpm • G min • 05:33 • -9db
41% Popularity • 55% Danceability • 44% Energy • 29% Liveness
2% Instrumentalness • 31% Positiveness
41% Popularity • 55% Danceability • 44% Energy • 29% Liveness
2% Instrumentalness • 31% Positiveness
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Moses Sumney
Quarrel
144 bpm • E min • 06:45 • -13db
35% Popularity • 38% Danceability • 27% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
35% Popularity • 38% Danceability • 27% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
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Soko
We Might Be Dead By Tomorrow
144 bpm • G Maj • 02:41 • -16.56db
52% Popularity • 39% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
52% Popularity • 39% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Blood Orange
Charcoal Baby
183 bpm • G min • 04:02 • -8.39db
64% Popularity • 62% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
64% Popularity • 62% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Perfume Genius
Otherside
143 bpm • G# Maj • 02:40 • -11.45db
45% Popularity • 28% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 28% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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James Blake
Can't Believe The Way We Flow
144 bpm • G# Maj • 04:27 • -10.31db
41% Popularity • 26% Danceability • 54% Energy • 43% Liveness
0% Instrumentalness • 29% Positiveness
41% Popularity • 26% Danceability • 54% Energy • 43% Liveness
0% Instrumentalness • 29% Positiveness
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Pip Millett
Make Me Cry
184 bpm • D min • 02:42 • -8.13db
55% Popularity • 55% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
55% Popularity • 55% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Karen O
Ministry
141 bpm • B Maj • 05:06 • -10.33db
45% Popularity • 46% Danceability • 65% Energy • 8% Liveness
10% Instrumentalness • 30% Positiveness
45% Popularity • 46% Danceability • 65% Energy • 8% Liveness
10% Instrumentalness • 30% Positiveness
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Silk Rhodes
Pains
141 bpm • C Maj • 03:11 • -6db
46% Popularity • 45% Danceability • 42% Energy • 8% Liveness
12% Instrumentalness • 10% Positiveness
46% Popularity • 45% Danceability • 42% Energy • 8% Liveness
12% Instrumentalness • 10% Positiveness
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serpentwithfeet
four ethers
140 bpm • D# Maj • 04:29 • -11.97db
29% Popularity • 42% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 42% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Chet Faker
Talk Is Cheap
140 bpm • C min • 03:38 • -7.89db
53% Popularity • 66% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
53% Popularity • 66% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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James Blake
Don't Miss It
141 bpm • A Maj • 04:59 • -12.66db
39% Popularity • 52% Danceability • 34% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
39% Popularity • 52% Danceability • 34% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Sudan Archives
Nont For Sale
140 bpm • D Maj • 03:39 • -7.52db
43% Popularity • 76% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 76% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Jordan Rakei
Hiding Place
140 bpm • A min • 03:46 • -8db
37% Popularity • 64% Danceability • 45% Energy • 11% Liveness
14% Instrumentalness • 27% Positiveness
37% Popularity • 64% Danceability • 45% Energy • 11% Liveness
14% Instrumentalness • 27% Positiveness
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SOHN
Red Lines
140 bpm • A min • 03:56 • -10.37db
36% Popularity • 67% Danceability • 39% Energy • 10% Liveness
64% Instrumentalness • 24% Positiveness
36% Popularity • 67% Danceability • 39% Energy • 10% Liveness
64% Instrumentalness • 24% Positiveness
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BADBADNOTGOOD
Time Moves Slow
140 bpm • B min • 04:33 • -10.83db
67% Popularity • 59% Danceability • 38% Energy • 10% Liveness
3% Instrumentalness • 31% Positiveness
67% Popularity • 59% Danceability • 38% Energy • 10% Liveness
3% Instrumentalness • 31% Positiveness
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¿Téo?
Uno Dos
140 bpm • F# min • 02:50 • -10db
58% Popularity • 81% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
58% Popularity • 81% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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James Blake
I Am Sold
140 bpm • B min • 04:04 • -9.59db
39% Popularity • 54% Danceability • 39% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
39% Popularity • 54% Danceability • 39% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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Chet Faker
Gold
140 bpm • C# Maj • 04:41 • -9.44db
46% Popularity • 67% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 67% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Everything Is Recorded
Everything Is Recorded
140 bpm • F# min • 05:07 • -7.08db
23% Popularity • 61% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 61% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Agnes Obel
Run Cried the Crawling
188 bpm • G# Maj • 04:26 • -14.84db
47% Popularity • 50% Danceability • 34% Energy • 10% Liveness
49% Instrumentalness • 35% Positiveness
47% Popularity • 50% Danceability • 34% Energy • 10% Liveness
49% Instrumentalness • 35% Positiveness
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Snoh Aalegra
Nothing Burns Like The Cold
140 bpm • C Maj • 03:29 • -8db
71% Popularity • 67% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
71% Popularity • 67% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Mala
Changes - James Blake Harmonimix
139 bpm • G Maj • 05:24 • -7db
27% Popularity • 22% Danceability • 57% Energy • 10% Liveness
64% Instrumentalness • 8% Positiveness
27% Popularity • 22% Danceability • 57% Energy • 10% Liveness
64% Instrumentalness • 8% Positiveness
