Songs like Barfotaliv: Act I Scene 8: Viola - Fingal by Georg Riedel
Based on a tempo of (+/- 10%) and a similar genre
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Georg Riedel
Après-Midi Solitaire
106 bpm • A min • 05:30 • -15.6db
2% Popularity • 50% Danceability • 20% Energy • 20% Liveness
83% Instrumentalness • 16% Positiveness
2% Popularity • 50% Danceability • 20% Energy • 20% Liveness
83% Instrumentalness • 16% Positiveness
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Mats Bergström
O Trenzinho do Caipira
106 bpm • A min • 03:36 • -19.64db
4% Popularity • 60% Danceability • 30% Energy • 11% Liveness
82% Instrumentalness • 52% Positiveness
4% Popularity • 60% Danceability • 30% Energy • 11% Liveness
82% Instrumentalness • 52% Positiveness
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Lillebjørn Nilsen
Blåmann, Blåmann Bukken Min
106 bpm • C Maj • 02:33 • -16.19db
27% Popularity • 66% Danceability • 8% Energy • 12% Liveness
35% Instrumentalness • 34% Positiveness
27% Popularity • 66% Danceability • 8% Energy • 12% Liveness
35% Instrumentalness • 34% Positiveness
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Magnus Härenstam
S som i Sssssångerska
106 bpm • C Maj • 02:14 • -17.86db
19% Popularity • 64% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 64% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Ulla Billquist
Min Soldat
106 bpm • A# Maj • 03:16 • -15db
29% Popularity • 56% Danceability • 14% Energy • 13% Liveness
1% Instrumentalness • 53% Positiveness
29% Popularity • 56% Danceability • 14% Energy • 13% Liveness
1% Instrumentalness • 53% Positiveness
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Harry Warren
There Will Never Be Another You (Live)
106 bpm • A min • 03:21 • -10.22db
3% Popularity • 65% Danceability • 50% Energy • 7% Liveness
1% Instrumentalness • 81% Positiveness
3% Popularity • 65% Danceability • 50% Energy • 7% Liveness
1% Instrumentalness • 81% Positiveness
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Georg Riedel
Idas sommarvisa
106 bpm • D Maj • 02:07 • -13db
36% Popularity • 67% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 67% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Sigtuna SÃ¥ngensemble
Sköna maj välkommen - Majsång
106 bpm • G Maj • 03:37 • -17db
13% Popularity • 34% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 34% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Robert Blom
Det var en gång en målare
106 bpm • D Maj • 01:43 • -8.71db
17% Popularity • 82% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 82% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Sarah Riedel
Dit jag längtar
106 bpm • B min • 05:16 • -13.6db
1% Popularity • 38% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
1% Popularity • 38% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
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Börge Ring
Har du visor min vän
105 bpm • E min • 02:41 • -20.7db
11% Popularity • 46% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 46% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Norrbotten Big Band
Kalle Teodor
105 bpm • G min • 03:50 • -9.25db
4% Popularity • 45% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
4% Popularity • 45% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
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Georg Riedel
Kind of praying
106 bpm • A# Maj • 04:05 • -16.14db
0% Popularity • 58% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 10% Positiveness
0% Popularity • 58% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 10% Positiveness
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Per Myrberg
Fritiof i Arkadien
104 bpm • E Maj • 03:42 • -19.67db
8% Popularity • 62% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 62% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Mats Bergström
Danny Boy
107 bpm • D Maj • 02:35 • -23.02db
21% Popularity • 48% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
21% Popularity • 48% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Jan Johansson
Emigrantvisa
104 bpm • D min • 03:49 • -11.8db
19% Popularity • 47% Danceability • 24% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
19% Popularity • 47% Danceability • 24% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
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Anders Widmark
December's Sea - Instrumental
108 bpm • G Maj • 02:58 • -20.47db
24% Popularity • 58% Danceability • 10% Energy • 9% Liveness
72% Instrumentalness • 24% Positiveness
24% Popularity • 58% Danceability • 10% Energy • 9% Liveness
72% Instrumentalness • 24% Positiveness
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Jojje Wadenius
Jag har en äng
108 bpm • C Maj • 01:25 • -13.59db
20% Popularity • 50% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 50% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Georg Riedel
Vi ar blommor
105 bpm • C# Maj • 03:02 • -20.12db
14% Popularity • 26% Danceability • 9% Energy • 8% Liveness
18% Instrumentalness • 11% Positiveness
14% Popularity • 26% Danceability • 9% Energy • 8% Liveness
18% Instrumentalness • 11% Positiveness
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Lars Magnus Béen
Majsång - Sköna maj, välkommen: Skona...
108 bpm • D Maj • 04:13 • -26.45db
16% Popularity • 24% Danceability • 5% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 24% Danceability • 5% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Povl Dissing & Benny Andersen
Svantes lykkelige dag
108 bpm • D# Maj • 03:09 • -9db
30% Popularity • 46% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 46% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Lillebjørn Nilsen
Barn Av Regnbuen
108 bpm • A# Maj • 03:10 • -12db
38% Popularity • 24% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 24% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Anna Maria Espinosa
Vem kan segla förutan vind
108 bpm • A# min • 01:59 • -15.48db
34% Popularity • 51% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
34% Popularity • 51% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Galenskaparna & After Shave
Macken
108 bpm • G Maj • 01:50 • -8.55db
11% Popularity • 67% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 67% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Georg Riedel
Nino
105 bpm • G# Maj • 04:55 • -20.86db
1% Popularity • 49% Danceability • 9% Energy • 13% Liveness
91% Instrumentalness • 12% Positiveness
1% Popularity • 49% Danceability • 9% Energy • 13% Liveness
91% Instrumentalness • 12% Positiveness
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Traditional
Om sommaren skona
108 bpm • A min • 02:21 • -19.6db
8% Popularity • 38% Danceability • 11% Energy • 10% Liveness
75% Instrumentalness • 28% Positiveness
8% Popularity • 38% Danceability • 11% Energy • 10% Liveness
75% Instrumentalness • 28% Positiveness
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Anders Widmark Trio
Jag Lyfter Ögat Mot Himmelen
108 bpm • C Maj • 02:11 • -23.74db
20% Popularity • 53% Danceability • 5% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
20% Popularity • 53% Danceability • 5% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Stefan Nilsson
Värdshuset Lugnet
104 bpm • C Maj • 05:34 • -21.09db
3% Popularity • 59% Danceability • 12% Energy • 25% Liveness
88% Instrumentalness • 39% Positiveness
3% Popularity • 59% Danceability • 12% Energy • 25% Liveness
88% Instrumentalness • 39% Positiveness
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The Brazz Brothers
Maraba Blue
109 bpm • A# Maj • 04:10 • -19db
16% Popularity • 57% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 63% Positiveness
16% Popularity • 57% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 63% Positiveness
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Magnus & Brasse
Bäst att ta sej ett glas
103 bpm • A# Maj • 06:03 • -19db
18% Popularity • 65% Danceability • 28% Energy • 95% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 65% Danceability • 28% Energy • 95% Liveness
0% Instrumentalness • 68% Positiveness
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Georg Riedel
Världens bästa Carlsson
105 bpm • B Maj • 03:46 • -5.75db
26% Popularity • 62% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 62% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Traditional
In dulci jubilo
109 bpm • D Maj • 02:41 • -19.45db
14% Popularity • 49% Danceability • 27% Energy • 11% Liveness
94% Instrumentalness • 53% Positiveness
14% Popularity • 49% Danceability • 27% Energy • 11% Liveness
94% Instrumentalness • 53% Positiveness
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Bo Kaspers Orkester
Fyrarättersmål
109 bpm • C min • 02:39 • -10.77db
40% Popularity • 82% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
40% Popularity • 82% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Cole Porter
What is this thing called love
103 bpm • C Maj • 02:36 • -28.02db
3% Popularity • 49% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 45% Positiveness
3% Popularity • 49% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 45% Positiveness
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Jan Johansson
Visa från Rättvik
103 bpm • A# min • 03:35 • -13.94db
17% Popularity • 53% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 28% Positiveness
17% Popularity • 53% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 28% Positiveness
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Magnus Härenstam
Mulliga, maffiga, mysiga bokstaven M
109 bpm • E min • 02:33 • -15.7db
9% Popularity • 70% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 70% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Georg Riedel
Ge mej ett kärlekstecken
108 bpm • D min • 03:09 • -9.05db
6% Popularity • 66% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
6% Popularity • 66% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Traditional
En jungfru födde ett barn idag
109 bpm • F Maj • 01:51 • -18db
12% Popularity • 65% Danceability • 30% Energy • 13% Liveness
88% Instrumentalness • 32% Positiveness
12% Popularity • 65% Danceability • 30% Energy • 13% Liveness
88% Instrumentalness • 32% Positiveness
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Mats Bergström
When I Fall In Love
110 bpm • E min • 04:59 • -24.43db
7% Popularity • 51% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
7% Popularity • 51% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Bengt Sändh
Än en gång däran
110 bpm • G Maj • 01:58 • -12.02db
16% Popularity • 68% Danceability • 38% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 68% Danceability • 38% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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Vibafemba
Oberoende vad fursten säger
110 bpm • E Maj • 03:13 • -18.43db
9% Popularity • 59% Danceability • 7% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 59% Danceability • 7% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
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Anders Hogstedt
SÃ¥nger ur Majas alfabet: Jordgubbe
102 bpm • A min • 01:40 • -9.6db
13% Popularity • 57% Danceability • 28% Energy • 6% Liveness
2% Instrumentalness • 63% Positiveness
13% Popularity • 57% Danceability • 28% Energy • 6% Liveness
2% Instrumentalness • 63% Positiveness
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Georg Riedel
Vaggvisa
108 bpm • G# Maj • 03:13 • -19.76db
9% Popularity • 46% Danceability • 2% Energy • 24% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 46% Danceability • 2% Energy • 24% Liveness
0% Instrumentalness • 14% Positiveness
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Klas Widén
Här kommer en tiger
110 bpm • C Maj • 01:43 • -9.65db
24% Popularity • 80% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 80% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Anders Widmark
Den signade dag (Psalm 424 i 1939 års p...
110 bpm • C Maj • 03:11 • -19.57db
16% Popularity • 57% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 35% Positiveness
16% Popularity • 57% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 35% Positiveness
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Vilhelm Ersmark
Visa i midsommartid
110 bpm • D# Maj • 03:36 • -15.37db
13% Popularity • 59% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 59% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Wolf Biermann
Uppmuntran
111 bpm • A min • 03:03 • -28db
12% Popularity • 69% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 69% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Wille Crafoord
Samma typ av annorlunda saker
111 bpm • F Maj • 04:17 • -10.25db
13% Popularity • 82% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 82% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Georg Riedel
On A Day
103 bpm • G Maj • 05:16 • -18.52db
0% Popularity • 44% Danceability • 17% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
0% Popularity • 44% Danceability • 17% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
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Fred Åkerström
Mollberg satt i Paulun
101 bpm • C Maj • 04:39 • -17.72db
12% Popularity • 54% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 54% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Sarah Riedel
Tag mig, håll mig
111 bpm • G Maj • 07:41 • -13.01db
0% Popularity • 45% Danceability • 15% Energy • 14% Liveness
54% Instrumentalness • 9% Positiveness
0% Popularity • 45% Danceability • 15% Energy • 14% Liveness
54% Instrumentalness • 9% Positiveness
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Lisa Ekdahl
Jag skrek
111 bpm • E min • 02:42 • -5.72db
34% Popularity • 73% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
34% Popularity • 73% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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Galenskaparna & After Shave
Borås, Borås
111 bpm • F Maj • 03:05 • -8.32db
21% Popularity • 54% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 54% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Traditional
Tack, Fader, för den dag du gav
112 bpm • C Maj • 03:20 • -29.61db
7% Popularity • 40% Danceability • 2% Energy • 10% Liveness
79% Instrumentalness • 7% Positiveness
7% Popularity • 40% Danceability • 2% Energy • 10% Liveness
79% Instrumentalness • 7% Positiveness
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Georg Riedel
En visa till Veronica
109 bpm • D# Maj • 03:39 • -14.32db
6% Popularity • 47% Danceability • 6% Energy • 16% Liveness
1% Instrumentalness • 16% Positiveness
6% Popularity • 47% Danceability • 6% Energy • 16% Liveness
1% Instrumentalness • 16% Positiveness
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Mats Bergström
Liten psalm
101 bpm • A min • 01:12 • -23.52db
12% Popularity • 60% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 47% Positiveness
12% Popularity • 60% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 47% Positiveness
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James & Karin
Gäddan Gösta
100 bpm • A Maj • 01:10 • -14.02db
31% Popularity • 75% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 75% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Sarah Riedel
Etude for sommarvind
112 bpm • C Maj • 08:14 • -12.21db
1% Popularity • 44% Danceability • 21% Energy • 12% Liveness
33% Instrumentalness • 15% Positiveness
1% Popularity • 44% Danceability • 21% Energy • 12% Liveness
33% Instrumentalness • 15% Positiveness
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Galenskaparna & After Shave
Början
112 bpm • G Maj • 02:23 • -12.83db
11% Popularity • 70% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 70% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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Carl Anton
Nu går sista visan
100 bpm • D# Maj • 01:37 • -13.06db
32% Popularity • 47% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 47% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Georg Riedel
Du käre lille snickerbo
110 bpm • F min • 02:32 • -10db
24% Popularity • 68% Danceability • 56% Energy • 11% Liveness
85% Instrumentalness • 94% Positiveness
24% Popularity • 68% Danceability • 56% Energy • 11% Liveness
85% Instrumentalness • 94% Positiveness
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Orsa Spelmän
Annas visa
112 bpm • A Maj • 03:39 • -18.82db
16% Popularity • 23% Danceability • 9% Energy • 8% Liveness
25% Instrumentalness • 29% Positiveness
16% Popularity • 23% Danceability • 9% Energy • 8% Liveness
25% Instrumentalness • 29% Positiveness
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Bengt Hallberg
Crooked happiness
112 bpm • F min • 01:59 • -15.09db
17% Popularity • 71% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 63% Positiveness
17% Popularity • 71% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 63% Positiveness
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Wille Crafoord
Missarna
112 bpm • D# Maj • 03:04 • -12.3db
17% Popularity • 77% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 77% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Klas Widén
En apelsin
100 bpm • C Maj • 01:15 • -10.43db
29% Popularity • 89% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 89% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Magnus Härenstam
Till havs II
100 bpm • C Maj • 02:12 • -13.74db
18% Popularity • 65% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
18% Popularity • 65% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Georg Riedel
Undecided
110 bpm • G min • 03:36 • -15db
0% Popularity • 69% Danceability • 18% Energy • 11% Liveness
9% Instrumentalness • 66% Positiveness
0% Popularity • 69% Danceability • 18% Energy • 11% Liveness
9% Instrumentalness • 66% Positiveness
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Sten-Åke Cederhök
När lyktorna tänds på andra sidan bro...
113 bpm • F Maj • 03:05 • -14.39db
25% Popularity • 37% Danceability • 28% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 37% Danceability • 28% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
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Sara Isaksson
Uti vår hage
113 bpm • G min • 02:20 • -15db
24% Popularity • 51% Danceability • 4% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
24% Popularity • 51% Danceability • 4% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
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Tove Karoline Knutsen
Kom Sommarvijnn
100 bpm • A Maj • 02:31 • -15.92db
25% Popularity • 38% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 38% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Electric Banana Band
Bonka Bonka
113 bpm • F Maj • 02:58 • -9.55db
24% Popularity • 90% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 90% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
► Preview
Frode Alnæs
Vi Skal Ikke Sova Bort Sumarnatta (Tveit...
100 bpm • E min • 02:16 • -23.37db
15% Popularity • 50% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
15% Popularity • 50% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
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Georg Riedel
Bom sicka bom
110 bpm • C Maj • 03:34 • -6.18db
20% Popularity • 54% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 54% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Sten-Åke Cederhök
Får man vara hur dum & insnöad som hel...
113 bpm • G Maj • 03:38 • -13.6db
9% Popularity • 66% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 66% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Sylvia Vrethammar
Dansa samba med mej
113 bpm • A Maj • 02:37 • -11db
28% Popularity • 61% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
28% Popularity • 61% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Håkan Norlén
Visa vid midsommartid
113 bpm • G Maj • 02:44 • -25.18db
8% Popularity • 32% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 27% Positiveness
8% Popularity • 32% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 27% Positiveness
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Bo Kaspers Orkester
En jävel vid mitt öra
100 bpm • A min • 03:19 • -11.15db
33% Popularity • 63% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 63% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Peter Lundblad
Flykten
113 bpm • E min • 02:22 • -26.77db
36% Popularity • 44% Danceability • 4% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 44% Danceability • 4% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Georg Riedel
Vi är blommor
111 bpm • C# Maj • 02:52 • -11.88db
1% Popularity • 56% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
1% Popularity • 56% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Mats Bergström
Manhã de Carnaval
99 bpm • A min • 03:20 • -22.28db
4% Popularity • 58% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
4% Popularity • 58% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
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Galenskaparna & After Shave
St. Sigfridsplan
113 bpm • C Maj • 02:01 • -13.85db
13% Popularity • 80% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 80% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
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Benny Andersson
Guldet blev till sand
114 bpm • E Maj • 04:13 • -16.21db
36% Popularity • 30% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 30% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Otto Jonas Lindblad
Längtan till landet - Vintern rasat: La...
114 bpm • C# Maj • 01:55 • -23db
20% Popularity • 41% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 41% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Sarah Riedel
Telegram för fullmånen
99 bpm • A# min • 05:36 • -16.15db
1% Popularity • 45% Danceability • 11% Energy • 10% Liveness
12% Instrumentalness • 22% Positiveness
1% Popularity • 45% Danceability • 11% Energy • 10% Liveness
12% Instrumentalness • 22% Positiveness
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Georg Riedel
Ollonborren
101 bpm • G# Maj • 02:09 • -23.93db
9% Popularity • 46% Danceability • 3% Energy • 11% Liveness
3% Instrumentalness • 45% Positiveness
9% Popularity • 46% Danceability • 3% Energy • 11% Liveness
3% Instrumentalness • 45% Positiveness
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Per Myrberg
Alltid på väg
114 bpm • D Maj • 02:47 • -13db
12% Popularity • 74% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 74% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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James & Karin
Ebert
99 bpm • A Maj • 01:54 • -11db
29% Popularity • 71% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 71% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Mats Bergström
Life Wish
114 bpm • B min • 03:01 • -25.63db
7% Popularity • 52% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
7% Popularity • 52% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Anders Widmark Trio
Vårsång
114 bpm • G Maj • 02:12 • -23.78db
24% Popularity • 54% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 33% Positiveness
24% Popularity • 54% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 33% Positiveness
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Fred Åkerström
Vaggvisa för liten grön banan
114 bpm • D Maj • 03:26 • -20.06db
31% Popularity • 35% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 35% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Georg Riedel
Rosenblad, rosenblad
113 bpm • G# Maj • 03:27 • -14.13db
3% Popularity • 62% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
3% Popularity • 62% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Allan Edwall
Kom
98 bpm • G min • 02:31 • -11db
28% Popularity • 50% Danceability • 21% Energy • 10% Liveness
6% Instrumentalness • 39% Positiveness
28% Popularity • 50% Danceability • 21% Energy • 10% Liveness
6% Instrumentalness • 39% Positiveness
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Alf Cranner
Din tanke er fri
115 bpm • F# Maj • 02:26 • -12db
24% Popularity • 65% Danceability • 20% Energy • 12% Liveness
2% Instrumentalness • 40% Positiveness
24% Popularity • 65% Danceability • 20% Energy • 12% Liveness
2% Instrumentalness • 40% Positiveness
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Edvard Persson
En liten vit kanin
98 bpm • F Maj • 02:53 • -8db
25% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Kaj Magnusson
Små människor
98 bpm • A Maj • 03:06 • -11db
15% Popularity • 67% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 67% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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James & Karin
Jag är ett långsamt djur
115 bpm • A min • 01:46 • -18.59db
21% Popularity • 84% Danceability • 27% Energy • 11% Liveness
61% Instrumentalness • 42% Positiveness
21% Popularity • 84% Danceability • 27% Energy • 11% Liveness
61% Instrumentalness • 42% Positiveness
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Georg Riedel
Idas Sommarvisa
99 bpm • G Maj • 02:25 • -23.32db
4% Popularity • 36% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
4% Popularity • 36% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Traditional
Jag vet en dejlig rosa
98 bpm • B min • 02:12 • -29.84db
7% Popularity • 25% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 25% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
