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Barok Main
Songs like
Barok Main
by
Mica Levi
Based on a tempo of (+/- 10%) and a similar genre
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Huerco S.
A Sea Of Love
102 bpm • A# min • 07:17 • -28.72db
39% Popularity • 14% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
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Jonathan Parker and Seth Asarnow
Bartleby - Titles
103 bpm • E min • 01:23 • -17.3db
10% Popularity • 39% Danceability • 18% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Laurie Spiegel
Three Sonic Spaces II
104 bpm • A# Maj • 03:22 • -15.95db
16% Popularity • 16% Danceability • 34% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Mica Levi
Lobo Y Lady
102 bpm • F Maj • 02:22 • -14.84db
8% Popularity • 38% Danceability • 53% Energy • 14% Liveness
82% Instrumentalness • 5% Positiveness
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Alex Zhang Hungtai
Pierrot
104 bpm • G min • 04:33 • -15.07db
11% Popularity • 15% Danceability • 36% Energy • 14% Liveness
95% Instrumentalness • 15% Positiveness
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Hildur Guðnadóttir
It's About the Size of a House
104 bpm • D Maj • 06:34 • -25.02db
15% Popularity • 15% Danceability • 16% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
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Raymond Scott
Sleepy Time
101 bpm • C Maj • 04:27 • -20.89db
22% Popularity • 35% Danceability • 28% Energy • 8% Liveness
86% Instrumentalness • 57% Positiveness
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Tomaga
Il fiume di ferro
101 bpm • C Maj • 04:43 • -9.91db
12% Popularity • 63% Danceability • 55% Energy • 14% Liveness
12% Instrumentalness • 13% Positiveness
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Ben Frost
We Don't Need Other Worlds, We Need Mirr...
101 bpm • C# min • 02:11 • -22.7db
27% Popularity • 17% Danceability • 9% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
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Mica Levi
Andrew Void
102 bpm • B Maj • 02:14 • -16.41db
24% Popularity • 22% Danceability • 31% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
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Cluster
Schöne Hände
105 bpm • B Maj • 03:05 • -24db
39% Popularity • 62% Danceability • 23% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Shane Carruth
Leaves Expanded May Be Prevailing Blue M...
105 bpm • A# min • 02:25 • -18db
24% Popularity • 16% Danceability • 20% Energy • 7% Liveness
87% Instrumentalness • 3% Positiveness
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Spresso
curse
105 bpm • C Maj • 01:28 • -9.82db
16% Popularity • 62% Danceability • 50% Energy • 10% Liveness
26% Instrumentalness • 39% Positiveness
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Steve Reich
Music for 18 Musicians: Pulses
101 bpm • F# min • 05:26 • -17db
30% Popularity • 58% Danceability • 61% Energy • 13% Liveness
96% Instrumentalness • 34% Positiveness
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Jóhann Jóhannsson
Memories
106 bpm • G Maj • 02:34 • -21.08db
22% Popularity • 15% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Cat's Eyes
Door No. 2
100 bpm • A# min • 01:39 • -14.54db
16% Popularity • 25% Danceability • 12% Energy • 10% Liveness
58% Instrumentalness • 6% Positiveness
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Jonny Greenwood
Sandalwood I
100 bpm • C Maj • 02:39 • -16.17db
33% Popularity • 50% Danceability • 28% Energy • 22% Liveness
80% Instrumentalness • 32% Positiveness
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Lyra Pramuk
New Moon
101 bpm • D# Maj • 08:32 • -10.13db
21% Popularity • 19% Danceability • 21% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
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Alexandre Desplat
Prologue (Birth)
100 bpm • A Maj • 04:00 • -23.71db
26% Popularity • 58% Danceability • 13% Energy • 8% Liveness
10% Instrumentalness • 3% Positiveness
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Daniel Lopatin
Smoothie
106 bpm • C min • 01:10 • -14.41db
28% Popularity • 71% Danceability • 25% Energy • 12% Liveness
90% Instrumentalness • 38% Positiveness
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Roger Neill
Subway Coupon
100 bpm • A Maj • 01:00 • -20.68db
33% Popularity • 61% Danceability • 21% Energy • 10% Liveness
89% Instrumentalness • 60% Positiveness
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Jóhann Jóhannsson
End of Summer Part 1
107 bpm • C Maj • 06:33 • -19.89db
14% Popularity • 15% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Jonny Greenwood
Alma
99 bpm • C Maj • 04:07 • -17db
42% Popularity • 18% Danceability • 14% Energy • 14% Liveness
82% Instrumentalness • 4% Positiveness
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Oliver Coates
Caregiver part 1 (breathing)
99 bpm • C Maj • 04:50 • -12.88db
12% Popularity • 17% Danceability • 32% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Popol Vuh
Aguirre I (L'Acrime Di Rei)
107 bpm • G min • 07:22 • -18.97db
27% Popularity • 25% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 6% Positiveness
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Speakers Corner Quartet
Scorpion Yard
107 bpm • C# min • 06:14 • -9.16db
7% Popularity • 78% Danceability • 54% Energy • 10% Liveness
66% Instrumentalness • 54% Positiveness
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Emile Mosseri
Blue Peach
108 bpm • G# Maj • 01:03 • -16.67db
28% Popularity • 27% Danceability • 23% Energy • 13% Liveness
90% Instrumentalness • 6% Positiveness
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Jóhann Jóhannsson
melodia - i
107 bpm • G min • 01:56 • -23db
19% Popularity • 30% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 47% Positiveness
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Cavern of Anti-Matter
The Dress Perspective (demonstration)
108 bpm • D# min • 02:07 • -15.66db
16% Popularity • 60% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Steve Reich
Pulses
108 bpm • A Maj • 04:12 • -16db
29% Popularity • 65% Danceability • 69% Energy • 10% Liveness
63% Instrumentalness • 53% Positiveness
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Hildur Guðnadóttir
Þoka
108 bpm • G Maj • 03:07 • -21db
17% Popularity • 16% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Colleen
Everyone Alive Wants Answers
108 bpm • F# min • 03:31 • -7db
20% Popularity • 44% Danceability • 83% Energy • 28% Liveness
58% Instrumentalness • 20% Positiveness
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Yair Elazar Glotman
Remembrance of the Past
98 bpm • F min • 02:34 • -27.01db
15% Popularity • 13% Danceability • 4% Energy • 6% Liveness
29% Instrumentalness • 3% Positiveness
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Thom Yorke
Klemperer Walks
109 bpm • C min • 01:38 • -9.91db
33% Popularity • 23% Danceability • 38% Energy • 26% Liveness
5% Instrumentalness • 4% Positiveness
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Cavern of Anti-Matter
Mannequin Mass
108 bpm • A# min • 03:57 • -13.73db
8% Popularity • 52% Danceability • 38% Energy • 34% Liveness
76% Instrumentalness • 4% Positiveness
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Oliver Coates
One Without
97 bpm • D# min • 04:02 • -21.19db
40% Popularity • 12% Danceability • 11% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Christina Vantzou
Wild Beast Research
96 bpm • E min • 01:39 • -23.96db
29% Popularity • 43% Danceability • 27% Energy • 10% Liveness
33% Instrumentalness • 23% Positiveness
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Dylan Henner
The Peach Tree Next Door Grew over Our F...
110 bpm • C# Maj • 05:38 • -17db
34% Popularity • 52% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Mica Levi
Tears
110 bpm • G Maj • 00:53 • -26.37db
22% Popularity • 22% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Ana Roxanne
Nocturne
110 bpm • C Maj • 05:36 • -17.97db
32% Popularity • 18% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Cavern of Anti-Matter
Mannequin Metric
108 bpm • A# min • 04:14 • -11db
23% Popularity • 66% Danceability • 38% Energy • 20% Liveness
2% Instrumentalness • 13% Positiveness
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Colleen
I’ll Read You A Story
110 bpm • E Maj • 06:51 • -13.99db
15% Popularity • 32% Danceability • 24% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Harold Budd
Penny Ann Drinkwater
96 bpm • E Maj • 02:26 • -26.78db
10% Popularity • 27% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Ben Frost
Cruel Miracles
96 bpm • A Maj • 03:49 • -17.71db
13% Popularity • 17% Danceability • 16% Energy • 43% Liveness
9% Instrumentalness • 4% Positiveness
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Jonny Greenwood
Time Hole
111 bpm • F# Maj • 01:41 • -18db
21% Popularity • 37% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
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Susumu Yokota
Gekkoh
111 bpm • A# Maj • 04:59 • -11db
28% Popularity • 65% Danceability • 60% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
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Mica Levi
Mob Of Waters
111 bpm • D Maj • 02:20 • -19.17db
9% Popularity • 34% Danceability • 46% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
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Lucrecia Dalt
They Shoot Horses
95 bpm • A# min • 01:11 • -26.03db
29% Popularity • 79% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
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Punch-Drunk Love
Tabla
95 bpm • C# Maj • 02:57 • -20.77db
21% Popularity • 63% Danceability • 27% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
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Clark
Omni Vignette
112 bpm • C# Maj • 02:18 • -25db
38% Popularity • 27% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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Mark Pritchard
Circle of Fear
112 bpm • A min • 03:06 • -24.5db
17% Popularity • 28% Danceability • 6% Energy • 7% Liveness
88% Instrumentalness • 18% Positiveness
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Hildur Guðnadóttir
Unveiled
94 bpm • A min • 07:12 • -22db
18% Popularity • 13% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Mica Levi
Love
95 bpm • D min • 05:10 • -18db
44% Popularity • 12% Danceability • 20% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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Jim Williams
Child Music 1: Coming of Age
113 bpm • A min • 01:37 • -23.87db
18% Popularity • 64% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
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Richard Skelton
Noon Hill Wood
94 bpm • G min • 08:26 • -12.41db
20% Popularity • 14% Danceability • 26% Energy • 9% Liveness
4% Instrumentalness • 6% Positiveness
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Emile Mosseri
Old Dolio's Plan
113 bpm • A Maj • 02:52 • -19.9db
31% Popularity • 69% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Fennesz
Tom
113 bpm • B Maj • 03:04 • -14.03db
33% Popularity • 17% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Punch-Drunk Love
Hands and Feet
113 bpm • C Maj • 03:42 • -19.59db
20% Popularity • 82% Danceability • 61% Energy • 8% Liveness
10% Instrumentalness • 75% Positiveness
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Matthew Herbert
Steps
113 bpm • A min • 01:20 • -18.11db
22% Popularity • 30% Danceability • 31% Energy • 23% Liveness
95% Instrumentalness • 4% Positiveness
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Víg Mihály
Harang, Pt. 2
93 bpm • F# Maj • 01:33 • -30.26db
19% Popularity • 24% Danceability • 13% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Leila
Underwaters (One for Keni)
114 bpm • A# min • 03:22 • -15.21db
14% Popularity • 47% Danceability • 39% Energy • 7% Liveness
67% Instrumentalness • 8% Positiveness
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Dylan Henner
I Watched Them Jump into the Creek
93 bpm • G# min • 05:48 • -22.69db
18% Popularity • 30% Danceability • 24% Energy • 16% Liveness
44% Instrumentalness • 5% Positiveness
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bar italia
letting go makes it stay
114 bpm • A min • 01:51 • -6.98db
20% Popularity • 40% Danceability • 57% Energy • 6% Liveness
4% Instrumentalness • 22% Positiveness
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Tim Hecker
The Piano Drop
114 bpm • C# min • 02:53 • -12db
37% Popularity • 58% Danceability • 85% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
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Ben Frost
Simulacra II
93 bpm • G# min • 07:36 • -27db
14% Popularity • 11% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Víg Mihály
Harang, Pt. 1
93 bpm • F# Maj • 02:46 • -29.63db
17% Popularity • 16% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Raime
The Last Foundry
115 bpm • C# Maj • 05:52 • -18.9db
22% Popularity • 71% Danceability • 43% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
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David Motion
In The Garden
92 bpm • F Maj • 03:42 • -14.46db
15% Popularity • 44% Danceability • 12% Energy • 13% Liveness
12% Instrumentalness • 52% Positiveness
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Kaitlyn Aurelia Smith
Moon In Your Eye
92 bpm • D Maj • 02:14 • -17.48db
47% Popularity • 22% Danceability • 27% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Nam June Paik
Hommage À John Cage - 1958-59
116 bpm • C# Maj • 04:13 • -17.56db
8% Popularity • 46% Danceability • 15% Energy • 17% Liveness
13% Instrumentalness • 21% Positiveness
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Ryan Lott
Bending Glass
91 bpm • A min • 01:02 • -18.26db
26% Popularity • 21% Danceability • 3% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Kuniyuki Takahashi
Ai Iro
91 bpm • F Maj • 05:56 • -23.33db
29% Popularity • 47% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Spresso
CEMENT
91 bpm • A min • 01:57 • -14.45db
34% Popularity • 69% Danceability • 35% Energy • 11% Liveness
94% Instrumentalness • 65% Positiveness
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Susumu Yokota
Blue Sky And Yellow Sunflower
91 bpm • F# Maj • 03:59 • -11.06db
43% Popularity • 48% Danceability • 48% Energy • 15% Liveness
80% Instrumentalness • 18% Positiveness
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Tim Hecker
The Infinity Pool
91 bpm • D min • 02:54 • -24.81db
30% Popularity • 18% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Ben Frost
Snow Like Smoke
91 bpm • A min • 02:57 • -18.1db
8% Popularity • 16% Danceability • 19% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
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Hildur Guðnadóttir
Mortar
91 bpm • D min • 03:36 • -29.27db
20% Popularity • 10% Danceability • 7% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Mica Levi
Guerreros
117 bpm • E min • 01:39 • -21.95db
13% Popularity • 88% Danceability • 47% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
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Ernst Reijseger
Longing for a Frozen Sky
117 bpm • C min • 02:08 • -18.47db
30% Popularity • 55% Danceability • 24% Energy • 60% Liveness
61% Instrumentalness • 18% Positiveness
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Laraaji
The Dance No. 1
118 bpm • F# min • 09:15 • -10db
33% Popularity • 35% Danceability • 87% Energy • 9% Liveness
94% Instrumentalness • 27% Positiveness
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Paul Dresher
Channels Passing
90 bpm • A# Maj • 09:51 • -20.42db
8% Popularity • 43% Danceability • 26% Energy • 5% Liveness
87% Instrumentalness • 18% Positiveness
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Squarepusher
Tommib
90 bpm • C# Maj • 01:19 • -16.35db
55% Popularity • 35% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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David Lynch
Slow 30's Room
90 bpm • C min • 02:06 • -15db
29% Popularity • 27% Danceability • 41% Energy • 10% Liveness
86% Instrumentalness • 11% Positiveness
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Mica Levi
Castigo
117 bpm • E min • 01:06 • -28.13db
11% Popularity • 87% Danceability • 64% Energy • 10% Liveness
94% Instrumentalness • 75% Positiveness
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Eduard Artemyev
Болезнь (Из к/ф "Соляри...
90 bpm • C min • 04:40 • -22.41db
18% Popularity • 10% Danceability • 25% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
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Pye Corner Audio
Nostalgia Pills
90 bpm • D min • 02:02 • -21.38db
18% Popularity • 16% Danceability • 18% Energy • 18% Liveness
95% Instrumentalness • 27% Positiveness
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Jóhann Jóhannsson
They Being Dead Yet Speaketh - Pt.2
90 bpm • C min • 03:12 • -22.48db
8% Popularity • 10% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Jim Williams
Walk to My Still Beating Heart
90 bpm • E min • 01:44 • -11.28db
22% Popularity • 28% Danceability • 20% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Kara-Lis Coverdale
Imgs /r
90 bpm • G Maj • 04:26 • -18.45db
16% Popularity • 21% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Mica Levi
Blue Shit
90 bpm • D# min • 04:41 • -21.55db
32% Popularity • 48% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Yair Elazar Glotman
Childhood / Land of the Young
90 bpm • F Maj • 05:35 • -23.45db
24% Popularity • 10% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Biosphere
Adagiati
90 bpm • C Maj • 01:51 • -30.43db
37% Popularity • 10% Danceability • 2% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
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Daniel Lopatin
High Life
89 bpm • C Maj • 01:00 • -18.17db
32% Popularity • 34% Danceability • 24% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
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Clark
Back To Belgrade
89 bpm • B min • 03:39 • -17.16db
22% Popularity • 10% Danceability • 40% Energy • 17% Liveness
89% Instrumentalness • 9% Positiveness
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Thom Yorke
The Jumps
119 bpm • C Maj • 02:38 • -24.24db
34% Popularity • 18% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
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Mica Levi
A plain clothed Jimi Hendrix drives me t...
119 bpm • G# Maj • 01:09 • -10.88db
15% Popularity • 30% Danceability • 30% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
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Stuart Dempster
Deep Hockets
89 bpm • D min • 03:42 • -27db
23% Popularity • 13% Danceability • 8% Energy • 17% Liveness
97% Instrumentalness • 13% Positiveness
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Pye Corner Audio
Theme Number Sixty Eight
119 bpm • A# min • 01:50 • -14.23db
39% Popularity • 31% Danceability • 26% Energy • 18% Liveness
91% Instrumentalness • 22% Positiveness
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Matthew Herbert
Shame
89 bpm • C# min • 01:06 • -25.7db
22% Popularity • 26% Danceability • 26% Energy • 10% Liveness
77% Instrumentalness • 3% Positiveness
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Laurel Halo
Supine
89 bpm • F Maj • 01:27 • -19.27db
27% Popularity • 18% Danceability • 12% Energy • 15% Liveness
90% Instrumentalness • 32% Positiveness
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Barok Main