Songs like Barrilito by Orquesta Radio Víctor Argentina
Based on a tempo of (+/- 10%) and a similar genre
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Orquesta Radio VÃctor Argentina
Barrilito
147 bpm • G Maj • 02:45 • -11.36db
0% Popularity • 68% Danceability • 24% Energy • 7% Liveness
88% Instrumentalness • 94% Positiveness
0% Popularity • 68% Danceability • 24% Energy • 7% Liveness
88% Instrumentalness • 94% Positiveness
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Miguel Villasboas y Su Orquesta TÃpica
Sentimiento Criollo
144 bpm • F min • 02:42 • -5.55db
10% Popularity • 62% Danceability • 50% Energy • 9% Liveness
81% Instrumentalness • 74% Positiveness
10% Popularity • 62% Danceability • 50% Energy • 9% Liveness
81% Instrumentalness • 74% Positiveness
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Ricardo Tanturi
Argañaraz (Aquellas farras)
143 bpm • D min • 02:18 • -9.97db
14% Popularity • 64% Danceability • 24% Energy • 18% Liveness
82% Instrumentalness • 66% Positiveness
14% Popularity • 64% Danceability • 24% Energy • 18% Liveness
82% Instrumentalness • 66% Positiveness
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Juan D'Arienzo y su Orquesta TÃpica
El Tigre Millan
142 bpm • C# Maj • 02:53 • -7.7db
12% Popularity • 57% Danceability • 46% Energy • 29% Liveness
18% Instrumentalness • 69% Positiveness
12% Popularity • 57% Danceability • 46% Energy • 29% Liveness
18% Instrumentalness • 69% Positiveness
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Alberto Castillo
Pocas Palabras
142 bpm • D# min • 02:20 • -7.82db
13% Popularity • 66% Danceability • 38% Energy • 9% Liveness
67% Instrumentalness • 92% Positiveness
13% Popularity • 66% Danceability • 38% Energy • 9% Liveness
67% Instrumentalness • 92% Positiveness
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Enrique RodrÃguez
No Te Quiero Más
142 bpm • D min • 02:19 • -11.63db
19% Popularity • 74% Danceability • 27% Energy • 13% Liveness
10% Instrumentalness • 87% Positiveness
19% Popularity • 74% Danceability • 27% Energy • 13% Liveness
10% Instrumentalness • 87% Positiveness
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Juan D'Arienzo and his Orchestra
La Palanca
141 bpm • E min • 02:33 • -7.18db
6% Popularity • 60% Danceability • 26% Energy • 8% Liveness
28% Instrumentalness • 76% Positiveness
6% Popularity • 60% Danceability • 26% Energy • 8% Liveness
28% Instrumentalness • 76% Positiveness
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Quinteto Pirincho
El Internado
141 bpm • A Maj • 02:52 • -10db
13% Popularity • 64% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 64% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
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Ricardo Tanturi
El Buey Solo
143 bpm • G min • 03:04 • -6.93db
7% Popularity • 68% Danceability • 39% Energy • 9% Liveness
92% Instrumentalness • 64% Positiveness
7% Popularity • 68% Danceability • 39% Energy • 9% Liveness
92% Instrumentalness • 64% Positiveness
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Juan D'Arienzo y su Orquesta TÃpica
Rie Payaso
142 bpm • G# Maj • 02:30 • -8.44db
21% Popularity • 64% Danceability • 46% Energy • 13% Liveness
71% Instrumentalness • 87% Positiveness
21% Popularity • 64% Danceability • 46% Energy • 13% Liveness
71% Instrumentalness • 87% Positiveness
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Enrique Rodriguez & His Orchestra
Cómo se Pianta la Vida
140 bpm • E min • 02:22 • -5.74db
20% Popularity • 67% Danceability • 46% Energy • 12% Liveness
51% Instrumentalness • 76% Positiveness
20% Popularity • 67% Danceability • 46% Energy • 12% Liveness
51% Instrumentalness • 76% Positiveness
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Edgardo Donato
Pasión Criolla
140 bpm • A min • 02:21 • -11.74db
8% Popularity • 72% Danceability • 30% Energy • 9% Liveness
83% Instrumentalness • 94% Positiveness
8% Popularity • 72% Danceability • 30% Energy • 9% Liveness
83% Instrumentalness • 94% Positiveness
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AnÃbal Troilo Y Su Orquesta TÃpica
Cachirulo
139 bpm • F Maj • 02:33 • -3.56db
12% Popularity • 77% Danceability • 37% Energy • 7% Liveness
78% Instrumentalness • 85% Positiveness
12% Popularity • 77% Danceability • 37% Energy • 7% Liveness
78% Instrumentalness • 85% Positiveness
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Pablo Ramos & los Herederos del Compás
Felicia
139 bpm • D min • 02:48 • -8.83db
9% Popularity • 77% Danceability • 24% Energy • 9% Liveness
10% Instrumentalness • 76% Positiveness
9% Popularity • 77% Danceability • 24% Energy • 9% Liveness
10% Instrumentalness • 76% Positiveness
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Ricardo Tanturi
Una noche de garufa
143 bpm • G min • 02:24 • -9.84db
9% Popularity • 74% Danceability • 40% Energy • 15% Liveness
96% Instrumentalness • 86% Positiveness
9% Popularity • 74% Danceability • 40% Energy • 15% Liveness
96% Instrumentalness • 86% Positiveness
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Alberto Castillo
La Vida Es Corta
138 bpm • A min • 02:24 • -5.96db
10% Popularity • 63% Danceability • 40% Energy • 5% Liveness
1% Instrumentalness • 88% Positiveness
10% Popularity • 63% Danceability • 40% Energy • 5% Liveness
1% Instrumentalness • 88% Positiveness
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Juan D'Arienzo and his Orchestra
Dime Mi Amor
138 bpm • A min • 02:41 • -8db
22% Popularity • 52% Danceability • 38% Energy • 5% Liveness
1% Instrumentalness • 82% Positiveness
22% Popularity • 52% Danceability • 38% Energy • 5% Liveness
1% Instrumentalness • 82% Positiveness
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Juan D'Arienzo
El Cencerro
138 bpm • F min • 02:29 • -5.41db
15% Popularity • 80% Danceability • 40% Energy • 9% Liveness
59% Instrumentalness • 95% Positiveness
15% Popularity • 80% Danceability • 40% Energy • 9% Liveness
59% Instrumentalness • 95% Positiveness
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Enrique RodrÃguez
El Tabernero
137 bpm • D Maj • 02:32 • -11.52db
10% Popularity • 76% Danceability • 23% Energy • 12% Liveness
65% Instrumentalness • 76% Positiveness
10% Popularity • 76% Danceability • 23% Energy • 12% Liveness
65% Instrumentalness • 76% Positiveness
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Rodolfo Biagi
Chacarera
137 bpm • A Maj • 02:20 • -14.47db
9% Popularity • 76% Danceability • 18% Energy • 11% Liveness
37% Instrumentalness • 31% Positiveness
9% Popularity • 76% Danceability • 18% Energy • 11% Liveness
37% Instrumentalness • 31% Positiveness
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Ricardo Tanturi
Arrangaraz (Versión Alternativa)
141 bpm • D Maj • 02:21 • -5.3db
5% Popularity • 66% Danceability • 32% Energy • 29% Liveness
76% Instrumentalness • 75% Positiveness
5% Popularity • 66% Danceability • 32% Energy • 29% Liveness
76% Instrumentalness • 75% Positiveness
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Osvaldo Fresedo
La Clavada
137 bpm • F Maj • 02:24 • -6.88db
13% Popularity • 85% Danceability • 47% Energy • 6% Liveness
91% Instrumentalness • 89% Positiveness
13% Popularity • 85% Danceability • 47% Energy • 6% Liveness
91% Instrumentalness • 89% Positiveness
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Los Auténticos Reyes
Loca
137 bpm • E min • 02:28 • -7db
7% Popularity • 72% Danceability • 40% Energy • 17% Liveness
72% Instrumentalness • 78% Positiveness
7% Popularity • 72% Danceability • 40% Energy • 17% Liveness
72% Instrumentalness • 78% Positiveness
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Roberto Rufino
Corazón
137 bpm • D# min • 02:47 • -13.75db
9% Popularity • 64% Danceability • 23% Energy • 10% Liveness
11% Instrumentalness • 73% Positiveness
9% Popularity • 64% Danceability • 23% Energy • 10% Liveness
11% Instrumentalness • 73% Positiveness
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Carlos Di Sarli
Nobleza de Arrabal
136 bpm • F# min • 02:14 • -10.69db
6% Popularity • 75% Danceability • 25% Energy • 6% Liveness
85% Instrumentalness • 54% Positiveness
6% Popularity • 75% Danceability • 25% Energy • 6% Liveness
85% Instrumentalness • 54% Positiveness
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Orquesta TÃpica Francisco Canaro
Lirio blanco
159 bpm • C# Maj • 03:45 • -14.07db
12% Popularity • 56% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 56% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Ricardo Tanturi
Arganaraz
141 bpm • D Maj • 02:21 • -7.09db
9% Popularity • 65% Danceability • 33% Energy • 28% Liveness
66% Instrumentalness • 80% Positiveness
9% Popularity • 65% Danceability • 33% Energy • 28% Liveness
66% Instrumentalness • 80% Positiveness
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Orquesta Tipica Victor
Jueves
136 bpm • D Maj • 02:23 • -10.42db
10% Popularity • 73% Danceability • 32% Energy • 10% Liveness
68% Instrumentalness • 85% Positiveness
10% Popularity • 73% Danceability • 32% Energy • 10% Liveness
68% Instrumentalness • 85% Positiveness
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Edgardo Donato & his orchestra
El Acomodo
136 bpm • G min • 02:28 • -7db
23% Popularity • 69% Danceability • 34% Energy • 6% Liveness
58% Instrumentalness • 75% Positiveness
23% Popularity • 69% Danceability • 34% Energy • 6% Liveness
58% Instrumentalness • 75% Positiveness
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Los Reyes Del Tango
Loca
136 bpm • E min • 02:33 • -6db
22% Popularity • 53% Danceability • 37% Energy • 31% Liveness
18% Instrumentalness • 68% Positiveness
22% Popularity • 53% Danceability • 37% Energy • 31% Liveness
18% Instrumentalness • 68% Positiveness
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Carlos Di Sarli
Catamarca
136 bpm • B min • 02:24 • -11.15db
1% Popularity • 68% Danceability • 35% Energy • 11% Liveness
90% Instrumentalness • 86% Positiveness
1% Popularity • 68% Danceability • 35% Energy • 11% Liveness
90% Instrumentalness • 86% Positiveness
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AnÃbal Troilo Y Su Orquesta TÃpica
Guapeando
136 bpm • C Maj • 02:45 • -7.1db
14% Popularity • 74% Danceability • 24% Energy • 10% Liveness
61% Instrumentalness • 90% Positiveness
14% Popularity • 74% Danceability • 24% Energy • 10% Liveness
61% Instrumentalness • 90% Positiveness
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Ricardo Tanturi
Lagrimas
138 bpm • F# Maj • 02:22 • -9.88db
10% Popularity • 75% Danceability • 29% Energy • 7% Liveness
36% Instrumentalness • 74% Positiveness
10% Popularity • 75% Danceability • 29% Energy • 7% Liveness
36% Instrumentalness • 74% Positiveness
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Juan D'Arienzo
Charamusca
136 bpm • B Maj • 02:41 • -14.01db
3% Popularity • 82% Danceability • 12% Energy • 11% Liveness
82% Instrumentalness • 82% Positiveness
3% Popularity • 82% Danceability • 12% Energy • 11% Liveness
82% Instrumentalness • 82% Positiveness
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Edgardo Donato & his orchestra
Sinfonia De Arrabal
136 bpm • F Maj • 03:09 • -10db
17% Popularity • 63% Danceability • 35% Energy • 10% Liveness
8% Instrumentalness • 62% Positiveness
17% Popularity • 63% Danceability • 35% Energy • 10% Liveness
8% Instrumentalness • 62% Positiveness
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Osvaldo Fresedo
Después del Carnaval
135 bpm • G# min • 02:45 • -10.52db
5% Popularity • 67% Danceability • 35% Energy • 16% Liveness
12% Instrumentalness • 81% Positiveness
5% Popularity • 67% Danceability • 35% Energy • 16% Liveness
12% Instrumentalness • 81% Positiveness
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Carlos Di Sarli
Catamarca - Instrumental
136 bpm • B min • 02:23 • -8.88db
8% Popularity • 68% Danceability • 47% Energy • 12% Liveness
93% Instrumentalness • 83% Positiveness
8% Popularity • 68% Danceability • 47% Energy • 12% Liveness
93% Instrumentalness • 83% Positiveness
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AnÃbal Troilo Y Su Orquesta TÃpica
Milongueando En El 40
135 bpm • A Maj • 02:29 • -6.15db
18% Popularity • 87% Danceability • 40% Energy • 7% Liveness
86% Instrumentalness • 93% Positiveness
18% Popularity • 87% Danceability • 40% Energy • 7% Liveness
86% Instrumentalness • 93% Positiveness
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Enrique RodrÃguez
Son Cosas del Bandoneón
135 bpm • A min • 02:42 • -9.21db
10% Popularity • 67% Danceability • 33% Energy • 30% Liveness
68% Instrumentalness • 72% Positiveness
10% Popularity • 67% Danceability • 33% Energy • 30% Liveness
68% Instrumentalness • 72% Positiveness
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Ricardo Tanturi
La Vida Es Corta
138 bpm • A Maj • 02:24 • -6db
22% Popularity • 51% Danceability • 44% Energy • 6% Liveness
4% Instrumentalness • 81% Positiveness
22% Popularity • 51% Danceability • 44% Energy • 6% Liveness
4% Instrumentalness • 81% Positiveness
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Rodolfo Biagi Y Su Orquesta Tipica
El Entrerriano
135 bpm • G Maj • 02:28 • -7.62db
27% Popularity • 77% Danceability • 33% Energy • 4% Liveness
91% Instrumentalness • 54% Positiveness
27% Popularity • 77% Danceability • 33% Energy • 4% Liveness
91% Instrumentalness • 54% Positiveness
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Los Solistas
Canaro En ParÃs
135 bpm • F# min • 02:32 • -9.62db
14% Popularity • 72% Danceability • 39% Energy • 6% Liveness
92% Instrumentalness • 68% Positiveness
14% Popularity • 72% Danceability • 39% Energy • 6% Liveness
92% Instrumentalness • 68% Positiveness
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Carlos Di Sarli
Shusheta
136 bpm • E min • 02:29 • -10.58db
11% Popularity • 80% Danceability • 30% Energy • 10% Liveness
89% Instrumentalness • 73% Positiveness
11% Popularity • 80% Danceability • 30% Energy • 10% Liveness
89% Instrumentalness • 73% Positiveness
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Charlo
Con Tu Mirar
160 bpm • C min • 03:07 • -20.27db
20% Popularity • 56% Danceability • 11% Energy • 14% Liveness
89% Instrumentalness • 83% Positiveness
20% Popularity • 56% Danceability • 11% Energy • 14% Liveness
89% Instrumentalness • 83% Positiveness
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Osvaldo Fresedo
Poliya
135 bpm • A# Maj • 02:27 • -7.98db
6% Popularity • 70% Danceability • 43% Energy • 7% Liveness
83% Instrumentalness • 89% Positiveness
6% Popularity • 70% Danceability • 43% Energy • 7% Liveness
83% Instrumentalness • 89% Positiveness
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Ricardo Tanturi
Comparsa Criolla
137 bpm • A min • 02:51 • -3db
23% Popularity • 80% Danceability • 49% Energy • 5% Liveness
46% Instrumentalness • 72% Positiveness
23% Popularity • 80% Danceability • 49% Energy • 5% Liveness
46% Instrumentalness • 72% Positiveness
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Juan D'Arienzo
La Morocha - Remastered
135 bpm • D# Maj • 02:25 • -7.89db
10% Popularity • 72% Danceability • 24% Energy • 12% Liveness
79% Instrumentalness • 76% Positiveness
10% Popularity • 72% Danceability • 24% Energy • 12% Liveness
79% Instrumentalness • 76% Positiveness
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Enrique Rodriguez
Para vos mamá
135 bpm • F min • 03:23 • -11.09db
11% Popularity • 48% Danceability • 32% Energy • 8% Liveness
3% Instrumentalness • 58% Positiveness
11% Popularity • 48% Danceability • 32% Energy • 8% Liveness
3% Instrumentalness • 58% Positiveness
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Carlos Di Sarli
El Pollo Ricardo
135 bpm • D Maj • 02:22 • -6.81db
10% Popularity • 78% Danceability • 36% Energy • 6% Liveness
72% Instrumentalness • 73% Positiveness
10% Popularity • 78% Danceability • 36% Energy • 6% Liveness
72% Instrumentalness • 73% Positiveness
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Edgardo Donato
Papas calientes (1937)
160 bpm • F Maj • 02:27 • -8.89db
13% Popularity • 66% Danceability • 21% Energy • 9% Liveness
84% Instrumentalness • 79% Positiveness
13% Popularity • 66% Danceability • 21% Energy • 9% Liveness
84% Instrumentalness • 79% Positiveness
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Pedro Laurenz
No Me Extraña
135 bpm • D min • 02:43 • -12.76db
23% Popularity • 61% Danceability • 30% Energy • 32% Liveness
70% Instrumentalness • 90% Positiveness
23% Popularity • 61% Danceability • 30% Energy • 32% Liveness
70% Instrumentalness • 90% Positiveness
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Enrique RodrÃguez
Danza Maligna
134 bpm • F min • 02:20 • -12.28db
14% Popularity • 72% Danceability • 19% Energy • 49% Liveness
11% Instrumentalness • 66% Positiveness
14% Popularity • 72% Danceability • 19% Energy • 49% Liveness
11% Instrumentalness • 66% Positiveness
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Juan D'Arienzo y su Orquesta TÃpica
El Rey Del Compás
134 bpm • F Maj • 02:24 • -9.05db
8% Popularity • 68% Danceability • 33% Energy • 12% Liveness
81% Instrumentalness • 72% Positiveness
8% Popularity • 68% Danceability • 33% Energy • 12% Liveness
81% Instrumentalness • 72% Positiveness
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AnÃbal Troilo Y Su Orquesta TÃpica
Cordón De Oro
134 bpm • A Maj • 02:25 • -4.38db
13% Popularity • 70% Danceability • 29% Energy • 6% Liveness
75% Instrumentalness • 85% Positiveness
13% Popularity • 70% Danceability • 29% Energy • 6% Liveness
75% Instrumentalness • 85% Positiveness
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Carlos Di Sarli
El Pollo Ricardo
134 bpm • D Maj • 02:32 • -10.37db
7% Popularity • 77% Danceability • 29% Energy • 6% Liveness
83% Instrumentalness • 86% Positiveness
7% Popularity • 77% Danceability • 29% Energy • 6% Liveness
83% Instrumentalness • 86% Positiveness
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Rodolfo Biagi Y Su Orquesta Tipica
Belgica
134 bpm • C min • 02:20 • -10db
25% Popularity • 66% Danceability • 20% Energy • 6% Liveness
2% Instrumentalness • 70% Positiveness
25% Popularity • 66% Danceability • 20% Energy • 6% Liveness
2% Instrumentalness • 70% Positiveness
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AnÃbal Troilo
En Esta Tarde Gris
134 bpm • A min • 03:17 • -9.33db
24% Popularity • 56% Danceability • 30% Energy • 16% Liveness
56% Instrumentalness • 68% Positiveness
24% Popularity • 56% Danceability • 30% Energy • 16% Liveness
56% Instrumentalness • 68% Positiveness
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Enrique RodrÃguez
Florida
134 bpm • F Maj • 02:51 • -10.5db
10% Popularity • 79% Danceability • 15% Energy • 11% Liveness
80% Instrumentalness • 81% Positiveness
10% Popularity • 79% Danceability • 15% Energy • 11% Liveness
80% Instrumentalness • 81% Positiveness
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Edgardo Donato
Cantando Bajito
134 bpm • D Maj • 02:41 • -11.39db
13% Popularity • 74% Danceability • 16% Energy • 10% Liveness
4% Instrumentalness • 78% Positiveness
13% Popularity • 74% Danceability • 16% Energy • 10% Liveness
4% Instrumentalness • 78% Positiveness
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Rodolfo Biagi
La Maleva
133 bpm • F Maj • 02:34 • -13.61db
14% Popularity • 70% Danceability • 15% Energy • 21% Liveness
38% Instrumentalness • 58% Positiveness
14% Popularity • 70% Danceability • 15% Energy • 21% Liveness
38% Instrumentalness • 58% Positiveness
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Anibal Troilo y Su Orquesta TÃpica
Te Aconsejo Que Me Dejes
133 bpm • C# Maj • 02:59 • -9db
13% Popularity • 61% Danceability • 39% Energy • 27% Liveness
8% Instrumentalness • 58% Positiveness
13% Popularity • 61% Danceability • 39% Energy • 27% Liveness
8% Instrumentalness • 58% Positiveness
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Pedro Laurenz
No Me Extraña
133 bpm • D min • 02:44 • -5.86db
8% Popularity • 60% Danceability • 42% Energy • 29% Liveness
56% Instrumentalness • 91% Positiveness
8% Popularity • 60% Danceability • 42% Energy • 29% Liveness
56% Instrumentalness • 91% Positiveness
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AnÃbal Troilo
El Tamango
134 bpm • E min • 02:37 • -7.13db
11% Popularity • 78% Danceability • 52% Energy • 8% Liveness
82% Instrumentalness • 79% Positiveness
11% Popularity • 78% Danceability • 52% Energy • 8% Liveness
82% Instrumentalness • 79% Positiveness
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Juan D'Arienzo and his Orchestra
Yapeyú
133 bpm • D# Maj • 02:29 • -6.87db
15% Popularity • 72% Danceability • 51% Energy • 7% Liveness
80% Instrumentalness • 79% Positiveness
15% Popularity • 72% Danceability • 51% Energy • 7% Liveness
80% Instrumentalness • 79% Positiveness
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Edgardo Donato
SinfonÃa de Arrabal
133 bpm • A Maj • 03:09 • -9.17db
4% Popularity • 57% Danceability • 43% Energy • 15% Liveness
4% Instrumentalness • 69% Positiveness
4% Popularity • 57% Danceability • 43% Energy • 15% Liveness
4% Instrumentalness • 69% Positiveness
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Osvaldo Fresedo y su Gran Orquesta Argentina
La Cumparsita
133 bpm • G# Maj • 02:18 • -11.03db
19% Popularity • 46% Danceability • 21% Energy • 14% Liveness
84% Instrumentalness • 44% Positiveness
19% Popularity • 46% Danceability • 21% Energy • 14% Liveness
84% Instrumentalness • 44% Positiveness
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Rodolfo Biagi Y Su Orquesta Tipica
La Marca De Fuego
133 bpm • D min • 02:14 • -10db
17% Popularity • 72% Danceability • 22% Energy • 14% Liveness
21% Instrumentalness • 68% Positiveness
17% Popularity • 72% Danceability • 22% Energy • 14% Liveness
21% Instrumentalness • 68% Positiveness
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AnÃbal Troilo Y Su Orquesta TÃpica
Toda Mi Vida
133 bpm • D min • 02:54 • -5db
27% Popularity • 73% Danceability • 39% Energy • 6% Liveness
32% Instrumentalness • 74% Positiveness
27% Popularity • 73% Danceability • 39% Energy • 6% Liveness
32% Instrumentalness • 74% Positiveness
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Alfredo De Angelis
El Choclo
133 bpm • D min • 02:27 • -3.26db
21% Popularity • 64% Danceability • 60% Energy • 4% Liveness
42% Instrumentalness • 81% Positiveness
21% Popularity • 64% Danceability • 60% Energy • 4% Liveness
42% Instrumentalness • 81% Positiveness
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Enrique RodrÃguez
Vendrás Alguna Vez
133 bpm • E Maj • 02:31 • -12db
14% Popularity • 63% Danceability • 23% Energy • 31% Liveness
23% Instrumentalness • 63% Positiveness
14% Popularity • 63% Danceability • 23% Energy • 31% Liveness
23% Instrumentalness • 63% Positiveness
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Edgardo Donato
Lágrimas
133 bpm • C min • 02:52 • -14.61db
9% Popularity • 72% Danceability • 25% Energy • 18% Liveness
64% Instrumentalness • 60% Positiveness
9% Popularity • 72% Danceability • 25% Energy • 18% Liveness
64% Instrumentalness • 60% Positiveness
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Juan D'Arienzo and his Orchestra
El Flete
133 bpm • A Maj • 02:58 • -4.74db
23% Popularity • 88% Danceability • 34% Energy • 5% Liveness
76% Instrumentalness • 80% Positiveness
23% Popularity • 88% Danceability • 34% Energy • 5% Liveness
76% Instrumentalness • 80% Positiveness
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Ricardo Tanturi
El Tango Es el Tango
132 bpm • A# Maj • 02:27 • -11.02db
3% Popularity • 67% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
3% Popularity • 67% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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AnÃbal Troilo Y Su Orquesta TÃpica
Te Aconsejo Que Me Olvides
133 bpm • F Maj • 02:56 • -7db
23% Popularity • 70% Danceability • 31% Energy • 6% Liveness
3% Instrumentalness • 70% Positiveness
23% Popularity • 70% Danceability • 31% Energy • 6% Liveness
3% Instrumentalness • 70% Positiveness
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Héctor Varela y su Orquesta TÃpica
La Payanca
132 bpm • E min • 02:59 • -5.5db
14% Popularity • 52% Danceability • 50% Energy • 23% Liveness
51% Instrumentalness • 76% Positiveness
14% Popularity • 52% Danceability • 50% Energy • 23% Liveness
51% Instrumentalness • 76% Positiveness
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Enrique RodrÃguez
La Torcacita
133 bpm • C# Maj • 02:28 • -11.98db
19% Popularity • 84% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 59% Positiveness
19% Popularity • 84% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 59% Positiveness
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Edgardo Donato
Me Voy a Baraja
133 bpm • F# min • 02:26 • -11.96db
15% Popularity • 67% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 67% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Rodolfo Biagi
El 13
132 bpm • F Maj • 02:27 • -10.85db
13% Popularity • 80% Danceability • 30% Energy • 6% Liveness
49% Instrumentalness • 85% Positiveness
13% Popularity • 80% Danceability • 30% Energy • 6% Liveness
49% Instrumentalness • 85% Positiveness
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Angel D'Agostino Y Su Orquesta TÃpica
Muchacho
132 bpm • F Maj • 02:34 • -10.02db
13% Popularity • 81% Danceability • 22% Energy • 11% Liveness
39% Instrumentalness • 66% Positiveness
13% Popularity • 81% Danceability • 22% Energy • 11% Liveness
39% Instrumentalness • 66% Positiveness
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AnÃbal Troilo Y Su Orquesta TÃpica
Maragata
132 bpm • D Maj • 02:43 • -5.16db
9% Popularity • 57% Danceability • 32% Energy • 5% Liveness
14% Instrumentalness • 57% Positiveness
9% Popularity • 57% Danceability • 32% Energy • 5% Liveness
14% Instrumentalness • 57% Positiveness
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Pedro Laurenz
Como Dos Extraños
132 bpm • F Maj • 02:28 • -11.86db
14% Popularity • 57% Danceability • 36% Energy • 44% Liveness
39% Instrumentalness • 89% Positiveness
14% Popularity • 57% Danceability • 36% Energy • 44% Liveness
39% Instrumentalness • 89% Positiveness
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Enrique RodrÃguez
Llorar por una Mujer
133 bpm • A# Maj • 02:44 • -11.19db
7% Popularity • 80% Danceability • 13% Energy • 49% Liveness
30% Instrumentalness • 82% Positiveness
7% Popularity • 80% Danceability • 13% Energy • 49% Liveness
30% Instrumentalness • 82% Positiveness
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Rodolfo Biagi Y Su Orquesta Tipica
El Yaguaron
132 bpm • G Maj • 02:31 • -11.52db
33% Popularity • 87% Danceability • 24% Energy • 6% Liveness
23% Instrumentalness • 64% Positiveness
33% Popularity • 87% Danceability • 24% Energy • 6% Liveness
23% Instrumentalness • 64% Positiveness
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Orquesta Ricardo Malerba
Siglo veinte
132 bpm • A Maj • 03:22 • -12.79db
8% Popularity • 60% Danceability • 22% Energy • 53% Liveness
3% Instrumentalness • 88% Positiveness
8% Popularity • 60% Danceability • 22% Energy • 53% Liveness
3% Instrumentalness • 88% Positiveness
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Rodolfo Biagi
El Yaguarón
132 bpm • G Maj • 02:29 • -7.03db
9% Popularity • 87% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 87% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Juan D'Arienzo
Por Que Razon
132 bpm • F min • 03:16 • -21.08db
10% Popularity • 70% Danceability • 14% Energy • 16% Liveness
85% Instrumentalness • 81% Positiveness
10% Popularity • 70% Danceability • 14% Energy • 16% Liveness
85% Instrumentalness • 81% Positiveness
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Francisco Canaro
Pampa
132 bpm • A Maj • 02:42 • -9.08db
12% Popularity • 76% Danceability • 24% Energy • 8% Liveness
63% Instrumentalness • 72% Positiveness
12% Popularity • 76% Danceability • 24% Energy • 8% Liveness
63% Instrumentalness • 72% Positiveness
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Enrique RodrÃguez
La Gayola
132 bpm • G Maj • 03:05 • -12.84db
14% Popularity • 72% Danceability • 29% Energy • 13% Liveness
65% Instrumentalness • 69% Positiveness
14% Popularity • 72% Danceability • 29% Energy • 13% Liveness
65% Instrumentalness • 69% Positiveness
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Julio De Caro
Gallo Ciego
132 bpm • F# Maj • 02:37 • -16db
13% Popularity • 66% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 69% Positiveness
13% Popularity • 66% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 69% Positiveness
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Rodolfo Biagi Y Su Orquesta Tipica
Quejas De Bandoneon
132 bpm • D min • 02:51 • -9.49db
11% Popularity • 68% Danceability • 32% Energy • 36% Liveness
16% Instrumentalness • 68% Positiveness
11% Popularity • 68% Danceability • 32% Energy • 36% Liveness
16% Instrumentalness • 68% Positiveness
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Rodolfo Biagi
Unión CÃvica
132 bpm • G# Maj • 02:26 • -10.56db
9% Popularity • 76% Danceability • 29% Energy • 8% Liveness
91% Instrumentalness • 94% Positiveness
9% Popularity • 76% Danceability • 29% Energy • 8% Liveness
91% Instrumentalness • 94% Positiveness
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Francisco Lomuto
Por la Vuelta
132 bpm • D Maj • 02:30 • -15.85db
18% Popularity • 62% Danceability • 11% Energy • 14% Liveness
83% Instrumentalness • 78% Positiveness
18% Popularity • 62% Danceability • 11% Energy • 14% Liveness
83% Instrumentalness • 78% Positiveness
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Juan D'Arienzo
Retintin
132 bpm • G min • 02:30 • -11.09db
9% Popularity • 82% Danceability • 14% Energy • 34% Liveness
91% Instrumentalness • 82% Positiveness
9% Popularity • 82% Danceability • 14% Energy • 34% Liveness
91% Instrumentalness • 82% Positiveness
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Enrique RodrÃguez
Déjame Ser AsÃ
132 bpm • D# min • 02:30 • -11db
24% Popularity • 80% Danceability • 28% Energy • 8% Liveness
6% Instrumentalness • 66% Positiveness
24% Popularity • 80% Danceability • 28% Energy • 8% Liveness
6% Instrumentalness • 66% Positiveness
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AnÃbal Troilo
El BulÃn de la Calle Ayacucho
131 bpm • B min • 02:31 • -12.77db
22% Popularity • 59% Danceability • 18% Energy • 29% Liveness
6% Instrumentalness • 76% Positiveness
22% Popularity • 59% Danceability • 18% Energy • 29% Liveness
6% Instrumentalness • 76% Positiveness
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Alberto Castillo
El Moro
131 bpm • A Maj • 03:06 • -9db
0% Popularity • 72% Danceability • 32% Energy • 25% Liveness
33% Instrumentalness • 87% Positiveness
0% Popularity • 72% Danceability • 32% Energy • 25% Liveness
33% Instrumentalness • 87% Positiveness
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Rodolfo Biagi Y Su Orquesta Tipica
Didi
131 bpm • A Maj • 02:30 • -9db
15% Popularity • 78% Danceability • 23% Energy • 9% Liveness
29% Instrumentalness • 74% Positiveness
15% Popularity • 78% Danceability • 23% Energy • 9% Liveness
29% Instrumentalness • 74% Positiveness
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La Juan D'Arienzo
Pampa
131 bpm • F# min • 02:25 • -4.84db
7% Popularity • 79% Danceability • 38% Energy • 8% Liveness
17% Instrumentalness • 79% Positiveness
7% Popularity • 79% Danceability • 38% Energy • 8% Liveness
17% Instrumentalness • 79% Positiveness
