Songs like Bartók: Piano Concerto No. 3 in E Major, Sz. 119: I. Allegretto by Béla Bartók
Based on a tempo of (+/- 10%) and a similar genre
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Wolfgang Amadeus Mozart
Fantasia No. 3 in D Minor, K. 397
85 bpm • D Maj • 05:46 • -22.64db
23% Popularity • 32% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
23% Popularity • 32% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Erik Satie
Gnossiennes: n° 4
85 bpm • A min • 02:32 • -30.5db
42% Popularity • 31% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
42% Popularity • 31% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Suite for Viola & Small Orchestra: II. C...
85 bpm • C min • 03:01 • -33db
37% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
37% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
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Dmitri Shostakovich
Five Pieces For Two Violins and Piano: I...
85 bpm • G Maj • 02:44 • -26.75db
35% Popularity • 9% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
35% Popularity • 9% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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Krzysztof Penderecki
3 Pieces in Old Style: No. 1. Aria
85 bpm • G min • 02:13 • -31.17db
56% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
56% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Gavotte - Arr. for Cello and Piano
85 bpm • D min • 02:50 • -27db
37% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
37% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: V. Dance under t...
85 bpm • A# Maj • 01:59 • -42.87db
39% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
39% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
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AntonÃn Dvořák
From the Bohemian Forest, Op. 68, B. 133...
85 bpm • C# Maj • 05:58 • -26db
24% Popularity • 9% Danceability • 4% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 4% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: III. Sentimental...
85 bpm • G min • 08:00 • -23.69db
19% Popularity • 9% Danceability • 2% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
19% Popularity • 9% Danceability • 2% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
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Béla Bartók
Music for Strings, Percussion and Celest...
85 bpm • A# min • 06:33 • -28.41db
18% Popularity • 8% Danceability • 1% Energy • 8% Liveness
55% Instrumentalness • 3% Positiveness
18% Popularity • 8% Danceability • 1% Energy • 8% Liveness
55% Instrumentalness • 3% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 14 in E-Flat Mi...
86 bpm • B Maj • 01:15 • -17db
54% Popularity • 26% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
54% Popularity • 26% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
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Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
String Quartet No. 8 in C Minor, Op. 110...
86 bpm • G# Maj • 06:50 • -25.56db
19% Popularity • 11% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
19% Popularity • 11% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Maurice Ravel
Le tombeau de Couperin (version for orch...
86 bpm • G Maj • 04:25 • -30db
42% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
42% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
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Béla Bartók
Andante in A Major, BB 26b
84 bpm • E Maj • 04:01 • -27.63db
10% Popularity • 14% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
10% Popularity • 14% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu No. 5 in ...
84 bpm • B min • 03:07 • -28db
39% Popularity • 18% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Children's Album No. 1 "Pictures of Chil...
84 bpm • G# Maj • 01:36 • -33db
55% Popularity • 42% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
55% Popularity • 42% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
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Dmitri Shostakovich
String Quartet No. 8 in C Minor, Op. 110...
86 bpm • G# Maj • 04:45 • -28db
33% Popularity • 19% Danceability • 0% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
33% Popularity • 19% Danceability • 0% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Henning Kraggerud
Hjertets melodier (Melodies of the Heart...
86 bpm • A min • 01:38 • -29db
49% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
49% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Johannes Brahms
6 Chorale Preludes, BV B 50: Herzlich tu...
84 bpm • A min • 03:01 • -39.58db
49% Popularity • 12% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 19% Positiveness
49% Popularity • 12% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 19% Positiveness
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Béla Bartók
String Quartet No. 1, Sz. 40: I. Lento
86 bpm • C# Maj • 09:06 • -27db
10% Popularity • 14% Danceability • 6% Energy • 26% Liveness
36% Instrumentalness • 3% Positiveness
10% Popularity • 14% Danceability • 6% Energy • 26% Liveness
36% Instrumentalness • 3% Positiveness
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Claude Debussy
Debussy: Piano Trio in G Major, CD 5, L....
84 bpm • C Maj • 03:47 • -21.94db
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
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Domenico Scarlatti
Sonata in E Major, K. 380
84 bpm • B Maj • 02:52 • -31.38db
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
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Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
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César Franck
リート FWV 83
83 bpm • G Maj • 01:38 • -29.74db
41% Popularity • 15% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
41% Popularity • 15% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102 for ...
86 bpm • A min • 08:39 • -15db
31% Popularity • 29% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 28% Positiveness
31% Popularity • 29% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 28% Positiveness
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Béla Bartók
Divertimento for Strings, Sz. 113: II. M...
86 bpm • F# Maj • 09:19 • -26.78db
7% Popularity • 9% Danceability • 0% Energy • 7% Liveness
55% Instrumentalness • 4% Positiveness
7% Popularity • 9% Danceability • 0% Energy • 7% Liveness
55% Instrumentalness • 4% Positiveness
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Nadia Boulanger
3 Pieces for cello and piano: No. 1. Mod...
87 bpm • D# min • 02:37 • -30.78db
51% Popularity • 16% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
51% Popularity • 16% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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Claude Debussy
Nocturnes, CD 98: I. Nuages
83 bpm • C Maj • 06:21 • -35db
27% Popularity • 17% Danceability • 1% Energy • 29% Liveness
88% Instrumentalness • 3% Positiveness
27% Popularity • 17% Danceability • 1% Energy • 29% Liveness
88% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
String Quartet No. 12 in F Major, Op. 96...
87 bpm • D min • 07:07 • -23.36db
31% Popularity • 10% Danceability • 4% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
31% Popularity • 10% Danceability • 4% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
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Alexander Glazunov
Chant du menestrel for Cello and Orchest...
87 bpm • F# min • 04:01 • -33db
33% Popularity • 9% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
33% Popularity • 9% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 1 in F Maj...
83 bpm • A# Maj • 01:55 • -28db
58% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
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Béla Bartók
The Wooden Prince, Sz. 60 (Final Version...
86 bpm • C Maj • 01:54 • -27.52db
7% Popularity • 15% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
7% Popularity • 15% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
52% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
52% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Florence Beatrice Price
String Quartet No. 2 in A Minor: II. And...
87 bpm • A Maj • 07:06 • -30.53db
48% Popularity • 15% Danceability • 3% Energy • 16% Liveness
56% Instrumentalness • 3% Positiveness
48% Popularity • 15% Danceability • 3% Energy • 16% Liveness
56% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Zdes' khorosho ('How Fair This Spot'), O...
87 bpm • A Maj • 01:59 • -29.09db
56% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
56% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 1 "L'hiver": No...
87 bpm • G# Maj • 01:17 • -29.98db
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act II: Danc...
87 bpm • B min • 03:07 • -22db
34% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
34% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz 56: VI. Marunte...
84 bpm • E min • 00:59 • -23db
16% Popularity • 42% Danceability • 22% Energy • 12% Liveness
84% Instrumentalness • 20% Positiveness
16% Popularity • 42% Danceability • 22% Energy • 12% Liveness
84% Instrumentalness • 20% Positiveness
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Maurice Ravel
Ma mère l'oye, M. 62: Apothéose: Le ja...
83 bpm • C Maj • 03:29 • -25db
35% Popularity • 11% Danceability • 2% Energy • 26% Liveness
82% Instrumentalness • 5% Positiveness
35% Popularity • 11% Danceability • 2% Energy • 26% Liveness
82% Instrumentalness • 5% Positiveness
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Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
87 bpm • B min • 03:28 • -30.17db
46% Popularity • 10% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
46% Popularity • 10% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
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Nadia Boulanger
3 Pieces for cello and piano: No. 2. San...
83 bpm • F Maj • 01:43 • -30db
27% Popularity • 20% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
27% Popularity • 20% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Sea & Sinbad's Ship
87 bpm • A min • 03:37 • -20.67db
39% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
39% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
83 bpm • G Maj • 01:46 • -30db
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 19% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 19% Positiveness
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Béla Bartók
6 Romanian Folk Dances, BB 68, Sz. 56: 4...
83 bpm • D Maj • 02:49 • -14db
16% Popularity • 13% Danceability • 18% Energy • 24% Liveness
29% Instrumentalness • 4% Positiveness
16% Popularity • 13% Danceability • 18% Energy • 24% Liveness
29% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: A la manière de... Borodine, M. ...
83 bpm • F# Maj • 01:45 • -26.89db
39% Popularity • 14% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37b: VI. June, "Barcaro...
87 bpm • G min • 04:31 • -27.95db
46% Popularity • 31% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
46% Popularity • 31% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
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Cécile Chaminade
3 Romances sans paroles : No. 1, Souvena...
87 bpm • B min • 01:59 • -30db
40% Popularity • 35% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
40% Popularity • 35% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
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Gabriel Pierné
15 Pieces, Op. 3: Prelude
83 bpm • C min • 02:20 • -36db
28% Popularity • 29% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
28% Popularity • 29% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
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Frank Bridge
4 Short Pieces for Violin & Piano, H. 10...
87 bpm • G Maj • 02:32 • -27db
41% Popularity • 15% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
41% Popularity • 15% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz 56: III. Pe-loc...
88 bpm • C Maj • 01:06 • -37.89db
56% Popularity • 56% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
56% Popularity • 56% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
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Frederick Delius
2 Aquarelles: No. 1. Lento, ma non tropp...
88 bpm • A# Maj • 02:03 • -21db
35% Popularity • 16% Danceability • 14% Energy • 36% Liveness
81% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 36% Liveness
81% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
82 bpm • G# Maj • 04:23 • -32.02db
35% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
35% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Leopold Godowsky
Java Suite: Part I: I. Gamelan
88 bpm • D min • 03:27 • -26db
16% Popularity • 34% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 20% Positiveness
16% Popularity • 34% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 20% Positiveness
► Preview
Alexander Scriabin
24 Preludes, Op. 11: No. 4 in E Minor
82 bpm • E min • 02:01 • -39db
48% Popularity • 38% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
48% Popularity • 38% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
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Florence Beatrice Price
Symphony No. 3 in C Minor: II. Andante m...
88 bpm • G# Maj • 09:32 • -24.98db
43% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
43% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Elégie in C Minor, Op. 24 (Arr. Parkin ...
88 bpm • G# Maj • 07:35 • -24db
49% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
49% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Igor Stravinsky
Elegy for Solo Viola
82 bpm • C min • 05:29 • -25db
13% Popularity • 8% Danceability • 1% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
13% Popularity • 8% Danceability • 1% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
► Preview
Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: IV....
82 bpm • D Maj • 10:03 • -21db
27% Popularity • 8% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
► Preview
Dmitri Shostakovich
Five pieces for Two Violins and Piano: I...
82 bpm • B min • 02:26 • -31.1db
23% Popularity • 18% Danceability • 2% Energy • 8% Liveness
85% Instrumentalness • 13% Positiveness
23% Popularity • 18% Danceability • 2% Energy • 8% Liveness
85% Instrumentalness • 13% Positiveness
► Preview
Felix Mendelssohn
Etude in F Minor
82 bpm • F min • 01:55 • -24.37db
57% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
57% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
► Preview
Ottorino Respighi
6 Pieces for Piano, P. 44: No. 3. Nottur...
88 bpm • F# Maj • 05:00 • -29.23db
44% Popularity • 15% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
44% Popularity • 15% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
Béla Bartók
Allegro barbaro, BB 63: Allegro barbaro,...
88 bpm • B min • 02:49 • -20db
16% Popularity • 22% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
16% Popularity • 22% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
54% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
54% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
► Preview
Gustav Mahler
Symphony No. 5 In C Sharp Minor: 4. Adag...
82 bpm • F Maj • 10:45 • -27.86db
37% Popularity • 14% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
37% Popularity • 14% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
82 bpm • G min • 01:52 • -34.43db
53% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
53% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
► Preview
Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
44% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
44% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Variations on a Rococo Theme, Op. 33, TH...
89 bpm • D Maj • 02:36 • -31.18db
59% Popularity • 12% Danceability • 3% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
59% Popularity • 12% Danceability • 3% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
► Preview
Béla Bartók
Violin Concerto No. 1 (Op. posth), Sz36:...
89 bpm • G Maj • 08:39 • -24.8db
16% Popularity • 10% Danceability • 4% Energy • 28% Liveness
13% Instrumentalness • 3% Positiveness
16% Popularity • 10% Danceability • 4% Energy • 28% Liveness
13% Instrumentalness • 3% Positiveness
► Preview
Olivier Messiaen
Quatuor pour la fin du Temps: V. Louange...
81 bpm • E Maj • 08:48 • -23.19db
23% Popularity • 8% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 2% Positiveness
23% Popularity • 8% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 2% Positiveness
► Preview
Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
81 bpm • D min • 01:36 • -28db
53% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
53% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
► Preview
Sergei Rachmaninoff
Aleko: Intermezzo
90 bpm • A# Maj • 01:54 • -32.72db
43% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
43% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
81 bpm • A Maj • 01:08 • -19db
61% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
61% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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Felix Mendelssohn
Prelude In B Minor Opus 104a No.2
81 bpm • B min • 01:30 • -18.88db
51% Popularity • 28% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
51% Popularity • 28% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
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Alexander Glazunov
Raymonda, Op. 57: Act III - Variation IV
90 bpm • D min • 02:32 • -35db
37% Popularity • 23% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
37% Popularity • 23% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
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Aram Khachaturian
Khachaturian: Children's Album, Book I, ...
90 bpm • G# Maj • 01:27 • -30.39db
45% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
45% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz.56: I. Allegro ...
80 bpm • A min • 01:26 • -22.65db
29% Popularity • 35% Danceability • 3% Energy • 8% Liveness
77% Instrumentalness • 36% Positiveness
29% Popularity • 35% Danceability • 3% Energy • 8% Liveness
77% Instrumentalness • 36% Positiveness
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Maurice Ravel
Piece en forme de habanera (arr. A. Hoer...
90 bpm • G min • 03:12 • -32.84db
25% Popularity • 15% Danceability • 2% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 2% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Fauré: Élégie, Op. 24
90 bpm • G# Maj • 06:46 • -26db
21% Popularity • 16% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
21% Popularity • 16% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
80 bpm • C min • 02:30 • -19.35db
43% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
43% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
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Claude Debussy
Debussy: Piano Trio in G Major, L. 5: II...
80 bpm • F# min • 03:12 • -26db
39% Popularity • 39% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 34% Positiveness
39% Popularity • 39% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 34% Positiveness
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Frederick Delius
3 Small Tone Poems: No. 1. Summer Evenin...
90 bpm • D Maj • 06:17 • -24db
33% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
33% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
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Béla Bartók
A csodalatos mandarin (The Miraculous Ma...
80 bpm • C# Maj • 02:52 • -19db
7% Popularity • 20% Danceability • 15% Energy • 17% Liveness
60% Instrumentalness • 10% Positiveness
7% Popularity • 20% Danceability • 15% Energy • 17% Liveness
60% Instrumentalness • 10% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
90 bpm • D# Maj • 01:23 • -29db
51% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
51% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
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Maurice Ravel
Ravel: String Quartet, M. 35: III. Très...
80 bpm • B Maj • 09:47 • -29.61db
25% Popularity • 10% Danceability • 1% Energy • 12% Liveness
14% Instrumentalness • 3% Positiveness
25% Popularity • 10% Danceability • 1% Energy • 12% Liveness
14% Instrumentalness • 3% Positiveness
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John Field
Nocturne No. 2 in C Minor, H.25
80 bpm • C min • 03:11 • -19.31db
45% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
45% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Ludwig van Beethoven
String Quartet No. 14 in C Sharp Minor, ...
91 bpm • G# min • 01:52 • -27.76db
26% Popularity • 20% Danceability • 4% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 4% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Léo Delibes
Le roi s'amuse: Pavane
91 bpm • A# Maj • 01:28 • -34db
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
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Béla Bartók
6 Roumanian Folk Dances, BB 68, Sz. 56: ...
91 bpm • B min • 01:05 • -34.03db
37% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
37% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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Jean Sibelius
4 Lyric Pieces, Op. 74: No. 3 Auf dem Ta...
91 bpm • C Maj • 01:44 • -22db
38% Popularity • 32% Danceability • 20% Energy • 16% Liveness
93% Instrumentalness • 36% Positiveness
38% Popularity • 32% Danceability • 20% Energy • 16% Liveness
93% Instrumentalness • 36% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Major, Op. 88, B. 16...
79 bpm • G min • 05:50 • -23db
29% Popularity • 14% Danceability • 9% Energy • 36% Liveness
95% Instrumentalness • 34% Positiveness
29% Popularity • 14% Danceability • 9% Energy • 36% Liveness
95% Instrumentalness • 34% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 1...
79 bpm • A Maj • 01:25 • -39.13db
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
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Pinchas Zukerman
3 Violin Duets (1996 Digital Remaster): ...
91 bpm • B min • 02:20 • -24db
26% Popularity • 12% Danceability • 11% Energy • 14% Liveness
75% Instrumentalness • 12% Positiveness
26% Popularity • 12% Danceability • 11% Energy • 14% Liveness
75% Instrumentalness • 12% Positiveness
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Sergei Rachmaninoff
Morceaux de fantaisie, Op. 3: 5 Morceaux...
91 bpm • A Maj • 04:24 • -19db
35% Popularity • 42% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 42% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Paul Hindemith
Symphonic Metamorphosis of Themes by Car...
91 bpm • F min • 04:01 • -29.86db
23% Popularity • 21% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
23% Popularity • 21% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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Xavier De Maistre
Romanian Folk Dances, Sz. 68, BB 76: I. ...
79 bpm • A min • 01:25 • -27db
13% Popularity • 42% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
13% Popularity • 42% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
