Songs like Basheer's Dream by Kenny Dorham
Based on a tempo of (+/- 10%) and a similar genre
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Wes Montgomery Trio
'Round Midnight
118 bpm • D# min • 04:53 • -25.45db
49% Popularity • 53% Danceability • 7% Energy • 13% Liveness
64% Instrumentalness • 16% Positiveness
49% Popularity • 53% Danceability • 7% Energy • 13% Liveness
64% Instrumentalness • 16% Positiveness
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Bud Powell Trio
Lullaby of Birdland
118 bpm • G Maj • 01:49 • -17db
43% Popularity • 56% Danceability • 32% Energy • 28% Liveness
1% Instrumentalness • 78% Positiveness
43% Popularity • 56% Danceability • 32% Energy • 28% Liveness
1% Instrumentalness • 78% Positiveness
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John Lewis
Afternoon in Paris
118 bpm • D min • 09:58 • -19.68db
32% Popularity • 46% Danceability • 8% Energy • 11% Liveness
20% Instrumentalness • 23% Positiveness
32% Popularity • 46% Danceability • 8% Energy • 11% Liveness
20% Instrumentalness • 23% Positiveness
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Phil Woods
Blue Ballad
118 bpm • D Maj • 06:34 • -17db
40% Popularity • 47% Danceability • 16% Energy • 10% Liveness
19% Instrumentalness • 6% Positiveness
40% Popularity • 47% Danceability • 16% Energy • 10% Liveness
19% Instrumentalness • 6% Positiveness
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Sonny Criss
Black Coffee
118 bpm • F# Maj • 02:44 • -14.37db
43% Popularity • 44% Danceability • 31% Energy • 11% Liveness
84% Instrumentalness • 47% Positiveness
43% Popularity • 44% Danceability • 31% Energy • 11% Liveness
84% Instrumentalness • 47% Positiveness
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Benny Carter
Honeysuckle Rose
118 bpm • F Maj • 03:50 • -10db
41% Popularity • 57% Danceability • 60% Energy • 20% Liveness
1% Instrumentalness • 78% Positiveness
41% Popularity • 57% Danceability • 60% Energy • 20% Liveness
1% Instrumentalness • 78% Positiveness
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Phineas Newborn Jr.
Afternoon in Paris
118 bpm • G# Maj • 06:45 • -20db
24% Popularity • 64% Danceability • 16% Energy • 12% Liveness
74% Instrumentalness • 49% Positiveness
24% Popularity • 64% Danceability • 16% Energy • 12% Liveness
74% Instrumentalness • 49% Positiveness
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Kenny Dorham
Philly Twist - Remastered 2014
117 bpm • F min • 05:37 • -11.42db
15% Popularity • 57% Danceability • 54% Energy • 8% Liveness
2% Instrumentalness • 61% Positiveness
15% Popularity • 57% Danceability • 54% Energy • 8% Liveness
2% Instrumentalness • 61% Positiveness
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Thad Jones
If I Love Again - 2007 Digital Remaster/...
117 bpm • C min • 07:27 • -11db
27% Popularity • 49% Danceability • 47% Energy • 16% Liveness
1% Instrumentalness • 58% Positiveness
27% Popularity • 49% Danceability • 47% Energy • 16% Liveness
1% Instrumentalness • 58% Positiveness
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Gil Melle Quartet
Still Life
117 bpm • G min • 08:10 • -17.29db
1% Popularity • 38% Danceability • 11% Energy • 17% Liveness
84% Instrumentalness • 9% Positiveness
1% Popularity • 38% Danceability • 11% Energy • 17% Liveness
84% Instrumentalness • 9% Positiveness
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Tina Brooks
True Blue
119 bpm • F min • 04:57 • -7db
37% Popularity • 63% Danceability • 51% Energy • 11% Liveness
87% Instrumentalness • 77% Positiveness
37% Popularity • 63% Danceability • 51% Energy • 11% Liveness
87% Instrumentalness • 77% Positiveness
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Lester Young
I Can't Get Started
117 bpm • C Maj • 03:37 • -21db
53% Popularity • 59% Danceability • 2% Energy • 10% Liveness
69% Instrumentalness • 17% Positiveness
53% Popularity • 59% Danceability • 2% Energy • 10% Liveness
69% Instrumentalness • 17% Positiveness
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Wes Montgomery Trio
Moanin' - Take 10 / Alternate
119 bpm • F min • 05:46 • -23.37db
36% Popularity • 46% Danceability • 19% Energy • 14% Liveness
80% Instrumentalness • 77% Positiveness
36% Popularity • 46% Danceability • 19% Energy • 14% Liveness
80% Instrumentalness • 77% Positiveness
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Kenny Dorham
Basheer's Dream - Rudy Van Gelder Editio...
119 bpm • G min • 05:03 • -6db
19% Popularity • 51% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 51% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Horace Silver Quintet
For Heaven's Sake
117 bpm • D# Maj • 05:07 • -14.85db
13% Popularity • 50% Danceability • 17% Energy • 16% Liveness
63% Instrumentalness • 16% Positiveness
13% Popularity • 50% Danceability • 17% Energy • 16% Liveness
63% Instrumentalness • 16% Positiveness
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Bobby Timmons Trio
I Thought About You
119 bpm • C Maj • 05:01 • -22db
32% Popularity • 70% Danceability • 15% Energy • 12% Liveness
57% Instrumentalness • 32% Positiveness
32% Popularity • 70% Danceability • 15% Energy • 12% Liveness
57% Instrumentalness • 32% Positiveness
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Booker Little
Milestones
120 bpm • A# min • 05:34 • -11.13db
23% Popularity • 46% Danceability • 64% Energy • 40% Liveness
81% Instrumentalness • 87% Positiveness
23% Popularity • 46% Danceability • 64% Energy • 40% Liveness
81% Instrumentalness • 87% Positiveness
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Benny Golson Sextet
Namely You
116 bpm • G min • 04:46 • -15db
32% Popularity • 42% Danceability • 12% Energy • 8% Liveness
80% Instrumentalness • 27% Positiveness
32% Popularity • 42% Danceability • 12% Energy • 8% Liveness
80% Instrumentalness • 27% Positiveness
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John Coltrane Quartet
Nancy (With The Laughing Face)
116 bpm • F Maj • 03:11 • -14db
60% Popularity • 52% Danceability • 14% Energy • 15% Liveness
19% Instrumentalness • 30% Positiveness
60% Popularity • 52% Danceability • 14% Energy • 15% Liveness
19% Instrumentalness • 30% Positiveness
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Kenny Dorham
If Ever I Would Leave You - Remasted 199...
117 bpm • A# Maj • 05:09 • -11.96db
35% Popularity • 50% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 35% Positiveness
35% Popularity • 50% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 35% Positiveness
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Miles Davis And Milt Jackson Quintet
Changes
116 bpm • C# Maj • 07:10 • -19.37db
41% Popularity • 55% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
41% Popularity • 55% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
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Warne Marsh
Lover Man
116 bpm • C Maj • 04:30 • -17.75db
33% Popularity • 67% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
33% Popularity • 67% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
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Wes Montgomery Trio
Geno
116 bpm • D min • 02:55 • -19db
51% Popularity • 37% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 76% Positiveness
51% Popularity • 37% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 76% Positiveness
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Sonny Clark
Blues In The Night
120 bpm • C Maj • 05:55 • -15.82db
33% Popularity • 59% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 59% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Sonny Rollins Quartet
The Most Beautiful Girl In The World
116 bpm • C# Maj • 05:35 • -13.02db
27% Popularity • 55% Danceability • 37% Energy • 9% Liveness
2% Instrumentalness • 66% Positiveness
27% Popularity • 55% Danceability • 37% Energy • 9% Liveness
2% Instrumentalness • 66% Positiveness
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Kenny Dorham
Windmill - Remastered 2014
120 bpm • F min • 06:15 • -10.61db
11% Popularity • 56% Danceability • 60% Energy • 20% Liveness
2% Instrumentalness • 57% Positiveness
11% Popularity • 56% Danceability • 60% Energy • 20% Liveness
2% Instrumentalness • 57% Positiveness
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Coleman Hawkins Quartet
Don't Love Me
120 bpm • C Maj • 04:39 • -18.08db
42% Popularity • 42% Danceability • 12% Energy • 12% Liveness
8% Instrumentalness • 14% Positiveness
42% Popularity • 42% Danceability • 12% Energy • 12% Liveness
8% Instrumentalness • 14% Positiveness
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Junior Mance
Jitterbug Waltz
120 bpm • G# Maj • 05:18 • -18db
32% Popularity • 76% Danceability • 20% Energy • 10% Liveness
95% Instrumentalness • 39% Positiveness
32% Popularity • 76% Danceability • 20% Energy • 10% Liveness
95% Instrumentalness • 39% Positiveness
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Bobby Timmons Trio
Samba Triste
116 bpm • G min • 03:19 • -16.82db
45% Popularity • 57% Danceability • 39% Energy • 14% Liveness
84% Instrumentalness • 58% Positiveness
45% Popularity • 57% Danceability • 39% Energy • 14% Liveness
84% Instrumentalness • 58% Positiveness
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Sam Rivers
Beatrice
120 bpm • F Maj • 06:12 • -18.62db
34% Popularity • 49% Danceability • 12% Energy • 9% Liveness
5% Instrumentalness • 23% Positiveness
34% Popularity • 49% Danceability • 12% Energy • 9% Liveness
5% Instrumentalness • 23% Positiveness
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Teddy Wilson
Fools Rush In
116 bpm • F min • 02:29 • -20db
52% Popularity • 63% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 46% Positiveness
52% Popularity • 63% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 46% Positiveness
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Kenny Dorham
Make Me A Present Of You
120 bpm • G# Maj • 03:06 • -12.1db
7% Popularity • 57% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
7% Popularity • 57% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Bud Powell Trio
Everything Happens to Me - 1990 Remaster
121 bpm • C min • 02:41 • -20db
41% Popularity • 42% Danceability • 19% Energy • 17% Liveness
92% Instrumentalness • 32% Positiveness
41% Popularity • 42% Danceability • 19% Energy • 17% Liveness
92% Instrumentalness • 32% Positiveness
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The Montgomery Brothers
Groove Yard
115 bpm • A# min • 03:01 • -19.07db
46% Popularity • 59% Danceability • 22% Energy • 8% Liveness
56% Instrumentalness • 54% Positiveness
46% Popularity • 59% Danceability • 22% Energy • 8% Liveness
56% Instrumentalness • 54% Positiveness
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Tommy Flanagan Trio
Born To Be Blue
115 bpm • D min • 04:21 • -22db
47% Popularity • 48% Danceability • 7% Energy • 16% Liveness
89% Instrumentalness • 13% Positiveness
47% Popularity • 48% Danceability • 7% Energy • 16% Liveness
89% Instrumentalness • 13% Positiveness
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Dexter Gordon
I Guess I'll Hang My Tears Out To Dry - ...
121 bpm • D# Maj • 05:22 • -8.97db
49% Popularity • 52% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
49% Popularity • 52% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
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Emily Remler
In A Sentimental Mood
121 bpm • D min • 07:49 • -25.31db
31% Popularity • 53% Danceability • 7% Energy • 13% Liveness
90% Instrumentalness • 12% Positiveness
31% Popularity • 53% Danceability • 7% Energy • 13% Liveness
90% Instrumentalness • 12% Positiveness
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Kenny Dorham
'Round Midnight - Set 3 / Live From Cafe...
116 bpm • G# min • 07:46 • -11.71db
10% Popularity • 49% Danceability • 32% Energy • 66% Liveness
8% Instrumentalness • 29% Positiveness
10% Popularity • 49% Danceability • 32% Energy • 66% Liveness
8% Instrumentalness • 29% Positiveness
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Phil Woods
Stolen Moments
121 bpm • C min • 09:36 • -5db
21% Popularity • 48% Danceability • 63% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
21% Popularity • 48% Danceability • 63% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
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Wes Montgomery Trio
The End Of A Love Affair
115 bpm • C# Maj • 03:13 • -18db
46% Popularity • 48% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
46% Popularity • 48% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
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Gerry Mulligan Sextet
In The Wee Small Hours Of The Morning
115 bpm • G Maj • 05:39 • -24db
48% Popularity • 52% Danceability • 1% Energy • 11% Liveness
37% Instrumentalness • 17% Positiveness
48% Popularity • 52% Danceability • 1% Energy • 11% Liveness
37% Instrumentalness • 17% Positiveness
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Kenny Drew
Groovin' The Blues - Rudy Van Gelder Edi...
115 bpm • A# min • 06:19 • -9.32db
22% Popularity • 65% Danceability • 43% Energy • 15% Liveness
5% Instrumentalness • 43% Positiveness
22% Popularity • 65% Danceability • 43% Energy • 15% Liveness
5% Instrumentalness • 43% Positiveness
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Red Garland Trio
Summertime
115 bpm • C min • 04:43 • -18.54db
32% Popularity • 51% Danceability • 10% Energy • 13% Liveness
64% Instrumentalness • 9% Positiveness
32% Popularity • 51% Danceability • 10% Energy • 13% Liveness
64% Instrumentalness • 9% Positiveness
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Kenny Dorham
Buffalo - Remastered 2014
115 bpm • C min • 07:39 • -12.29db
19% Popularity • 73% Danceability • 36% Energy • 7% Liveness
1% Instrumentalness • 58% Positiveness
19% Popularity • 73% Danceability • 36% Energy • 7% Liveness
1% Instrumentalness • 58% Positiveness
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Jutta Hipp
Just Blues
115 bpm • G# Maj • 08:42 • -10.81db
20% Popularity • 61% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 61% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Horace Silver Quintet
Shirl
121 bpm • C min • 04:11 • -15.2db
15% Popularity • 51% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
15% Popularity • 51% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
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Coleman Hawkins Quartet
Swingin' Scotch
122 bpm • D min • 05:31 • -13db
28% Popularity • 56% Danceability • 47% Energy • 25% Liveness
1% Instrumentalness • 74% Positiveness
28% Popularity • 56% Danceability • 47% Energy • 25% Liveness
1% Instrumentalness • 74% Positiveness
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Hampton Hawes Trio
Hamp's Blues
122 bpm • D# Maj • 03:40 • -17.34db
37% Popularity • 53% Danceability • 42% Energy • 26% Liveness
96% Instrumentalness • 92% Positiveness
37% Popularity • 53% Danceability • 42% Energy • 26% Liveness
96% Instrumentalness • 92% Positiveness
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Wes Montgomery Trio
Whisper Not
114 bpm • G min • 04:36 • -26db
36% Popularity • 54% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
36% Popularity • 54% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
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Elmo Hope Trio
I Remember You
114 bpm • G Maj • 02:46 • -16.23db
40% Popularity • 54% Danceability • 23% Energy • 9% Liveness
80% Instrumentalness • 65% Positiveness
40% Popularity • 54% Danceability • 23% Energy • 9% Liveness
80% Instrumentalness • 65% Positiveness
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Paul Bley
Autumn Breeze
122 bpm • A min • 03:09 • -12.41db
34% Popularity • 44% Danceability • 33% Energy • 15% Liveness
79% Instrumentalness • 48% Positiveness
34% Popularity • 44% Danceability • 33% Energy • 15% Liveness
79% Instrumentalness • 48% Positiveness
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Bud Powell Trio
Nice Work If You Can Get It
114 bpm • G# Maj • 03:18 • -15db
29% Popularity • 53% Danceability • 45% Energy • 19% Liveness
19% Instrumentalness • 73% Positiveness
29% Popularity • 53% Danceability • 45% Energy • 19% Liveness
19% Instrumentalness • 73% Positiveness
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Kenny Dorham
Fool's Fancy
122 bpm • G# Maj • 02:32 • -8.56db
7% Popularity • 62% Danceability • 68% Energy • 28% Liveness
91% Instrumentalness • 93% Positiveness
7% Popularity • 62% Danceability • 68% Energy • 28% Liveness
91% Instrumentalness • 93% Positiveness
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Bobby Timmons Trio
Old Devil Moon
114 bpm • G min • 04:38 • -17db
29% Popularity • 53% Danceability • 38% Energy • 16% Liveness
44% Instrumentalness • 62% Positiveness
29% Popularity • 53% Danceability • 38% Energy • 16% Liveness
44% Instrumentalness • 62% Positiveness
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Ray Bryant Trio
Django
114 bpm • F min • 05:02 • -20db
30% Popularity • 59% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 27% Positiveness
30% Popularity • 59% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 27% Positiveness
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Fats Navarro
Our Delight
114 bpm • C min • 02:58 • -9.06db
33% Popularity • 56% Danceability • 66% Energy • 36% Liveness
38% Instrumentalness • 59% Positiveness
33% Popularity • 56% Danceability • 66% Energy • 36% Liveness
38% Instrumentalness • 59% Positiveness
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Betty Carter
This Is Always
114 bpm • E min • 03:11 • -19.69db
50% Popularity • 42% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
50% Popularity • 42% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Horace Silver Quintet
Ill Wind - Remastered
123 bpm • F Maj • 06:53 • -14db
18% Popularity • 51% Danceability • 35% Energy • 26% Liveness
2% Instrumentalness • 39% Positiveness
18% Popularity • 51% Danceability • 35% Energy • 26% Liveness
2% Instrumentalness • 39% Positiveness
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Kenny Dorham
Lotus Blossom
122 bpm • D min • 04:38 • -16.2db
35% Popularity • 49% Danceability • 42% Energy • 17% Liveness
22% Instrumentalness • 68% Positiveness
35% Popularity • 49% Danceability • 42% Energy • 17% Liveness
22% Instrumentalness • 68% Positiveness
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Charlie Parker Quartet
Love For Sale - Take 3 / Incomplete
123 bpm • F min • 01:03 • -11db
58% Popularity • 44% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 74% Positiveness
58% Popularity • 44% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 74% Positiveness
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Johnny Hodges
Day Dream
113 bpm • F Maj • 03:56 • -16db
33% Popularity • 35% Danceability • 8% Energy • 14% Liveness
26% Instrumentalness • 9% Positiveness
33% Popularity • 35% Danceability • 8% Energy • 14% Liveness
26% Instrumentalness • 9% Positiveness
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Red Garland Trio
My Romance - Instrumental
123 bpm • D# Maj • 06:48 • -18.98db
25% Popularity • 56% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 13% Positiveness
25% Popularity • 56% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 13% Positiveness
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Betty Carter
I Could Write a Book
113 bpm • G Maj • 02:38 • -12.93db
44% Popularity • 55% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 55% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
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Hank Mobley
This I Dig Of You - Remastered 1999/Rudy...
123 bpm • A# Maj • 06:25 • -7.86db
45% Popularity • 59% Danceability • 67% Energy • 7% Liveness
1% Instrumentalness • 79% Positiveness
45% Popularity • 59% Danceability • 67% Energy • 7% Liveness
1% Instrumentalness • 79% Positiveness
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Kenny Dorham
Straight Ahead - Remasted 1998/ Rudy Van...
123 bpm • G# Maj • 08:58 • -9.15db
16% Popularity • 58% Danceability • 57% Energy • 7% Liveness
1% Instrumentalness • 72% Positiveness
16% Popularity • 58% Danceability • 57% Energy • 7% Liveness
1% Instrumentalness • 72% Positiveness
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Joshua Redman
Body & Soul
113 bpm • A# min • 04:50 • -18.63db
41% Popularity • 50% Danceability • 10% Energy • 11% Liveness
44% Instrumentalness • 32% Positiveness
41% Popularity • 50% Danceability • 10% Energy • 11% Liveness
44% Instrumentalness • 32% Positiveness
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Charlie Parker Quartet
Blues (Fast) - False Starts 372-1/2/3
123 bpm • F Maj • 01:06 • -9.95db
42% Popularity • 48% Danceability • 62% Energy • 43% Liveness
3% Instrumentalness • 36% Positiveness
42% Popularity • 48% Danceability • 62% Energy • 43% Liveness
3% Instrumentalness • 36% Positiveness
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Wes Montgomery Trio
Too Late Now
113 bpm • C Maj • 04:51 • -25.37db
39% Popularity • 38% Danceability • 7% Energy • 9% Liveness
48% Instrumentalness • 10% Positiveness
39% Popularity • 38% Danceability • 7% Energy • 9% Liveness
48% Instrumentalness • 10% Positiveness
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McCoy Tyner
Search For Peace
113 bpm • C Maj • 06:32 • -17db
47% Popularity • 46% Danceability • 22% Energy • 24% Liveness
81% Instrumentalness • 15% Positiveness
47% Popularity • 46% Danceability • 22% Energy • 24% Liveness
81% Instrumentalness • 15% Positiveness
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Hampton Hawes Trio
What Is This Thing Called Love
113 bpm • C min • 04:44 • -20.71db
32% Popularity • 54% Danceability • 30% Energy • 8% Liveness
86% Instrumentalness • 36% Positiveness
32% Popularity • 54% Danceability • 30% Energy • 8% Liveness
86% Instrumentalness • 36% Positiveness
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Thad Jones
April In Paris - 2007 Remaster/Rudy Van ...
112 bpm • C Maj • 06:43 • -11.12db
48% Popularity • 51% Danceability • 22% Energy • 33% Liveness
30% Instrumentalness • 17% Positiveness
48% Popularity • 51% Danceability • 22% Energy • 33% Liveness
30% Instrumentalness • 17% Positiveness
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Gil Melle Quartet
Ghengis
112 bpm • G min • 03:45 • -11.71db
2% Popularity • 52% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
2% Popularity • 52% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Duke Jordan
Social Call
112 bpm • C# Maj • 06:08 • -14.2db
19% Popularity • 68% Danceability • 16% Energy • 10% Liveness
5% Instrumentalness • 42% Positiveness
19% Popularity • 68% Danceability • 16% Energy • 10% Liveness
5% Instrumentalness • 42% Positiveness
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Wes Montgomery Trio
Freddie Freeloader
113 bpm • F min • 05:14 • -24.55db
33% Popularity • 40% Danceability • 20% Energy • 11% Liveness
41% Instrumentalness • 52% Positiveness
33% Popularity • 40% Danceability • 20% Energy • 11% Liveness
41% Instrumentalness • 52% Positiveness
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Gerry Mulligan Quartet
Lullaby Of The Leaves
124 bpm • C Maj • 03:16 • -11.91db
40% Popularity • 44% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 52% Positiveness
40% Popularity • 44% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 52% Positiveness
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Lou Donaldson
Autumn Nocturne
124 bpm • C Maj • 04:54 • -18.04db
57% Popularity • 54% Danceability • 7% Energy • 11% Liveness
17% Instrumentalness • 26% Positiveness
57% Popularity • 54% Danceability • 7% Energy • 11% Liveness
17% Instrumentalness • 26% Positiveness
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Junior Mance
A Smooth One
124 bpm • F min • 03:26 • -17db
48% Popularity • 78% Danceability • 21% Energy • 12% Liveness
81% Instrumentalness • 57% Positiveness
48% Popularity • 78% Danceability • 21% Energy • 12% Liveness
81% Instrumentalness • 57% Positiveness
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Coleman Hawkins Quartet
Love Song From "Apache"
124 bpm • A min • 04:12 • -15.17db
51% Popularity • 47% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
51% Popularity • 47% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Sonny Stitt Quartet
Taking A Chance On Love
112 bpm • F Maj • 02:32 • -8.34db
36% Popularity • 60% Danceability • 50% Energy • 37% Liveness
78% Instrumentalness • 80% Positiveness
36% Popularity • 60% Danceability • 50% Energy • 37% Liveness
78% Instrumentalness • 80% Positiveness
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Wes Montgomery Trio
Jingles
112 bpm • E min • 05:31 • -18.84db
30% Popularity • 40% Danceability • 36% Energy • 24% Liveness
13% Instrumentalness • 34% Positiveness
30% Popularity • 40% Danceability • 36% Energy • 24% Liveness
13% Instrumentalness • 34% Positiveness
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Hank Mobley
Fin De L'Affaire - 1998 - Remaster
124 bpm • F min • 06:39 • -14db
42% Popularity • 57% Danceability • 14% Energy • 17% Liveness
5% Instrumentalness • 33% Positiveness
42% Popularity • 57% Danceability • 14% Energy • 17% Liveness
5% Instrumentalness • 33% Positiveness
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Red Garland Trio
What Is This Thing Called Love? - Instru...
112 bpm • D min • 04:50 • -14db
36% Popularity • 68% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
36% Popularity • 68% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
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Junior Mance
Love For Sale
125 bpm • F min • 04:24 • -17.4db
30% Popularity • 58% Danceability • 32% Energy • 20% Liveness
85% Instrumentalness • 81% Positiveness
30% Popularity • 58% Danceability • 32% Energy • 20% Liveness
85% Instrumentalness • 81% Positiveness
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Vernon Duke
Taking A Chance On Love
111 bpm • G min • 04:47 • -14db
25% Popularity • 52% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 69% Positiveness
25% Popularity • 52% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 69% Positiveness
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Helen Merrill
When the world was young
111 bpm • F# Maj • 03:11 • -21.71db
0% Popularity • 46% Danceability • 2% Energy • 23% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 46% Danceability • 2% Energy • 23% Liveness
0% Instrumentalness • 9% Positiveness
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Freddie Hubbard
Dedicated To You
125 bpm • A# Maj • 03:22 • -15db
49% Popularity • 42% Danceability • 15% Energy • 12% Liveness
96% Instrumentalness • 9% Positiveness
49% Popularity • 42% Danceability • 15% Energy • 12% Liveness
96% Instrumentalness • 9% Positiveness
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The Art Farmer Quartet
Embraceable You
111 bpm • C Maj • 07:02 • -23.02db
33% Popularity • 53% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
33% Popularity • 53% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
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Tommy Flanagan Trio
Chelsea Bridge
111 bpm • F# Maj • 03:46 • -14.43db
41% Popularity • 49% Danceability • 32% Energy • 10% Liveness
95% Instrumentalness • 35% Positiveness
41% Popularity • 49% Danceability • 32% Energy • 10% Liveness
95% Instrumentalness • 35% Positiveness
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Junior Mance
Birk's Works
125 bpm • A# min • 05:43 • -17.69db
32% Popularity • 69% Danceability • 20% Energy • 10% Liveness
85% Instrumentalness • 50% Positiveness
32% Popularity • 69% Danceability • 20% Energy • 10% Liveness
85% Instrumentalness • 50% Positiveness
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Red Garland Trio
Stormy Weather
111 bpm • D min • 10:35 • -19db
49% Popularity • 53% Danceability • 13% Energy • 10% Liveness
80% Instrumentalness • 7% Positiveness
49% Popularity • 53% Danceability • 13% Energy • 10% Liveness
80% Instrumentalness • 7% Positiveness
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Elmo Hope Trio
Hot Sauce
126 bpm • F min • 03:53 • -11db
32% Popularity • 52% Danceability • 62% Energy • 28% Liveness
33% Instrumentalness • 69% Positiveness
32% Popularity • 52% Danceability • 62% Energy • 28% Liveness
33% Instrumentalness • 69% Positiveness
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Lennie Tristano
Love Lines
111 bpm • D# Maj • 02:19 • -21db
30% Popularity • 52% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 36% Positiveness
30% Popularity • 52% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 36% Positiveness
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Thad Jones
Bossa Nova Ova
110 bpm • F min • 03:19 • -16.33db
38% Popularity • 58% Danceability • 29% Energy • 9% Liveness
82% Instrumentalness • 77% Positiveness
38% Popularity • 58% Danceability • 29% Energy • 9% Liveness
82% Instrumentalness • 77% Positiveness
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Charlie Parker Quartet
Hot Blues
110 bpm • C Maj • 02:22 • -12db
42% Popularity • 69% Danceability • 28% Energy • 25% Liveness
19% Instrumentalness • 74% Positiveness
42% Popularity • 69% Danceability • 28% Energy • 25% Liveness
19% Instrumentalness • 74% Positiveness
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Junior Mance
Whisper Not
126 bpm • C min • 04:20 • -18.27db
39% Popularity • 69% Danceability • 22% Energy • 9% Liveness
88% Instrumentalness • 48% Positiveness
39% Popularity • 69% Danceability • 22% Energy • 9% Liveness
88% Instrumentalness • 48% Positiveness
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Max Roach feat. Benny Bailey, Cecil Payne, Julian Priester, Kenny Dorham, Peck Morrison, Walter Benton
Oh Yeah, Oh Yeah
110 bpm • F Maj • 07:03 • -16.04db
2% Popularity • 47% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 47% Positiveness
2% Popularity • 47% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 47% Positiveness
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Lee Morgan
Ceora
126 bpm • F min • 06:23 • -15db
46% Popularity • 70% Danceability • 22% Energy • 9% Liveness
87% Instrumentalness • 35% Positiveness
46% Popularity • 70% Danceability • 22% Energy • 9% Liveness
87% Instrumentalness • 35% Positiveness
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Gerry Mulligan Quartet
Love Me Or Leave Me
110 bpm • F min • 02:45 • -11.68db
36% Popularity • 67% Danceability • 38% Energy • 10% Liveness
33% Instrumentalness • 74% Positiveness
36% Popularity • 67% Danceability • 38% Energy • 10% Liveness
33% Instrumentalness • 74% Positiveness
