Songs like Bass Inside by AC Slater
Based on a tempo of (+/- 10%) and a similar genre
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Anti Up
Hey Pablo
126 bpm • B min • 04:09 • -6.5db
42% Popularity • 80% Danceability • 94% Energy • 68% Liveness
87% Instrumentalness • 86% Positiveness
42% Popularity • 80% Danceability • 94% Energy • 68% Liveness
87% Instrumentalness • 86% Positiveness
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AC Slater
Heavyweight Sound
126 bpm • A# min • 05:06 • -6.2db
7% Popularity • 88% Danceability • 84% Energy • 4% Liveness
22% Instrumentalness • 85% Positiveness
7% Popularity • 88% Danceability • 84% Energy • 4% Liveness
22% Instrumentalness • 85% Positiveness
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Zonderling
Tunnel Vision - Don Diablo Edit
126 bpm • F min • 03:35 • -4.1db
44% Popularity • 76% Danceability • 91% Energy • 11% Liveness
47% Instrumentalness • 36% Positiveness
44% Popularity • 76% Danceability • 91% Energy • 11% Liveness
47% Instrumentalness • 36% Positiveness
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Ship Wrek
Silent
126 bpm • D Maj • 03:10 • -4.64db
47% Popularity • 79% Danceability • 84% Energy • 8% Liveness
42% Instrumentalness • 63% Positiveness
47% Popularity • 79% Danceability • 84% Energy • 8% Liveness
42% Instrumentalness • 63% Positiveness
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Biscits
Talk To Me
126 bpm • B min • 03:23 • -6.17db
41% Popularity • 84% Danceability • 87% Energy • 9% Liveness
57% Instrumentalness • 85% Positiveness
41% Popularity • 84% Danceability • 87% Energy • 9% Liveness
57% Instrumentalness • 85% Positiveness
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Jay Pryor
All This
126 bpm • B Maj • 03:07 • -5.22db
55% Popularity • 60% Danceability • 96% Energy • 93% Liveness
0% Instrumentalness • 50% Positiveness
55% Popularity • 60% Danceability • 96% Energy • 93% Liveness
0% Instrumentalness • 50% Positiveness
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OMNOM
Skin
126 bpm • E Maj • 03:35 • -5db
23% Popularity • 79% Danceability • 80% Energy • 9% Liveness
34% Instrumentalness • 43% Positiveness
23% Popularity • 79% Danceability • 80% Energy • 9% Liveness
34% Instrumentalness • 43% Positiveness
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Max Styler
Gimme That Funk
126 bpm • A Maj • 02:50 • -3.49db
29% Popularity • 75% Danceability • 96% Energy • 36% Liveness
21% Instrumentalness • 78% Positiveness
29% Popularity • 75% Danceability • 96% Energy • 36% Liveness
21% Instrumentalness • 78% Positiveness
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Botnek
Future Of The Underground
126 bpm • G# Maj • 03:01 • -5db
22% Popularity • 67% Danceability • 99% Energy • 8% Liveness
59% Instrumentalness • 30% Positiveness
22% Popularity • 67% Danceability • 99% Energy • 8% Liveness
59% Instrumentalness • 30% Positiveness
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Pickle
Body Work
126 bpm • C Maj • 03:16 • -4db
41% Popularity • 77% Danceability • 97% Energy • 9% Liveness
87% Instrumentalness • 96% Positiveness
41% Popularity • 77% Danceability • 97% Energy • 9% Liveness
87% Instrumentalness • 96% Positiveness
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AC Slater
U Got 2
126 bpm • C Maj • 04:23 • -6.2db
24% Popularity • 79% Danceability • 88% Energy • 15% Liveness
81% Instrumentalness • 92% Positiveness
24% Popularity • 79% Danceability • 88% Energy • 15% Liveness
81% Instrumentalness • 92% Positiveness
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GODAMN
Messin’
126 bpm • A# min • 04:20 • -4db
12% Popularity • 77% Danceability • 90% Energy • 52% Liveness
87% Instrumentalness • 30% Positiveness
12% Popularity • 77% Danceability • 90% Energy • 52% Liveness
87% Instrumentalness • 30% Positiveness
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MNNR
Bad Mnnrs
126 bpm • F# Maj • 03:25 • -6.54db
25% Popularity • 89% Danceability • 58% Energy • 5% Liveness
12% Instrumentalness • 47% Positiveness
25% Popularity • 89% Danceability • 58% Energy • 5% Liveness
12% Instrumentalness • 47% Positiveness
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Walker & Royce
All For the Gram
126 bpm • D Maj • 03:25 • -6.05db
18% Popularity • 76% Danceability • 84% Energy • 6% Liveness
1% Instrumentalness • 14% Positiveness
18% Popularity • 76% Danceability • 84% Energy • 6% Liveness
1% Instrumentalness • 14% Positiveness
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IDRIS
Girl With The Bat - Edit
126 bpm • G Maj • 03:20 • -6db
42% Popularity • 87% Danceability • 94% Energy • 3% Liveness
52% Instrumentalness • 72% Positiveness
42% Popularity • 87% Danceability • 94% Energy • 3% Liveness
52% Instrumentalness • 72% Positiveness
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John Summit
Deep End - SIDEPIECE Remix
126 bpm • B min • 03:16 • -9.19db
66% Popularity • 77% Danceability • 65% Energy • 44% Liveness
2% Instrumentalness • 45% Positiveness
66% Popularity • 77% Danceability • 65% Energy • 44% Liveness
2% Instrumentalness • 45% Positiveness
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AC Slater
Amen Tribe
126 bpm • F# min • 04:38 • -5.29db
4% Popularity • 80% Danceability • 84% Energy • 4% Liveness
84% Instrumentalness • 39% Positiveness
4% Popularity • 80% Danceability • 84% Energy • 4% Liveness
84% Instrumentalness • 39% Positiveness
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ANGELZ
Devils
126 bpm • C# Maj • 04:42 • -2db
8% Popularity • 79% Danceability • 94% Energy • 18% Liveness
17% Instrumentalness • 54% Positiveness
8% Popularity • 79% Danceability • 94% Energy • 18% Liveness
17% Instrumentalness • 54% Positiveness
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Tchami
Summer 99
126 bpm • D Maj • 05:16 • -3.98db
36% Popularity • 81% Danceability • 97% Energy • 5% Liveness
52% Instrumentalness • 56% Positiveness
36% Popularity • 81% Danceability • 97% Energy • 5% Liveness
52% Instrumentalness • 56% Positiveness
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Walker & Royce
Rub Anotha Dub
126 bpm • C Maj • 04:26 • -7.34db
22% Popularity • 71% Danceability • 79% Energy • 53% Liveness
63% Instrumentalness • 64% Positiveness
22% Popularity • 71% Danceability • 79% Energy • 53% Liveness
63% Instrumentalness • 64% Positiveness
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Claude VonStroke
Comments
126 bpm • A min • 03:51 • -3.34db
7% Popularity • 80% Danceability • 96% Energy • 6% Liveness
2% Instrumentalness • 55% Positiveness
7% Popularity • 80% Danceability • 96% Energy • 6% Liveness
2% Instrumentalness • 55% Positiveness
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Oliver Heldens
Riverside 2099
126 bpm • A Maj • 03:54 • -5.24db
48% Popularity • 80% Danceability • 86% Energy • 39% Liveness
92% Instrumentalness • 72% Positiveness
48% Popularity • 80% Danceability • 86% Energy • 39% Liveness
92% Instrumentalness • 72% Positiveness
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AC Slater
Bass Inside
126 bpm • F# Maj • 04:24 • -6.84db
43% Popularity • 90% Danceability • 84% Energy • 61% Liveness
84% Instrumentalness • 46% Positiveness
43% Popularity • 90% Danceability • 84% Energy • 61% Liveness
84% Instrumentalness • 46% Positiveness
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JOYRYDE
GIVE MY LOVE
126 bpm • C# Maj • 04:20 • -4db
34% Popularity • 72% Danceability • 94% Energy • 38% Liveness
28% Instrumentalness • 16% Positiveness
34% Popularity • 72% Danceability • 94% Energy • 38% Liveness
28% Instrumentalness • 16% Positiveness
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Rezz
Lucifer
126 bpm • C# Maj • 05:07 • -6.88db
28% Popularity • 83% Danceability • 71% Energy • 6% Liveness
54% Instrumentalness • 64% Positiveness
28% Popularity • 83% Danceability • 71% Energy • 6% Liveness
54% Instrumentalness • 64% Positiveness
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MASTERIA
This Groove
126 bpm • B min • 03:50 • -3.07db
18% Popularity • 82% Danceability • 99% Energy • 7% Liveness
87% Instrumentalness • 62% Positiveness
18% Popularity • 82% Danceability • 99% Energy • 7% Liveness
87% Instrumentalness • 62% Positiveness
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Pickle
Like That
126 bpm • B min • 03:29 • -5.57db
27% Popularity • 76% Danceability • 95% Energy • 13% Liveness
68% Instrumentalness • 91% Positiveness
27% Popularity • 76% Danceability • 95% Energy • 13% Liveness
68% Instrumentalness • 91% Positiveness
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Skrillex
Chicken Soup
126 bpm • B Maj • 03:27 • -3.95db
51% Popularity • 82% Danceability • 82% Energy • 60% Liveness
5% Instrumentalness • 47% Positiveness
51% Popularity • 82% Danceability • 82% Energy • 60% Liveness
5% Instrumentalness • 47% Positiveness
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AC Slater
Skywalker OG
126 bpm • B Maj • 04:39 • -8.33db
3% Popularity • 80% Danceability • 89% Energy • 16% Liveness
79% Instrumentalness • 74% Positiveness
3% Popularity • 80% Danceability • 89% Energy • 16% Liveness
79% Instrumentalness • 74% Positiveness
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Valentino Khan
Deep Down Low
126 bpm • F min • 03:10 • -1.51db
54% Popularity • 79% Danceability • 90% Energy • 9% Liveness
57% Instrumentalness • 50% Positiveness
54% Popularity • 79% Danceability • 90% Energy • 9% Liveness
57% Instrumentalness • 50% Positiveness
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JADED
Slippin'
126 bpm • B Maj • 03:12 • -3db
31% Popularity • 84% Danceability • 84% Energy • 8% Liveness
6% Instrumentalness • 59% Positiveness
31% Popularity • 84% Danceability • 84% Energy • 8% Liveness
6% Instrumentalness • 59% Positiveness
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Hannah Wants
Rhymes
126 bpm • F Maj • 03:20 • -7.81db
53% Popularity • 90% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
53% Popularity • 90% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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SQWAD
Big Ting Vibe
126 bpm • C# Maj • 02:51 • -4.36db
30% Popularity • 86% Danceability • 94% Energy • 11% Liveness
39% Instrumentalness • 72% Positiveness
30% Popularity • 86% Danceability • 94% Energy • 11% Liveness
39% Instrumentalness • 72% Positiveness
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Badjokes
Get Down
126 bpm • F# Maj • 03:02 • -4.77db
10% Popularity • 81% Danceability • 100% Energy • 6% Liveness
89% Instrumentalness • 76% Positiveness
10% Popularity • 81% Danceability • 100% Energy • 6% Liveness
89% Instrumentalness • 76% Positiveness
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AC Slater
The Chirp
126 bpm • C# Maj • 05:08 • -6.51db
2% Popularity • 97% Danceability • 57% Energy • 26% Liveness
1% Instrumentalness • 20% Positiveness
2% Popularity • 97% Danceability • 57% Energy • 26% Liveness
1% Instrumentalness • 20% Positiveness
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Route 94
House & Pressure
126 bpm • A# min • 02:28 • -6.08db
49% Popularity • 87% Danceability • 66% Energy • 8% Liveness
20% Instrumentalness • 39% Positiveness
49% Popularity • 87% Danceability • 66% Energy • 8% Liveness
20% Instrumentalness • 39% Positiveness
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Vato Gonzalez
Bassline Riddim
126 bpm • F Maj • 03:04 • -3.77db
31% Popularity • 87% Danceability • 89% Energy • 9% Liveness
85% Instrumentalness • 66% Positiveness
31% Popularity • 87% Danceability • 89% Energy • 9% Liveness
85% Instrumentalness • 66% Positiveness
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BLVCK KARIBOU
Wormhole - Radio Edit
126 bpm • F# Maj • 02:17 • -5.52db
39% Popularity • 73% Danceability • 89% Energy • 12% Liveness
55% Instrumentalness • 11% Positiveness
39% Popularity • 73% Danceability • 89% Energy • 12% Liveness
55% Instrumentalness • 11% Positiveness
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Tiësto
My Frequency
126 bpm • A# Maj • 02:21 • -5db
44% Popularity • 73% Danceability • 89% Energy • 62% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 73% Danceability • 89% Energy • 62% Liveness
0% Instrumentalness • 49% Positiveness
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Dr. Fresch
Take A Step Back
126 bpm • C# Maj • 02:40 • -5.74db
58% Popularity • 81% Danceability • 89% Energy • 28% Liveness
92% Instrumentalness • 22% Positiveness
58% Popularity • 81% Danceability • 89% Energy • 28% Liveness
92% Instrumentalness • 22% Positiveness
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AC Slater
Move It Back
126 bpm • D Maj • 04:24 • -7.62db
3% Popularity • 80% Danceability • 69% Energy • 7% Liveness
64% Instrumentalness • 45% Positiveness
3% Popularity • 80% Danceability • 69% Energy • 7% Liveness
64% Instrumentalness • 45% Positiveness
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Taiki Nulight
Night Bass Thing
126 bpm • G# min • 03:56 • -5.81db
22% Popularity • 80% Danceability • 76% Energy • 7% Liveness
14% Instrumentalness • 32% Positiveness
22% Popularity • 80% Danceability • 76% Energy • 7% Liveness
14% Instrumentalness • 32% Positiveness
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Black Caviar
You Ain't Gotta Bounce To This (Lean)
126 bpm • B min • 03:08 • -6.02db
31% Popularity • 88% Danceability • 61% Energy • 9% Liveness
69% Instrumentalness • 19% Positiveness
31% Popularity • 88% Danceability • 61% Energy • 9% Liveness
69% Instrumentalness • 19% Positiveness
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Don Diablo
Fever
126 bpm • B Maj • 02:51 • -4.48db
36% Popularity • 67% Danceability • 93% Energy • 9% Liveness
14% Instrumentalness • 67% Positiveness
36% Popularity • 67% Danceability • 93% Energy • 9% Liveness
14% Instrumentalness • 67% Positiveness
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Honey & Badger
Manneken Peace
126 bpm • G# Maj • 03:37 • -4.96db
16% Popularity • 87% Danceability • 84% Energy • 7% Liveness
4% Instrumentalness • 72% Positiveness
16% Popularity • 87% Danceability • 84% Energy • 7% Liveness
4% Instrumentalness • 72% Positiveness
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Knock2
dashstar* - VIP
126 bpm • F Maj • 02:20 • -2.8db
65% Popularity • 58% Danceability • 97% Energy • 35% Liveness
29% Instrumentalness • 6% Positiveness
65% Popularity • 58% Danceability • 97% Energy • 35% Liveness
29% Instrumentalness • 6% Positiveness
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Ship Wrek
Energy
126 bpm • C# Maj • 02:53 • -7db
40% Popularity • 72% Danceability • 82% Energy • 17% Liveness
1% Instrumentalness • 24% Positiveness
40% Popularity • 72% Danceability • 82% Energy • 17% Liveness
1% Instrumentalness • 24% Positiveness
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Dombresky
Wait
126 bpm • A# min • 03:46 • -3.56db
22% Popularity • 68% Danceability • 95% Energy • 7% Liveness
93% Instrumentalness • 26% Positiveness
22% Popularity • 68% Danceability • 95% Energy • 7% Liveness
93% Instrumentalness • 26% Positiveness
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Oliver Heldens
The G.O.A.T.
126 bpm • C# Maj • 03:21 • -6.71db
44% Popularity • 68% Danceability • 92% Energy • 46% Liveness
89% Instrumentalness • 36% Positiveness
44% Popularity • 68% Danceability • 92% Energy • 46% Liveness
89% Instrumentalness • 36% Positiveness
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Wax Motif
Keep Raving
126 bpm • A Maj • 02:52 • -4.88db
48% Popularity • 80% Danceability • 85% Energy • 24% Liveness
26% Instrumentalness • 50% Positiveness
48% Popularity • 80% Danceability • 85% Energy • 24% Liveness
26% Instrumentalness • 50% Positiveness
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FISHER
Ya Kidding - Solardo Remix
126 bpm • C# Maj • 07:08 • -6.68db
14% Popularity • 80% Danceability • 93% Energy • 34% Liveness
72% Instrumentalness • 75% Positiveness
14% Popularity • 80% Danceability • 93% Energy • 34% Liveness
72% Instrumentalness • 75% Positiveness
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Bellecour
Calibrator
126 bpm • B Maj • 03:48 • -5.79db
19% Popularity • 90% Danceability • 72% Energy • 8% Liveness
16% Instrumentalness • 46% Positiveness
19% Popularity • 90% Danceability • 72% Energy • 8% Liveness
16% Instrumentalness • 46% Positiveness
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Lowdown
Breakout
126 bpm • C# Maj • 02:40 • -4.06db
10% Popularity • 69% Danceability • 85% Energy • 10% Liveness
58% Instrumentalness • 53% Positiveness
10% Popularity • 69% Danceability • 85% Energy • 10% Liveness
58% Instrumentalness • 53% Positiveness
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Ship Wrek
Need It
126 bpm • F min • 02:40 • -4.37db
43% Popularity • 80% Danceability • 86% Energy • 5% Liveness
84% Instrumentalness • 40% Positiveness
43% Popularity • 80% Danceability • 86% Energy • 5% Liveness
84% Instrumentalness • 40% Positiveness
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Dombresky
Utopia
126 bpm • A# min • 04:40 • -5.14db
36% Popularity • 75% Danceability • 83% Energy • 7% Liveness
54% Instrumentalness • 10% Positiveness
36% Popularity • 75% Danceability • 83% Energy • 7% Liveness
54% Instrumentalness • 10% Positiveness
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Ephwurd
Just Us
126 bpm • A min • 04:07 • -4db
29% Popularity • 78% Danceability • 87% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
29% Popularity • 78% Danceability • 87% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
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Julian Jordan
Oldskool
126 bpm • A# min • 02:41 • -4.97db
40% Popularity • 66% Danceability • 98% Energy • 18% Liveness
69% Instrumentalness • 7% Positiveness
40% Popularity • 66% Danceability • 98% Energy • 18% Liveness
69% Instrumentalness • 7% Positiveness
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Eliminate
Weeble Wobble
126 bpm • B Maj • 03:10 • -0.83db
31% Popularity • 83% Danceability • 94% Energy • 8% Liveness
1% Instrumentalness • 17% Positiveness
31% Popularity • 83% Danceability • 94% Energy • 8% Liveness
1% Instrumentalness • 17% Positiveness
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TV Noise
EDM O' CLOCK
126 bpm • C# Maj • 02:28 • -3.53db
29% Popularity • 80% Danceability • 90% Energy • 44% Liveness
12% Instrumentalness • 20% Positiveness
29% Popularity • 80% Danceability • 90% Energy • 44% Liveness
12% Instrumentalness • 20% Positiveness
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Shdws
Drop N' Dip
126 bpm • F# Maj • 03:46 • -7.67db
12% Popularity • 79% Danceability • 63% Energy • 63% Liveness
11% Instrumentalness • 48% Positiveness
12% Popularity • 79% Danceability • 63% Energy • 63% Liveness
11% Instrumentalness • 48% Positiveness
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QUIX
Deep Home
126 bpm • B min • 03:37 • -3.01db
16% Popularity • 84% Danceability • 85% Energy • 9% Liveness
1% Instrumentalness • 32% Positiveness
16% Popularity • 84% Danceability • 85% Energy • 9% Liveness
1% Instrumentalness • 32% Positiveness
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Koos
Eruption
126 bpm • B Maj • 03:21 • -2.8db
12% Popularity • 86% Danceability • 60% Energy • 11% Liveness
68% Instrumentalness • 17% Positiveness
12% Popularity • 86% Danceability • 60% Energy • 11% Liveness
68% Instrumentalness • 17% Positiveness
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Ephwurd
Money
126 bpm • C# Maj • 03:26 • -3.03db
25% Popularity • 88% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 88% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
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Zonderling
Clouds
126 bpm • C# Maj • 02:31 • -5.36db
44% Popularity • 68% Danceability • 93% Energy • 78% Liveness
84% Instrumentalness • 8% Positiveness
44% Popularity • 68% Danceability • 93% Energy • 78% Liveness
84% Instrumentalness • 8% Positiveness
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JOYRYDE
THE BOX
126 bpm • C# Maj • 04:38 • -3.17db
42% Popularity • 79% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 79% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Qlank
Suffocating
126 bpm • B min • 02:54 • -3.82db
51% Popularity • 88% Danceability • 64% Energy • 6% Liveness
1% Instrumentalness • 20% Positiveness
51% Popularity • 88% Danceability • 64% Energy • 6% Liveness
1% Instrumentalness • 20% Positiveness
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Chocolate Puma
Blackout
126 bpm • D# min • 02:18 • -3.69db
44% Popularity • 83% Danceability • 83% Energy • 4% Liveness
6% Instrumentalness • 51% Positiveness
44% Popularity • 83% Danceability • 83% Energy • 4% Liveness
6% Instrumentalness • 51% Positiveness
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Ookay
All I Wanna Do (Mixed)
126 bpm • C# Maj • 02:35 • -3.03db
27% Popularity • 76% Danceability • 99% Energy • 28% Liveness
73% Instrumentalness • 31% Positiveness
27% Popularity • 76% Danceability • 99% Energy • 28% Liveness
73% Instrumentalness • 31% Positiveness
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Ephwurd
Accelerator
126 bpm • C# Maj • 03:12 • -2.29db
21% Popularity • 82% Danceability • 94% Energy • 10% Liveness
57% Instrumentalness • 42% Positiveness
21% Popularity • 82% Danceability • 94% Energy • 10% Liveness
57% Instrumentalness • 42% Positiveness
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Ship Wrek
Danger
126 bpm • D min • 02:53 • -5.75db
31% Popularity • 82% Danceability • 78% Energy • 6% Liveness
80% Instrumentalness • 57% Positiveness
31% Popularity • 82% Danceability • 78% Energy • 6% Liveness
80% Instrumentalness • 57% Positiveness
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Proxy
Have Some Fun
126 bpm • G Maj • 04:36 • -4.57db
4% Popularity • 90% Danceability • 93% Energy • 21% Liveness
7% Instrumentalness • 42% Positiveness
4% Popularity • 90% Danceability • 93% Energy • 21% Liveness
7% Instrumentalness • 42% Positiveness
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Asdek
Let Me Tell You
126 bpm • G Maj • 04:26 • -5.14db
10% Popularity • 92% Danceability • 58% Energy • 6% Liveness
85% Instrumentalness • 18% Positiveness
10% Popularity • 92% Danceability • 58% Energy • 6% Liveness
85% Instrumentalness • 18% Positiveness
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Knock2
dashstar*
126 bpm • A Maj • 03:18 • -2.99db
61% Popularity • 70% Danceability • 95% Energy • 15% Liveness
33% Instrumentalness • 19% Positiveness
61% Popularity • 70% Danceability • 95% Energy • 15% Liveness
33% Instrumentalness • 19% Positiveness
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Golden Features
Guillotine
126 bpm • G min • 04:07 • -6.16db
32% Popularity • 74% Danceability • 82% Energy • 65% Liveness
76% Instrumentalness • 49% Positiveness
32% Popularity • 74% Danceability • 82% Energy • 65% Liveness
76% Instrumentalness • 49% Positiveness
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Aazar
Da Vinci
126 bpm • E Maj • 02:41 • -10.49db
29% Popularity • 78% Danceability • 64% Energy • 46% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 78% Danceability • 64% Energy • 46% Liveness
0% Instrumentalness • 14% Positiveness
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Anti Up
Shake
126 bpm • F# Maj • 03:14 • -3db
32% Popularity • 64% Danceability • 84% Energy • 40% Liveness
2% Instrumentalness • 30% Positiveness
32% Popularity • 64% Danceability • 84% Energy • 40% Liveness
2% Instrumentalness • 30% Positiveness
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Zonderling
No Good
126 bpm • C# Maj • 02:59 • -4db
36% Popularity • 84% Danceability • 86% Energy • 11% Liveness
2% Instrumentalness • 54% Positiveness
36% Popularity • 84% Danceability • 86% Energy • 11% Liveness
2% Instrumentalness • 54% Positiveness
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Qlank
Elise
127 bpm • D Maj • 03:05 • -3db
20% Popularity • 79% Danceability • 68% Energy • 28% Liveness
10% Instrumentalness • 31% Positiveness
20% Popularity • 79% Danceability • 68% Energy • 28% Liveness
10% Instrumentalness • 31% Positiveness
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JOYRYDE
IM GONE
126 bpm • A Maj • 04:45 • -4db
44% Popularity • 66% Danceability • 95% Energy • 26% Liveness
1% Instrumentalness • 21% Positiveness
44% Popularity • 66% Danceability • 95% Energy • 26% Liveness
1% Instrumentalness • 21% Positiveness
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SIDEPIECE
Together
125 bpm • D min • 03:06 • -6db
52% Popularity • 73% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
52% Popularity • 73% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
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Tiësto
Wombass
125 bpm • G# Maj • 04:00 • -5.44db
49% Popularity • 63% Danceability • 91% Energy • 94% Liveness
69% Instrumentalness • 36% Positiveness
49% Popularity • 63% Danceability • 91% Energy • 94% Liveness
69% Instrumentalness • 36% Positiveness
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His Majesty Andre
Sunshine - AC Slater Remix
127 bpm • F min • 03:50 • -6.54db
0% Popularity • 89% Danceability • 77% Energy • 16% Liveness
72% Instrumentalness • 60% Positiveness
0% Popularity • 89% Danceability • 77% Energy • 16% Liveness
72% Instrumentalness • 60% Positiveness
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Ship Wrek
Stimulate
125 bpm • B min • 03:02 • -4.69db
47% Popularity • 85% Danceability • 76% Energy • 12% Liveness
89% Instrumentalness • 75% Positiveness
47% Popularity • 85% Danceability • 76% Energy • 12% Liveness
89% Instrumentalness • 75% Positiveness
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TYNAN
Diggid
125 bpm • D Maj • 02:42 • -4.97db
26% Popularity • 75% Danceability • 89% Energy • 36% Liveness
2% Instrumentalness • 39% Positiveness
26% Popularity • 75% Danceability • 89% Energy • 36% Liveness
2% Instrumentalness • 39% Positiveness
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Pickle
Blow
125 bpm • G Maj • 02:52 • -4db
34% Popularity • 78% Danceability • 90% Energy • 7% Liveness
72% Instrumentalness • 96% Positiveness
34% Popularity • 78% Danceability • 90% Energy • 7% Liveness
72% Instrumentalness • 96% Positiveness
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AC Slater
Ring the Alarm - Proxy Remix
127 bpm • B min • 04:15 • -6.58db
8% Popularity • 77% Danceability • 80% Energy • 9% Liveness
9% Instrumentalness • 38% Positiveness
8% Popularity • 77% Danceability • 80% Energy • 9% Liveness
9% Instrumentalness • 38% Positiveness
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JOYRYDE
I WARE HOUSE
125 bpm • F# Maj • 04:26 • -4db
41% Popularity • 66% Danceability • 89% Energy • 34% Liveness
3% Instrumentalness • 30% Positiveness
41% Popularity • 66% Danceability • 89% Energy • 34% Liveness
3% Instrumentalness • 30% Positiveness
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Sonny Banks
XERXES
125 bpm • B min • 04:39 • -3.1db
9% Popularity • 80% Danceability • 92% Energy • 4% Liveness
10% Instrumentalness • 82% Positiveness
9% Popularity • 80% Danceability • 92% Energy • 4% Liveness
10% Instrumentalness • 82% Positiveness
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SIDEPIECE
Acrobatic
125 bpm • A Maj • 02:56 • -4db
52% Popularity • 73% Danceability • 95% Energy • 35% Liveness
57% Instrumentalness • 56% Positiveness
52% Popularity • 73% Danceability • 95% Energy • 35% Liveness
57% Instrumentalness • 56% Positiveness
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FISHER
Crowd Control
125 bpm • A Maj • 03:51 • -7.88db
52% Popularity • 87% Danceability • 66% Energy • 5% Liveness
35% Instrumentalness • 86% Positiveness
52% Popularity • 87% Danceability • 66% Energy • 5% Liveness
35% Instrumentalness • 86% Positiveness
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ATICA
Go Back
125 bpm • F# min • 04:12 • -4.27db
16% Popularity • 81% Danceability • 85% Energy • 5% Liveness
36% Instrumentalness • 55% Positiveness
16% Popularity • 81% Danceability • 85% Energy • 5% Liveness
36% Instrumentalness • 55% Positiveness
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Nostalgix
Mind Tricks
125 bpm • D Maj • 03:31 • -9.19db
24% Popularity • 90% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 90% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Stereoliez
W.U.B.
125 bpm • G min • 02:58 • -5.87db
8% Popularity • 72% Danceability • 90% Energy • 44% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 72% Danceability • 90% Energy • 44% Liveness
0% Instrumentalness • 23% Positiveness
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JOYRYDE
ON FIRE
125 bpm • C# Maj • 03:23 • -3db
50% Popularity • 78% Danceability • 91% Energy • 28% Liveness
59% Instrumentalness • 60% Positiveness
50% Popularity • 78% Danceability • 91% Energy • 28% Liveness
59% Instrumentalness • 60% Positiveness
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Drezo
Real
125 bpm • D Maj • 04:51 • -6.22db
16% Popularity • 87% Danceability • 64% Energy • 11% Liveness
62% Instrumentalness • 16% Positiveness
16% Popularity • 87% Danceability • 64% Energy • 11% Liveness
62% Instrumentalness • 16% Positiveness
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Chocolate Puma
Scrub The Ground
127 bpm • B min • 02:48 • -3.89db
41% Popularity • 79% Danceability • 89% Energy • 34% Liveness
81% Instrumentalness • 68% Positiveness
41% Popularity • 79% Danceability • 89% Energy • 34% Liveness
81% Instrumentalness • 68% Positiveness
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Vato Gonzalez
Wavy Riddim
125 bpm • G Maj • 02:37 • -1.25db
26% Popularity • 75% Danceability • 98% Energy • 8% Liveness
81% Instrumentalness • 42% Positiveness
26% Popularity • 75% Danceability • 98% Energy • 8% Liveness
81% Instrumentalness • 42% Positiveness
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AC Slater
Fly Kicks - Wax Motif Remix
125 bpm • B min • 04:38 • -4.99db
50% Popularity • 90% Danceability • 69% Energy • 6% Liveness
72% Instrumentalness • 61% Positiveness
50% Popularity • 90% Danceability • 69% Energy • 6% Liveness
72% Instrumentalness • 61% Positiveness
