Songs like Basse danse la Magdalena by Pierre Attaingnant
Based on a tempo of (+/- 10%) and a similar genre
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Pierre Attaingnant
Basse danse la Magdalena
83 bpm • D min • 02:13 • -29db
14% Popularity • 25% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 25% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Luis de Narváez
La Canción del Emperador
83 bpm • F# min • 02:34 • -34db
18% Popularity • 38% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
18% Popularity • 38% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
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Giovanni Zamboni
Lute Sonata No. 9: IV. Sarabanda
83 bpm • C# min • 01:42 • -27db
30% Popularity • 37% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
30% Popularity • 37% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
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Juan del Encina
Si abra en este baldres
83 bpm • F Maj • 01:28 • -15db
18% Popularity • 62% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 62% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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M. Pipelaire
Fors seulement
83 bpm • A min • 02:46 • -24.63db
0% Popularity • 9% Danceability • 3% Energy • 10% Liveness
53% Instrumentalness • 17% Positiveness
0% Popularity • 9% Danceability • 3% Energy • 10% Liveness
53% Instrumentalness • 17% Positiveness
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Claude Gervaise
Suite I: Bransle de Champaigne I
83 bpm • G min • 01:19 • -22.8db
9% Popularity • 47% Danceability • 9% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
9% Popularity • 47% Danceability • 9% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
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Edward Martin
Haulberroys (Attaignant)
82 bpm • G min • 01:29 • -23.5db
20% Popularity • 49% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 63% Positiveness
20% Popularity • 49% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 63% Positiveness
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Joan Ambrosio Dalza
Tastar de corde
82 bpm • C min • 01:28 • -35.72db
33% Popularity • 38% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 25% Positiveness
33% Popularity • 38% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 25% Positiveness
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Pierre Attaingnant
Tourdion
84 bpm • C# min • 02:14 • -24.26db
4% Popularity • 53% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 71% Positiveness
4% Popularity • 53% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 71% Positiveness
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Jean Fischer
Bourrée
84 bpm • C Maj • 00:56 • -23.47db
1% Popularity • 62% Danceability • 6% Energy • 8% Liveness
41% Instrumentalness • 94% Positiveness
1% Popularity • 62% Danceability • 6% Energy • 8% Liveness
41% Instrumentalness • 94% Positiveness
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Hildegard von Bingen
Instrumental piece II
84 bpm • G min • 04:57 • -25.35db
10% Popularity • 12% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
10% Popularity • 12% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
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Alessandro Piccinini
Ciaccona in G major
82 bpm • G Maj • 01:55 • -35.43db
17% Popularity • 47% Danceability • 2% Energy • 12% Liveness
98% Instrumentalness • 30% Positiveness
17% Popularity • 47% Danceability • 2% Energy • 12% Liveness
98% Instrumentalness • 30% Positiveness
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Maddalena Casulana
Maddalena Casulana : O notte o ciel o ma...
84 bpm • C Maj • 01:30 • -22.34db
14% Popularity • 34% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 34% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Guglielmo Ebreo da Pesaro
Falla con misuras
84 bpm • E min • 01:26 • -27db
35% Popularity • 14% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
35% Popularity • 14% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
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Pierre Attaingnant
Basse Danse / Recoupe / Tordion
84 bpm • G min • 02:23 • -22.96db
4% Popularity • 41% Danceability • 15% Energy • 16% Liveness
95% Instrumentalness • 67% Positiveness
4% Popularity • 41% Danceability • 15% Energy • 16% Liveness
95% Instrumentalness • 67% Positiveness
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Baude Cordier
Tout par compas, Fol. 12 (Rondeau/Canon)
84 bpm • D# Maj • 02:49 • -20.68db
26% Popularity • 31% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 31% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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John Dowland
George Whitehead
84 bpm • C Maj • 01:17 • -26.18db
12% Popularity • 57% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 46% Positiveness
12% Popularity • 57% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 46% Positiveness
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Fabritio Caroso
Celeste Giglio
82 bpm • E min • 02:51 • -21.56db
3% Popularity • 28% Danceability • 12% Energy • 12% Liveness
25% Instrumentalness • 49% Positiveness
3% Popularity • 28% Danceability • 12% Energy • 12% Liveness
25% Instrumentalness • 49% Positiveness
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William Byrd
Byrd: Prelude & Goodnight Ground a 5
84 bpm • D# Maj • 05:58 • -21.22db
9% Popularity • 15% Danceability • 10% Energy • 14% Liveness
90% Instrumentalness • 28% Positiveness
9% Popularity • 15% Danceability • 10% Energy • 14% Liveness
90% Instrumentalness • 28% Positiveness
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Guillaume de Machaut
Dame, ne regardes pas (Medieval Fiddles)
82 bpm • D# min • 01:51 • -29.03db
14% Popularity • 19% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 28% Positiveness
14% Popularity • 19% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 28% Positiveness
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Pierre Attaingnant
Branle gay "Que je chatoulle ta fossette...
84 bpm • A# min • 04:11 • -18.87db
3% Popularity • 55% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 61% Positiveness
3% Popularity • 55% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 61% Positiveness
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Christian Zimmermann
Suite No. 1 in A Major
82 bpm • G# Maj • 01:36 • -19.37db
12% Popularity • 33% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
12% Popularity • 33% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
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Salomone Rossi
Sinfonia grave
84 bpm • C Maj • 03:41 • -17.44db
8% Popularity • 17% Danceability • 33% Energy • 15% Liveness
99% Instrumentalness • 27% Positiveness
8% Popularity • 17% Danceability • 33% Energy • 15% Liveness
99% Instrumentalness • 27% Positiveness
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Gaspar Sanz
Maricapalos
84 bpm • A min • 03:48 • -25db
15% Popularity • 35% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 48% Positiveness
15% Popularity • 35% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 48% Positiveness
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Ronn McFarlane
Separation of the Body and Soul
82 bpm • F# min • 02:53 • -24.5db
12% Popularity • 53% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
12% Popularity • 53% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
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Adrian Willaert
Le midi. l'amour épanouï: VII. Dessus ...
84 bpm • C# min • 02:23 • -18.68db
0% Popularity • 32% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 32% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Anthony Holborne
Coranto "Heigh - Ho Holiday"
85 bpm • D min • 00:48 • -21.25db
2% Popularity • 44% Danceability • 7% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
2% Popularity • 44% Danceability • 7% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Robert de Visée
Passacaille en si mineur
81 bpm • A# min • 02:51 • -26.34db
15% Popularity • 46% Danceability • 7% Energy • 10% Liveness
21% Instrumentalness • 30% Positiveness
15% Popularity • 46% Danceability • 7% Energy • 10% Liveness
21% Instrumentalness • 30% Positiveness
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Vincenzo Capirola
Balletto
81 bpm • D Maj • 01:52 • -31db
25% Popularity • 44% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 50% Positiveness
25% Popularity • 44% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 50% Positiveness
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Giorgio Mainerio
Schiarazula Marazula
81 bpm • G min • 03:37 • -28.32db
10% Popularity • 12% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
10% Popularity • 12% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Nicolas Vallet
Pavanne en forme de complainte
85 bpm • G# min • 04:49 • -25db
30% Popularity • 47% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
30% Popularity • 47% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
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Christopher Tye
In nomine: Rachell’s Weepinge
81 bpm • C# min • 02:50 • -26db
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Valentin Haussmann
Paduan
81 bpm • D min • 02:15 • -22.15db
2% Popularity • 20% Danceability • 9% Energy • 9% Liveness
20% Instrumentalness • 9% Positiveness
2% Popularity • 20% Danceability • 9% Energy • 9% Liveness
20% Instrumentalness • 9% Positiveness
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Luis de Narváez
La cancion del emperador. Mille Regres (...
85 bpm • G min • 02:07 • -30.28db
18% Popularity • 39% Danceability • 5% Energy • 14% Liveness
80% Instrumentalness • 46% Positiveness
18% Popularity • 39% Danceability • 5% Energy • 14% Liveness
80% Instrumentalness • 46% Positiveness
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Pierre Attaingnant
Gaillarde
81 bpm • F Maj • 02:52 • -20.79db
2% Popularity • 42% Danceability • 15% Energy • 10% Liveness
83% Instrumentalness • 96% Positiveness
2% Popularity • 42% Danceability • 15% Energy • 10% Liveness
83% Instrumentalness • 96% Positiveness
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Johannes Ockeghem
D'un autre amer: D'ung aultre amer
86 bpm • D min • 03:07 • -22.11db
16% Popularity • 15% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 15% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Giovanni Paolo Foscarini
Folia
86 bpm • C Maj • 02:31 • -18db
19% Popularity • 58% Danceability • 8% Energy • 11% Liveness
21% Instrumentalness • 35% Positiveness
19% Popularity • 58% Danceability • 8% Energy • 11% Liveness
21% Instrumentalness • 35% Positiveness
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Orlando Gibbons
Galliard
86 bpm • F# Maj • 02:56 • -25db
17% Popularity • 24% Danceability • 6% Energy • 29% Liveness
95% Instrumentalness • 33% Positiveness
17% Popularity • 24% Danceability • 6% Energy • 29% Liveness
95% Instrumentalness • 33% Positiveness
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Giorgio Mainerio
Tedesca - Saltarello
85 bpm • E min • 01:15 • -20.99db
18% Popularity • 28% Danceability • 5% Energy • 14% Liveness
26% Instrumentalness • 50% Positiveness
18% Popularity • 28% Danceability • 5% Energy • 14% Liveness
26% Instrumentalness • 50% Positiveness
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Pierre de la Rue
Autant en emporte
80 bpm • G# min • 01:17 • -25db
22% Popularity • 24% Danceability • 5% Energy • 14% Liveness
99% Instrumentalness • 19% Positiveness
22% Popularity • 24% Danceability • 5% Energy • 14% Liveness
99% Instrumentalness • 19% Positiveness
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Vincenzo Capirola
Lute music - Italy: Ricercar XIII
86 bpm • A# Maj • 03:31 • -22.68db
23% Popularity • 47% Danceability • 5% Energy • 16% Liveness
84% Instrumentalness • 32% Positiveness
23% Popularity • 47% Danceability • 5% Energy • 16% Liveness
84% Instrumentalness • 32% Positiveness
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Hopkinson Smith
Three Feminine Portraits - Lady Hunsdon'...
80 bpm • A# Maj • 01:36 • -20.04db
25% Popularity • 34% Danceability • 17% Energy • 21% Liveness
89% Instrumentalness • 53% Positiveness
25% Popularity • 34% Danceability • 17% Energy • 21% Liveness
89% Instrumentalness • 53% Positiveness
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Robert de Visée
Prélude en ré mineur
86 bpm • C# min • 01:15 • -28db
36% Popularity • 25% Danceability • 4% Energy • 15% Liveness
76% Instrumentalness • 23% Positiveness
36% Popularity • 25% Danceability • 4% Energy • 15% Liveness
76% Instrumentalness • 23% Positiveness
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Unicorn Ensemble
Saltarello No. 4
80 bpm • D Maj • 07:26 • -19db
14% Popularity • 40% Danceability • 37% Energy • 8% Liveness
60% Instrumentalness • 52% Positiveness
14% Popularity • 40% Danceability • 37% Energy • 8% Liveness
60% Instrumentalness • 52% Positiveness
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Carlo Gesualdo
Gagliarda del Principe di Venosa
81 bpm • G Maj • 02:12 • -22.72db
3% Popularity • 19% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
3% Popularity • 19% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Josquin des Prez
Scaramella Va Alla Guerra
86 bpm • A min • 01:30 • -18db
15% Popularity • 46% Danceability • 7% Energy • 15% Liveness
6% Instrumentalness • 42% Positiveness
15% Popularity • 46% Danceability • 7% Energy • 15% Liveness
6% Instrumentalness • 42% Positiveness
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Diego Ortiz
Recercadas del Trattado de Glosas: Recer...
86 bpm • F Maj • 02:16 • -20.84db
21% Popularity • 17% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 21% Positiveness
21% Popularity • 17% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 21% Positiveness
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Edward Martin and Paul Berget
Sonata in C Major (Weiss) - Andante
86 bpm • B Maj • 03:31 • -24.8db
11% Popularity • 58% Danceability • 8% Energy • 11% Liveness
40% Instrumentalness • 30% Positiveness
11% Popularity • 58% Danceability • 8% Energy • 11% Liveness
40% Instrumentalness • 30% Positiveness
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Christopher Tye
In Nomine No. 14, 'Reporte'
86 bpm • C# min • 02:15 • -28db
18% Popularity • 19% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
18% Popularity • 19% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
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Hopkinson Smith
Melancholy Galliard
80 bpm • G# Maj • 02:13 • -22.65db
33% Popularity • 42% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 40% Positiveness
33% Popularity • 42% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 40% Positiveness
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Hans Neusidler
Welscher Tantz Wascha mesa - Hupfauff
86 bpm • C Maj • 01:31 • -23.09db
14% Popularity • 41% Danceability • 26% Energy • 30% Liveness
96% Instrumentalness • 73% Positiveness
14% Popularity • 41% Danceability • 26% Energy • 30% Liveness
96% Instrumentalness • 73% Positiveness
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Antoine Busnois
Alleluya
80 bpm • D# Maj • 01:25 • -20.8db
34% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
34% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
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François Couperin
Nouveau Concert No.7 in G minor: 5. Gavo...
80 bpm • G min • 01:01 • -17.6db
0% Popularity • 38% Danceability • 12% Energy • 51% Liveness
0% Instrumentalness • 93% Positiveness
0% Popularity • 38% Danceability • 12% Energy • 51% Liveness
0% Instrumentalness • 93% Positiveness
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Antonio da Cividale
Lo vegio per stasone
79 bpm • F Maj • 02:30 • -32.07db
13% Popularity • 39% Danceability • 4% Energy • 7% Liveness
90% Instrumentalness • 50% Positiveness
13% Popularity • 39% Danceability • 4% Energy • 7% Liveness
90% Instrumentalness • 50% Positiveness
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Antonio de Cabezón
Differencias Sobre La Gallarda Milanesa
87 bpm • F Maj • 02:19 • -20db
9% Popularity • 38% Danceability • 11% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
9% Popularity • 38% Danceability • 11% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
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Bartolomeo Tromboncino
Ostinato vos seguire
87 bpm • F Maj • 03:32 • -15db
18% Popularity • 46% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 46% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Hans Neusidler
Der Judentantz
86 bpm • A Maj • 01:07 • -21db
15% Popularity • 32% Danceability • 12% Energy • 13% Liveness
92% Instrumentalness • 53% Positiveness
15% Popularity • 32% Danceability • 12% Energy • 13% Liveness
92% Instrumentalness • 53% Positiveness
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Edward Martin
Basse dance :La Roque: (Attaingnant)
79 bpm • C Maj • 01:40 • -25.99db
20% Popularity • 48% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 84% Positiveness
20% Popularity • 48% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 84% Positiveness
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François Couperin
Nouveau Concert No.6 in B flat major: 1....
79 bpm • A# Maj • 02:23 • -17.97db
0% Popularity • 13% Danceability • 15% Energy • 15% Liveness
95% Instrumentalness • 21% Positiveness
0% Popularity • 13% Danceability • 15% Energy • 15% Liveness
95% Instrumentalness • 21% Positiveness
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Unicorn Ensemble
Parlamento
79 bpm • D min • 04:51 • -31db
15% Popularity • 41% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
15% Popularity • 41% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
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Tylman Susato
Susato: 12 Dances from The Danserye: I. ...
87 bpm • C Maj • 01:15 • -9.67db
11% Popularity • 53% Danceability • 56% Energy • 13% Liveness
68% Instrumentalness • 25% Positiveness
11% Popularity • 53% Danceability • 56% Energy • 13% Liveness
68% Instrumentalness • 25% Positiveness
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Orlando Gibbons
Pavan
79 bpm • F# Maj • 04:22 • -24db
26% Popularity • 13% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
26% Popularity • 13% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
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Alexander Agricola
Missa, "In myne zin": Agnus Dei: Agnus I
79 bpm • A min • 02:31 • -21db
29% Popularity • 18% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
29% Popularity • 18% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
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Paolo D'Aragon
Toccate
79 bpm • E min • 03:26 • -21db
16% Popularity • 38% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 42% Positiveness
16% Popularity • 38% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 42% Positiveness
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Jacob Clemens non Papa
Si mon amour
79 bpm • C Maj • 01:29 • -29.09db
21% Popularity • 7% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
21% Popularity • 7% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
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Thomas Morley
Pavin
87 bpm • A Maj • 04:56 • -38.39db
5% Popularity • 26% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
5% Popularity • 26% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
► Preview
Cesare Negri
Lute music - Italy: Lo spagnoletto - Il ...
87 bpm • F Maj • 02:40 • -20db
9% Popularity • 47% Danceability • 21% Energy • 8% Liveness
89% Instrumentalness • 46% Positiveness
9% Popularity • 47% Danceability • 21% Energy • 8% Liveness
89% Instrumentalness • 46% Positiveness
► Preview
Claudin de Sermisy
Tant que vivray en aage florissant (arr....
79 bpm • G Maj • 03:32 • -19.17db
1% Popularity • 44% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
1% Popularity • 44% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Juan del Encina
Triste Espana (version 1)
88 bpm • G min • 01:19 • -21.21db
14% Popularity • 28% Danceability • 5% Energy • 10% Liveness
76% Instrumentalness • 14% Positiveness
14% Popularity • 28% Danceability • 5% Energy • 10% Liveness
76% Instrumentalness • 14% Positiveness
► Preview
John Dowland
Lady Hunsdon's Puffe, P. 54
78 bpm • A# Maj • 01:49 • -20.52db
25% Popularity • 45% Danceability • 19% Energy • 8% Liveness
82% Instrumentalness • 78% Positiveness
25% Popularity • 45% Danceability • 19% Energy • 8% Liveness
82% Instrumentalness • 78% Positiveness
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Jacob Clemens non Papa
Adieu delices de mon ceur
79 bpm • D min • 01:58 • -33db
30% Popularity • 9% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
30% Popularity • 9% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
► Preview
Hopkinson Smith
Elizabeth and Essex - Queen Elizabeth's ...
88 bpm • A min • 02:06 • -22.85db
20% Popularity • 30% Danceability • 12% Energy • 14% Liveness
92% Instrumentalness • 33% Positiveness
20% Popularity • 30% Danceability • 12% Energy • 14% Liveness
92% Instrumentalness • 33% Positiveness
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Alexander Agricola
Ay je rien fet
78 bpm • D min • 03:11 • -16db
9% Popularity • 20% Danceability • 21% Energy • 9% Liveness
3% Instrumentalness • 31% Positiveness
9% Popularity • 20% Danceability • 21% Energy • 9% Liveness
3% Instrumentalness • 31% Positiveness
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Innocentio Alberti
Pavin of Albarti
78 bpm • E Maj • 01:16 • -27.77db
35% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
35% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
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William Byrd
My Ladye Nevels Grownde
78 bpm • C# Maj • 06:40 • -15.28db
10% Popularity • 19% Danceability • 43% Energy • 30% Liveness
43% Instrumentalness • 52% Positiveness
10% Popularity • 19% Danceability • 43% Energy • 30% Liveness
43% Instrumentalness • 52% Positiveness
► Preview
Pierre Phalèse
Passamezzo d'Italye - Reprise - Gaillard...
89 bpm • D min • 02:39 • -18.37db
4% Popularity • 35% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 43% Positiveness
4% Popularity • 35% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 43% Positiveness
► Preview
Giovanni Zamboni
Suonata: Sarabanda
78 bpm • G# Maj • 01:29 • -21db
24% Popularity • 59% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 16% Positiveness
24% Popularity • 59% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 16% Positiveness
► Preview
Gautier De Coincy
Chanson à la vierge
78 bpm • A min • 01:41 • -28.62db
19% Popularity • 22% Danceability • 1% Energy • 9% Liveness
62% Instrumentalness • 71% Positiveness
19% Popularity • 22% Danceability • 1% Energy • 9% Liveness
62% Instrumentalness • 71% Positiveness
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Giorgio Mainerio
Gagliarda
77 bpm • G Maj • 01:17 • -21.57db
20% Popularity • 46% Danceability • 17% Energy • 20% Liveness
63% Instrumentalness • 37% Positiveness
20% Popularity • 46% Danceability • 17% Energy • 20% Liveness
63% Instrumentalness • 37% Positiveness
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Francesco Corbetta
Balletto fatto nella Bariera sopra la Sa...
77 bpm • C# min • 01:18 • -27.87db
29% Popularity • 47% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 65% Positiveness
29% Popularity • 47% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 65% Positiveness
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John Dowland
Mr. Dowland's Midnight, P. 99
89 bpm • C min • 01:55 • -27.71db
23% Popularity • 38% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 39% Positiveness
23% Popularity • 38% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 39% Positiveness
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William Lawes
Pieces for 2 Lutes: III. Corant
90 bpm • A Maj • 01:46 • -31db
25% Popularity • 39% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 29% Positiveness
25% Popularity • 39% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 29% Positiveness
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Silvius Leopold Weiss
Deux pièces en fa majeur: II. Ciacconna...
90 bpm • C# min • 04:34 • -32db
30% Popularity • 26% Danceability • 7% Energy • 13% Liveness
96% Instrumentalness • 54% Positiveness
30% Popularity • 26% Danceability • 7% Energy • 13% Liveness
96% Instrumentalness • 54% Positiveness
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Anon
Queine of Ingland's Pavan & Gallyard
89 bpm • A min • 00:57 • -17.78db
12% Popularity • 65% Danceability • 14% Energy • 21% Liveness
95% Instrumentalness • 55% Positiveness
12% Popularity • 65% Danceability • 14% Energy • 21% Liveness
95% Instrumentalness • 55% Positiveness
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Pierre Attaingnant
Attaingnant: 19 Chansons musicales redui...
90 bpm • A min • 01:27 • -25db
0% Popularity • 34% Danceability • 28% Energy • 7% Liveness
99% Instrumentalness • 88% Positiveness
0% Popularity • 34% Danceability • 28% Energy • 7% Liveness
99% Instrumentalness • 88% Positiveness
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Stephen Stubbs
Recercar
90 bpm • A# Maj • 01:13 • -34db
28% Popularity • 37% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 48% Positiveness
28% Popularity • 37% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 48% Positiveness
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Vincenzo Ruffo
La Gamba
90 bpm • F Maj • 01:24 • -26db
22% Popularity • 45% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 77% Positiveness
22% Popularity • 45% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 77% Positiveness
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Baude Cordier
Tout par compas suy composés
90 bpm • E min • 02:11 • -24.4db
32% Popularity • 24% Danceability • 5% Energy • 12% Liveness
82% Instrumentalness • 33% Positiveness
32% Popularity • 24% Danceability • 5% Energy • 12% Liveness
82% Instrumentalness • 33% Positiveness
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Hopkinson Smith
La Mallassis - Sarabande
76 bpm • F min • 02:35 • -28db
29% Popularity • 42% Danceability • 2% Energy • 11% Liveness
76% Instrumentalness • 13% Positiveness
29% Popularity • 42% Danceability • 2% Energy • 11% Liveness
76% Instrumentalness • 13% Positiveness
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Diego Pisador
Dezilde al Cavallero que
90 bpm • F Maj • 02:53 • -27.21db
18% Popularity • 36% Danceability • 4% Energy • 8% Liveness
91% Instrumentalness • 58% Positiveness
18% Popularity • 36% Danceability • 4% Energy • 8% Liveness
91% Instrumentalness • 58% Positiveness
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Edward Martin
Il me souffit (Sermisy)
76 bpm • G min • 01:17 • -27db
18% Popularity • 38% Danceability • 5% Energy • 11% Liveness
78% Instrumentalness • 58% Positiveness
18% Popularity • 38% Danceability • 5% Energy • 11% Liveness
78% Instrumentalness • 58% Positiveness
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John Dowland
M. George Whitehead his Almand from Lach...
76 bpm • A# Maj • 01:31 • -25db
15% Popularity • 27% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 49% Positiveness
15% Popularity • 27% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 49% Positiveness
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Pierre Attaingnant
Gaillarde
91 bpm • E Maj • 04:37 • -19.22db
3% Popularity • 40% Danceability • 26% Energy • 13% Liveness
95% Instrumentalness • 88% Positiveness
3% Popularity • 40% Danceability • 26% Energy • 13% Liveness
95% Instrumentalness • 88% Positiveness
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Anthony Holborne
Image of Melancholy
76 bpm • D Maj • 05:33 • -15.87db
33% Popularity • 13% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
33% Popularity • 13% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
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Hopkinson Smith
Fortune My Foe
90 bpm • G min • 04:31 • -26.51db
14% Popularity • 37% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 21% Positiveness
14% Popularity • 37% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 21% Positiveness
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Johann Daniel Mylius
Courante I
76 bpm • B min • 01:29 • -27db
16% Popularity • 30% Danceability • 9% Energy • 9% Liveness
84% Instrumentalness • 67% Positiveness
16% Popularity • 30% Danceability • 9% Energy • 9% Liveness
84% Instrumentalness • 67% Positiveness
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Johann Sebastian Bach
Toccata & Fugue in D minor, BWV565
91 bpm • E min • 08:45 • -20.66db
30% Popularity • 30% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
30% Popularity • 30% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
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Pierre de la Rue
Mijn hert altijt heeft verlanghen
76 bpm • A min • 04:47 • -22.21db
15% Popularity • 13% Danceability • 4% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
15% Popularity • 13% Danceability • 4% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
