Songs like Bastille Day by John Tesh
Based on a tempo of (+/- 10%) and a similar genre
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John Tesh
The Crying Game
100 bpm • E min • 03:25 • -11.04db
12% Popularity • 57% Danceability • 50% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
12% Popularity • 57% Danceability • 50% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
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Chris Camozzi
Ring Of Gold
100 bpm • C# min • 04:24 • -9.6db
15% Popularity • 54% Danceability • 78% Energy • 3% Liveness
80% Instrumentalness • 50% Positiveness
15% Popularity • 54% Danceability • 78% Energy • 3% Liveness
80% Instrumentalness • 50% Positiveness
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Acoustic Alchemy
Ariane
100 bpm • E Maj • 04:56 • -15.02db
26% Popularity • 63% Danceability • 58% Energy • 13% Liveness
68% Instrumentalness • 64% Positiveness
26% Popularity • 63% Danceability • 58% Energy • 13% Liveness
68% Instrumentalness • 64% Positiveness
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Kim Waters
Love's Theme
100 bpm • D Maj • 04:27 • -5.61db
36% Popularity • 69% Danceability • 71% Energy • 5% Liveness
12% Instrumentalness • 50% Positiveness
36% Popularity • 69% Danceability • 71% Energy • 5% Liveness
12% Instrumentalness • 50% Positiveness
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Norman Brown
For The Love Of You
100 bpm • B min • 05:21 • -10db
36% Popularity • 70% Danceability • 57% Energy • 14% Liveness
19% Instrumentalness • 82% Positiveness
36% Popularity • 70% Danceability • 57% Energy • 14% Liveness
19% Instrumentalness • 82% Positiveness
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George Howard
Piano In The Dark
100 bpm • F min • 05:09 • -11.76db
33% Popularity • 65% Danceability • 48% Energy • 37% Liveness
21% Instrumentalness • 37% Positiveness
33% Popularity • 65% Danceability • 48% Energy • 37% Liveness
21% Instrumentalness • 37% Positiveness
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Dreaming in Colour
Panacea
100 bpm • C# min • 03:53 • -14.28db
33% Popularity • 80% Danceability • 23% Energy • 33% Liveness
65% Instrumentalness • 30% Positiveness
33% Popularity • 80% Danceability • 23% Energy • 33% Liveness
65% Instrumentalness • 30% Positiveness
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Giuseppe Sbernini
Can't Help Falling in Love
100 bpm • D# Maj • 03:00 • -16.02db
31% Popularity • 61% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 36% Positiveness
31% Popularity • 61% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 36% Positiveness
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John Tesh
April Song
99 bpm • C Maj • 04:18 • -19.22db
14% Popularity • 48% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 48% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Acoustic Alchemy
Caravan Of Dreams
100 bpm • G Maj • 03:01 • -14.91db
33% Popularity • 57% Danceability • 17% Energy • 9% Liveness
78% Instrumentalness • 56% Positiveness
33% Popularity • 57% Danceability • 17% Energy • 9% Liveness
78% Instrumentalness • 56% Positiveness
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David Sanborn
You Don't Know Me
99 bpm • C Maj • 05:39 • -13.49db
18% Popularity • 30% Danceability • 23% Energy • 10% Liveness
2% Instrumentalness • 8% Positiveness
18% Popularity • 30% Danceability • 23% Energy • 10% Liveness
2% Instrumentalness • 8% Positiveness
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Jamie Conway
Open Arms
99 bpm • D Maj • 03:44 • -20.94db
22% Popularity • 36% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
22% Popularity • 36% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
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Tom McBryde
Happy Days Are Here Again
99 bpm • C Maj • 02:55 • -22.09db
15% Popularity • 44% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
15% Popularity • 44% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Anne Trenning
Where Rivers Run
101 bpm • C Maj • 05:01 • -22.56db
18% Popularity • 38% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 23% Positiveness
18% Popularity • 38% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 23% Positiveness
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Snake Hips Johnson
That Somebody Was You
99 bpm • C min • 04:45 • -11.22db
29% Popularity • 37% Danceability • 41% Energy • 13% Liveness
48% Instrumentalness • 8% Positiveness
29% Popularity • 37% Danceability • 41% Energy • 13% Liveness
48% Instrumentalness • 8% Positiveness
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Bill Evans
In only in your Dreams
101 bpm • C Maj • 04:47 • -6.95db
32% Popularity • 66% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 66% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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John Tesh
What A Wonderful World
99 bpm • G# Maj • 04:58 • -10.8db
15% Popularity • 69% Danceability • 39% Energy • 9% Liveness
61% Instrumentalness • 12% Positiveness
15% Popularity • 69% Danceability • 39% Energy • 9% Liveness
61% Instrumentalness • 12% Positiveness
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Ken Navarro
Into the Light
101 bpm • G# Maj • 04:04 • -8.39db
23% Popularity • 78% Danceability • 52% Energy • 12% Liveness
85% Instrumentalness • 93% Positiveness
23% Popularity • 78% Danceability • 52% Energy • 12% Liveness
85% Instrumentalness • 93% Positiveness
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Tom McBryde
Second Time Around
99 bpm • C Maj • 03:13 • -19.73db
21% Popularity • 55% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
21% Popularity • 55% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
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Fourplay
101 Eastbound - 2021 Remastered
101 bpm • C# Maj • 05:56 • -11.81db
41% Popularity • 69% Danceability • 65% Energy • 9% Liveness
91% Instrumentalness • 47% Positiveness
41% Popularity • 69% Danceability • 65% Energy • 9% Liveness
91% Instrumentalness • 47% Positiveness
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Anne Trenning
Real Love
99 bpm • A min • 03:22 • -20.28db
17% Popularity • 41% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 15% Positiveness
17% Popularity • 41% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 15% Positiveness
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Kenny Loggins
I Would Do Anything
102 bpm • C Maj • 06:34 • -17.02db
16% Popularity • 57% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 57% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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John Tesh
Piano In The Dark
99 bpm • F min • 06:17 • -11.39db
10% Popularity • 55% Danceability • 37% Energy • 12% Liveness
76% Instrumentalness • 22% Positiveness
10% Popularity • 55% Danceability • 37% Energy • 12% Liveness
76% Instrumentalness • 22% Positiveness
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John Warrington
Save the Best for Last
98 bpm • D Maj • 03:20 • -13db
42% Popularity • 58% Danceability • 22% Energy • 9% Liveness
10% Instrumentalness • 21% Positiveness
42% Popularity • 58% Danceability • 22% Energy • 9% Liveness
10% Instrumentalness • 21% Positiveness
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Tom McBryde
For The Good Times
101 bpm • F Maj • 03:11 • -21db
28% Popularity • 50% Danceability • 7% Energy • 13% Liveness
91% Instrumentalness • 29% Positiveness
28% Popularity • 50% Danceability • 7% Energy • 13% Liveness
91% Instrumentalness • 29% Positiveness
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Jonathan Cain
Bridal March
102 bpm • A Maj • 01:47 • -12.73db
40% Popularity • 49% Danceability • 24% Energy • 10% Liveness
99% Instrumentalness • 30% Positiveness
40% Popularity • 49% Danceability • 24% Energy • 10% Liveness
99% Instrumentalness • 30% Positiveness
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The Marco Phillipe Orchestra
Leaving On a Jet Plane
98 bpm • D Maj • 02:28 • -17.6db
43% Popularity • 35% Danceability • 15% Energy • 15% Liveness
89% Instrumentalness • 40% Positiveness
43% Popularity • 35% Danceability • 15% Energy • 15% Liveness
89% Instrumentalness • 40% Positiveness
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Silvard
Forever Yours
98 bpm • D Maj • 04:26 • -14.51db
20% Popularity • 40% Danceability • 23% Energy • 10% Liveness
84% Instrumentalness • 21% Positiveness
20% Popularity • 40% Danceability • 23% Energy • 10% Liveness
84% Instrumentalness • 21% Positiveness
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Giuseppe Sbernini
Close to You
98 bpm • F Maj • 03:45 • -12.27db
23% Popularity • 60% Danceability • 19% Energy • 12% Liveness
71% Instrumentalness • 14% Positiveness
23% Popularity • 60% Danceability • 19% Energy • 12% Liveness
71% Instrumentalness • 14% Positiveness
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Ken Navarro
Juliet
102 bpm • A min • 03:58 • -9.71db
35% Popularity • 76% Danceability • 61% Energy • 15% Liveness
90% Instrumentalness • 91% Positiveness
35% Popularity • 76% Danceability • 61% Energy • 15% Liveness
90% Instrumentalness • 91% Positiveness
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John Tesh
My Heart Will Go On
102 bpm • E Maj • 04:41 • -14.15db
14% Popularity • 56% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
14% Popularity • 56% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
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John Fluker
A Father's Love
102 bpm • C Maj • 02:04 • -15.54db
26% Popularity • 47% Danceability • 12% Energy • 13% Liveness
90% Instrumentalness • 12% Positiveness
26% Popularity • 47% Danceability • 12% Energy • 13% Liveness
90% Instrumentalness • 12% Positiveness
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Dan Fogelberg
Paris Nocturne
98 bpm • F min • 03:35 • -15.74db
25% Popularity • 34% Danceability • 15% Energy • 8% Liveness
87% Instrumentalness • 33% Positiveness
25% Popularity • 34% Danceability • 15% Energy • 8% Liveness
87% Instrumentalness • 33% Positiveness
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Boney James
After The Rain
98 bpm • F min • 04:40 • -8.31db
40% Popularity • 61% Danceability • 73% Energy • 9% Liveness
91% Instrumentalness • 78% Positiveness
40% Popularity • 61% Danceability • 73% Energy • 9% Liveness
91% Instrumentalness • 78% Positiveness
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Keiko Matsui
Deep Blue
98 bpm • F# min • 04:46 • -13.74db
23% Popularity • 36% Danceability • 47% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
23% Popularity • 36% Danceability • 47% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Ken Navarro
You Are Everything
103 bpm • C# min • 04:55 • -8db
34% Popularity • 62% Danceability • 76% Energy • 17% Liveness
89% Instrumentalness • 78% Positiveness
34% Popularity • 62% Danceability • 76% Energy • 17% Liveness
89% Instrumentalness • 78% Positiveness
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John Tesh
The Living Years
98 bpm • G# Maj • 06:06 • -12.06db
10% Popularity • 52% Danceability • 39% Energy • 3% Liveness
77% Instrumentalness • 13% Positiveness
10% Popularity • 52% Danceability • 39% Energy • 3% Liveness
77% Instrumentalness • 13% Positiveness
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Tom McBryde
Somewhere In Time
97 bpm • C Maj • 04:27 • -20.46db
17% Popularity • 40% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
17% Popularity • 40% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
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Jamie Conway
If
103 bpm • A Maj • 02:23 • -21.59db
35% Popularity • 56% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
35% Popularity • 56% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Alex Bugnon
Piano In The Dark
103 bpm • C min • 05:30 • -14.48db
18% Popularity • 74% Danceability • 54% Energy • 11% Liveness
46% Instrumentalness • 57% Positiveness
18% Popularity • 74% Danceability • 54% Energy • 11% Liveness
46% Instrumentalness • 57% Positiveness
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Tom Barabas
Lovers in the Moonlight
104 bpm • G Maj • 05:20 • -14.59db
10% Popularity • 37% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 26% Positiveness
10% Popularity • 37% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 26% Positiveness
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Ken Navarro
Kiss Of Life
97 bpm • F# min • 04:57 • -12db
31% Popularity • 77% Danceability • 51% Energy • 8% Liveness
83% Instrumentalness • 91% Positiveness
31% Popularity • 77% Danceability • 51% Energy • 8% Liveness
83% Instrumentalness • 91% Positiveness
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Anne Trenning
The Welcome Song
104 bpm • D Maj • 03:35 • -15.49db
37% Popularity • 37% Danceability • 20% Energy • 17% Liveness
93% Instrumentalness • 13% Positiveness
37% Popularity • 37% Danceability • 20% Energy • 17% Liveness
93% Instrumentalness • 13% Positiveness
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Nathan Reed
My Girl
104 bpm • C Maj • 02:45 • -14.95db
35% Popularity • 70% Danceability • 32% Energy • 10% Liveness
34% Instrumentalness • 77% Positiveness
35% Popularity • 70% Danceability • 32% Energy • 10% Liveness
34% Instrumentalness • 77% Positiveness
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Fourplay
Fields of Gold
104 bpm • B min • 05:40 • -10db
42% Popularity • 77% Danceability • 47% Energy • 8% Liveness
76% Instrumentalness • 42% Positiveness
42% Popularity • 77% Danceability • 47% Energy • 8% Liveness
76% Instrumentalness • 42% Positiveness
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John Tesh
You'll Be In My Heart
97 bpm • C# Maj • 04:18 • -9.75db
20% Popularity • 58% Danceability • 46% Energy • 11% Liveness
68% Instrumentalness • 30% Positiveness
20% Popularity • 58% Danceability • 46% Energy • 11% Liveness
68% Instrumentalness • 30% Positiveness
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Jeff Kashiwa
Hyde Park (The 'Ah, Oooh' Song)
104 bpm • A# min • 04:21 • -7db
42% Popularity • 72% Danceability • 73% Energy • 34% Liveness
26% Instrumentalness • 71% Positiveness
42% Popularity • 72% Danceability • 73% Energy • 34% Liveness
26% Instrumentalness • 71% Positiveness
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Ken Navarro
So Fine
104 bpm • C min • 03:57 • -8.08db
33% Popularity • 79% Danceability • 56% Energy • 7% Liveness
52% Instrumentalness • 78% Positiveness
33% Popularity • 79% Danceability • 56% Energy • 7% Liveness
52% Instrumentalness • 78% Positiveness
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Tom McBryde
Every Time You Touch Me
96 bpm • A# Maj • 03:24 • -22.86db
16% Popularity • 37% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 13% Positiveness
16% Popularity • 37% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 13% Positiveness
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Jon Secada
Thank You for Being You
104 bpm • G# Maj • 03:14 • -9.17db
35% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Paul Taylor
Exotica
96 bpm • C Maj • 04:56 • -9.05db
33% Popularity • 64% Danceability • 70% Energy • 11% Liveness
10% Instrumentalness • 58% Positiveness
33% Popularity • 64% Danceability • 70% Energy • 11% Liveness
10% Instrumentalness • 58% Positiveness
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John Tesh
Fields Of Gold
104 bpm • D Maj • 04:02 • -13.35db
14% Popularity • 53% Danceability • 35% Energy • 6% Liveness
84% Instrumentalness • 15% Positiveness
14% Popularity • 53% Danceability • 35% Energy • 6% Liveness
84% Instrumentalness • 15% Positiveness
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Acoustic Alchemy
Georgia Peach
96 bpm • B min • 04:24 • -10.41db
16% Popularity • 65% Danceability • 43% Energy • 9% Liveness
65% Instrumentalness • 34% Positiveness
16% Popularity • 65% Danceability • 43% Energy • 9% Liveness
65% Instrumentalness • 34% Positiveness
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Hagood Hardy
This Is My Beloved
96 bpm • D# Maj • 02:49 • -20.81db
14% Popularity • 20% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
14% Popularity • 20% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Euge Groove
Round and Round
96 bpm • G min • 04:53 • -6.85db
31% Popularity • 80% Danceability • 63% Energy • 20% Liveness
72% Instrumentalness • 71% Positiveness
31% Popularity • 80% Danceability • 63% Energy • 20% Liveness
72% Instrumentalness • 71% Positiveness
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Steve Oliver
Tradewinds
96 bpm • G# Maj • 04:21 • -7.3db
29% Popularity • 60% Danceability • 68% Energy • 12% Liveness
89% Instrumentalness • 48% Positiveness
29% Popularity • 60% Danceability • 68% Energy • 12% Liveness
89% Instrumentalness • 48% Positiveness
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The Marco Phillipe Orchestra
Morning Dew
96 bpm • F min • 03:13 • -14.32db
43% Popularity • 58% Danceability • 15% Energy • 12% Liveness
93% Instrumentalness • 24% Positiveness
43% Popularity • 58% Danceability • 15% Energy • 12% Liveness
93% Instrumentalness • 24% Positiveness
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John Tesh
Evergreen
96 bpm • A Maj • 03:52 • -12.72db
20% Popularity • 60% Danceability • 26% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
20% Popularity • 60% Danceability • 26% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
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Steven Cravis
My Precious One
105 bpm • A Maj • 02:43 • -15.85db
35% Popularity • 38% Danceability • 28% Energy • 13% Liveness
89% Instrumentalness • 27% Positiveness
35% Popularity • 38% Danceability • 28% Energy • 13% Liveness
89% Instrumentalness • 27% Positiveness
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Acoustic Alchemy
Cherry Hill
95 bpm • E Maj • 03:27 • -15.15db
35% Popularity • 56% Danceability • 21% Energy • 9% Liveness
90% Instrumentalness • 34% Positiveness
35% Popularity • 56% Danceability • 21% Energy • 9% Liveness
90% Instrumentalness • 34% Positiveness
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Yanni
In The Morning Light
105 bpm • A Maj • 03:48 • -20.51db
52% Popularity • 34% Danceability • 13% Energy • 7% Liveness
90% Instrumentalness • 18% Positiveness
52% Popularity • 34% Danceability • 13% Energy • 7% Liveness
90% Instrumentalness • 18% Positiveness
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Chuck Mangione
Feels So Good - Single Version
105 bpm • F# Maj • 03:32 • -12.43db
49% Popularity • 61% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
49% Popularity • 61% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
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Spencer Brewer
Wonderland
105 bpm • A# Maj • 03:55 • -16.89db
27% Popularity • 66% Danceability • 29% Energy • 16% Liveness
86% Instrumentalness • 33% Positiveness
27% Popularity • 66% Danceability • 29% Energy • 16% Liveness
86% Instrumentalness • 33% Positiveness
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John Tesh
Take My Breath Away
96 bpm • G# Maj • 04:33 • -12.87db
20% Popularity • 58% Danceability • 31% Energy • 19% Liveness
84% Instrumentalness • 22% Positiveness
20% Popularity • 58% Danceability • 31% Energy • 19% Liveness
84% Instrumentalness • 22% Positiveness
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Kurt Bestor
The First Morning
95 bpm • C Maj • 04:00 • -23.14db
8% Popularity • 30% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 14% Positiveness
8% Popularity • 30% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 14% Positiveness
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Chieli Minucci & Special EFX
Sweet Surrender
105 bpm • G Maj • 03:46 • -10.08db
34% Popularity • 72% Danceability • 52% Energy • 9% Liveness
89% Instrumentalness • 32% Positiveness
34% Popularity • 72% Danceability • 52% Energy • 9% Liveness
89% Instrumentalness • 32% Positiveness
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The Rippingtons
Gypsy Eyes
105 bpm • F# min • 04:19 • -7db
32% Popularity • 69% Danceability • 75% Energy • 25% Liveness
80% Instrumentalness • 35% Positiveness
32% Popularity • 69% Danceability • 75% Energy • 25% Liveness
80% Instrumentalness • 35% Positiveness
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Alfonzo Blackwell
Hermina
95 bpm • D Maj • 04:45 • -10.16db
14% Popularity • 42% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 42% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
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Tom McBryde
Time In A Bottle
105 bpm • D Maj • 03:49 • -21.94db
12% Popularity • 38% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
12% Popularity • 38% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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John Tesh
Against All Odds
105 bpm • C# Maj • 04:13 • -15.14db
15% Popularity • 37% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
15% Popularity • 37% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
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Kim Waters
Secrets Told
95 bpm • F min • 05:17 • -6.57db
31% Popularity • 68% Danceability • 58% Energy • 43% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 68% Danceability • 58% Energy • 43% Liveness
0% Instrumentalness • 50% Positiveness
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Chuck Loeb
Rock With You
95 bpm • C# Maj • 05:50 • -6.11db
32% Popularity • 71% Danceability • 68% Energy • 5% Liveness
49% Instrumentalness • 55% Positiveness
32% Popularity • 71% Danceability • 68% Energy • 5% Liveness
49% Instrumentalness • 55% Positiveness
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Yanni
Before I Go
95 bpm • D# Maj • 04:30 • -20.48db
45% Popularity • 30% Danceability • 11% Energy • 23% Liveness
97% Instrumentalness • 10% Positiveness
45% Popularity • 30% Danceability • 11% Energy • 23% Liveness
97% Instrumentalness • 10% Positiveness
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Spencer Brewer
Tomorrow's Child
105 bpm • D Maj • 04:52 • -12.62db
24% Popularity • 45% Danceability • 22% Energy • 12% Liveness
80% Instrumentalness • 19% Positiveness
24% Popularity • 45% Danceability • 22% Energy • 12% Liveness
80% Instrumentalness • 19% Positiveness
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Dalia Reid
Mother, I Miss You
106 bpm • C Maj • 03:28 • -12.38db
11% Popularity • 46% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 46% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
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![Face to Face (Orchestrated) [feat. Doug Hammer] cover art](https://i.scdn.co/image/ab67616d00001e02bc62e569e651f4797bf12650)
Joe Bongiorno
Face to Face (Orchestrated)
106 bpm • C# Maj • 03:56 • -16.63db
20% Popularity • 34% Danceability • 17% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
20% Popularity • 34% Danceability • 17% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Kim Waters
The Ride
95 bpm • G Maj • 04:50 • -8.43db
39% Popularity • 70% Danceability • 58% Energy • 6% Liveness
63% Instrumentalness • 75% Positiveness
39% Popularity • 70% Danceability • 58% Energy • 6% Liveness
63% Instrumentalness • 75% Positiveness
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Acoustic Alchemy
The Stone Circle
106 bpm • F# min • 04:18 • -23.57db
16% Popularity • 66% Danceability • 18% Energy • 8% Liveness
72% Instrumentalness • 34% Positiveness
16% Popularity • 66% Danceability • 18% Energy • 8% Liveness
72% Instrumentalness • 34% Positiveness
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Richard Carpenter
Top Of The World
95 bpm • A# Maj • 03:20 • -17.74db
8% Popularity • 57% Danceability • 30% Energy • 14% Liveness
44% Instrumentalness • 67% Positiveness
8% Popularity • 57% Danceability • 30% Energy • 14% Liveness
44% Instrumentalness • 67% Positiveness
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Tom McBryde
You Don't Bring Me Flowers
94 bpm • C Maj • 03:53 • -23.55db
11% Popularity • 39% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
11% Popularity • 39% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
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Patti Austin
Through The Test Of Time
94 bpm • A Maj • 05:07 • -7.78db
38% Popularity • 65% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
38% Popularity • 65% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Stars Magical Orchestra
My All
106 bpm • G min • 04:20 • -16.39db
27% Popularity • 61% Danceability • 33% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
27% Popularity • 61% Danceability • 33% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
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The Rippingtons
Paris Groove
106 bpm • F# min • 03:37 • -6db
39% Popularity • 70% Danceability • 71% Energy • 11% Liveness
44% Instrumentalness • 55% Positiveness
39% Popularity • 70% Danceability • 71% Energy • 11% Liveness
44% Instrumentalness • 55% Positiveness
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Acoustic Alchemy
Urban Cowboy
106 bpm • D Maj • 04:07 • -11.66db
36% Popularity • 64% Danceability • 68% Energy • 7% Liveness
94% Instrumentalness • 65% Positiveness
36% Popularity • 64% Danceability • 68% Energy • 7% Liveness
94% Instrumentalness • 65% Positiveness
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John Tesh
Halcyon Days
94 bpm • A min • 02:44 • -23.07db
31% Popularity • 34% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
31% Popularity • 34% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Atlantic Five Sax Department
Mandy
94 bpm • A# Maj • 03:35 • -6.68db
45% Popularity • 22% Danceability • 33% Energy • 36% Liveness
88% Instrumentalness • 17% Positiveness
45% Popularity • 22% Danceability • 33% Energy • 36% Liveness
88% Instrumentalness • 17% Positiveness
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Renato Falaschi
Just The Way You Are
94 bpm • F Maj • 04:20 • -6.95db
45% Popularity • 62% Danceability • 66% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
45% Popularity • 62% Danceability • 66% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
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Kim Waters
A Love Like This
94 bpm • C Maj • 04:38 • -8.67db
27% Popularity • 70% Danceability • 54% Energy • 7% Liveness
5% Instrumentalness • 52% Positiveness
27% Popularity • 70% Danceability • 54% Energy • 7% Liveness
5% Instrumentalness • 52% Positiveness
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Ken Navarro
Island Life
94 bpm • C Maj • 04:48 • -11.25db
39% Popularity • 70% Danceability • 55% Energy • 7% Liveness
47% Instrumentalness • 81% Positiveness
39% Popularity • 70% Danceability • 55% Energy • 7% Liveness
47% Instrumentalness • 81% Positiveness
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Jonathan Cain
Open Arms
94 bpm • A Maj • 03:42 • -10.57db
9% Popularity • 43% Danceability • 28% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
9% Popularity • 43% Danceability • 28% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
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John Tesh
Sonata Di Roma
94 bpm • A# Maj • 04:51 • -10.97db
13% Popularity • 28% Danceability • 34% Energy • 18% Liveness
85% Instrumentalness • 13% Positiveness
13% Popularity • 28% Danceability • 34% Energy • 18% Liveness
85% Instrumentalness • 13% Positiveness
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Steve Cole
From the Start
107 bpm • G# Maj • 03:45 • -8.06db
32% Popularity • 77% Danceability • 63% Energy • 9% Liveness
87% Instrumentalness • 75% Positiveness
32% Popularity • 77% Danceability • 63% Energy • 9% Liveness
87% Instrumentalness • 75% Positiveness
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Tom McBryde
Time After Time
107 bpm • A min • 02:48 • -18.85db
20% Popularity • 50% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 32% Positiveness
20% Popularity • 50% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 32% Positiveness
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Anne Trenning
And I'll Fly Away
94 bpm • C Maj • 04:22 • -19db
23% Popularity • 50% Danceability • 24% Energy • 5% Liveness
82% Instrumentalness • 12% Positiveness
23% Popularity • 50% Danceability • 24% Energy • 5% Liveness
82% Instrumentalness • 12% Positiveness
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The Royal Sax Company
I Just Can' t Stop Loving You
94 bpm • F Maj • 04:19 • -10.5db
27% Popularity • 34% Danceability • 40% Energy • 3% Liveness
89% Instrumentalness • 11% Positiveness
27% Popularity • 34% Danceability • 40% Energy • 3% Liveness
89% Instrumentalness • 11% Positiveness
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Hagood Hardy
The Homecoming/Jennifer's Song
94 bpm • C Maj • 05:00 • -24.12db
30% Popularity • 24% Danceability • 5% Energy • 16% Liveness
85% Instrumentalness • 14% Positiveness
30% Popularity • 24% Danceability • 5% Energy • 16% Liveness
85% Instrumentalness • 14% Positiveness
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Darren Rahn
I Can't Go for That
107 bpm • F min • 03:57 • -7.72db
29% Popularity • 69% Danceability • 73% Energy • 16% Liveness
80% Instrumentalness • 83% Positiveness
29% Popularity • 69% Danceability • 73% Energy • 16% Liveness
80% Instrumentalness • 83% Positiveness
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Steve Cole
Reverence
94 bpm • A# Maj • 05:03 • -6.52db
44% Popularity • 66% Danceability • 56% Energy • 17% Liveness
89% Instrumentalness • 33% Positiveness
44% Popularity • 66% Danceability • 56% Energy • 17% Liveness
89% Instrumentalness • 33% Positiveness
