Songs like Battle Of Britain Theme by Ron Goodwin
Based on a tempo of (+/- 10%) and a similar genre
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Stanley Myers
Question Time
120 bpm • A min • 02:19 • -7.33db
11% Popularity • 50% Danceability • 71% Energy • 13% Liveness
90% Instrumentalness • 54% Positiveness
11% Popularity • 50% Danceability • 71% Energy • 13% Liveness
90% Instrumentalness • 54% Positiveness
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Johnny Pearson
Piano Parchment - 60 Second Edit (A)
120 bpm • D Maj • 01:04 • -18db
34% Popularity • 64% Danceability • 33% Energy • 28% Liveness
92% Instrumentalness • 42% Positiveness
34% Popularity • 64% Danceability • 33% Energy • 28% Liveness
92% Instrumentalness • 42% Positiveness
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Lucas Brito
Dobrado Sinfônico nº 2 - Remix
120 bpm • G# Maj • 03:48 • -7.61db
8% Popularity • 52% Danceability • 40% Energy • 20% Liveness
21% Instrumentalness • 42% Positiveness
8% Popularity • 52% Danceability • 40% Energy • 20% Liveness
21% Instrumentalness • 42% Positiveness
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Alessandro Cicognini
Don Camillo : Monsignore ma non troppo -...
120 bpm • C Maj • 01:34 • -12.44db
18% Popularity • 55% Danceability • 32% Energy • 62% Liveness
94% Instrumentalness • 72% Positiveness
18% Popularity • 55% Danceability • 32% Energy • 62% Liveness
94% Instrumentalness • 72% Positiveness
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The Band Of The Blues & Royals
Blaze Away
120 bpm • C min • 02:34 • -17db
19% Popularity • 62% Danceability • 33% Energy • 10% Liveness
87% Instrumentalness • 84% Positiveness
19% Popularity • 62% Danceability • 33% Energy • 10% Liveness
87% Instrumentalness • 84% Positiveness
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Winifred Atwell
Black And White Rag
120 bpm • G Maj • 02:31 • -7.87db
22% Popularity • 64% Danceability • 67% Energy • 24% Liveness
87% Instrumentalness • 89% Positiveness
22% Popularity • 64% Danceability • 67% Energy • 24% Liveness
87% Instrumentalness • 89% Positiveness
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Byron McKay
Ingenuity
120 bpm • F# min • 04:07 • -23.91db
8% Popularity • 24% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
8% Popularity • 24% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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The Meridian Studio Ensemble
PATTON: Intermission
120 bpm • F Maj • 02:06 • -10.36db
19% Popularity • 58% Danceability • 66% Energy • 17% Liveness
84% Instrumentalness • 79% Positiveness
19% Popularity • 58% Danceability • 66% Energy • 17% Liveness
84% Instrumentalness • 79% Positiveness
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The Television Tune Orchestra
Theme From "Miss Marple"
120 bpm • C Maj • 02:27 • -13db
24% Popularity • 40% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 26% Positiveness
24% Popularity • 40% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 26% Positiveness
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Ron Goodwin
Marching to Victory
120 bpm • C# Maj • 01:50 • -13.29db
20% Popularity • 69% Danceability • 55% Energy • 9% Liveness
98% Instrumentalness • 64% Positiveness
20% Popularity • 69% Danceability • 55% Energy • 9% Liveness
98% Instrumentalness • 64% Positiveness
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Henry Salomon y su Orquesta
La Conquista del Oeste - De: "La Conquis...
120 bpm • F Maj • 02:08 • -12.62db
16% Popularity • 50% Danceability • 51% Energy • 29% Liveness
64% Instrumentalness • 90% Positiveness
16% Popularity • 50% Danceability • 51% Energy • 29% Liveness
64% Instrumentalness • 90% Positiveness
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Original Soundtrack
Daphne's Island
120 bpm • C Maj • 01:09 • -8.93db
13% Popularity • 49% Danceability • 44% Energy • 31% Liveness
2% Instrumentalness • 74% Positiveness
13% Popularity • 49% Danceability • 44% Energy • 31% Liveness
2% Instrumentalness • 74% Positiveness
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Amsterdam Television Orchestra
Theme from "Van Der Valk" (Eye Level)
121 bpm • D# Maj • 02:20 • -10.14db
9% Popularity • 55% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
9% Popularity • 55% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
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Oscar Vega
Frienship
121 bpm • G Maj • 00:56 • -16.89db
24% Popularity • 35% Danceability • 53% Energy • 92% Liveness
98% Instrumentalness • 12% Positiveness
24% Popularity • 35% Danceability • 53% Energy • 92% Liveness
98% Instrumentalness • 12% Positiveness
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The Band Of The Royal Military School
A Bridge Too Far
121 bpm • F min • 02:13 • -18db
26% Popularity • 37% Danceability • 38% Energy • 41% Liveness
95% Instrumentalness • 50% Positiveness
26% Popularity • 37% Danceability • 38% Energy • 41% Liveness
95% Instrumentalness • 50% Positiveness
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John Philip Sousa
The Liberty Bell
119 bpm • F Maj • 03:39 • -11db
19% Popularity • 56% Danceability • 67% Energy • 31% Liveness
89% Instrumentalness • 85% Positiveness
19% Popularity • 56% Danceability • 67% Energy • 31% Liveness
89% Instrumentalness • 85% Positiveness
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Ron Goodwin
The Battle of Britain Suite: I. Luftwaff...
119 bpm • A# Maj • 03:41 • -15db
20% Popularity • 36% Danceability • 55% Energy • 17% Liveness
87% Instrumentalness • 51% Positiveness
20% Popularity • 36% Danceability • 55% Energy • 17% Liveness
87% Instrumentalness • 51% Positiveness
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Robert Elms Folk
Police Academy March
119 bpm • D# Maj • 02:35 • -8.19db
26% Popularity • 72% Danceability • 65% Energy • 12% Liveness
26% Instrumentalness • 76% Positiveness
26% Popularity • 72% Danceability • 65% Energy • 12% Liveness
26% Instrumentalness • 76% Positiveness
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Miklós Rózsa
Anno Domini
119 bpm • F min • 01:32 • -17.86db
24% Popularity • 19% Danceability • 11% Energy • 30% Liveness
97% Instrumentalness • 20% Positiveness
24% Popularity • 19% Danceability • 11% Energy • 30% Liveness
97% Instrumentalness • 20% Positiveness
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George Fenton
Clouds
119 bpm • F min • 01:09 • -12.26db
19% Popularity • 74% Danceability • 33% Energy • 12% Liveness
79% Instrumentalness • 64% Positiveness
19% Popularity • 74% Danceability • 33% Energy • 12% Liveness
79% Instrumentalness • 64% Positiveness
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The Band Of The Royal Military School
Where Eagles Dare
119 bpm • F min • 02:39 • -17db
18% Popularity • 39% Danceability • 36% Energy • 33% Liveness
96% Instrumentalness • 20% Positiveness
18% Popularity • 39% Danceability • 36% Energy • 33% Liveness
96% Instrumentalness • 20% Positiveness
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The Meridian Studio Ensemble
THE GREAT ESCAPE: Main Theme
119 bpm • A# Maj • 02:09 • -11.22db
28% Popularity • 69% Danceability • 30% Energy • 20% Liveness
81% Instrumentalness • 32% Positiveness
28% Popularity • 69% Danceability • 30% Energy • 20% Liveness
81% Instrumentalness • 32% Positiveness
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Fredell caparon
sweet purple
119 bpm • C Maj • 02:08 • -19db
9% Popularity • 44% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 43% Positiveness
9% Popularity • 44% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 43% Positiveness
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United States Marine Band
The Washington Post
121 bpm • F Maj • 02:38 • -16db
30% Popularity • 60% Danceability • 49% Energy • 15% Liveness
92% Instrumentalness • 75% Positiveness
30% Popularity • 60% Danceability • 49% Energy • 15% Liveness
92% Instrumentalness • 75% Positiveness
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Ned Nash Orchestra
Hang 'M High
119 bpm • A min • 02:54 • -13.47db
10% Popularity • 50% Danceability • 35% Energy • 9% Liveness
80% Instrumentalness • 29% Positiveness
10% Popularity • 50% Danceability • 35% Energy • 9% Liveness
80% Instrumentalness • 29% Positiveness
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Henry Walford Davies
Royal Air Force March Past
122 bpm • D# Maj • 02:01 • -13.32db
8% Popularity • 51% Danceability • 32% Energy • 9% Liveness
96% Instrumentalness • 50% Positiveness
8% Popularity • 51% Danceability • 32% Energy • 9% Liveness
96% Instrumentalness • 50% Positiveness
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The Band Of The Royal Military School
Aces High (Luftwaffe March)
119 bpm • G# Maj • 03:38 • -14.46db
20% Popularity • 53% Danceability • 51% Energy • 37% Liveness
82% Instrumentalness • 44% Positiveness
20% Popularity • 53% Danceability • 51% Energy • 37% Liveness
82% Instrumentalness • 44% Positiveness
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Ray Hamilton Orchestra
Per quelche dollaro in piu'
122 bpm • D min • 02:42 • -19db
15% Popularity • 46% Danceability • 26% Energy • 13% Liveness
66% Instrumentalness • 48% Positiveness
15% Popularity • 46% Danceability • 26% Energy • 13% Liveness
66% Instrumentalness • 48% Positiveness
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Edward Elgar
Military Marches, Op. 39 "Pomp and Circu...
122 bpm • D Maj • 06:14 • -15.17db
30% Popularity • 28% Danceability • 32% Energy • 17% Liveness
91% Instrumentalness • 27% Positiveness
30% Popularity • 28% Danceability • 32% Energy • 17% Liveness
91% Instrumentalness • 27% Positiveness
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Ron Goodwin
Force Ten from Navarone: Main Theme
118 bpm • F Maj • 03:15 • -13.43db
12% Popularity • 58% Danceability • 72% Energy • 16% Liveness
92% Instrumentalness • 36% Positiveness
12% Popularity • 58% Danceability • 72% Energy • 16% Liveness
92% Instrumentalness • 36% Positiveness
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Audrey
James Bond Medley
122 bpm • D min • 07:25 • -14.45db
7% Popularity • 23% Danceability • 31% Energy • 35% Liveness
87% Instrumentalness • 11% Positiveness
7% Popularity • 23% Danceability • 31% Energy • 35% Liveness
87% Instrumentalness • 11% Positiveness
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Living Strings
It's a Great Day for the Irish
122 bpm • A# min • 02:48 • -11.68db
11% Popularity • 61% Danceability • 53% Energy • 52% Liveness
85% Instrumentalness • 54% Positiveness
11% Popularity • 61% Danceability • 53% Energy • 52% Liveness
85% Instrumentalness • 54% Positiveness
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Richard Rodney Bennett
Rodney Bennett: Music for the Sydney Lum...
122 bpm • C# Maj • 02:12 • -14db
9% Popularity • 35% Danceability • 26% Energy • 21% Liveness
94% Instrumentalness • 13% Positiveness
9% Popularity • 35% Danceability • 26% Energy • 21% Liveness
94% Instrumentalness • 13% Positiveness
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Ray Hamilton Orchestra
Per un pugno di dollari
118 bpm • D min • 01:48 • -18db
20% Popularity • 53% Danceability • 19% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
20% Popularity • 53% Danceability • 19% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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David Rose Project
"The Little House" Theme
118 bpm • G Maj • 02:55 • -14.42db
13% Popularity • 50% Danceability • 34% Energy • 15% Liveness
89% Instrumentalness • 47% Positiveness
13% Popularity • 50% Danceability • 34% Energy • 15% Liveness
89% Instrumentalness • 47% Positiveness
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VSOP - Vienna Symphonic Orchestra Project
Orinocco Flow
118 bpm • C Maj • 03:29 • -12.23db
19% Popularity • 68% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 68% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Phoenix Symphony
The Magnificent Seven: Main Titles And C...
123 bpm • C min • 04:01 • -17.51db
29% Popularity • 35% Danceability • 25% Energy • 7% Liveness
92% Instrumentalness • 53% Positiveness
29% Popularity • 35% Danceability • 25% Energy • 7% Liveness
92% Instrumentalness • 53% Positiveness
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The Massed Bands Of The Royal Air Force
Battle in the Air
122 bpm • C min • 01:16 • -13db
11% Popularity • 29% Danceability • 58% Energy • 9% Liveness
97% Instrumentalness • 23% Positiveness
11% Popularity • 29% Danceability • 58% Energy • 9% Liveness
97% Instrumentalness • 23% Positiveness
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Edwin Eugene Bagley
National Emblem March
117 bpm • D# min • 03:00 • -13.92db
11% Popularity • 52% Danceability • 42% Energy • 36% Liveness
5% Instrumentalness • 50% Positiveness
11% Popularity • 52% Danceability • 42% Energy • 36% Liveness
5% Instrumentalness • 50% Positiveness
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Laurie Johnson
Las Vegas
117 bpm • C Maj • 02:26 • -13db
13% Popularity • 49% Danceability • 41% Energy • 17% Liveness
91% Instrumentalness • 85% Positiveness
13% Popularity • 49% Danceability • 41% Energy • 17% Liveness
91% Instrumentalness • 85% Positiveness
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Slovak Radio Symphony Orchestra
Semper Fidelis : Semper Fidelis
117 bpm • C Maj • 02:00 • -18db
17% Popularity • 47% Danceability • 34% Energy • 26% Liveness
52% Instrumentalness • 38% Positiveness
17% Popularity • 47% Danceability • 34% Energy • 26% Liveness
52% Instrumentalness • 38% Positiveness
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The Meridian Studio Ensemble
STRIPES: March
123 bpm • A# Maj • 02:29 • -11db
13% Popularity • 68% Danceability • 56% Energy • 25% Liveness
95% Instrumentalness • 57% Positiveness
13% Popularity • 68% Danceability • 56% Energy • 25% Liveness
95% Instrumentalness • 57% Positiveness
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Geoff Love
How the West Was Won
117 bpm • D min • 02:08 • -10db
10% Popularity • 47% Danceability • 57% Energy • 32% Liveness
88% Instrumentalness • 80% Positiveness
10% Popularity • 47% Danceability • 57% Energy • 32% Liveness
88% Instrumentalness • 80% Positiveness
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The Band Of The Royal Military School
Reach for the Sky (Theme From)
117 bpm • C min • 03:26 • -16.41db
9% Popularity • 27% Danceability • 20% Energy • 37% Liveness
95% Instrumentalness • 19% Positiveness
9% Popularity • 27% Danceability • 20% Energy • 37% Liveness
95% Instrumentalness • 19% Positiveness
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United States Air Force Heritage of America Band
76 Trombones from "The Music Man"
123 bpm • C Maj • 03:13 • -14db
22% Popularity • 45% Danceability • 41% Energy • 3% Liveness
96% Instrumentalness • 73% Positiveness
22% Popularity • 45% Danceability • 41% Energy • 3% Liveness
96% Instrumentalness • 73% Positiveness
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Moscow Symphony Orchestra
The Maltese Falcon
117 bpm • F Maj • 02:07 • -14.34db
21% Popularity • 22% Danceability • 12% Energy • 52% Liveness
87% Instrumentalness • 3% Positiveness
21% Popularity • 22% Danceability • 12% Energy • 52% Liveness
87% Instrumentalness • 3% Positiveness
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Sir Henry Wood
Hornpipe (Fantasia on British Sea Songs)...
117 bpm • A Maj • 01:50 • -19.13db
13% Popularity • 57% Danceability • 32% Energy • 6% Liveness
93% Instrumentalness • 97% Positiveness
13% Popularity • 57% Danceability • 32% Energy • 6% Liveness
93% Instrumentalness • 97% Positiveness
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The Wester Film Band
Hang 'em High
117 bpm • E min • 02:50 • -15.05db
22% Popularity • 48% Danceability • 32% Energy • 12% Liveness
80% Instrumentalness • 33% Positiveness
22% Popularity • 48% Danceability • 32% Energy • 12% Liveness
80% Instrumentalness • 33% Positiveness
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Ron Goodwin
Main Titles
123 bpm • F Maj • 02:59 • -10.75db
20% Popularity • 46% Danceability • 69% Energy • 35% Liveness
92% Instrumentalness • 41% Positiveness
20% Popularity • 46% Danceability • 69% Energy • 35% Liveness
92% Instrumentalness • 41% Positiveness
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The Band Of The Royal Military School
The Great Escape March
117 bpm • A# Maj • 02:40 • -15db
20% Popularity • 50% Danceability • 57% Energy • 29% Liveness
57% Instrumentalness • 48% Positiveness
20% Popularity • 50% Danceability • 57% Energy • 29% Liveness
57% Instrumentalness • 48% Positiveness
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TV Theme Song Maniacs
Theme From Monty Python's Flying Circus
123 bpm • F Maj • 01:37 • -10db
16% Popularity • 44% Danceability • 71% Energy • 70% Liveness
94% Instrumentalness • 90% Positiveness
16% Popularity • 44% Danceability • 71% Energy • 70% Liveness
94% Instrumentalness • 90% Positiveness
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Central Band Of The Royal Air Force
RAF March Past
123 bpm • C min • 01:54 • -12db
27% Popularity • 49% Danceability • 41% Energy • 3% Liveness
90% Instrumentalness • 78% Positiveness
27% Popularity • 49% Danceability • 41% Energy • 3% Liveness
90% Instrumentalness • 78% Positiveness
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The John McCarthy Chorus
Those Magnificent Men in Their Flying Ma...
117 bpm • A# Maj • 03:14 • -13.97db
22% Popularity • 74% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 74% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Grimethorpe Colliery UK Coal Band
Bridge On The River Kwai - Colonel Bogey
124 bpm • C# Maj • 03:15 • -15.39db
11% Popularity • 54% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 60% Positiveness
11% Popularity • 54% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 60% Positiveness
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Ron Goodwin
Where Eagles Dare (Film Theme) - 2003 Re...
117 bpm • F Maj • 03:08 • -13.48db
12% Popularity • 47% Danceability • 49% Energy • 9% Liveness
96% Instrumentalness • 21% Positiveness
12% Popularity • 47% Danceability • 49% Energy • 9% Liveness
96% Instrumentalness • 21% Positiveness
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Joan Lluís Moraleda
Tirant lo Blanc (Version for Symphonic B...
124 bpm • A Maj • 02:37 • -8.48db
8% Popularity • 71% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
8% Popularity • 71% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
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The Band of the Royal Military School of Music, Kneller Hall
It's A Long Way To Tipperary
116 bpm • A# Maj • 02:27 • -13.92db
25% Popularity • 70% Danceability • 34% Energy • 7% Liveness
93% Instrumentalness • 88% Positiveness
25% Popularity • 70% Danceability • 34% Energy • 7% Liveness
93% Instrumentalness • 88% Positiveness
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The Simon Park Orchestra
Eye Level
116 bpm • D# Maj • 02:20 • -13db
30% Popularity • 58% Danceability • 26% Energy • 10% Liveness
28% Instrumentalness • 41% Positiveness
30% Popularity • 58% Danceability • 26% Energy • 10% Liveness
28% Instrumentalness • 41% Positiveness
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Band Of H.M.Royal Marines/Central Band Of The Royal British Legion/Band Of The Parachute Regt
A Bridge Too Far
116 bpm • A# Maj • 01:55 • -9.1db
15% Popularity • 60% Danceability • 53% Energy • 2% Liveness
3% Instrumentalness • 70% Positiveness
15% Popularity • 60% Danceability • 53% Energy • 2% Liveness
3% Instrumentalness • 70% Positiveness
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City of Prague Orchestra
Life is Beautiful
124 bpm • A Maj • 04:05 • -10.86db
13% Popularity • 26% Danceability • 28% Energy • 9% Liveness
84% Instrumentalness • 14% Positiveness
13% Popularity • 26% Danceability • 28% Energy • 9% Liveness
84% Instrumentalness • 14% Positiveness
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Das grosse Klassik-Orchester mit Franz Sychel
River Kwai March
116 bpm • G min • 03:29 • -12.55db
21% Popularity • 65% Danceability • 53% Energy • 10% Liveness
25% Instrumentalness • 71% Positiveness
21% Popularity • 65% Danceability • 53% Energy • 10% Liveness
25% Instrumentalness • 71% Positiveness
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Joseph Haydn
National Anthem of Federal Republic of G...
124 bpm • G Maj • 01:17 • -12.54db
34% Popularity • 23% Danceability • 27% Energy • 21% Liveness
81% Instrumentalness • 33% Positiveness
34% Popularity • 23% Danceability • 27% Energy • 21% Liveness
81% Instrumentalness • 33% Positiveness
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Van Phillips
Tom Fool
124 bpm • C Maj • 02:29 • -12.07db
15% Popularity • 74% Danceability • 39% Energy • 6% Liveness
77% Instrumentalness • 73% Positiveness
15% Popularity • 74% Danceability • 39% Energy • 6% Liveness
77% Instrumentalness • 73% Positiveness
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Henry Walford Davies
R.A.F. March Past
116 bpm • D# Maj • 02:00 • -9.67db
19% Popularity • 56% Danceability • 55% Energy • 6% Liveness
78% Instrumentalness • 77% Positiveness
19% Popularity • 56% Danceability • 55% Energy • 6% Liveness
78% Instrumentalness • 77% Positiveness
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Miklós Rózsa
Parade Of The Charioteers
116 bpm • D Maj • 03:33 • -11.46db
9% Popularity • 50% Danceability • 50% Energy • 23% Liveness
51% Instrumentalness • 36% Positiveness
9% Popularity • 50% Danceability • 50% Energy • 23% Liveness
51% Instrumentalness • 36% Positiveness
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The Intermezzo Orchestra
Saving Private Ryan (Main Theme)
124 bpm • G Maj • 06:12 • -16db
10% Popularity • 19% Danceability • 16% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
10% Popularity • 19% Danceability • 16% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
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Anthony Collins
Vanity Fair
124 bpm • F Maj • 03:48 • -28.95db
12% Popularity • 64% Danceability • 4% Energy • 9% Liveness
64% Instrumentalness • 72% Positiveness
12% Popularity • 64% Danceability • 4% Energy • 9% Liveness
64% Instrumentalness • 72% Positiveness
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Band Of H.M.Royal Marines/Central Band Of The Royal British Legion/Band Of The Parachute Regt
Colonel Bogey
116 bpm • C# Maj • 03:27 • -9.5db
15% Popularity • 58% Danceability • 48% Energy • 11% Liveness
22% Instrumentalness • 65% Positiveness
15% Popularity • 58% Danceability • 48% Energy • 11% Liveness
22% Instrumentalness • 65% Positiveness
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Mantovani y Su Gran Orquesta
Moon River
116 bpm • C Maj • 02:40 • -15.93db
40% Popularity • 23% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
40% Popularity • 23% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
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Sophia Loren
Zoo Be Zoo Be Zoo
124 bpm • C min • 02:19 • -15db
3% Popularity • 70% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
3% Popularity • 70% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Michele Novaro
National Anthem of Italian Republic
116 bpm • A# Maj • 01:43 • -15.41db
16% Popularity • 52% Danceability • 17% Energy • 17% Liveness
95% Instrumentalness • 31% Positiveness
16% Popularity • 52% Danceability • 17% Energy • 17% Liveness
95% Instrumentalness • 31% Positiveness
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Ron Goodwin
Morning Train
125 bpm • A min • 02:44 • -16db
25% Popularity • 58% Danceability • 32% Energy • 4% Liveness
4% Instrumentalness • 82% Positiveness
25% Popularity • 58% Danceability • 32% Energy • 4% Liveness
4% Instrumentalness • 82% Positiveness
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London Theatre Orchestra & Singers
The Good, the Bad, and the Ugly
116 bpm • D# Maj • 02:50 • -9db
28% Popularity • 47% Danceability • 74% Energy • 24% Liveness
42% Instrumentalness • 47% Positiveness
28% Popularity • 47% Danceability • 74% Energy • 24% Liveness
42% Instrumentalness • 47% Positiveness
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Central Band Of The Royal Air Force
Royal Air Force March Past
116 bpm • C min • 01:59 • -16.05db
16% Popularity • 56% Danceability • 28% Energy • 5% Liveness
95% Instrumentalness • 81% Positiveness
16% Popularity • 56% Danceability • 28% Energy • 5% Liveness
95% Instrumentalness • 81% Positiveness
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Barry Gray
Thunderbirds - End Titles
125 bpm • D Maj • 01:22 • -9db
18% Popularity • 58% Danceability • 77% Energy • 9% Liveness
83% Instrumentalness • 65% Positiveness
18% Popularity • 58% Danceability • 77% Energy • 9% Liveness
83% Instrumentalness • 65% Positiveness
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Pino Donaggio
Main Title From Carrie
115 bpm • C min • 02:05 • -25.1db
22% Popularity • 17% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Martin Böttcher
Aufruhr und Brand im Forrester-Lager
115 bpm • F Maj • 02:40 • -11.18db
5% Popularity • 26% Danceability • 28% Energy • 11% Liveness
68% Instrumentalness • 41% Positiveness
5% Popularity • 26% Danceability • 28% Energy • 11% Liveness
68% Instrumentalness • 41% Positiveness
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John Philip Sousa
The Stars And Stripes Forever
125 bpm • C# Maj • 03:34 • -12.26db
18% Popularity • 39% Danceability • 46% Energy • 5% Liveness
86% Instrumentalness • 51% Positiveness
18% Popularity • 39% Danceability • 46% Energy • 5% Liveness
86% Instrumentalness • 51% Positiveness
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Philippe Lhommet
La Farandola
125 bpm • D min • 01:58 • -12db
16% Popularity • 71% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 71% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Emily Hall
Tenth Regiment March, "Death or Glory"
115 bpm • A# Maj • 03:42 • -16.28db
15% Popularity • 52% Danceability • 37% Energy • 6% Liveness
23% Instrumentalness • 50% Positiveness
15% Popularity • 52% Danceability • 37% Energy • 6% Liveness
23% Instrumentalness • 50% Positiveness
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Dennis McCarthy
Star Trek: Deep Space Nine: Main Title
125 bpm • C Maj • 02:17 • -21.59db
31% Popularity • 19% Danceability • 4% Energy • 9% Liveness
81% Instrumentalness • 7% Positiveness
31% Popularity • 19% Danceability • 4% Energy • 9% Liveness
81% Instrumentalness • 7% Positiveness
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The Band Of The Blues & Royals
Radetsky March
115 bpm • G# Maj • 02:16 • -15.62db
18% Popularity • 66% Danceability • 48% Energy • 24% Liveness
87% Instrumentalness • 84% Positiveness
18% Popularity • 66% Danceability • 48% Energy • 24% Liveness
87% Instrumentalness • 84% Positiveness
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Ennio Morricone
The Ecstasy Of Gold - 2016 Version
115 bpm • A min • 02:53 • -8.24db
26% Popularity • 36% Danceability • 54% Energy • 27% Liveness
97% Instrumentalness • 10% Positiveness
26% Popularity • 36% Danceability • 54% Energy • 27% Liveness
97% Instrumentalness • 10% Positiveness
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Angela Morley
Starlight
115 bpm • C Maj • 02:54 • -11.79db
13% Popularity • 19% Danceability • 35% Energy • 25% Liveness
72% Instrumentalness • 20% Positiveness
13% Popularity • 19% Danceability • 35% Energy • 25% Liveness
72% Instrumentalness • 20% Positiveness
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Al Caiola
Bonanza
126 bpm • C Maj • 02:18 • -9db
23% Popularity • 43% Danceability • 61% Energy • 11% Liveness
23% Instrumentalness • 90% Positiveness
23% Popularity • 43% Danceability • 61% Energy • 11% Liveness
23% Instrumentalness • 90% Positiveness
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Graham De Wilde
Whicker's World
126 bpm • D min • 02:10 • -10.04db
16% Popularity • 83% Danceability • 38% Energy • 3% Liveness
93% Instrumentalness • 45% Positiveness
16% Popularity • 83% Danceability • 38% Energy • 3% Liveness
93% Instrumentalness • 45% Positiveness
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Geoffrey Burgon
Brideshead Revisited Variations: Theme
114 bpm • C Maj • 02:01 • -13db
19% Popularity • 18% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
19% Popularity • 18% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
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The Band Of The Royal Military School
St Louis Blues
126 bpm • G Maj • 03:25 • -14.65db
7% Popularity • 42% Danceability • 49% Energy • 29% Liveness
84% Instrumentalness • 19% Positiveness
7% Popularity • 42% Danceability • 49% Energy • 29% Liveness
84% Instrumentalness • 19% Positiveness
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Alford
Colonel Bogey
114 bpm • C# Maj • 03:32 • -11.9db
32% Popularity • 68% Danceability • 36% Energy • 10% Liveness
96% Instrumentalness • 78% Positiveness
32% Popularity • 68% Danceability • 36% Energy • 10% Liveness
96% Instrumentalness • 78% Positiveness
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Miklós Rózsa
Circus Parade (Parade Of The Charioteers...
114 bpm • C Maj • 02:12 • -9.57db
21% Popularity • 48% Danceability • 68% Energy • 31% Liveness
98% Instrumentalness • 42% Positiveness
21% Popularity • 48% Danceability • 68% Energy • 31% Liveness
98% Instrumentalness • 42% Positiveness
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Julius Fučík
Florentine March Op. 214
114 bpm • F Maj • 05:24 • -14db
8% Popularity • 38% Danceability • 39% Energy • 11% Liveness
86% Instrumentalness • 42% Positiveness
8% Popularity • 38% Danceability • 39% Energy • 11% Liveness
86% Instrumentalness • 42% Positiveness
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Neal Hefti
The Odd Couple Main Title
126 bpm • F min • 01:40 • -14.37db
32% Popularity • 68% Danceability • 34% Energy • 18% Liveness
23% Instrumentalness • 65% Positiveness
32% Popularity • 68% Danceability • 34% Energy • 18% Liveness
23% Instrumentalness • 65% Positiveness
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Ron Goodwin
The Trap: Main Theme
114 bpm • A# Maj • 03:20 • -18db
17% Popularity • 36% Danceability • 19% Energy • 12% Liveness
89% Instrumentalness • 35% Positiveness
17% Popularity • 36% Danceability • 19% Energy • 12% Liveness
89% Instrumentalness • 35% Positiveness
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Richard Robbins
The Pensione Bertollini
126 bpm • G# Maj • 01:22 • -19.89db
33% Popularity • 19% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
33% Popularity • 19% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Central Band Of The Royal Air Force
Luftwaffe March
114 bpm • G# Maj • 03:51 • -15.72db
30% Popularity • 51% Danceability • 38% Energy • 18% Liveness
90% Instrumentalness • 58% Positiveness
30% Popularity • 51% Danceability • 38% Energy • 18% Liveness
90% Instrumentalness • 58% Positiveness
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The Band Of The Royal Military School
River Kwai March
114 bpm • C Maj • 02:49 • -18db
12% Popularity • 42% Danceability • 33% Energy • 50% Liveness
86% Instrumentalness • 48% Positiveness
12% Popularity • 42% Danceability • 33% Energy • 50% Liveness
86% Instrumentalness • 48% Positiveness
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The Movie Band
Theme From Dallas
126 bpm • C Maj • 01:59 • -12.85db
26% Popularity • 64% Danceability • 49% Energy • 32% Liveness
85% Instrumentalness • 84% Positiveness
26% Popularity • 64% Danceability • 49% Energy • 32% Liveness
85% Instrumentalness • 84% Positiveness
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Elgar
Pomp and Circumstance No 1
114 bpm • C Maj • 02:40 • -11.27db
11% Popularity • 41% Danceability • 37% Energy • 9% Liveness
77% Instrumentalness • 52% Positiveness
11% Popularity • 41% Danceability • 37% Energy • 9% Liveness
77% Instrumentalness • 52% Positiveness
