Songs like Battlefield One by Johan Söderqvist
Based on a tempo of (+/- 10%) and a similar genre
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Daniel Pemberton
The Power of Excalibur
140 bpm • D Maj • 04:03 • -13.67db
35% Popularity • 22% Danceability • 38% Energy • 20% Liveness
76% Instrumentalness • 4% Positiveness
35% Popularity • 22% Danceability • 38% Energy • 20% Liveness
76% Instrumentalness • 4% Positiveness
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Steven Price
Tiger Battle
140 bpm • G Maj • 06:17 • -11db
30% Popularity • 44% Danceability • 87% Energy • 35% Liveness
88% Instrumentalness • 10% Positiveness
30% Popularity • 44% Danceability • 87% Energy • 35% Liveness
88% Instrumentalness • 10% Positiveness
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Christopher Drake
Arkham Origins Suite
140 bpm • G min • 02:16 • -10.21db
34% Popularity • 36% Danceability • 55% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
34% Popularity • 36% Danceability • 55% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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Neal Acree
Victory
140 bpm • A# Maj • 02:59 • -16.11db
29% Popularity • 52% Danceability • 47% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
29% Popularity • 52% Danceability • 47% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Marcin Przybyłowicz
Hearts Of Stone
140 bpm • G min • 02:53 • -12db
39% Popularity • 16% Danceability • 61% Energy • 11% Liveness
13% Instrumentalness • 6% Positiveness
39% Popularity • 16% Danceability • 61% Energy • 11% Liveness
13% Instrumentalness • 6% Positiveness
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Collosia
The Road Most Travelled
140 bpm • G min • 02:57 • -22.36db
36% Popularity • 20% Danceability • 22% Energy • 11% Liveness
76% Instrumentalness • 13% Positiveness
36% Popularity • 20% Danceability • 22% Energy • 11% Liveness
76% Instrumentalness • 13% Positiveness
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Johan Söderqvist
Battlefield One
140 bpm • A# min • 03:20 • -14db
42% Popularity • 45% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
42% Popularity • 45% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Steven Price
The Beetfield
140 bpm • C# Maj • 07:59 • -16.83db
25% Popularity • 20% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Steve Jablonsky
You're a Soldier Now
140 bpm • D min • 03:27 • -15db
39% Popularity • 32% Danceability • 53% Energy • 25% Liveness
82% Instrumentalness • 29% Positiveness
39% Popularity • 32% Danceability • 53% Energy • 25% Liveness
82% Instrumentalness • 29% Positiveness
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Mikael Karlsson
Snowy Mountains
140 bpm • E Maj • 03:03 • -13db
23% Popularity • 52% Danceability • 21% Energy • 16% Liveness
94% Instrumentalness • 20% Positiveness
23% Popularity • 52% Danceability • 21% Energy • 16% Liveness
94% Instrumentalness • 20% Positiveness
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Marcin Przybyłowicz
Kaer Morhen
140 bpm • D min • 02:35 • -13.48db
55% Popularity • 40% Danceability • 33% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
55% Popularity • 40% Danceability • 33% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
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Harry Gregson-Williams
Metal Gear Solid: Sons of Liberty Theme
139 bpm • E min • 03:57 • -13.85db
39% Popularity • 33% Danceability • 41% Energy • 25% Liveness
88% Instrumentalness • 6% Positiveness
39% Popularity • 33% Danceability • 41% Energy • 25% Liveness
88% Instrumentalness • 6% Positiveness
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Johan Söderqvist
Lacrimosa (Battlefield 1 Epilogue)
140 bpm • G Maj • 03:50 • -21db
33% Popularity • 14% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
33% Popularity • 14% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Howard Shore
The King of the Golden Hall
139 bpm • E min • 03:49 • -21.75db
50% Popularity • 14% Danceability • 7% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
50% Popularity • 14% Danceability • 7% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
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Adam Skorupa
Dusk Of A Northern Kingdom
141 bpm • C Maj • 04:34 • -21db
35% Popularity • 24% Danceability • 13% Energy • 10% Liveness
75% Instrumentalness • 7% Positiveness
35% Popularity • 24% Danceability • 13% Energy • 10% Liveness
75% Instrumentalness • 7% Positiveness
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Greg Edmonson
Atlantis of the Sands
141 bpm • D Maj • 02:33 • -11db
29% Popularity • 42% Danceability • 47% Energy • 21% Liveness
75% Instrumentalness • 7% Positiveness
29% Popularity • 42% Danceability • 47% Energy • 21% Liveness
75% Instrumentalness • 7% Positiveness
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Sam Hulick
I'm Proud Of You
139 bpm • A min • 01:17 • -13db
37% Popularity • 15% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
37% Popularity • 15% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
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Stephen Rippy
Of Licious
141 bpm • D min • 02:47 • -8db
21% Popularity • 18% Danceability • 39% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 39% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Daniel Licht
Dishonored 2 Main Theme
141 bpm • C min • 02:30 • -17.31db
42% Popularity • 37% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
42% Popularity • 37% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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James Horner
Main Title - Young Peter
141 bpm • G min • 04:54 • -21.67db
37% Popularity • 20% Danceability • 14% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
37% Popularity • 20% Danceability • 14% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
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Mikolai Stroinski
Fanfares And Flowers
139 bpm • D min • 03:10 • -11db
44% Popularity • 24% Danceability • 41% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
44% Popularity • 24% Danceability • 41% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
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Gustavo Santaolalla
All Gone (No Escape)
142 bpm • E min • 02:54 • -22.46db
50% Popularity • 14% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
50% Popularity • 14% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Brad Derrick
Grazelands Dawn
141 bpm • G min • 05:01 • -15.34db
44% Popularity • 14% Danceability • 22% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
44% Popularity • 14% Danceability • 22% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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The Flight
Years of Training - Part 1 - Motherland
142 bpm • G Maj • 02:22 • -17db
38% Popularity • 45% Danceability • 52% Energy • 10% Liveness
81% Instrumentalness • 11% Positiveness
38% Popularity • 45% Danceability • 52% Energy • 10% Liveness
81% Instrumentalness • 11% Positiveness
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Johan Söderqvist
The Fear of Everything
138 bpm • F min • 02:37 • -12.78db
22% Popularity • 66% Danceability • 61% Energy • 12% Liveness
88% Instrumentalness • 48% Positiveness
22% Popularity • 66% Danceability • 61% Energy • 12% Liveness
88% Instrumentalness • 48% Positiveness
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Howard Shore
The Lighting of the Beacons
143 bpm • A min • 09:03 • -15.67db
45% Popularity • 14% Danceability • 26% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
45% Popularity • 14% Danceability • 26% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Greg Edmonson
Small Beginnings
138 bpm • A# Maj • 02:16 • -16db
31% Popularity • 54% Danceability • 22% Energy • 9% Liveness
67% Instrumentalness • 28% Positiveness
31% Popularity • 54% Danceability • 22% Energy • 9% Liveness
67% Instrumentalness • 28% Positiveness
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Rupert Gregson-Williams
Japanese Retake The Ridge
144 bpm • A min • 04:36 • -12.94db
24% Popularity • 25% Danceability • 67% Energy • 13% Liveness
88% Instrumentalness • 18% Positiveness
24% Popularity • 25% Danceability • 67% Energy • 13% Liveness
88% Instrumentalness • 18% Positiveness
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Adam Skorupa
In Temeria
143 bpm • D Maj • 01:31 • -11db
33% Popularity • 20% Danceability • 58% Energy • 13% Liveness
93% Instrumentalness • 17% Positiveness
33% Popularity • 20% Danceability • 58% Energy • 13% Liveness
93% Instrumentalness • 17% Positiveness
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Brian Tyler
MW3 End Credits
144 bpm • C Maj • 02:24 • -13.08db
38% Popularity • 22% Danceability • 52% Energy • 13% Liveness
95% Instrumentalness • 6% Positiveness
38% Popularity • 22% Danceability • 52% Energy • 13% Liveness
95% Instrumentalness • 6% Positiveness
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Tim Wynn
Lazarus
144 bpm • G# Maj • 02:58 • -19db
30% Popularity • 44% Danceability • 38% Energy • 11% Liveness
70% Instrumentalness • 19% Positiveness
30% Popularity • 44% Danceability • 38% Energy • 11% Liveness
70% Instrumentalness • 19% Positiveness
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Elitsa Alexandrova
Assassin's Creed Rogue Main Theme
136 bpm • D min • 02:08 • -15.11db
47% Popularity • 29% Danceability • 37% Energy • 12% Liveness
97% Instrumentalness • 25% Positiveness
47% Popularity • 29% Danceability • 37% Energy • 12% Liveness
97% Instrumentalness • 25% Positiveness
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Howard Shore
The Shadow of the Past
145 bpm • D min • 03:32 • -18.32db
47% Popularity • 13% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
47% Popularity • 13% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Russell Shaw
Title Theme
145 bpm • G# Maj • 04:15 • -23.95db
37% Popularity • 16% Danceability • 6% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 6% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Borislav Slavov
New York Aftermath
135 bpm • A# Maj • 02:46 • -16db
23% Popularity • 20% Danceability • 29% Energy • 11% Liveness
85% Instrumentalness • 18% Positiveness
23% Popularity • 20% Danceability • 29% Energy • 11% Liveness
85% Instrumentalness • 18% Positiveness
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Trevor Rabin
I Am The Clock (12 Monkeys Suite)
145 bpm • D min • 04:44 • -18db
22% Popularity • 47% Danceability • 30% Energy • 8% Liveness
47% Instrumentalness • 9% Positiveness
22% Popularity • 47% Danceability • 30% Energy • 8% Liveness
47% Instrumentalness • 9% Positiveness
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Murray Gold
The Majestic Tale (Of A Madman In A Box)
145 bpm • D min • 04:01 • -11db
41% Popularity • 48% Danceability • 55% Energy • 30% Liveness
97% Instrumentalness • 35% Positiveness
41% Popularity • 48% Danceability • 55% Energy • 30% Liveness
97% Instrumentalness • 35% Positiveness
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Bill Brown
The Final Hour
135 bpm • G Maj • 04:08 • -16.31db
23% Popularity • 52% Danceability • 41% Energy • 7% Liveness
56% Instrumentalness • 11% Positiveness
23% Popularity • 52% Danceability • 41% Energy • 7% Liveness
56% Instrumentalness • 11% Positiveness
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Mikolai Stroinski
Yes, I Do...
135 bpm • G Maj • 01:33 • -14.99db
46% Popularity • 18% Danceability • 16% Energy • 18% Liveness
45% Instrumentalness • 8% Positiveness
46% Popularity • 18% Danceability • 16% Energy • 18% Liveness
45% Instrumentalness • 8% Positiveness
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Dynamedion
The Outpost
145 bpm • C min • 01:48 • -17.6db
18% Popularity • 15% Danceability • 32% Energy • 11% Liveness
98% Instrumentalness • 18% Positiveness
18% Popularity • 15% Danceability • 32% Energy • 11% Liveness
98% Instrumentalness • 18% Positiveness
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Marcin Przybyłowicz
Blood And Wine
146 bpm • G min • 02:57 • -11.15db
43% Popularity • 16% Danceability • 50% Energy • 12% Liveness
36% Instrumentalness • 6% Positiveness
43% Popularity • 16% Danceability • 50% Energy • 12% Liveness
36% Instrumentalness • 6% Positiveness
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John Williams
The Jedi Steps and Finale
134 bpm • G min • 08:51 • -12.99db
39% Popularity • 23% Danceability • 27% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
39% Popularity • 23% Danceability • 27% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Johan Söderqvist
Hunted
146 bpm • C Maj • 01:58 • -12db
33% Popularity • 53% Danceability • 48% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
33% Popularity • 53% Danceability • 48% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
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Brian Tyler
Iron Man 3
134 bpm • D Maj • 02:23 • -11.52db
53% Popularity • 38% Danceability • 58% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
53% Popularity • 38% Danceability • 58% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Two Steps from Hell
Northern Pastures
134 bpm • A min • 02:10 • -14.89db
33% Popularity • 36% Danceability • 26% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
33% Popularity • 36% Danceability • 26% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
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Dynamedion
The Crown and the Lion
134 bpm • A min • 01:36 • -12.66db
29% Popularity • 22% Danceability • 43% Energy • 7% Liveness
94% Instrumentalness • 16% Positiveness
29% Popularity • 22% Danceability • 43% Energy • 7% Liveness
94% Instrumentalness • 16% Positiveness
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Neal Acree
The Eternal Conflict
133 bpm • D Maj • 02:37 • -15.02db
30% Popularity • 16% Danceability • 40% Energy • 28% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 16% Danceability • 40% Energy • 28% Liveness
91% Instrumentalness • 4% Positiveness
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Stephen Rippy
Last Name Crane, Icabod
133 bpm • F Maj • 03:12 • -10.62db
18% Popularity • 32% Danceability • 33% Energy • 9% Liveness
36% Instrumentalness • 5% Positiveness
18% Popularity • 32% Danceability • 33% Energy • 9% Liveness
36% Instrumentalness • 5% Positiveness
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Howard Shore
The Ride of the Rohirrim
133 bpm • G Maj • 02:08 • -17.54db
48% Popularity • 22% Danceability • 21% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
48% Popularity • 22% Danceability • 21% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
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Brian Tyler
On the Horizon
147 bpm • A# Maj • 03:01 • -15.18db
37% Popularity • 45% Danceability • 42% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
37% Popularity • 45% Danceability • 42% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Henry Jackman
Brother's Keeper
132 bpm • G min • 03:59 • -13.03db
29% Popularity • 22% Danceability • 56% Energy • 17% Liveness
89% Instrumentalness • 6% Positiveness
29% Popularity • 22% Danceability • 56% Energy • 17% Liveness
89% Instrumentalness • 6% Positiveness
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John Ottman
Hope (Xavier's Theme)
132 bpm • A min • 04:48 • -21.29db
44% Popularity • 36% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
44% Popularity • 36% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Mikolai Stroinski
Spikeroog
149 bpm • D min • 03:05 • -13.89db
53% Popularity • 14% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
53% Popularity • 14% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
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Greg Edmonson
The City's Secret
131 bpm • F min • 03:32 • -20.08db
22% Popularity • 20% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Sarah Schachner
Assassin's Creed Origins Main Theme
131 bpm • G# Maj • 03:15 • -12.38db
46% Popularity • 16% Danceability • 53% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
46% Popularity • 16% Danceability • 53% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
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Dan Romer
Now That This Old World Is Ending
131 bpm • A min • 03:24 • -19.11db
47% Popularity • 27% Danceability • 15% Energy • 25% Liveness
93% Instrumentalness • 15% Positiveness
47% Popularity • 27% Danceability • 15% Energy • 25% Liveness
93% Instrumentalness • 15% Positiveness
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Henry Jackman
A Normal Life
150 bpm • E min • 01:17 • -24.33db
41% Popularity • 23% Danceability • 6% Energy • 12% Liveness
82% Instrumentalness • 7% Positiveness
41% Popularity • 23% Danceability • 6% Energy • 12% Liveness
82% Instrumentalness • 7% Positiveness
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Jeremy Soule
For Blood, for Glory, for Honor
150 bpm • C min • 04:59 • -13.36db
38% Popularity • 15% Danceability • 52% Energy • 11% Liveness
98% Instrumentalness • 13% Positiveness
38% Popularity • 15% Danceability • 52% Energy • 11% Liveness
98% Instrumentalness • 13% Positiveness
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Johan Söderqvist
The Fields
150 bpm • A min • 01:27 • -20.39db
27% Popularity • 34% Danceability • 36% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
27% Popularity • 34% Danceability • 36% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Nicholas Britell
Andor (Main Title Theme) - Episode 1
150 bpm • A Maj • 01:17 • -14.79db
42% Popularity • 19% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
42% Popularity • 19% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Optimus
150 bpm • G min • 03:15 • -17db
48% Popularity • 15% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
48% Popularity • 15% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Ari Pulkkinen
Trine 2 Main Theme
150 bpm • D min • 02:33 • -8db
32% Popularity • 47% Danceability • 50% Energy • 10% Liveness
11% Instrumentalness • 40% Positiveness
32% Popularity • 47% Danceability • 50% Energy • 10% Liveness
11% Instrumentalness • 40% Positiveness
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Marcin Przybyłowicz
The Vagabond
130 bpm • D min • 02:47 • -19.92db
52% Popularity • 37% Danceability • 7% Energy • 11% Liveness
82% Instrumentalness • 7% Positiveness
52% Popularity • 37% Danceability • 7% Energy • 11% Liveness
82% Instrumentalness • 7% Positiveness
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Video Games Live
Shadow of the Colossus®
130 bpm • E min • 03:02 • -9.91db
37% Popularity • 40% Danceability • 57% Energy • 20% Liveness
95% Instrumentalness • 11% Positiveness
37% Popularity • 40% Danceability • 57% Energy • 20% Liveness
95% Instrumentalness • 11% Positiveness
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Mark Mothersbaugh
Thor: Ragnarok
151 bpm • A min • 01:09 • -9.17db
47% Popularity • 26% Danceability • 66% Energy • 9% Liveness
42% Instrumentalness • 22% Positiveness
47% Popularity • 26% Danceability • 66% Energy • 9% Liveness
42% Instrumentalness • 22% Positiveness
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Brian Tyler
The High Seas
130 bpm • C Maj • 02:44 • -11.18db
41% Popularity • 44% Danceability • 54% Energy • 24% Liveness
97% Instrumentalness • 12% Positiveness
41% Popularity • 44% Danceability • 54% Energy • 24% Liveness
97% Instrumentalness • 12% Positiveness
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Steve Jablonsky
The All Spark
150 bpm • D min • 03:34 • -17db
50% Popularity • 35% Danceability • 31% Energy • 10% Liveness
61% Instrumentalness • 30% Positiveness
50% Popularity • 35% Danceability • 31% Energy • 10% Liveness
61% Instrumentalness • 30% Positiveness
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Johan Söderqvist
They Shall Not Pass
130 bpm • F min • 02:51 • -15db
24% Popularity • 39% Danceability • 38% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
24% Popularity • 39% Danceability • 38% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
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Ilan Eshkeri
47 Ronin
130 bpm • G Maj • 02:42 • -15.92db
49% Popularity • 42% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
49% Popularity • 42% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Bill Elm
(Theme From) Red Dead Redemption
130 bpm • A min • 05:38 • -12db
48% Popularity • 43% Danceability • 50% Energy • 10% Liveness
95% Instrumentalness • 29% Positiveness
48% Popularity • 43% Danceability • 50% Energy • 10% Liveness
95% Instrumentalness • 29% Positiveness
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Percival Schuttenbach
Cloak And Dagger
130 bpm • D Maj • 02:46 • -14.43db
47% Popularity • 55% Danceability • 40% Energy • 22% Liveness
88% Instrumentalness • 26% Positiveness
47% Popularity • 55% Danceability • 40% Energy • 22% Liveness
88% Instrumentalness • 26% Positiveness
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Chris Tilton
Chase by Chase Basis
130 bpm • D min • 02:28 • -17.23db
26% Popularity • 55% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 39% Positiveness
26% Popularity • 55% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 39% Positiveness
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Jesper Kyd
Flight Through Jerusalem
130 bpm • A min • 03:39 • -14.58db
28% Popularity • 48% Danceability • 61% Energy • 28% Liveness
95% Instrumentalness • 25% Positiveness
28% Popularity • 48% Danceability • 61% Energy • 28% Liveness
95% Instrumentalness • 25% Positiveness
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Håkan Glänte
Rule The World
151 bpm • C Maj • 05:36 • -11.89db
27% Popularity • 18% Danceability • 36% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
27% Popularity • 18% Danceability • 36% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Steve Jablonsky
Bumblebee
152 bpm • D min • 03:56 • -19db
46% Popularity • 33% Danceability • 22% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
46% Popularity • 33% Danceability • 22% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Henry Jackman
Captain America
153 bpm • F min • 09:41 • -20.36db
38% Popularity • 45% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
38% Popularity • 45% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
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Trevor Morris
Dragon Age Inquisition Theme
128 bpm • D Maj • 02:52 • -12.67db
52% Popularity • 42% Danceability • 53% Energy • 15% Liveness
89% Instrumentalness • 6% Positiveness
52% Popularity • 42% Danceability • 53% Energy • 15% Liveness
89% Instrumentalness • 6% Positiveness
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Inon Zur
Fallout 4 Main Theme ('Spinner' mix)
128 bpm • C# Maj • 02:49 • -20db
29% Popularity • 35% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
29% Popularity • 35% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Brian Tyler
Assassin's Creed IV Black Flag Main Them...
128 bpm • G Maj • 02:13 • -12.21db
56% Popularity • 32% Danceability • 62% Energy • 8% Liveness
90% Instrumentalness • 32% Positiveness
56% Popularity • 32% Danceability • 62% Energy • 8% Liveness
90% Instrumentalness • 32% Positiveness
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Greg Edmonson
Sir Francis Drake
128 bpm • G min • 01:07 • -16.44db
25% Popularity • 32% Danceability • 23% Energy • 11% Liveness
75% Instrumentalness • 34% Positiveness
25% Popularity • 32% Danceability • 23% Energy • 11% Liveness
75% Instrumentalness • 34% Positiveness
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Johan Söderqvist
Verdun
127 bpm • C# Maj • 03:35 • -19.54db
23% Popularity • 28% Danceability • 29% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
23% Popularity • 28% Danceability • 29% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
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Henry Jackman
Cut to the Chase
153 bpm • C Maj • 03:09 • -9.47db
36% Popularity • 42% Danceability • 68% Energy • 13% Liveness
92% Instrumentalness • 35% Positiveness
36% Popularity • 42% Danceability • 68% Energy • 13% Liveness
92% Instrumentalness • 35% Positiveness
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Two Steps from Hell
High C's
127 bpm • C min • 05:39 • -6db
42% Popularity • 25% Danceability • 67% Energy • 13% Liveness
96% Instrumentalness • 32% Positiveness
42% Popularity • 25% Danceability • 67% Energy • 13% Liveness
96% Instrumentalness • 32% Positiveness
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Inon Zur
Fallout 4 Main Theme
128 bpm • C# Maj • 03:02 • -19.09db
50% Popularity • 37% Danceability • 22% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
50% Popularity • 37% Danceability • 22% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Gustavo Santaolalla
The Last of Us
155 bpm • E min • 03:03 • -12.39db
62% Popularity • 57% Danceability • 47% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
62% Popularity • 57% Danceability • 47% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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Neal Acree
Why do we fight?
155 bpm • F Maj • 03:43 • -10.5db
31% Popularity • 19% Danceability • 44% Energy • 48% Liveness
92% Instrumentalness • 26% Positiveness
31% Popularity • 19% Danceability • 44% Energy • 48% Liveness
92% Instrumentalness • 26% Positiveness
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Adam Skorupa
Assassins Of Kings
126 bpm • C Maj • 02:06 • -11db
31% Popularity • 24% Danceability • 60% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
31% Popularity • 24% Danceability • 60% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
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Johan Söderqvist
Battlefield 1 Theme Variation
126 bpm • F Maj • 05:10 • -18.39db
21% Popularity • 36% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
21% Popularity • 36% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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Two Steps from Hell
Black Blade (Instrumental)
155 bpm • G min • 03:05 • -9.69db
32% Popularity • 45% Danceability • 82% Energy • 20% Liveness
93% Instrumentalness • 27% Positiveness
32% Popularity • 45% Danceability • 82% Energy • 20% Liveness
93% Instrumentalness • 27% Positiveness
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Jesper Kyd
Ezio's Family
126 bpm • D min • 03:57 • -12.56db
62% Popularity • 38% Danceability • 34% Energy • 7% Liveness
78% Instrumentalness • 11% Positiveness
62% Popularity • 38% Danceability • 34% Energy • 7% Liveness
78% Instrumentalness • 11% Positiveness
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Christopher Lennertz
Stand Strong, Stand Together
126 bpm • G# Maj • 01:55 • -11db
32% Popularity • 17% Danceability • 44% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
32% Popularity • 17% Danceability • 44% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
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Howard Shore
Prologue: One Ring to Rule Them All
126 bpm • F Maj • 07:16 • -21.81db
49% Popularity • 17% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
49% Popularity • 17% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Patrick Doyle
Sons of Odin
126 bpm • F Maj • 01:48 • -16.56db
43% Popularity • 48% Danceability • 50% Energy • 10% Liveness
98% Instrumentalness • 24% Positiveness
43% Popularity • 48% Danceability • 50% Energy • 10% Liveness
98% Instrumentalness • 24% Positiveness
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Johan Söderqvist
The War To End All Wars
126 bpm • C Maj • 03:23 • -10.67db
34% Popularity • 17% Danceability • 57% Energy • 12% Liveness
90% Instrumentalness • 23% Positiveness
34% Popularity • 17% Danceability • 57% Energy • 12% Liveness
90% Instrumentalness • 23% Positiveness
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Henry Jackman
A Thief's End
125 bpm • G min • 01:54 • -16db
47% Popularity • 22% Danceability • 47% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
47% Popularity • 22% Danceability • 47% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Jesper Kyd
Venice Rooftops
126 bpm • A min • 03:18 • -9.92db
45% Popularity • 57% Danceability • 78% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
45% Popularity • 57% Danceability • 78% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
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Tina Guo
Uncharted: Nate's Theme
125 bpm • C Maj • 03:11 • -11db
21% Popularity • 21% Danceability • 50% Energy • 14% Liveness
77% Instrumentalness • 5% Positiveness
21% Popularity • 21% Danceability • 50% Energy • 14% Liveness
77% Instrumentalness • 5% Positiveness
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Thomas Bergersen
Birth of a Hero
125 bpm • C min • 02:13 • -7db
40% Popularity • 42% Danceability • 53% Energy • 8% Liveness
63% Instrumentalness • 10% Positiveness
40% Popularity • 42% Danceability • 53% Energy • 8% Liveness
63% Instrumentalness • 10% Positiveness
