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Be Around
Songs like
Be Around
by
Ocie Elliott
Based on a tempo of (+/- 10%) and a similar genre
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Tay Oskee
Think About You
96 bpm • C# Maj • 03:43 • -9db
39% Popularity • 77% Danceability • 58% Energy • 11% Liveness
32% Instrumentalness • 56% Positiveness
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The Paper Kites
Bloom (Online Bonus Track)
96 bpm • C# Maj • 03:29 • -9.79db
68% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Aoife O'Donovan
IOWA
96 bpm • C# Maj • 04:35 • -11db
34% Popularity • 53% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Ocie Elliott
Be Around
96 bpm • B Maj • 03:15 • -14.9db
61% Popularity • 86% Danceability • 23% Energy • 11% Liveness
4% Instrumentalness • 35% Positiveness
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Joy Oladokun
jordan
96 bpm • E Maj • 04:01 • -10db
49% Popularity • 35% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Bobby Alu
It’s Time
96 bpm • G Maj • 03:46 • -10.73db
56% Popularity • 92% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Azure Ryder
Wolves
96 bpm • D Maj • 02:43 • -9db
51% Popularity • 58% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Harrison Storm
Be Slow - Acoustic
96 bpm • E Maj • 03:09 • -10db
49% Popularity • 53% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Chris Staples
Always On My Mind
96 bpm • C Maj • 02:55 • -14.35db
49% Popularity • 61% Danceability • 15% Energy • 32% Liveness
1% Instrumentalness • 31% Positiveness
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Wild Rivers
Already Gone
95 bpm • A# Maj • 03:42 • -13db
56% Popularity • 59% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Nick Mulvey
Meet Me There
97 bpm • E Maj • 03:26 • -7.49db
57% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Humbird
Pharmakon
95 bpm • A Maj • 02:35 • -12.56db
54% Popularity • 68% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Dead Horses
Turntable
95 bpm • C Maj • 03:16 • -10.33db
51% Popularity • 60% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Caamp
Misty
95 bpm • A# Maj • 03:44 • -7.96db
57% Popularity • 60% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Ocie Elliott
Down by the Water
95 bpm • E Maj • 02:58 • -12db
74% Popularity • 61% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Old Sea Brigade
Better Days
97 bpm • G Maj • 03:46 • -11.69db
47% Popularity • 56% Danceability • 39% Energy • 11% Liveness
35% Instrumentalness • 17% Positiveness
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Tall Heights
Horse to Water
97 bpm • F# min • 04:04 • -9.14db
50% Popularity • 52% Danceability • 62% Energy • 50% Liveness
7% Instrumentalness • 51% Positiveness
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John Smith
Far Too Good
97 bpm • E Maj • 03:39 • -11.4db
61% Popularity • 82% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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BUNT.
Oh My Other - Acoustic
95 bpm • F Maj • 03:48 • -7.53db
30% Popularity • 79% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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The Paper Kites
Never Heard a Sound
97 bpm • D Maj • 02:54 • -17.17db
34% Popularity • 52% Danceability • 15% Energy • 13% Liveness
32% Instrumentalness • 36% Positiveness
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Layup
Favorite Place to Go
95 bpm • G Maj • 02:54 • -13.71db
56% Popularity • 57% Danceability • 27% Energy • 13% Liveness
8% Instrumentalness • 28% Positiveness
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Penny and Sparrow
Alabama Haint
95 bpm • E min • 03:02 • -11db
47% Popularity • 59% Danceability • 42% Energy • 9% Liveness
3% Instrumentalness • 29% Positiveness
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Ed Patrick
Man Overboard
97 bpm • D# Maj • 03:35 • -14db
45% Popularity • 47% Danceability • 28% Energy • 12% Liveness
15% Instrumentalness • 22% Positiveness
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Mipso
Caroline
97 bpm • A Maj • 03:35 • -15db
42% Popularity • 62% Danceability • 36% Energy • 11% Liveness
32% Instrumentalness • 39% Positiveness
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LULLANAS
Bloom
95 bpm • D# Maj • 02:53 • -10.31db
54% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Ocie Elliott
This Beautiful Life
97 bpm • G# Maj • 02:30 • -12.68db
53% Popularity • 60% Danceability • 35% Energy • 12% Liveness
15% Instrumentalness • 40% Positiveness
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Villagers
Dawning On Me
95 bpm • G Maj • 03:19 • -14.32db
52% Popularity • 48% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
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Beta Radio
Destined to Pretend
95 bpm • D Maj • 03:12 • -10.29db
43% Popularity • 51% Danceability • 52% Energy • 24% Liveness
1% Instrumentalness • 24% Positiveness
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Jolé
Alpine Green
98 bpm • A Maj • 02:30 • -16db
57% Popularity • 53% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Dekker
This Here Island
98 bpm • A# Maj • 04:03 • -11.28db
50% Popularity • 70% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Fink
We Watch The Stars - Berlin Session
94 bpm • A Maj • 03:45 • -15.78db
56% Popularity • 58% Danceability • 19% Energy • 11% Liveness
5% Instrumentalness • 31% Positiveness
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Nick Mulvey
Mona
98 bpm • G# min • 03:22 • -8.5db
44% Popularity • 75% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Ryan Harris
Guide You Home
98 bpm • D Maj • 03:12 • -10.54db
38% Popularity • 66% Danceability • 50% Energy • 12% Liveness
2% Instrumentalness • 31% Positiveness
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Wild Rivers
Wandering Child
98 bpm • D Maj • 03:04 • -12db
64% Popularity • 67% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Harrison Storm
Be Slow
94 bpm • E Maj • 03:25 • -13db
64% Popularity • 59% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Paper Planes
Radio Up
94 bpm • F# Maj • 01:44 • -13db
60% Popularity • 60% Danceability • 38% Energy • 18% Liveness
2% Instrumentalness • 47% Positiveness
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Joshua Radin
A World to Explore
94 bpm • D Maj • 03:00 • -13.85db
45% Popularity • 61% Danceability • 55% Energy • 10% Liveness
46% Instrumentalness • 52% Positiveness
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Nick Mulvey
A Prayer Of My Own
98 bpm • A# Maj • 04:33 • -12.6db
48% Popularity • 70% Danceability • 37% Energy • 11% Liveness
33% Instrumentalness • 35% Positiveness
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Ryan Harris
Alone (Reprise)
94 bpm • B Maj • 01:52 • -14.64db
50% Popularity • 67% Danceability • 44% Energy • 11% Liveness
12% Instrumentalness • 17% Positiveness
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Abigail Lapell
Down by the Water
94 bpm • A Maj • 02:55 • -16db
54% Popularity • 63% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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The Paper Kites
Without Your Love
94 bpm • D Maj • 03:30 • -9.86db
40% Popularity • 62% Danceability • 40% Energy • 9% Liveness
74% Instrumentalness • 24% Positiveness
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Waiting for Smith
So Much Love
98 bpm • C# min • 02:59 • -13.87db
32% Popularity • 79% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Caamp
All the Debts I Owe
93 bpm • C Maj • 03:13 • -11.07db
67% Popularity • 46% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Joshua Burnside
Under the Concrete
99 bpm • F# min • 03:25 • -9.99db
32% Popularity • 43% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Mat McHugh
A Pocketful Of Shells
99 bpm • C# min • 03:48 • -11.38db
50% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Ocie Elliott
Thinking About You
99 bpm • A Maj • 02:57 • -13.66db
64% Popularity • 64% Danceability • 22% Energy • 11% Liveness
22% Instrumentalness • 15% Positiveness
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Henry Jamison
Ether Garden
99 bpm • C# Maj • 02:47 • -15.24db
39% Popularity • 60% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Yoke Lore
Goodpain - Recorded at Spotify Studios N...
99 bpm • C Maj • 04:21 • -12db
39% Popularity • 74% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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The Paper Kites
Walk Above the City
99 bpm • C Maj • 04:00 • -17.6db
44% Popularity • 68% Danceability • 25% Energy • 11% Liveness
53% Instrumentalness • 29% Positiveness
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Tay Oskee
Floating
99 bpm • G# Maj • 03:15 • -12db
52% Popularity • 69% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Ed Prosek
The Garden
99 bpm • D# Maj • 03:04 • -10.55db
45% Popularity • 45% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Ocie Elliott
Run to You
99 bpm • F Maj • 03:51 • -10.07db
42% Popularity • 44% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Beta Radio
Our Remains - Acoustic
99 bpm • C# min • 03:47 • -15db
49% Popularity • 64% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Caamp
Books
93 bpm • E Maj • 03:56 • -13.11db
51% Popularity • 61% Danceability • 33% Energy • 27% Liveness
2% Instrumentalness • 49% Positiveness
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Oshima Brothers
Love Is Tall
100 bpm • G Maj • 02:33 • -10.07db
43% Popularity • 52% Danceability • 23% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
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Old Sea Brigade
Tidal Wave
93 bpm • C Maj • 03:17 • -10.24db
55% Popularity • 77% Danceability • 29% Energy • 8% Liveness
6% Instrumentalness • 28% Positiveness
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Tay Oskee
Better Like This
93 bpm • F# Maj • 03:34 • -9db
38% Popularity • 68% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Wesley Schultz
If It Makes You Happy
93 bpm • B Maj • 04:15 • -12.57db
42% Popularity • 66% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Beta Radio
Hope You Change Your Mind
93 bpm • G Maj • 03:02 • -10.1db
44% Popularity • 52% Danceability • 44% Energy • 12% Liveness
17% Instrumentalness • 30% Positiveness
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Caamp
Iffy
93 bpm • A# Maj • 03:56 • -11db
56% Popularity • 52% Danceability • 29% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
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Wild Rivers
Rolling Stone
92 bpm • C Maj • 01:57 • -14db
58% Popularity • 46% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Henry Jamison
Witness Trees
100 bpm • E Maj • 02:40 • -11.57db
41% Popularity • 56% Danceability • 27% Energy • 9% Liveness
1% Instrumentalness • 44% Positiveness
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SYML
You and I
100 bpm • F Maj • 03:13 • -10db
64% Popularity • 72% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Joshua Burnside
Blood Drive
100 bpm • D Maj • 03:54 • -12.67db
43% Popularity • 66% Danceability • 40% Energy • 10% Liveness
16% Instrumentalness • 39% Positiveness
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Beta Radio
Realistic City Living
100 bpm • C Maj • 02:58 • -15.32db
44% Popularity • 54% Danceability • 22% Energy • 10% Liveness
6% Instrumentalness • 31% Positiveness
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The Beautiful Girls
La Mar (The Ocean)
92 bpm • G# Maj • 03:57 • -9.64db
51% Popularity • 84% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 36% Positiveness
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Aaron Espe
Making All Things New
100 bpm • C Maj • 02:39 • -11db
64% Popularity • 79% Danceability • 36% Energy • 11% Liveness
2% Instrumentalness • 48% Positiveness
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Paper Planes
Something More
100 bpm • D# Maj • 01:36 • -11.15db
58% Popularity • 76% Danceability • 36% Energy • 10% Liveness
2% Instrumentalness • 65% Positiveness
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Boatkeeper
Breach
100 bpm • C Maj • 03:22 • -9db
43% Popularity • 57% Danceability • 58% Energy • 38% Liveness
6% Instrumentalness • 55% Positiveness
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Freyr
Wilderness
100 bpm • E Maj • 03:23 • -14.13db
42% Popularity • 73% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Michael Bernard Fitzgerald
Good Plates
92 bpm • D Maj • 02:56 • -12.61db
39% Popularity • 58% Danceability • 45% Energy • 9% Liveness
15% Instrumentalness • 25% Positiveness
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Dekker
Tethered, Wrapped Around
92 bpm • C# Maj • 03:15 • -11.6db
52% Popularity • 77% Danceability • 24% Energy • 12% Liveness
4% Instrumentalness • 70% Positiveness
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Blanco White
Colder Heavens
92 bpm • C min • 04:33 • -9.91db
58% Popularity • 46% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Mega
Chariot
92 bpm • A Maj • 03:36 • -7.93db
52% Popularity • 74% Danceability • 35% Energy • 12% Liveness
12% Instrumentalness • 23% Positiveness
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Tay Oskee
That Place
100 bpm • D Maj • 04:38 • -10.81db
29% Popularity • 51% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Beta Radio
On Your Horizon
92 bpm • C Maj • 04:52 • -15db
46% Popularity • 36% Danceability • 29% Energy • 9% Liveness
27% Instrumentalness • 24% Positiveness
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Peter Bradley Adams
My Arms Were Always Around You
91 bpm • C# Maj • 03:20 • -12.25db
58% Popularity • 64% Danceability • 44% Energy • 11% Liveness
46% Instrumentalness • 42% Positiveness
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The Ballroom Thieves
I'm Around
100 bpm • C Maj • 04:31 • -8.15db
45% Popularity • 44% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 14% Positiveness
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Blanco White
Colder Heavens - Acoustic Version
92 bpm • C min • 03:56 • -10.52db
45% Popularity • 58% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Graham Candy
Belong
101 bpm • F# min • 02:35 • -12db
39% Popularity • 78% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Old Sea Brigade
Los Feliz
101 bpm • F Maj • 02:50 • -12.89db
37% Popularity • 68% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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John Smith
Hold On
101 bpm • G Maj • 04:51 • -11db
44% Popularity • 61% Danceability • 38% Energy • 10% Liveness
13% Instrumentalness • 43% Positiveness
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Paper Planes
Waste Your Time On Me
101 bpm • E min • 01:44 • -20.61db
53% Popularity • 67% Danceability • 28% Energy • 10% Liveness
71% Instrumentalness • 21% Positiveness
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Caiola
Alaska
101 bpm • D# Maj • 03:45 • -8.53db
57% Popularity • 46% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Jake Isaac
Tomorrow
101 bpm • G# Maj • 03:00 • -8.45db
47% Popularity • 78% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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John Vincent III
In My Sheets
91 bpm • A Maj • 04:10 • -8.69db
56% Popularity • 49% Danceability • 58% Energy • 8% Liveness
2% Instrumentalness • 24% Positiveness
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Charlie Cunningham
You Sigh
91 bpm • F# Maj • 02:58 • -9.97db
58% Popularity • 63% Danceability • 45% Energy • 14% Liveness
6% Instrumentalness • 68% Positiveness
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Oliver Hazard
Henry & Pearl
91 bpm • B Maj • 02:07 • -10.91db
48% Popularity • 71% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Paper Planes
Midnight
91 bpm • F# Maj • 01:44 • -14.03db
56% Popularity • 50% Danceability • 28% Energy • 12% Liveness
18% Instrumentalness • 35% Positiveness
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The Barr Brothers
Even the Darkness Has Arms
101 bpm • B Maj • 03:50 • -13.1db
60% Popularity • 51% Danceability • 65% Energy • 29% Liveness
15% Instrumentalness • 75% Positiveness
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Drew Holcomb & The Neighbors
What Would I Do Without You
91 bpm • G# Maj • 02:52 • -11.11db
60% Popularity • 60% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Bear's Den
Berlin
91 bpm • C# Maj • 04:29 • -14db
47% Popularity • 50% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Ocie Elliott
Berry Bush
91 bpm • D Maj • 03:13 • -13db
42% Popularity • 66% Danceability • 24% Energy • 11% Liveness
3% Instrumentalness • 35% Positiveness
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The Ballroom Thieves
Bees
102 bpm • C Maj • 03:10 • -15.26db
58% Popularity • 52% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Billy Raffoul
When We Were Young
91 bpm • E Maj • 03:03 • -10db
43% Popularity • 57% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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1969 Collective
Fatal Line
102 bpm • G Maj • 03:01 • -9.06db
38% Popularity • 45% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Nick Mulvey
Begin Again
102 bpm • G Maj • 04:35 • -9db
48% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Hayden Calnin
Warm with You
102 bpm • D Maj • 04:07 • -12.14db
58% Popularity • 56% Danceability • 36% Energy • 31% Liveness
70% Instrumentalness • 29% Positiveness
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Ocie Elliott
We Fall In
102 bpm • A# Maj • 03:11 • -12.5db
42% Popularity • 50% Danceability • 32% Energy • 12% Liveness
37% Instrumentalness • 18% Positiveness
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Birdtalker
Better Days
90 bpm • D Maj • 03:21 • -12db
45% Popularity • 54% Danceability • 29% Energy • 14% Liveness
1% Instrumentalness • 23% Positiveness
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Be Around