Songs like Be free now by Signe Bratlie
Based on a tempo of (+/- 10%) and a similar genre
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Jensine Fleischer
Adalene
78 bpm • G# Maj • 01:50 • -23db
35% Popularity • 45% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 37% Positiveness
35% Popularity • 45% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 37% Positiveness
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Manu Calhu
Beneath the Surface
78 bpm • C Maj • 03:17 • -20db
28% Popularity • 46% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 23% Positiveness
28% Popularity • 46% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 23% Positiveness
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Martin Rapide
Through My Eyes
78 bpm • F min • 02:53 • -24.95db
21% Popularity • 39% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 18% Positiveness
21% Popularity • 39% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 18% Positiveness
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Signe Bratlie
Be free now
78 bpm • F Maj • 02:04 • -25db
13% Popularity • 48% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 21% Positiveness
13% Popularity • 48% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 21% Positiveness
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Ingeborg
The Northern Fairy
78 bpm • A min • 02:10 • -23.17db
31% Popularity • 53% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 57% Positiveness
31% Popularity • 53% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 57% Positiveness
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Geir Gudmundson
Sentinel
78 bpm • D Maj • 04:16 • -29.06db
34% Popularity • 64% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 38% Positiveness
34% Popularity • 64% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 38% Positiveness
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Elliot Ziegler
Zéphyrine
78 bpm • G min • 02:20 • -24.65db
26% Popularity • 51% Danceability • 2% Energy • 17% Liveness
96% Instrumentalness • 45% Positiveness
26% Popularity • 51% Danceability • 2% Energy • 17% Liveness
96% Instrumentalness • 45% Positiveness
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Vala Capon
Presto arriverà il sole
77 bpm • D Maj • 02:32 • -26.16db
24% Popularity • 38% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
24% Popularity • 38% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
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Mildred Wolf
A Place Like This
77 bpm • E Maj • 02:01 • -24db
39% Popularity • 42% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 21% Positiveness
39% Popularity • 42% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 21% Positiveness
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Signe Bratlie
Hadeland
78 bpm • D Maj • 03:37 • -28.51db
2% Popularity • 38% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 38% Positiveness
2% Popularity • 38% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 38% Positiveness
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Santo Trevisani
If you ever change your mind
79 bpm • G Maj • 02:02 • -25db
40% Popularity • 40% Danceability • 9% Energy • 17% Liveness
96% Instrumentalness • 37% Positiveness
40% Popularity • 40% Danceability • 9% Energy • 17% Liveness
96% Instrumentalness • 37% Positiveness
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Jitka Kubr
Komorebi
79 bpm • D# Maj • 01:52 • -25db
29% Popularity • 42% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 40% Positiveness
29% Popularity • 42% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 40% Positiveness
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Fioretta Rizzo
Segui il tuo corso, e lascia dir genti
79 bpm • A min • 02:32 • -24.91db
28% Popularity • 43% Danceability • 6% Energy • 11% Liveness
97% Instrumentalness • 25% Positiveness
28% Popularity • 43% Danceability • 6% Energy • 11% Liveness
97% Instrumentalness • 25% Positiveness
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Kendra Logozar
Equilibrium
79 bpm • C Maj • 02:35 • -18.96db
37% Popularity • 52% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
37% Popularity • 52% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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Elliott Jack Sansom
Rêverie
79 bpm • C Maj • 02:41 • -23.89db
36% Popularity • 34% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
36% Popularity • 34% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Harry Bergqvist
Amungen
77 bpm • A# min • 01:25 • -26.98db
18% Popularity • 33% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
18% Popularity • 33% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
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Leah Dreyer
En ensom vals
77 bpm • G min • 02:34 • -22.63db
16% Popularity • 35% Danceability • 9% Energy • 14% Liveness
97% Instrumentalness • 39% Positiveness
16% Popularity • 35% Danceability • 9% Energy • 14% Liveness
97% Instrumentalness • 39% Positiveness
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Alonzo Gautier
Serre-moi
77 bpm • F# Maj • 01:58 • -26db
16% Popularity • 46% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 33% Positiveness
16% Popularity • 46% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 33% Positiveness
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Alida Sørby
Svanninge Bakker
79 bpm • D Maj • 01:57 • -22db
34% Popularity • 33% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
34% Popularity • 33% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
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Mainfred Arthur
Serre moi
80 bpm • F Maj • 02:25 • -28.75db
37% Popularity • 23% Danceability • 1% Energy • 16% Liveness
90% Instrumentalness • 13% Positiveness
37% Popularity • 23% Danceability • 1% Energy • 16% Liveness
90% Instrumentalness • 13% Positiveness
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Mauvais Roger
Rue Au Pain
80 bpm • A# Maj • 03:11 • -26.83db
29% Popularity • 47% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
29% Popularity • 47% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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Léon Branche
A Hidden Ace
80 bpm • F Maj • 02:41 • -25.24db
32% Popularity • 25% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
32% Popularity • 25% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Carl Stark Willgold
Grace
76 bpm • D# Maj • 02:15 • -25db
40% Popularity • 24% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 38% Positiveness
40% Popularity • 24% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 38% Positiveness
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Signe Bratlie
Marbles
76 bpm • D# Maj • 04:01 • -20.41db
1% Popularity • 72% Danceability • 8% Energy • 13% Liveness
96% Instrumentalness • 47% Positiveness
1% Popularity • 72% Danceability • 8% Energy • 13% Liveness
96% Instrumentalness • 47% Positiveness
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Alida Sørby
Kjæreste
76 bpm • C# Maj • 02:23 • -26db
38% Popularity • 46% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 34% Positiveness
38% Popularity • 46% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 34% Positiveness
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Yao Chen
Mi Amor
80 bpm • F Maj • 03:25 • -32.42db
34% Popularity • 43% Danceability • 3% Energy • 14% Liveness
93% Instrumentalness • 19% Positiveness
34% Popularity • 43% Danceability • 3% Energy • 14% Liveness
93% Instrumentalness • 19% Positiveness
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Leroy Denby
Ponderosa pine
76 bpm • F# Maj • 02:51 • -21.31db
19% Popularity • 52% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
19% Popularity • 52% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
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Echoes Red
The Journey
80 bpm • E min • 02:16 • -25.89db
13% Popularity • 45% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 47% Positiveness
13% Popularity • 45% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 47% Positiveness
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Robin Bennich
Unbridled Enthusiasm
76 bpm • C# Maj • 02:37 • -22.89db
10% Popularity • 18% Danceability • 15% Energy • 13% Liveness
93% Instrumentalness • 18% Positiveness
10% Popularity • 18% Danceability • 15% Energy • 13% Liveness
93% Instrumentalness • 18% Positiveness
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Domitila James
Guinevere
80 bpm • F# Maj • 01:54 • -24.5db
30% Popularity • 44% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 41% Positiveness
30% Popularity • 44% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 41% Positiveness
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Carl Easterling
All this time
80 bpm • D# Maj • 02:11 • -25.95db
14% Popularity • 41% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 40% Positiveness
14% Popularity • 41% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 40% Positiveness
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Roman Nadler
Cerulean
80 bpm • C Maj • 02:22 • -21.33db
30% Popularity • 21% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 39% Positiveness
30% Popularity • 21% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 39% Positiveness
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Aron Edwards
Couronne
80 bpm • G min • 03:30 • -27.34db
15% Popularity • 32% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
15% Popularity • 32% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Federico Montoya
Theme from Lazarus
80 bpm • E Maj • 01:41 • -23.19db
30% Popularity • 42% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 37% Positiveness
30% Popularity • 42% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 37% Positiveness
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Crimson Memoirs
Sometimes
80 bpm • B Maj • 02:59 • -28.24db
33% Popularity • 37% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
33% Popularity • 37% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
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Signe Bratlie
Bestemor
76 bpm • G# Maj • 03:31 • -31.1db
4% Popularity • 37% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
4% Popularity • 37% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
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Zdenek Lemelin
Des ponts plutôt que des murs
76 bpm • C# min • 02:28 • -25.09db
34% Popularity • 62% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 54% Positiveness
34% Popularity • 62% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 54% Positiveness
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Ray Hutchcraft
Cottonwood Shores
76 bpm • B Maj • 02:19 • -24.23db
28% Popularity • 35% Danceability • 11% Energy • 12% Liveness
96% Instrumentalness • 34% Positiveness
28% Popularity • 35% Danceability • 11% Energy • 12% Liveness
96% Instrumentalness • 34% Positiveness
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Orlene de Brisay
Bientôt
80 bpm • A Maj • 01:58 • -23.99db
24% Popularity • 43% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 31% Positiveness
24% Popularity • 43% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 31% Positiveness
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Frano Stanić
Dugo se nismo vidjeli
76 bpm • D# Maj • 01:48 • -26.76db
20% Popularity • 40% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
20% Popularity • 40% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
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Nelson Haynes
Inner peaces
76 bpm • C Maj • 03:05 • -24.55db
12% Popularity • 50% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
12% Popularity • 50% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
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Signe Bratlie
Spørsmål
76 bpm • D# min • 03:16 • -29.14db
35% Popularity • 38% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
35% Popularity • 38% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Ari Naman
Extended Experience
81 bpm • D# Maj • 03:01 • -27.26db
11% Popularity • 48% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 30% Positiveness
11% Popularity • 48% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 30% Positiveness
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Serouj
Promenade du vendredi
81 bpm • C Maj • 02:31 • -24.6db
17% Popularity • 44% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 33% Positiveness
17% Popularity • 44% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 33% Positiveness
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Fiona Elyse
Flourescent Fields
76 bpm • C min • 02:41 • -25.37db
26% Popularity • 18% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
26% Popularity • 18% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Lupe Sinsonte
Hat full of candles
81 bpm • F Maj • 03:03 • -30.54db
50% Popularity • 31% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
50% Popularity • 31% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
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Denise Santoz
The County
75 bpm • G min • 02:35 • -27.3db
17% Popularity • 30% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 31% Positiveness
17% Popularity • 30% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 31% Positiveness
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Eric Sebastian
Population
75 bpm • A# min • 03:55 • -30db
26% Popularity • 46% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
26% Popularity • 46% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
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Signe Bratlie
Fylke
75 bpm • F Maj • 03:58 • -28.66db
20% Popularity • 27% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
20% Popularity • 27% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
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September Meredyth
Watch You Bloom
75 bpm • E Maj • 02:01 • -28.85db
39% Popularity • 43% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 69% Positiveness
39% Popularity • 43% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 69% Positiveness
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Vittoria Emanuelle
Time to Heal
75 bpm • C Maj • 02:34 • -23db
30% Popularity • 34% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
30% Popularity • 34% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
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Alec Windt
In Love
75 bpm • D Maj • 01:56 • -24db
29% Popularity • 52% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 44% Positiveness
29% Popularity • 52% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 44% Positiveness
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Nelson Haynes
Heritage
75 bpm • A min • 03:09 • -26.24db
15% Popularity • 54% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 31% Positiveness
15% Popularity • 54% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 31% Positiveness
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Sophie Wendel
Promises Kept
75 bpm • G# Maj • 01:43 • -24.38db
25% Popularity • 43% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 41% Positiveness
25% Popularity • 43% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 41% Positiveness
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Signe Bratlie
DÃ¥hjorten
75 bpm • G Maj • 02:53 • -24.12db
0% Popularity • 69% Danceability • 14% Energy • 11% Liveness
97% Instrumentalness • 88% Positiveness
0% Popularity • 69% Danceability • 14% Energy • 11% Liveness
97% Instrumentalness • 88% Positiveness
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Wendy Salisbury
See you in the morning
75 bpm • G Maj • 02:40 • -27.16db
40% Popularity • 42% Danceability • 6% Energy • 14% Liveness
95% Instrumentalness • 72% Positiveness
40% Popularity • 42% Danceability • 6% Energy • 14% Liveness
95% Instrumentalness • 72% Positiveness
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Jens Wechsler
Eile mit Weile
81 bpm • C# Maj • 02:30 • -23.35db
17% Popularity • 41% Danceability • 9% Energy • 13% Liveness
96% Instrumentalness • 29% Positiveness
17% Popularity • 41% Danceability • 9% Energy • 13% Liveness
96% Instrumentalness • 29% Positiveness
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Elsaveer
Anything Can Be
75 bpm • C# Maj • 02:20 • -28db
29% Popularity • 37% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 21% Positiveness
29% Popularity • 37% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 21% Positiveness
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Charlotte Funke
Episode
75 bpm • G Maj • 02:30 • -30.75db
43% Popularity • 37% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 18% Positiveness
43% Popularity • 37% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 18% Positiveness
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Rosa La Corte
Da adesso fino all'eternitÃ
81 bpm • C min • 02:03 • -21.91db
30% Popularity • 50% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
30% Popularity • 50% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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Con Alma
Respite
75 bpm • G min • 02:20 • -25.37db
37% Popularity • 46% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
37% Popularity • 46% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
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Signe Bratlie
I dine Øyne
75 bpm • D Maj • 03:19 • -29.99db
3% Popularity • 35% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 31% Positiveness
3% Popularity • 35% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 31% Positiveness
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Carluccio
Now and Then
74 bpm • F Maj • 02:27 • -28.04db
40% Popularity • 27% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 32% Positiveness
40% Popularity • 27% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 32% Positiveness
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Robert Gafforelli
Watch over me
82 bpm • D# Maj • 02:56 • -24.45db
21% Popularity • 35% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
21% Popularity • 35% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
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Ludwig Bern
Der Wandervogel
82 bpm • D# Maj • 02:40 • -23.87db
40% Popularity • 41% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
40% Popularity • 41% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
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Marcus Ackermann
Partings
74 bpm • C Maj • 03:04 • -27.71db
20% Popularity • 47% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
20% Popularity • 47% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
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Leon Noel
Du Coeur
82 bpm • A min • 02:20 • -24.36db
14% Popularity • 68% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 51% Positiveness
14% Popularity • 68% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 51% Positiveness
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Signe Bratlie
Alimento
74 bpm • A min • 03:15 • -32.44db
2% Popularity • 35% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 31% Positiveness
2% Popularity • 35% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 31% Positiveness
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Pierre Koenigs
After the Fest
74 bpm • D Maj • 04:00 • -23.8db
23% Popularity • 44% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 34% Positiveness
23% Popularity • 44% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 34% Positiveness
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Bolethe Kristensen
Forhåbningsfuld
74 bpm • C# Maj • 02:06 • -22.62db
20% Popularity • 40% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 39% Positiveness
20% Popularity • 40% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 39% Positiveness
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Federcio Vernazza
Silk Road
74 bpm • A Maj • 01:53 • -22.11db
30% Popularity • 60% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 10% Positiveness
30% Popularity • 60% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 10% Positiveness
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Cecil Rykken
The Rocking Chair
74 bpm • C Maj • 02:58 • -32.27db
16% Popularity • 29% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 38% Positiveness
16% Popularity • 29% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 38% Positiveness
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Viljar Iversen
Novaturient
74 bpm • D# min • 01:52 • -22.37db
33% Popularity • 40% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 54% Positiveness
33% Popularity • 40% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 54% Positiveness
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Signe Bratlie
Forgive Us
74 bpm • C Maj • 03:32 • -35.04db
37% Popularity • 30% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 21% Positiveness
37% Popularity • 30% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 21% Positiveness
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Yao Chen
Is it Over
74 bpm • C# Maj • 03:17 • -28.67db
36% Popularity • 44% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
36% Popularity • 44% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
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Jani Lechleiter
Hrepenenje
74 bpm • F# Maj • 01:46 • -22.13db
18% Popularity • 49% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 73% Positiveness
18% Popularity • 49% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 73% Positiveness
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Rikke Winther
Sweet dreams my Emily
73 bpm • D# Maj • 02:44 • -30.3db
25% Popularity • 46% Danceability • 2% Energy • 15% Liveness
93% Instrumentalness • 55% Positiveness
25% Popularity • 46% Danceability • 2% Energy • 15% Liveness
93% Instrumentalness • 55% Positiveness
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Charlie Key
Love of Us
73 bpm • G# Maj • 02:46 • -28.06db
26% Popularity • 66% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 53% Positiveness
26% Popularity • 66% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 53% Positiveness
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Mia Strass
Approaching Storm
73 bpm • G Maj • 02:57 • -31.41db
20% Popularity • 38% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
20% Popularity • 38% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
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Signe Bratlie
Dorian
74 bpm • F# min • 04:07 • -28.97db
18% Popularity • 45% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
18% Popularity • 45% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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Yao Chen
Secrets
73 bpm • F Maj • 03:10 • -29.29db
21% Popularity • 43% Danceability • 2% Energy • 13% Liveness
95% Instrumentalness • 15% Positiveness
21% Popularity • 43% Danceability • 2% Energy • 13% Liveness
95% Instrumentalness • 15% Positiveness
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Aron Risa
Whenever You Are With Me
83 bpm • G# min • 02:26 • -20.78db
30% Popularity • 53% Danceability • 7% Energy • 13% Liveness
95% Instrumentalness • 71% Positiveness
30% Popularity • 53% Danceability • 7% Energy • 13% Liveness
95% Instrumentalness • 71% Positiveness
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Meghan Koenig
Memory of Home
73 bpm • G# Maj • 02:40 • -22.44db
19% Popularity • 36% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 34% Positiveness
19% Popularity • 36% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 34% Positiveness
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Finn Forsberg
To Be The One You Love
73 bpm • C# Maj • 01:55 • -26.76db
33% Popularity • 47% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 31% Positiveness
33% Popularity • 47% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 31% Positiveness
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Eline Neteland
Nora
73 bpm • C# min • 02:22 • -25.37db
19% Popularity • 29% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 23% Positiveness
19% Popularity • 29% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 23% Positiveness
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Aron Edwards
Indigo
73 bpm • E min • 04:04 • -27.11db
17% Popularity • 52% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 27% Positiveness
17% Popularity • 52% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 27% Positiveness
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Ruben Galloway
The Ocean and Me
73 bpm • E min • 02:50 • -27.43db
23% Popularity • 43% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 18% Positiveness
23% Popularity • 43% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 18% Positiveness
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Viljar Iversen
Silhuett
73 bpm • G Maj • 02:35 • -21.39db
21% Popularity • 41% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 33% Positiveness
21% Popularity • 41% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 33% Positiveness
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Martin Greenbaum
Two By Two
73 bpm • D min • 02:03 • -24.64db
22% Popularity • 34% Danceability • 7% Energy • 22% Liveness
96% Instrumentalness • 20% Positiveness
22% Popularity • 34% Danceability • 7% Energy • 22% Liveness
96% Instrumentalness • 20% Positiveness
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Josh McCausland
Opus 30
73 bpm • D# Maj • 03:32 • -22.21db
13% Popularity • 27% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
13% Popularity • 27% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Ricki Westberg
The Morning After
72 bpm • F min • 02:30 • -24.33db
25% Popularity • 44% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 37% Positiveness
25% Popularity • 44% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 37% Positiveness
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Odin Sørlie
Auriga
72 bpm • A# Maj • 02:14 • -30.37db
38% Popularity • 40% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 61% Positiveness
38% Popularity • 40% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 61% Positiveness
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Davorka Poljak
Isonzo
72 bpm • D Maj • 01:47 • -21.64db
41% Popularity • 37% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 50% Positiveness
41% Popularity • 37% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 50% Positiveness
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Albie Monroy
The Mystery
72 bpm • C# Maj • 03:06 • -24db
18% Popularity • 51% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 25% Positiveness
18% Popularity • 51% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 25% Positiveness
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Franscesca Vida
Perpetuity
72 bpm • F# Maj • 02:23 • -25.99db
15% Popularity • 47% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 15% Positiveness
15% Popularity • 47% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 15% Positiveness
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Mads Hellmuth
The Pond
85 bpm • C# Maj • 03:14 • -22.98db
27% Popularity • 56% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 28% Positiveness
27% Popularity • 56% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 28% Positiveness
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Will Monrose
Standing Sitting Rising Falling
85 bpm • A min • 02:12 • -26.24db
21% Popularity • 54% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 54% Positiveness
21% Popularity • 54% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 54% Positiveness
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Mona Chu
Serenity Now
72 bpm • D Maj • 02:10 • -25db
19% Popularity • 35% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
19% Popularity • 35% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
