Songs like Be Great by Tarrus Riley
Based on a tempo of (+/- 10%) and a similar genre
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Warrior King
My Life
147 bpm • G min • 03:16 • -7.66db
22% Popularity • 55% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 55% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Alaine
Sugar Love
148 bpm • D# min • 03:23 • -4.81db
17% Popularity • 61% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 61% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Tarrus Riley
Baby Blue
148 bpm • B min • 02:54 • -4db
29% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Jah Cure
That Girl
146 bpm • F min • 03:24 • -3.95db
46% Popularity • 72% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
46% Popularity • 72% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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R C {Righteous Child}
Why Should I
148 bpm • G# Maj • 04:22 • -6.66db
12% Popularity • 79% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 79% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Buju Banton
Wanna Be Loved
146 bpm • F Maj • 04:05 • -7.73db
37% Popularity • 84% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
37% Popularity • 84% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Warrior King
Virtuous Woman
148 bpm • A# Maj • 03:42 • -6.22db
33% Popularity • 73% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 73% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Angel Doolas
Trickster
145 bpm • C Maj • 03:36 • -4.55db
18% Popularity • 52% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
18% Popularity • 52% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Tarrus Riley
I Sight
145 bpm • G min • 04:15 • -5.37db
19% Popularity • 70% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
19% Popularity • 70% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Cocoa Tea
Holy Mount Zion
144 bpm • G# Maj • 03:15 • -6.4db
26% Popularity • 85% Danceability • 67% Energy • 29% Liveness
12% Instrumentalness • 96% Positiveness
26% Popularity • 85% Danceability • 67% Energy • 29% Liveness
12% Instrumentalness • 96% Positiveness
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Jacob Miller
Tenement Yard
144 bpm • E Maj • 02:34 • -6.85db
56% Popularity • 88% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
56% Popularity • 88% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Buju Banton
Time and a Place
146 bpm • F Maj • 03:29 • -1.93db
31% Popularity • 56% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 56% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Stephen Marley
Pale Moonlight (How Many Times)
151 bpm • C Maj • 03:23 • -4.7db
46% Popularity • 64% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
46% Popularity • 64% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Ginjah
Bible and Key
143 bpm • G# Maj • 03:54 • -3.88db
21% Popularity • 81% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 81% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Tarrus Riley
Stay With You
144 bpm • A Maj • 03:48 • -7.91db
41% Popularity • 67% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 67% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Nikesha
How Can I Live
152 bpm • A Maj • 03:31 • -6.37db
29% Popularity • 72% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 72% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Dukes Of Roots
Pressure Drop
152 bpm • G Maj • 03:36 • -4.71db
21% Popularity • 60% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 60% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Bushman
ARMS OF A WOMAN
152 bpm • E min • 03:39 • -6.18db
24% Popularity • 75% Danceability • 50% Energy • 48% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 75% Danceability • 50% Energy • 48% Liveness
0% Instrumentalness • 82% Positiveness
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Mortimer
Fight the Fight
142 bpm • C# min • 04:33 • -5.3db
31% Popularity • 82% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 82% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Buju Banton
One To One
142 bpm • G Maj • 04:12 • -9.21db
21% Popularity • 60% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 60% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
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![Love Created I [Marcus Teaching] cover art](https://i.scdn.co/image/ab67616d00001e022ff9868da6a1d327cce25b52)
Tarrus Riley
Love Created I [Marcus Teaching]
142 bpm • B Maj • 05:26 • -7.71db
28% Popularity • 82% Danceability • 45% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 82% Danceability • 45% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
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Queen Ifrica
Let Me Get to Know You (Tonight)
141 bpm • B Maj • 04:12 • -5.85db
25% Popularity • 61% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 61% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Duane Stephenson
August Town
141 bpm • B Maj • 05:23 • -5.38db
25% Popularity • 84% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
25% Popularity • 84% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
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Capleton
That Day Will Come
153 bpm • C min • 04:06 • -5.03db
55% Popularity • 67% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
55% Popularity • 67% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Richie Stephens
My Girl Dis
154 bpm • A Maj • 03:18 • -5.78db
38% Popularity • 69% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
38% Popularity • 69% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
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Samory I
Love And Mercy
154 bpm • C min • 03:27 • -6.59db
46% Popularity • 78% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
46% Popularity • 78% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Tarrus Riley
Love's Contagious
141 bpm • C Maj • 03:51 • -8.27db
38% Popularity • 66% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
38% Popularity • 66% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Don Campbell
I Wish I Could
154 bpm • A Maj • 04:06 • -5.2db
29% Popularity • 74% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 74% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Beres Hammond
They Gonna Talk
154 bpm • A Maj • 03:57 • -7db
50% Popularity • 74% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
50% Popularity • 74% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Peetah Morgan
Still The Same
154 bpm • G# Maj • 03:57 • -6.72db
25% Popularity • 67% Danceability • 62% Energy • 43% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 67% Danceability • 62% Energy • 43% Liveness
0% Instrumentalness • 95% Positiveness
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Jah Bouks
Never Really Knew
140 bpm • C# min • 03:40 • -14db
36% Popularity • 71% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 71% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Half Pint
Just Be Good
154 bpm • A Maj • 03:52 • -6db
46% Popularity • 74% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
46% Popularity • 74% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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The Yutes
Better Days
140 bpm • C# Maj • 02:54 • -8db
29% Popularity • 83% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 83% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Ghost
Nothing At All
156 bpm • G# Maj • 04:02 • -8.85db
35% Popularity • 63% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
35% Popularity • 63% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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NVT3L
All I Have Is Love
154 bpm • F Maj • 03:47 • -4.53db
16% Popularity • 57% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 57% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Buju Banton
Murderer
138 bpm • C Maj • 03:56 • -8.33db
48% Popularity • 85% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 85% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Capleton
Jah Jah City
137 bpm • A# min • 03:22 • -8.59db
45% Popularity • 57% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
45% Popularity • 57% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Tarrus Riley
Living The Life Of A Gun
137 bpm • G Maj • 03:40 • -6.92db
20% Popularity • 76% Danceability • 68% Energy • 74% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 76% Danceability • 68% Energy • 74% Liveness
0% Instrumentalness • 82% Positiveness
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Everton Blender
Ghetto People Song
158 bpm • A# min • 03:47 • -7.45db
44% Popularity • 81% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
44% Popularity • 81% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Gaza Slim
Everything Fi Hold Him
136 bpm • F# Maj • 03:46 • -6db
51% Popularity • 62% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
51% Popularity • 62% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Singing Melody
Want You Back
160 bpm • F Maj • 04:02 • -7db
39% Popularity • 70% Danceability • 63% Energy • 41% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 70% Danceability • 63% Energy • 41% Liveness
0% Instrumentalness • 97% Positiveness
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Buju Banton
Buried Alive
137 bpm • A Maj • 03:52 • -5.17db
41% Popularity • 64% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 64% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Garnett Silk
Love Is The Answer
160 bpm • G min • 03:49 • -10.85db
28% Popularity • 80% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 80% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Tarrus Riley
Beware
137 bpm • G Maj • 04:01 • -6.19db
22% Popularity • 73% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 73% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Everton Blender
Ghetto People Song
159 bpm • A# min • 03:46 • -10db
26% Popularity • 81% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 81% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Popcaan
Only Man She Want
136 bpm • F# Maj • 03:25 • -6.03db
55% Popularity • 52% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
55% Popularity • 52% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Cocoa Tea
Hurry Up & Come
160 bpm • C# min • 03:48 • -11.19db
41% Popularity • 80% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 80% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Buju Banton
Destiny
135 bpm • E Maj • 03:58 • -7.69db
46% Popularity • 82% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
46% Popularity • 82% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Denyque
I Miss You
162 bpm • C min • 04:11 • -9db
26% Popularity • 61% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 61% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Tarrus Riley
System Set (Willie Lynch Syndrome)
159 bpm • A Maj • 04:15 • -8.73db
19% Popularity • 55% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 55% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Koffee
Burning
162 bpm • F# Maj • 03:01 • -3.16db
48% Popularity • 74% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
48% Popularity • 74% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Jah Vinci
My Other Half
164 bpm • A Maj • 03:03 • -4db
28% Popularity • 56% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 56% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Popcaan
Party Shot (Ravin Part. 2)
132 bpm • C min • 03:50 • -3.66db
49% Popularity • 54% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
49% Popularity • 54% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Wyre
Guarantee
164 bpm • G# min • 04:44 • -4.16db
16% Popularity • 61% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 61% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Lila Iké
Wanted
132 bpm • G Maj • 03:37 • -7.48db
46% Popularity • 80% Danceability • 59% Energy • 2% Liveness
0% Instrumentalness • 76% Positiveness
46% Popularity • 80% Danceability • 59% Energy • 2% Liveness
0% Instrumentalness • 76% Positiveness
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Tarrus Riley
Larger Than Life
135 bpm • G# Maj • 04:37 • -6db
15% Popularity • 76% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 76% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
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Peetah Morgan
It's Love
164 bpm • D min • 03:38 • -5.75db
28% Popularity • 76% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 76% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Tony Matterhorn
Come Off Yuh Name
131 bpm • F# Maj • 02:51 • -6.55db
33% Popularity • 68% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 68% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 69% Positiveness
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Frankie Paul
I Know the Score
164 bpm • C# min • 03:29 • -10.38db
34% Popularity • 77% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 77% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Bitty McLean
Walk Away From Love
165 bpm • B Maj • 04:10 • -5.97db
49% Popularity • 70% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
49% Popularity • 70% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Junior Kelly
Sunshine
166 bpm • A# Maj • 04:03 • -6.61db
28% Popularity • 73% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 73% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Tarrus Riley
Heartbreak Anniversary
134 bpm • B Maj • 04:11 • -4db
25% Popularity • 70% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 70% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Jah Cure
All Of Me
131 bpm • F min • 04:39 • -4.2db
52% Popularity • 61% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 61% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Tony Rebel & Swade
Just Friends
166 bpm • C Maj • 03:51 • -6db
27% Popularity • 72% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
27% Popularity • 72% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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Natural Black
Never Hurt You
166 bpm • C Maj • 03:24 • -6db
18% Popularity • 66% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 66% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 35% Positiveness
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Tony Rebel
Just Friends
166 bpm • C Maj • 03:39 • -5.75db
21% Popularity • 71% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
21% Popularity • 71% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Buju Banton
Untold Strories
130 bpm • G# Maj • 04:32 • -6.7db
48% Popularity • 82% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
48% Popularity • 82% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Tarrus Riley
Superman
134 bpm • C Maj • 04:22 • -6db
55% Popularity • 66% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
55% Popularity • 66% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Jah Mason
My Princess Gone
166 bpm • C Maj • 04:05 • -7db
44% Popularity • 57% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 57% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Dub Inc
No Doubt - Live 2011
166 bpm • G min • 04:38 • -7.47db
6% Popularity • 54% Danceability • 82% Energy • 72% Liveness
0% Instrumentalness • 58% Positiveness
6% Popularity • 54% Danceability • 82% Energy • 72% Liveness
0% Instrumentalness • 58% Positiveness
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Cocoa Tea
Young Lover
166 bpm • F# min • 03:37 • -7db
51% Popularity • 83% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
51% Popularity • 83% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Half Pint
Substitute Lover
167 bpm • B Maj • 03:38 • -15db
50% Popularity • 80% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 80% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Garnett Silk
Hello Africa
167 bpm • F min • 03:24 • -5db
38% Popularity • 73% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
38% Popularity • 73% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Tarrus Riley
One Two Order
134 bpm • G# min • 05:09 • -8.53db
19% Popularity • 79% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 79% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 89% Positiveness
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Sanchez
Missing You
167 bpm • C Maj • 03:22 • -13db
51% Popularity • 79% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
51% Popularity • 79% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Romain Virgo
Soul Provider
168 bpm • F Maj • 04:14 • -2.98db
49% Popularity • 55% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
49% Popularity • 55% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
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Da'ville
Always On My Mind
168 bpm • G min • 03:22 • -6.98db
40% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
40% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Christopher Martin
Baby I Love You
168 bpm • A min • 03:14 • -8db
45% Popularity • 54% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
45% Popularity • 54% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Garnett Silk
Lord Watch Over Our Shoulders
167 bpm • B min • 03:46 • -6db
33% Popularity • 64% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 64% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Silly Walks Discotheque
Dreams of Brighter Days
168 bpm • C Maj • 03:31 • -7.71db
48% Popularity • 70% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 70% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Tarrus Riley
Lion Paw
133 bpm • G# Maj • 04:19 • -9.89db
26% Popularity • 76% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 76% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Jah Cure
Longing For
168 bpm • E min • 03:52 • -7.42db
56% Popularity • 67% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
56% Popularity • 67% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Hezron
Everytime
168 bpm • F Maj • 04:19 • -7.52db
28% Popularity • 65% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 65% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Beres Hammond
I Feel Good
168 bpm • G Maj • 03:42 • -5.46db
52% Popularity • 63% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
52% Popularity • 63% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Machel Montano
Memory
128 bpm • B min • 03:49 • -4.56db
29% Popularity • 83% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 83% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Wayne Wade
Love You Too Much
168 bpm • D Maj • 03:44 • -11db
44% Popularity • 78% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
44% Popularity • 78% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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Kashief Lindo
Paradise Jamdown
169 bpm • F# Maj • 03:49 • -6.38db
24% Popularity • 65% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
24% Popularity • 65% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
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Cocoa Tea
Rikers Island
170 bpm • G Maj • 03:36 • -11db
32% Popularity • 84% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 84% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
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Tony Matterhorn
Survivor
128 bpm • C Maj • 03:43 • -4.39db
19% Popularity • 68% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 68% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Jah Vinci
Nice Again
170 bpm • A# Maj • 03:19 • -5.67db
30% Popularity • 52% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 52% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Sean Paul
Beat Of My Heart
170 bpm • G# Maj • 03:44 • -6.32db
26% Popularity • 70% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
26% Popularity • 70% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
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Third World
You're Not the Only One
170 bpm • A min • 04:02 • -7db
51% Popularity • 75% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
51% Popularity • 75% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Exco Levi
Welcome the King
170 bpm • A# min • 03:23 • -7.48db
31% Popularity • 51% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 51% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Nailah Blackman
Dangerous Boy - Remix
170 bpm • G Maj • 03:37 • -5.09db
7% Popularity • 68% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 68% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Garnett Silk
Place In Your Heart
170 bpm • A Maj • 03:26 • -12.35db
29% Popularity • 79% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 79% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
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Shuga
Love so Good
170 bpm • B min • 03:23 • -6.38db
12% Popularity • 50% Danceability • 80% Energy • 41% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 50% Danceability • 80% Energy • 41% Liveness
0% Instrumentalness • 68% Positiveness
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NVT3L
Miles Away
170 bpm • C min • 03:38 • -5.12db
27% Popularity • 48% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 48% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Buju Banton
Sleepless Nights
170 bpm • A# min • 03:55 • -7.94db
27% Popularity • 65% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 65% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
