Songs like Be More by Robert Cuccioli
Based on a tempo of (+/- 10%) and a similar genre
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Steven Blane
Thanksgiving
136 bpm • C Maj • 03:00 • -10.57db
8% Popularity • 53% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
8% Popularity • 53% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Gwen Verdon
I'll Try
136 bpm • A Maj • 02:48 • -11db
1% Popularity • 72% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
1% Popularity • 72% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Hadley Fraser
One Hand, One Heart
136 bpm • G# Maj • 03:37 • -19.54db
8% Popularity • 31% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
8% Popularity • 31% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
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Sashika Dias
Rose Of Square
136 bpm • G Maj • 02:30 • -11.63db
13% Popularity • 39% Danceability • 48% Energy • 46% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 39% Danceability • 48% Energy • 46% Liveness
0% Instrumentalness • 63% Positiveness
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Gabrielle McClinton
Romance II
136 bpm • D min • 01:25 • -6.98db
7% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
7% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Robert Cuccioli
Be More
136 bpm • C Maj • 04:03 • -9.63db
2% Popularity • 61% Danceability • 22% Energy • 78% Liveness
0% Instrumentalness • 39% Positiveness
2% Popularity • 61% Danceability • 22% Energy • 78% Liveness
0% Instrumentalness • 39% Positiveness
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Keith Byron Kirk
Joe Papp
135 bpm • F Maj • 02:35 • -8.59db
7% Popularity • 60% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 60% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Dwayna Litz
Til the Storm Passes By
137 bpm • A# Maj • 04:53 • -11.25db
11% Popularity • 41% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 41% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Gillian Bevan
Finale Act One
137 bpm • C# Maj • 01:27 • -12.69db
14% Popularity • 33% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 33% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Carl Danielsen
I Never Really Listened to Me
137 bpm • A min • 02:16 • -9.19db
8% Popularity • 50% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 50% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Sean McDermott
My Girl Back Home - 2023 DigiMIX Remaste...
135 bpm • G Maj • 02:06 • -13.08db
7% Popularity • 36% Danceability • 19% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
7% Popularity • 36% Danceability • 19% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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Robert Cuccioli
Love Look Away / By Myself
137 bpm • C Maj • 03:24 • -10.93db
0% Popularity • 41% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 41% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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Lisa Lambert
I Don't Wanna Show Off
135 bpm • F Maj • 04:08 • -9.7db
8% Popularity • 52% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 52% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Jelly Roll Morton
Michigan Water
134 bpm • E min • 05:48 • -13.04db
11% Popularity • 51% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 51% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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Russ Lorenson
Diamond In The Sky - Radio Edit
135 bpm • F Maj • 04:31 • -12.07db
16% Popularity • 59% Danceability • 49% Energy • 69% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 59% Danceability • 49% Energy • 69% Liveness
0% Instrumentalness • 36% Positiveness
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James Caan
It's Only A Paper Moon / I Like Her
138 bpm • A# Maj • 02:37 • -15.16db
8% Popularity • 41% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 41% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Scott Whitfield
Vacation from the Blues
134 bpm • A Maj • 04:41 • -11.58db
7% Popularity • 64% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 64% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Erich Cawalla
Life's About Forgiving
134 bpm • G Maj • 02:48 • -10.44db
12% Popularity • 59% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 59% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
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Joni Mitchell
You're My Thrill
134 bpm • D# Maj • 03:52 • -14.27db
33% Popularity • 21% Danceability • 14% Energy • 26% Liveness
3% Instrumentalness • 9% Positiveness
33% Popularity • 21% Danceability • 14% Energy • 26% Liveness
3% Instrumentalness • 9% Positiveness
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Jake Wilson
The Battery's Down
134 bpm • F Maj • 00:52 • -11.84db
12% Popularity • 68% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 68% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Leneir Fletcher
Some Children See Him
134 bpm • G# Maj • 02:29 • -13db
13% Popularity • 24% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 24% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Igor Orozovič
Frankie the Armless
134 bpm • F Maj • 03:19 • -11.33db
17% Popularity • 57% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 57% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Jaazy Jazz
Love Story
134 bpm • A# min • 01:17 • -14.94db
24% Popularity • 73% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 73% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Suzanna Ross
Don't Like Cryin'
134 bpm • D Maj • 03:51 • -12.65db
14% Popularity • 78% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 78% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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John Allee
Truth Be Told
134 bpm • F# min • 03:29 • -14.5db
17% Popularity • 45% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 45% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Stinky Ninja
Piper Sally
134 bpm • F Maj • 03:30 • -6.73db
10% Popularity • 64% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 64% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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Angela Verbrugge
This Could Be the Start of Something Big
138 bpm • G Maj • 03:00 • -8.39db
9% Popularity • 55% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 55% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Jerry Dixon
I Know What I've Got
134 bpm • F min • 01:40 • -13.44db
8% Popularity • 47% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 47% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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Annie Kozuch
Waters of March: Aguas De Marco
134 bpm • C Maj • 03:36 • -12.36db
11% Popularity • 57% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 57% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Damaris Rose
Don't Be On The Outside
138 bpm • F Maj • 02:12 • -8db
15% Popularity • 53% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 53% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Anthony Caceres
Too Marvelous For Words
138 bpm • G min • 02:16 • -6.11db
7% Popularity • 37% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
7% Popularity • 37% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Andrew Gerle
Love in the Shadows
138 bpm • C Maj • 03:45 • -16.71db
10% Popularity • 43% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 43% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Mark Buchan
They'll Never Believe Me
133 bpm • D# Maj • 02:22 • -16.15db
9% Popularity • 48% Danceability • 16% Energy • 11% Liveness
32% Instrumentalness • 25% Positiveness
9% Popularity • 48% Danceability • 16% Energy • 11% Liveness
32% Instrumentalness • 25% Positiveness
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Robert Cuccioli
Someone Else's Eyes
139 bpm • A Maj • 03:54 • -13.81db
0% Popularity • 32% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
0% Popularity • 32% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Honor Blackman
Everything I've Got - Remastered 1984
139 bpm • F Maj • 02:56 • -10.84db
33% Popularity • 34% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 34% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 31% Positiveness
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Robbie Rozelle
I Have Found - Live
133 bpm • A Maj • 03:37 • -15.93db
10% Popularity • 37% Danceability • 21% Energy • 68% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 37% Danceability • 21% Energy • 68% Liveness
0% Instrumentalness • 26% Positiveness
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Jed Madela
It's Impossible
139 bpm • G# Maj • 03:34 • -8.19db
8% Popularity • 31% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 31% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 15% Positiveness
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Tamela D'Amico
The Gentlemen Is a Dope
139 bpm • C min • 02:30 • -5.93db
8% Popularity • 54% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 54% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Tara Hugo
The Flick Knife Song (Moritat)
140 bpm • F# min • 04:17 • -15.37db
9% Popularity • 43% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 43% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Sally Mayes
My Romance
140 bpm • F Maj • 02:07 • -8.85db
13% Popularity • 45% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 45% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Gordon Griffin
A Marvellous Weekend
140 bpm • C Maj • 08:06 • -9.05db
12% Popularity • 55% Danceability • 41% Energy • 73% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 55% Danceability • 41% Energy • 73% Liveness
0% Instrumentalness • 63% Positiveness
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David Green
The Oldest Established
140 bpm • C Maj • 03:29 • -14.15db
9% Popularity • 49% Danceability • 34% Energy • 45% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 49% Danceability • 34% Energy • 45% Liveness
0% Instrumentalness • 24% Positiveness
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Leana Fonseca
Idle Smile
140 bpm • C# Maj • 02:21 • -8db
12% Popularity • 59% Danceability • 76% Energy • 84% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 59% Danceability • 76% Energy • 84% Liveness
0% Instrumentalness • 58% Positiveness
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Hannah Gill
You Were Only Fooling
132 bpm • F Maj • 03:10 • -8.95db
7% Popularity • 60% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
7% Popularity • 60% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Dennis Bono
Please Be Kind (Digitally Remastered)
132 bpm • C Maj • 02:32 • -7.31db
13% Popularity • 65% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 65% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Joni Mitchell
Sometimes I'm Happy
132 bpm • C# Maj • 03:58 • -11.45db
27% Popularity • 51% Danceability • 26% Energy • 68% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 51% Danceability • 26% Energy • 68% Liveness
0% Instrumentalness • 27% Positiveness
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Brittany Nicole Williams
Raise Your Hand
132 bpm • B Maj • 02:46 • -8.29db
8% Popularity • 70% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 70% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Cast of Most Peculiar Dreams
Henrietta Harmon - Remix
140 bpm • C Maj • 02:08 • -13.82db
31% Popularity • 38% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 38% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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Malcolm Gets
Lucky
132 bpm • F Maj • 02:49 • -14.11db
10% Popularity • 58% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 58% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Russ Lorenson
Lucky Charm - Radio Edit
140 bpm • C Maj • 02:41 • -11.52db
24% Popularity • 56% Danceability • 47% Energy • 71% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 56% Danceability • 47% Energy • 71% Liveness
0% Instrumentalness • 42% Positiveness
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Dwayna Litz
Together Is a Wonderful Place to Be
141 bpm • G# Maj • 02:11 • -14.87db
10% Popularity • 69% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 69% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Jelly Roll Morton
In My Day
141 bpm • F min • 03:39 • -17.5db
11% Popularity • 54% Danceability • 27% Energy • 62% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 54% Danceability • 27% Energy • 62% Liveness
0% Instrumentalness • 64% Positiveness
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Emma Smith
I Don't Care
131 bpm • F min • 03:27 • -8.65db
10% Popularity • 66% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 66% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Cast of Most Peculiar Dreams
Poetry In Motion
140 bpm • C Maj • 02:00 • -16.02db
24% Popularity • 50% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 50% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Nádia Figueiredo
The Way You Look
141 bpm • G Maj • 03:27 • -9.3db
19% Popularity • 31% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
19% Popularity • 31% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Connie Lansberg
Mother's Little Helper
141 bpm • A# min • 03:56 • -11.55db
7% Popularity • 56% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
7% Popularity • 56% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Dwayna Litz
The Same Old Story
141 bpm • A# Maj • 03:49 • -6.88db
12% Popularity • 34% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 34% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Frank Sark
It's A Wonderful Love
141 bpm • G min • 01:24 • -12.07db
15% Popularity • 58% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 58% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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George Stiles
Now I've Seen You
131 bpm • F min • 02:36 • -22.93db
7% Popularity • 36% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
7% Popularity • 36% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Tracy Lytton
I Will Remember April
131 bpm • A# Maj • 03:09 • -17.08db
9% Popularity • 60% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 60% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Jennifer Bishop
Some Madness in Love
142 bpm • C# Maj • 02:47 • -10.53db
8% Popularity • 62% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 62% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Robert Cuccioli
Witchcraft
131 bpm • F Maj • 02:51 • -9.11db
0% Popularity • 66% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
0% Popularity • 66% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Buddy Greco
The Most Beautiful Girl In The World
130 bpm • F min • 02:10 • -10.98db
9% Popularity • 38% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 38% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Bernie Noyes
Im Evil
142 bpm • A# min • 02:37 • -13db
20% Popularity • 65% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 65% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Miss Lou
Wicked World
130 bpm • G min • 02:16 • -7.75db
8% Popularity • 48% Danceability • 45% Energy • 74% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 48% Danceability • 45% Energy • 74% Liveness
0% Instrumentalness • 52% Positiveness
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Micah Sandt
White Cliffs of Dover
142 bpm • D# Maj • 02:03 • -19.07db
12% Popularity • 46% Danceability • 10% Energy • 28% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 46% Danceability • 10% Energy • 28% Liveness
0% Instrumentalness • 20% Positiveness
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Annie Rumbaugh
Friends We Made
142 bpm • C# min • 01:42 • -9.86db
11% Popularity • 53% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 53% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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Murray Cromwell
Love This Stay
130 bpm • C Maj • 02:45 • -15.4db
9% Popularity • 58% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 58% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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James Monroe Iglehart
Picasso's Music
142 bpm • G# Maj • 03:48 • -6.4db
7% Popularity • 63% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
7% Popularity • 63% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Judy Kuhn
This Can't Be Love
130 bpm • F Maj • 01:39 • -15.18db
11% Popularity • 68% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 68% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Al Hammerman
Not Sure
130 bpm • F min • 03:04 • -10.72db
18% Popularity • 65% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 65% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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E-Basement
Always Be Young at Heart
130 bpm • A Maj • 01:00 • -4.91db
11% Popularity • 63% Danceability • 65% Energy • 55% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 63% Danceability • 65% Energy • 55% Liveness
0% Instrumentalness • 82% Positiveness
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Jelly Roll Morton
The Banishment
142 bpm • C Maj • 04:13 • -21db
8% Popularity • 40% Danceability • 6% Energy • 45% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 40% Danceability • 6% Energy • 45% Liveness
0% Instrumentalness • 15% Positiveness
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Cast of Oh What A Lovely War
Belgium Put The Kibosh On The Kaiser
130 bpm • D Maj • 02:36 • -11.13db
13% Popularity • 67% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 67% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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Keith Merrill
The Legal Heir
143 bpm • A Maj • 02:55 • -11.7db
7% Popularity • 45% Danceability • 31% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
7% Popularity • 45% Danceability • 31% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
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Renée Elise Goldsberry
Daughter Hero
143 bpm • C Maj • 01:46 • -7.37db
25% Popularity • 48% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 48% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Perform
Don't be a Ghost
130 bpm • C Maj • 03:48 • -7.24db
8% Popularity • 67% Danceability • 56% Energy • 53% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 67% Danceability • 56% Energy • 53% Liveness
0% Instrumentalness • 66% Positiveness
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John Cullum
Come Back to Me
143 bpm • C Maj • 02:21 • -11.99db
10% Popularity • 44% Danceability • 41% Energy • 54% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 44% Danceability • 41% Energy • 54% Liveness
0% Instrumentalness • 43% Positiveness
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Hollie-Anne Clark
Let Me Be Your Wings
129 bpm • C Maj • 02:47 • -6.31db
8% Popularity • 37% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 37% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Elena Gilliam
What Are You Doing the Rest of Your Life
143 bpm • D min • 05:42 • -12.2db
19% Popularity • 30% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 30% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Kim Criswell
Pretty Lady Overture / Shuffle off to Bu...
143 bpm • C Maj • 04:54 • -10.55db
7% Popularity • 53% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 53% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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The Really Loud House
Two Parents Full of Talent
143 bpm • B min • 01:01 • -5db
13% Popularity • 79% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 79% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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Dwayna Litz
Rise and Be Healed
143 bpm • D# Maj • 04:09 • -12.59db
13% Popularity • 32% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 32% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Robert Cuccioli
Bigger Than Baseball
143 bpm • C Maj • 07:06 • -6.16db
1% Popularity • 51% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
1% Popularity • 51% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
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Adam Guettel
ACT I the Cave, the Call:, Pt. I: The Ca...
143 bpm • E Maj • 07:40 • -11.43db
11% Popularity • 39% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 39% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Avis Bunnage
I'll Make A Man Of You
129 bpm • G# Maj • 03:01 • -11.96db
12% Popularity • 70% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 70% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Laura Ellis
Somewhere In the Night
129 bpm • F# Maj • 02:42 • -11.72db
11% Popularity • 35% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 35% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Michael R. Jackson
Modest Is Hottest
129 bpm • A# min • 03:37 • -8.28db
17% Popularity • 65% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 65% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Emily Loesser
I'll Know
144 bpm • E Maj • 05:22 • -16.49db
8% Popularity • 36% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 36% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Robert Cuccioli
Star of the Show
144 bpm • A# Maj • 02:50 • -6.1db
0% Popularity • 20% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 20% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 20% Positiveness
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Mo Willems
Toy Breaker
144 bpm • F min • 02:12 • -5.68db
13% Popularity • 76% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 76% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Saundra Santiago
The Mare and the Stallion
144 bpm • E min • 01:46 • -7.92db
10% Popularity • 48% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 48% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Rabbi Joe Black
Aleph Bet Boogie
145 bpm • F min • 03:19 • -12.76db
9% Popularity • 66% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 66% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Jelly Roll Morton
The Creole Way
128 bpm • F Maj • 01:39 • -18.72db
10% Popularity • 60% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 60% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Mary Testa
Fancy Meeting You Here
127 bpm • D Maj • 03:07 • -7.47db
10% Popularity • 58% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 58% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Robert Cuccioli
Let's Deal
144 bpm • C# Maj • 02:46 • -6db
0% Popularity • 29% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 29% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Marcus Brigstocke
Knights of the Round Table / The Song Th...
145 bpm • G Maj • 04:31 • -9.97db
7% Popularity • 53% Danceability • 48% Energy • 76% Liveness
0% Instrumentalness • 45% Positiveness
7% Popularity • 53% Danceability • 48% Energy • 76% Liveness
0% Instrumentalness • 45% Positiveness
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Kim Criswell
Shadow Waltz (In Four)
127 bpm • F# Maj • 01:11 • -13.48db
10% Popularity • 64% Danceability • 34% Energy • 58% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 64% Danceability • 34% Energy • 58% Liveness
0% Instrumentalness • 49% Positiveness
