Songs like Be My Own Woman by Panauh Kalayeh
Based on a tempo of (+/- 10%) and a similar genre
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That Kid CG
Shoot Your Shot
95 bpm • C# min • 02:31 • -4.22db
21% Popularity • 57% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 57% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Vin Jay
Purge
95 bpm • F Maj • 03:17 • -8.72db
26% Popularity • 68% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 68% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Panauh Kalayeh
Be My Own Woman
95 bpm • E min • 02:45 • -5.11db
4% Popularity • 62% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
4% Popularity • 62% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Will Roush
Watch This
95 bpm • E min • 02:32 • -5db
26% Popularity • 64% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 64% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Hill Harris
Watch Me
95 bpm • A# min • 03:11 • -3.93db
12% Popularity • 76% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 76% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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M4SONIC
Matchstick
95 bpm • F# min • 03:22 • -4.16db
26% Popularity • 72% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 72% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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James Desmond
Beast Mode
95 bpm • G# Maj • 02:36 • -4.39db
21% Popularity • 58% Danceability • 95% Energy • 74% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 58% Danceability • 95% Energy • 74% Liveness
0% Instrumentalness • 62% Positiveness
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Nicholas Hill
Unforgettable
95 bpm • D Maj • 02:07 • -11.3db
12% Popularity • 56% Danceability • 74% Energy • 63% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 56% Danceability • 74% Energy • 63% Liveness
0% Instrumentalness • 70% Positiveness
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Raphael Lake
Run Wit Me
95 bpm • D Maj • 03:06 • -5.38db
10% Popularity • 77% Danceability • 85% Energy • 15% Liveness
1% Instrumentalness • 55% Positiveness
10% Popularity • 77% Danceability • 85% Energy • 15% Liveness
1% Instrumentalness • 55% Positiveness
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A-Connection
Do Or Die
95 bpm • G min • 03:09 • -5.15db
37% Popularity • 60% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 60% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Shane Eli
Let Me Be Great
95 bpm • A# min • 02:54 • -9.19db
11% Popularity • 62% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 62% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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Addison Zegan
Affirmations
94 bpm • C# Maj • 01:55 • -6.71db
27% Popularity • 48% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 48% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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James Desmond
Forever Undefeated
95 bpm • G# Maj • 02:29 • -8.78db
0% Popularity • 64% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
0% Popularity • 64% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Christopher Harris
Bring the Pain
96 bpm • C# min • 04:23 • -5.48db
7% Popularity • 66% Danceability • 96% Energy • 71% Liveness
0% Instrumentalness • 51% Positiveness
7% Popularity • 66% Danceability • 96% Energy • 71% Liveness
0% Instrumentalness • 51% Positiveness
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Bishop Lamont
I Am A Soldier
96 bpm • A Maj • 03:37 • -7.61db
34% Popularity • 78% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 78% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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O Fresh
The Champ Is Here
94 bpm • B Maj • 02:35 • -3.95db
45% Popularity • 82% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
45% Popularity • 82% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Cre8tiv3
Iron Addicts
96 bpm • A min • 03:37 • -10.12db
21% Popularity • 86% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 86% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Mark Smelly Bell
Meathead Millionaire
96 bpm • E min • 03:47 • -6db
27% Popularity • 73% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 73% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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T-Moe
Move
96 bpm • C# Maj • 02:47 • -7.01db
14% Popularity • 59% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 59% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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James Desmond
Ahead Of My Time
95 bpm • C Maj • 02:16 • -6.4db
4% Popularity • 52% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
4% Popularity • 52% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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The Seige
Right Now
94 bpm • G# Maj • 03:38 • -5.45db
40% Popularity • 77% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
40% Popularity • 77% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Jay Matthews
Monster
96 bpm • A Maj • 03:55 • -6db
37% Popularity • 71% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
37% Popularity • 71% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Robert Grant
El Barrio
94 bpm • G min • 02:07 • -10.31db
1% Popularity • 79% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 36% Positiveness
1% Popularity • 79% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 36% Positiveness
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The Returners
Ready for war - instrumental
96 bpm • C# Maj • 03:39 • -6.05db
22% Popularity • 58% Danceability • 74% Energy • 38% Liveness
70% Instrumentalness • 28% Positiveness
22% Popularity • 58% Danceability • 74% Energy • 38% Liveness
70% Instrumentalness • 28% Positiveness
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Bachi
Got No Fear
94 bpm • E min • 02:48 • -6.2db
11% Popularity • 65% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 65% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Graffiti Ghosts
Unstoppable
96 bpm • G# min • 02:29 • -4.25db
30% Popularity • 51% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 51% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
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A-Connection
Down to Ride
97 bpm • F# min • 03:03 • -4.32db
29% Popularity • 73% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 73% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Anton Vlasov
Noise
93 bpm • D Maj • 01:12 • -5.31db
34% Popularity • 60% Danceability • 94% Energy • 39% Liveness
1% Instrumentalness • 35% Positiveness
34% Popularity • 60% Danceability • 94% Energy • 39% Liveness
1% Instrumentalness • 35% Positiveness
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Addison Zegan
Power Workout
97 bpm • C# min • 02:04 • -10.42db
36% Popularity • 52% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 52% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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The Returners
Ready for war
96 bpm • C# Maj • 03:39 • -3.8db
37% Popularity • 61% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 61% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Taz Conley
Buttercup
93 bpm • G# Maj • 02:23 • -5.26db
17% Popularity • 77% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 77% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
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James John Desmond
Something Deep Inside
97 bpm • A min • 03:03 • -4.81db
1% Popularity • 65% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
1% Popularity • 65% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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Panauh Kalayeh
Everyone Is a Winner
97 bpm • C min • 02:28 • -8.03db
1% Popularity • 52% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
1% Popularity • 52% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Marc Ferrari
Feeling like the Man
97 bpm • C# min • 02:13 • -6.09db
0% Popularity • 74% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 74% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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James Desmond
Stacks On Stacks
93 bpm • G# min • 02:07 • -6.51db
0% Popularity • 79% Danceability • 62% Energy • 7% Liveness
89% Instrumentalness • 48% Positiveness
0% Popularity • 79% Danceability • 62% Energy • 7% Liveness
89% Instrumentalness • 48% Positiveness
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Raphael Lake
Put in the Work
93 bpm • E Maj • 02:49 • -6.59db
16% Popularity • 65% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 65% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
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Mf'n Music
Heart of the City (Who Dat)
97 bpm • E min • 04:08 • -2db
42% Popularity • 56% Danceability • 98% Energy • 42% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 56% Danceability • 98% Energy • 42% Liveness
0% Instrumentalness • 40% Positiveness
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James John Desmond
Keep It on the Low
97 bpm • C min • 03:12 • -7.02db
0% Popularity • 65% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 65% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Panauh Kalayeh
This Love Gonna Be All Right
93 bpm • A# min • 02:21 • -6.57db
0% Popularity • 64% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 64% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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D.Cure
Under Attack
98 bpm • C# Maj • 03:18 • -6.17db
13% Popularity • 66% Danceability • 82% Energy • 13% Liveness
44% Instrumentalness • 43% Positiveness
13% Popularity • 66% Danceability • 82% Energy • 13% Liveness
44% Instrumentalness • 43% Positiveness
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Liam Luke Iliffe
Super Powers
98 bpm • C# Maj • 02:32 • -10.23db
19% Popularity • 78% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 78% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Raphael Lake
Ready
93 bpm • D Maj • 02:29 • -5.86db
38% Popularity • 70% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
38% Popularity • 70% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
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Esquire The Great
Pressure
98 bpm • B min • 02:31 • -5.56db
11% Popularity • 82% Danceability • 84% Energy • 53% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 82% Danceability • 84% Energy • 53% Liveness
0% Instrumentalness • 54% Positiveness
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James Desmond
Corner Jams
98 bpm • F# Maj • 02:21 • -9.72db
0% Popularity • 78% Danceability • 46% Energy • 16% Liveness
91% Instrumentalness • 76% Positiveness
0% Popularity • 78% Danceability • 46% Energy • 16% Liveness
91% Instrumentalness • 76% Positiveness
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Panauh Kalayeh
Into the Dark - Instrumental Version
98 bpm • C Maj • 03:06 • -8.6db
0% Popularity • 59% Danceability • 64% Energy • 11% Liveness
75% Instrumentalness • 37% Positiveness
0% Popularity • 59% Danceability • 64% Energy • 11% Liveness
75% Instrumentalness • 37% Positiveness
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Our Boy Drew & The Hustle Standard
Rack It Back
98 bpm • D Maj • 03:59 • -6.02db
21% Popularity • 77% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 77% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Until The Very End
Triple Threat
98 bpm • B min • 03:21 • -6.9db
17% Popularity • 70% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 70% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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Graffiti Ghosts
Made for This
98 bpm • G min • 02:41 • -2.97db
34% Popularity • 52% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 52% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Stevie Stone
Rap Gamez Callin
92 bpm • G# Maj • 03:12 • -6.02db
42% Popularity • 75% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 75% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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Mitchell
Wicked
92 bpm • F Maj • 03:24 • -6.73db
16% Popularity • 61% Danceability • 89% Energy • 14% Liveness
36% Instrumentalness • 31% Positiveness
16% Popularity • 61% Danceability • 89% Energy • 14% Liveness
36% Instrumentalness • 31% Positiveness
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Panauh Kalayeh
Into the Dark
98 bpm • C min • 03:06 • -7.96db
0% Popularity • 53% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 53% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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James Desmond
Backtown Rider
92 bpm • D Maj • 01:52 • -5.95db
0% Popularity • 70% Danceability • 76% Energy • 9% Liveness
95% Instrumentalness • 89% Positiveness
0% Popularity • 70% Danceability • 76% Energy • 9% Liveness
95% Instrumentalness • 89% Positiveness
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Alexander Hitchens
The Charge
92 bpm • G# min • 02:29 • -7.32db
14% Popularity • 51% Danceability • 83% Energy • 8% Liveness
78% Instrumentalness • 6% Positiveness
14% Popularity • 51% Danceability • 83% Energy • 8% Liveness
78% Instrumentalness • 6% Positiveness
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Addison Zegan
Gym Music
92 bpm • D min • 02:43 • -12.25db
28% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Styles Of Beyond
Hands Up (Grant Mohrman Outta Control Re...
91 bpm • D Maj • 04:16 • -5.77db
24% Popularity • 75% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 75% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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James John Desmond
Do What You Like
99 bpm • G min • 01:46 • -4.81db
3% Popularity • 80% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
3% Popularity • 80% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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DMX
X Gon' Give It To Ya - AG Remix
99 bpm • G Maj • 01:50 • -6.2db
26% Popularity • 63% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 63% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Sycosis
A.N.C.
90 bpm • A# min • 03:38 • -7.26db
18% Popularity • 58% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 58% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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James Desmond
Never Throw In the Towel
90 bpm • G Maj • 02:45 • -5db
24% Popularity • 47% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 47% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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MF Graves
We the Ones
100 bpm • C# Maj • 03:11 • -7.34db
14% Popularity • 73% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 73% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Marc Ferrari
Get Paper Gotta Get Paid
100 bpm • F min • 01:57 • -5.3db
2% Popularity • 88% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
2% Popularity • 88% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Pre-Fight Hype
Millions of Us
100 bpm • F# min • 03:04 • -4.31db
20% Popularity • 75% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 75% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Artizan
Mariachi
100 bpm • C# Maj • 02:48 • -3.96db
28% Popularity • 69% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 69% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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A-Connection
We Don't Play
100 bpm • F min • 03:44 • -4db
35% Popularity • 74% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 74% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Mikhail Johnson
Walk Out
100 bpm • E Maj • 03:17 • -4.65db
0% Popularity • 79% Danceability • 80% Energy • 9% Liveness
81% Instrumentalness • 26% Positiveness
0% Popularity • 79% Danceability • 80% Energy • 9% Liveness
81% Instrumentalness • 26% Positiveness
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BLNDSIDE
World In My Hands
100 bpm • C# Maj • 02:25 • -8.77db
17% Popularity • 67% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 67% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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King Flexx
Who Gon' Stop Me
100 bpm • B min • 02:48 • -3.3db
29% Popularity • 82% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 82% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Robert Grant
Everlasting Love
100 bpm • A min • 02:19 • -6.9db
0% Popularity • 74% Danceability • 67% Energy • 28% Liveness
91% Instrumentalness • 50% Positiveness
0% Popularity • 74% Danceability • 67% Energy • 28% Liveness
91% Instrumentalness • 50% Positiveness
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Leveller Beats
GO TIME
100 bpm • C Maj • 03:01 • -10.27db
33% Popularity • 69% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 69% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Ronnie Coleman
Workout Motivation
100 bpm • G Maj • 01:00 • -3.24db
48% Popularity • 64% Danceability • 95% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
48% Popularity • 64% Danceability • 95% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
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Until The Very End
Power Theatrical Trailer
100 bpm • C Maj • 01:45 • -7db
31% Popularity • 80% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 80% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Emanuel Vo Williams
Supernatural
100 bpm • B min • 03:19 • -6.37db
8% Popularity • 67% Danceability • 85% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 67% Danceability • 85% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
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King Flexx
Run It Up
100 bpm • B min • 02:56 • -2.68db
34% Popularity • 75% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 75% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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The Seige
Don't Fall Asleep
90 bpm • D Maj • 03:13 • -3db
43% Popularity • 69% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
43% Popularity • 69% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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B-NEL
Kill Shot
90 bpm • B min • 01:53 • -10.65db
10% Popularity • 73% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 73% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Ronnie Coleman
Beat Rap
100 bpm • G Maj • 01:00 • -3.29db
34% Popularity • 62% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 62% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Until The Very End
Dangerous Theatrical Trailer
90 bpm • C# Maj • 02:50 • -5.64db
13% Popularity • 57% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 57% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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Addison Zegan
Gym Shark (Motivational Speech)
90 bpm • G# Maj • 02:12 • -7.82db
19% Popularity • 41% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 41% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
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Marc Ferrari
Pegate
90 bpm • A min • 03:06 • -4.51db
0% Popularity • 68% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 68% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Dread Pitt
Bloodline
90 bpm • B min • 02:45 • -6db
33% Popularity • 69% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 69% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Campfire
Hands Of Fire
90 bpm • C Maj • 02:38 • -8.86db
27% Popularity • 57% Danceability • 56% Energy • 34% Liveness
1% Instrumentalness • 19% Positiveness
27% Popularity • 57% Danceability • 56% Energy • 34% Liveness
1% Instrumentalness • 19% Positiveness
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Hidden Citizens
Built In Our Bones
90 bpm • D Maj • 03:01 • -4.58db
25% Popularity • 62% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
25% Popularity • 62% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Blue Means
Beyond Heavens Gate
90 bpm • C Maj • 02:37 • -9.29db
0% Popularity • 61% Danceability • 54% Energy • 20% Liveness
95% Instrumentalness • 20% Positiveness
0% Popularity • 61% Danceability • 54% Energy • 20% Liveness
95% Instrumentalness • 20% Positiveness
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Hill Harris
Do You Like Me Now?
90 bpm • E min • 03:33 • -4.08db
14% Popularity • 64% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 64% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 45% Positiveness
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Spark Houston
Hype
90 bpm • A Maj • 03:05 • -7db
13% Popularity • 74% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 74% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Gorilla Voltage
Apezilla
90 bpm • C# Maj • 02:42 • -6.26db
17% Popularity • 62% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
17% Popularity • 62% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Addison Zegan
Running Playlist
90 bpm • G# Maj • 01:32 • -11.92db
26% Popularity • 41% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 41% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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AG
Run For Da Money
90 bpm • F min • 02:32 • -6.96db
13% Popularity • 49% Danceability • 80% Energy • 87% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 49% Danceability • 80% Energy • 87% Liveness
0% Instrumentalness • 66% Positiveness
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Until The Very End
Something To Talk About
101 bpm • G Maj • 03:37 • -8.93db
11% Popularity • 71% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 71% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Enimal
Bo Jackson - The Undefeated Remix
102 bpm • A Maj • 03:22 • -4.62db
10% Popularity • 76% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 76% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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King Flexx
Born to Be the Greatest
102 bpm • F min • 02:47 • -4.38db
17% Popularity • 80% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 80% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Future Royalty
I Run Dis
102 bpm • G# min • 02:28 • -7db
13% Popularity • 78% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 78% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Addison Zegan
Fuck the Internet (Motivational Speech)
101 bpm • D min • 02:27 • -8.73db
31% Popularity • 59% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 59% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Stephen William Cornish
Bring It
102 bpm • F Maj • 02:35 • -9.69db
14% Popularity • 60% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 60% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Tiago Vega
GETTIN IT
102 bpm • C# Maj • 02:32 • -6.28db
10% Popularity • 82% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 82% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Campfire
Start It Up
88 bpm • A Maj • 02:25 • -10db
36% Popularity • 53% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 53% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
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King Flexx
I'm Back Now
102 bpm • D Maj • 02:38 • -6.95db
30% Popularity • 86% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 86% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 50% Positiveness
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The Fire & Fury
Violent Machine
103 bpm • F# Maj • 02:37 • -4.32db
14% Popularity • 67% Danceability • 90% Energy • 40% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 67% Danceability • 90% Energy • 40% Liveness
0% Instrumentalness • 65% Positiveness
