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Be the One
Songs like
Be the One
by
Jack Hawitt
Based on a tempo of (+/- 10%) and a similar genre
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Jack Hawitt
Higher Love (Acoustic)
148 bpm • F Maj • 03:06 • -8.1db
4% Popularity • 55% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Ruben
Melancholia
148 bpm • D# min • 03:05 • -6.2db
35% Popularity • 39% Danceability • 45% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
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Etham
Future
149 bpm • A Maj • 03:20 • -7db
25% Popularity • 56% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
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James Gillespie
Beyond Today
149 bpm • G# min • 03:57 • -9db
39% Popularity • 56% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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JC Stewart
Medicine
149 bpm • B Maj • 03:40 • -9db
35% Popularity • 42% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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RITUAL
Using
150 bpm • D# Maj • 03:16 • -5db
33% Popularity • 59% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Jack Hawitt
Be the One
148 bpm • B Maj • 03:30 • -11db
20% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Tim Schou
High Water
150 bpm • C# Maj • 02:59 • -10db
24% Popularity • 56% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Blakey
We Can Change
150 bpm • B Maj • 03:18 • -8.77db
19% Popularity • 48% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Stanaj
Love Me
145 bpm • D# Maj • 02:43 • -6.01db
33% Popularity • 56% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
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JC Stewart
Have You Had Enough Wine?
146 bpm • F# min • 02:36 • -5.64db
26% Popularity • 66% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Jamie Grey
What Matters Most
145 bpm • F# Maj • 03:35 • -11db
32% Popularity • 63% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Jack Hawitt
Higher Love
150 bpm • G Maj • 03:46 • -6.97db
4% Popularity • 56% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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John Adams
Flames - 2022 Remaster
145 bpm • D Maj • 03:42 • -7.38db
17% Popularity • 52% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Conor Byrne
Bloodstream
144 bpm • D min • 02:26 • -7.57db
31% Popularity • 54% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Stanaj
Love Me - Acoustic
144 bpm • G min • 02:45 • -6.35db
16% Popularity • 39% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Matthew Nolan
My Mistakes
144 bpm • G# Maj • 03:14 • -10.29db
45% Popularity • 46% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Benedict Cork
Dream Of You
144 bpm • F Maj • 03:05 • -7.77db
37% Popularity • 52% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Jack Hawitt
Better Days
151 bpm • E Maj • 02:51 • -8.3db
20% Popularity • 57% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Harry Marshall
Mountain
143 bpm • D Maj • 03:52 • -8.71db
20% Popularity • 39% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 9% Positiveness
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Curtis Walsh
Full Recovery
153 bpm • A Maj • 02:56 • -10db
35% Popularity • 52% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Rasmus Hagen
Fraction
143 bpm • E Maj • 03:15 • -9db
36% Popularity • 69% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Andreas Wijk
peace 佑 piəɔə
143 bpm • A min • 02:49 • -9db
18% Popularity • 58% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Tom Walker
Something to Believe In
154 bpm • C min • 03:40 • -6.55db
34% Popularity • 57% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Jack Hawitt
Run Away
144 bpm • A# min • 03:16 • -8.06db
13% Popularity • 49% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Martin Jasper
If I Don't Love Me
154 bpm • F Maj • 02:57 • -9.8db
31% Popularity • 60% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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SIIGHTS
One More
154 bpm • A min • 03:07 • -8.07db
11% Popularity • 61% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Grace Davies
used to you - euphoric mix
154 bpm • C# Maj • 03:30 • -4.94db
28% Popularity • 56% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Blakey
Prism of Love - Reprise
142 bpm • F Maj • 02:18 • -9.3db
34% Popularity • 52% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Sam Wyatt
Little Did I Know
142 bpm • D# Maj • 03:41 • -9.31db
23% Popularity • 52% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Jack Hawitt
Run Away (Stripped)
144 bpm • A# min • 03:21 • -11.58db
6% Popularity • 55% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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Tom Walker
How Can You Sleep at Night?
155 bpm • C# min • 03:36 • -8.38db
40% Popularity • 45% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Vanacore Music
Don't Forget to Breathe
141 bpm • F Maj • 02:01 • -9.95db
30% Popularity • 60% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 31% Positiveness
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Grace Davies
used to you
154 bpm • C# Maj • 03:28 • -7.94db
46% Popularity • 39% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Blakey
One For You - Henry Young Remix
155 bpm • B Maj • 03:22 • -4db
33% Popularity • 52% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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LOKRE
Stop Runnin'
141 bpm • B Maj • 03:27 • -7db
31% Popularity • 34% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Jack Hawitt
Our Song
143 bpm • F Maj • 03:52 • -9.31db
34% Popularity • 43% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Felix Jaehn
Cut The Cord - Acoustic
140 bpm • C# min • 03:51 • -5.86db
26% Popularity • 63% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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JP Cooper
Too Close
140 bpm • B Maj • 03:04 • -5db
46% Popularity • 64% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Ben Hazlewood
Iris
140 bpm • D Maj • 03:17 • -7db
34% Popularity • 45% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
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Malia Civetz
Little Victories
140 bpm • C min • 03:44 • -5.64db
32% Popularity • 69% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Joe Dolman
The Middle
140 bpm • A# Maj • 02:53 • -7db
27% Popularity • 71% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Jack Hawitt
Almost Lost You
140 bpm • A min • 03:10 • -9.07db
7% Popularity • 53% Danceability • 54% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
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Jeremy Shayne
Enough
140 bpm • G# Maj • 03:09 • -8.11db
30% Popularity • 68% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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GRAY
Something Warmer
140 bpm • C# Maj • 04:05 • -9.55db
29% Popularity • 35% Danceability • 30% Energy • 41% Liveness
0% Instrumentalness • 13% Positiveness
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Becoming Young
Reckless
139 bpm • D# Maj • 03:02 • -8db
29% Popularity • 72% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Malia Civetz
Little Victories (Acoustic)
140 bpm • D# Maj • 03:43 • -5.3db
25% Popularity • 68% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Mason Watts
Afterlove
138 bpm • D Maj • 03:24 • -7db
27% Popularity • 44% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Jack Hawitt
Easy
140 bpm • B min • 03:02 • -8.63db
9% Popularity • 40% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 13% Positiveness
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Blakey
Prism of Love
138 bpm • D# Maj • 03:00 • -11db
44% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Will Callan
Waste of You
138 bpm • D Maj • 03:48 • -7db
35% Popularity • 59% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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St. Lundi
You've Got the Wrong Guy
137 bpm • D Maj • 03:28 • -5.36db
29% Popularity • 46% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Tom Walker
Wait for You
160 bpm • C# Maj • 02:33 • -4.27db
61% Popularity • 50% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Rasmus Hagen
Let It Out
137 bpm • D Maj • 03:12 • -12.37db
14% Popularity • 64% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Jack Hawitt
Half of Me
138 bpm • G Maj • 03:23 • -8.72db
8% Popularity • 53% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Noelle Johnson
Lonely Nights
137 bpm • B min • 03:27 • -11db
36% Popularity • 49% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Tim Newman
TELL ME THAT YOU LOVE ME
160 bpm • B Maj • 02:59 • -11.28db
21% Popularity • 49% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Joel Adams
Someone to Love
160 bpm • C Maj • 02:52 • -7.06db
43% Popularity • 52% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Tom Walker
Not Giving In
160 bpm • D min • 03:48 • -7.17db
45% Popularity • 47% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Snakehips
Lie for You - Acoustic Version
136 bpm • E Maj • 03:44 • -7.88db
29% Popularity • 49% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Small Talk
Alarm
160 bpm • B min • 03:27 • -8.26db
10% Popularity • 61% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Matt Simons
Summer With You
136 bpm • B Maj • 03:51 • -6.83db
26% Popularity • 59% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Matthew Nolan
Don't Cry Over Me
136 bpm • D Maj • 03:30 • -10db
31% Popularity • 61% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Tom Martin
Keep Me Young - Acoustic
136 bpm • E Maj • 03:08 • -12.51db
13% Popularity • 44% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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NYAKI
Dark Hotel
135 bpm • D# Maj • 03:19 • -8.09db
27% Popularity • 55% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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VAX
What Are We Waiting For - Acoustic Vers...
135 bpm • E min • 02:08 • -11db
24% Popularity • 46% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Isaiah Firebrace
What Happened to Us
162 bpm • C Maj • 03:07 • -5.72db
43% Popularity • 60% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Declan J Donovan
Numb
135 bpm • C Maj • 03:31 • -5.45db
41% Popularity • 60% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Zac Pajak
Love You In The Right Way
135 bpm • B min • 03:08 • -7.81db
8% Popularity • 76% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Laura Zocca
You
163 bpm • F Maj • 03:30 • -12db
31% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Hazlett
Fireworks
134 bpm • A Maj • 04:02 • -11.33db
47% Popularity • 69% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
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Isaac Butler
Moon Song
132 bpm • A# Maj • 03:44 • -9.43db
33% Popularity • 60% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Rasmus Hagen
Fading Into Memories
132 bpm • G Maj • 02:38 • -7.63db
21% Popularity • 67% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Matthew Nolan
Far Away
132 bpm • C# Maj • 03:21 • -11db
38% Popularity • 54% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Villano & Greg
Send Help
132 bpm • B min • 03:01 • -7.64db
23% Popularity • 52% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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James Gillespie
Hold Me Down
166 bpm • G# min • 03:46 • -9db
34% Popularity • 34% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Jack Hawitt
Sorry Love
166 bpm • G# Maj • 02:51 • -8.64db
18% Popularity • 49% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Victoria Voss
Second Sight
132 bpm • G Maj • 03:23 • -7db
20% Popularity • 66% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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SIIGHTS
Blue Skies
168 bpm • B min • 02:40 • -8db
13% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Michael Shynes
Stay Right There
168 bpm • G# Maj • 02:52 • -6.28db
29% Popularity • 49% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Ciaran McMeeken
Bed of the Lake
168 bpm • A Maj • 04:05 • -7.27db
30% Popularity • 62% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Chris Viola
Love Is Love
130 bpm • F# Maj • 04:00 • -13db
22% Popularity • 66% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Brielle Von Hugel
Selfish
130 bpm • D Maj • 03:21 • -9db
18% Popularity • 62% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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James Gillespie
ICFTI
130 bpm • F# Maj • 03:33 • -8db
30% Popularity • 70% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Kygo
To Die For
130 bpm • C Maj • 03:50 • -8.07db
45% Popularity • 54% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Matthew Nolan
11:11 - Acoustic
130 bpm • C# Maj • 03:33 • -9.78db
37% Popularity • 46% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Rhys Lewis
Be Your Man
170 bpm • A min • 04:00 • -8.24db
37% Popularity • 52% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Rasmus Hagen
Someone Just Like You
170 bpm • C# Maj • 03:16 • -5.76db
39% Popularity • 66% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Brandt
Heaven Can Wait
129 bpm • D Maj • 04:20 • -9.69db
32% Popularity • 54% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Declan J Donovan
Anymore
128 bpm • G min • 03:37 • -7.67db
29% Popularity • 59% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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JERUB
Feel It
171 bpm • C min • 03:24 • -9.33db
16% Popularity • 38% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Miavono
If We Fall
128 bpm • A# Maj • 04:47 • -12.55db
28% Popularity • 68% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Zac Pajak
Retrograde
128 bpm • C Maj • 03:22 • -11.56db
11% Popularity • 46% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Dani Sylvia
Sundays
128 bpm • C# Maj • 03:37 • -8.98db
17% Popularity • 66% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Bjørnskov
Catch Fire
128 bpm • D Maj • 03:02 • -7.02db
14% Popularity • 48% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Cody Lovaas
Love No More - Duet
128 bpm • F# min • 03:13 • -6.05db
30% Popularity • 47% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Baker Grace
Handcuffs
172 bpm • A min • 02:50 • -7.83db
28% Popularity • 36% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Ruhde
Simple Love
172 bpm • F Maj • 02:49 • -6.24db
30% Popularity • 65% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Declan J Donovan
I'll Be There Love
172 bpm • F# Maj • 03:08 • -5db
20% Popularity • 50% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Sage Hammond
Back Here
127 bpm • G Maj • 02:50 • -8.07db
23% Popularity • 59% Danceability • 55% Energy • 10% Liveness
8% Instrumentalness • 20% Positiveness
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Be the One