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Be Your Man - Acoustic
Songs like
Be Your Man - Acoustic
by
Rhys Lewis
Based on a tempo of (+/- 10%) and a similar genre
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Juke Ross
We Never Die (Acoustic)
80 bpm • B min • 03:16 • -6db
32% Popularity • 69% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Rhys Lewis
Be Your Man - Acoustic
80 bpm • A min • 03:24 • -10.01db
40% Popularity • 69% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Noah Cyrus
Team
80 bpm • A# Maj • 03:35 • -7.46db
44% Popularity • 66% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Harry Hudson
Love, Dad
80 bpm • F# min • 04:34 • -8db
35% Popularity • 34% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 19% Positiveness
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Lewis Capaldi
Don't Get Me Wrong
80 bpm • E Maj • 03:33 • -7.87db
52% Popularity • 57% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Benjamin Ingrosso
I'll Be Fine Somehow - Recorded at Spoti...
80 bpm • F# Maj • 03:46 • -10.52db
47% Popularity • 39% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Allman Brown
Sweetest Thing
80 bpm • D Maj • 03:38 • -9.31db
59% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Rhys Lewis
Better Than Today
80 bpm • C Maj • 03:49 • -10.75db
49% Popularity • 45% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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K E M A L
Everywhere
80 bpm • D Maj • 02:18 • -15db
54% Popularity • 43% Danceability • 24% Energy • 10% Liveness
3% Instrumentalness • 24% Positiveness
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SAYGRACE
How To Love Me
80 bpm • G# Maj • 03:31 • -6db
31% Popularity • 45% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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James Arthur
Remember Who I Was
80 bpm • G# Maj • 02:57 • -9.12db
43% Popularity • 35% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Sonny Tennet
Calm Down
80 bpm • D Maj • 03:50 • -10.09db
34% Popularity • 40% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Mark Wilkinson
Riptide
79 bpm • F# Maj • 03:42 • -17db
22% Popularity • 38% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Rhys Lewis
No Right To Love You - Strings Version
80 bpm • C# Maj • 03:56 • -11.99db
4% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Juke Ross
Colour Me
81 bpm • G# min • 03:31 • -8.36db
55% Popularity • 54% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Dan Owen
Made to Love You
81 bpm • C Maj • 03:27 • -10db
47% Popularity • 36% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Elina
Wild Enough
81 bpm • B Maj • 03:06 • -8.08db
50% Popularity • 50% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Hearts & Colors
Steal My Girl
81 bpm • A Maj • 03:28 • -13db
42% Popularity • 64% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Blake McGrath
Missing You
81 bpm • G# Maj • 04:00 • -5.91db
37% Popularity • 32% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Rhys Lewis
Could've Been
80 bpm • F# Maj • 03:38 • -8.7db
25% Popularity • 72% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Sigrid
I Don't Want To Know
79 bpm • G# Maj • 03:05 • -8db
37% Popularity • 61% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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James Arthur
Finally Feel Good
79 bpm • B Maj • 03:35 • -5db
42% Popularity • 58% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Plested
Either You Love Me Or You Don't
81 bpm • A Maj • 03:21 • -6db
32% Popularity • 56% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Skinny Living
Fade
81 bpm • F Maj • 03:29 • -5.85db
27% Popularity • 58% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 23% Positiveness
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Aquilo
Six Feet Over Ground
79 bpm • A# min • 02:49 • -14.6db
26% Popularity • 40% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Rhys Lewis
Some Days
81 bpm • F min • 03:28 • -7db
36% Popularity • 77% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Brimsley
First Time
82 bpm • G# Maj • 03:13 • -7.9db
42% Popularity • 45% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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JP Saxe
25 in Barcelona
82 bpm • C Maj • 03:13 • -12.25db
46% Popularity • 59% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Aidan Martin
Punchline
82 bpm • D Maj • 03:51 • -7.34db
44% Popularity • 41% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Sam Smith
How Do You Sleep? - Acoustic
82 bpm • C# min • 03:25 • -7.91db
48% Popularity • 58% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Aquilo
Silhouette
78 bpm • C# Maj • 03:50 • -8.37db
56% Popularity • 23% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 14% Positiveness
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Jordan Mackampa
What Could Have Been
82 bpm • D Maj • 03:50 • -5.73db
39% Popularity • 56% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Rhys Lewis
Lonely As Love
79 bpm • A Maj • 03:32 • -13db
24% Popularity • 69% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Emeli Sandé
Sweet Architect
82 bpm • E Maj • 03:19 • -8.48db
36% Popularity • 45% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Corey Harper
Keeping Me Alive - Acoustic
82 bpm • D# Maj • 03:46 • -10.01db
13% Popularity • 66% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Plested
Easier Said Than Done
82 bpm • A Maj • 03:21 • -9.68db
26% Popularity • 56% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Harrison Storm
Old and Grey
78 bpm • C# Maj • 04:15 • -13.35db
31% Popularity • 44% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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James Arthur
I Am
82 bpm • F# min • 03:11 • -5.18db
54% Popularity • 48% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Daniel Josefson
Winter Song
78 bpm • C Maj • 03:21 • -14.59db
13% Popularity • 62% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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James Gillespie
Good Life
82 bpm • E min • 03:24 • -5.3db
26% Popularity • 70% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Sigrid
Plot Twist - Acoustic
82 bpm • F Maj • 03:37 • -10.83db
18% Popularity • 72% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Isak Danielson
I Am Falling in Love
78 bpm • F Maj • 04:08 • -7.97db
46% Popularity • 67% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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LÉON
Come Home to Me
82 bpm • B Maj • 03:45 • -8.9db
52% Popularity • 66% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Rhys Lewis
What Wild Things Were - Live At Rak Stud...
78 bpm • C Maj • 04:26 • -8.66db
6% Popularity • 53% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Billy Raffoul
Easy Tiger
78 bpm • C# Maj • 03:16 • -10db
49% Popularity • 56% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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RuthAnne
Take My Place
78 bpm • C Maj • 04:14 • -8db
25% Popularity • 59% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Martin Luke Brown
Bring It Back to Me
82 bpm • G# Maj • 02:27 • -12.62db
37% Popularity • 45% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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James Smith
T-Shirts
78 bpm • F# Maj • 03:10 • -12.83db
45% Popularity • 44% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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James Gillespie
Don't Let Me Get Me
82 bpm • A min • 03:20 • -9db
30% Popularity • 31% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Rhys Lewis
What Wild Things Were
78 bpm • A min • 04:26 • -8.91db
9% Popularity • 44% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
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Sonny Tennet
Sweet Dreams
78 bpm • C Maj • 03:44 • -11.41db
35% Popularity • 53% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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John Newman
The Hardest Word Is Goodbye - Acoustic
83 bpm • C# Maj • 02:59 • -6.84db
29% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Ruel
Don't Tell Me
77 bpm • E min • 04:01 • -9.14db
32% Popularity • 56% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
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Jazz Morley
Disconnected
77 bpm • A Maj • 05:05 • -12.94db
28% Popularity • 31% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Sam Smith
Scars
77 bpm • D Maj • 03:03 • -10.39db
47% Popularity • 57% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Rhys Lewis
Hold On To Happiness - Acoustic
82 bpm • B min • 03:51 • -11.21db
17% Popularity • 57% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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James Smith
T-Shirts - Acoustic
77 bpm • G Maj • 03:15 • -9.02db
44% Popularity • 48% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Nicklas Sahl
Planets - Acoustic
83 bpm • D Maj • 03:34 • -7db
27% Popularity • 46% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Noah Cyrus
Make Me (Cry) - Acoustic Version
77 bpm • C Maj • 03:52 • -7.74db
51% Popularity • 60% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Tom Odell
Half As Good As You
83 bpm • C Maj • 03:30 • -5.03db
50% Popularity • 60% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Lusaint
More Than Friends - Acoustic
83 bpm • C# min • 02:47 • -5.49db
32% Popularity • 62% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Rhys Lewis
Good People - Acoustic
83 bpm • A# Maj • 04:15 • -11.62db
14% Popularity • 69% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Luca Fogale
Half-Saved
77 bpm • A# Maj • 03:25 • -10.79db
48% Popularity • 66% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Thomas Daniel
Symphony - Acoustic
83 bpm • G Maj • 03:12 • -10.57db
43% Popularity • 36% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Oliver Riot
Tired and Awake
77 bpm • G Maj • 03:38 • -13.55db
35% Popularity • 29% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Corey Harper
On the Run
83 bpm • A Maj • 03:26 • -7.49db
35% Popularity • 41% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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James Smith
Hollow
83 bpm • B Maj • 03:27 • -8.25db
41% Popularity • 40% Danceability • 31% Energy • 54% Liveness
0% Instrumentalness • 28% Positiveness
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Rhys Lewis
Lonely Place - Acoustic
83 bpm • D Maj • 03:54 • -11.51db
5% Popularity • 62% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Keywest
This Is Heartbreak
84 bpm • D Maj • 03:12 • -8db
33% Popularity • 65% Danceability • 50% Energy • 39% Liveness
0% Instrumentalness • 42% Positiveness
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Joshua Hyslop
Wells
84 bpm • F# Maj • 03:43 • -11.21db
39% Popularity • 54% Danceability • 44% Energy • 10% Liveness
3% Instrumentalness • 22% Positiveness
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Haux
Cologne
76 bpm • E Maj • 04:11 • -13.77db
40% Popularity • 27% Danceability • 46% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Skinny Living
Let Me In
84 bpm • A min • 03:30 • -7.49db
39% Popularity • 66% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Zak Manley
Hang with Me
84 bpm • F Maj • 03:07 • -12.92db
41% Popularity • 74% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Rhys Lewis
Happy Fucking Birthday
84 bpm • D Maj • 03:39 • -8.34db
19% Popularity • 33% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Dan Owen
Icarus - Acoustic
76 bpm • C Maj • 03:36 • -6db
33% Popularity • 72% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Grace Carter
Heal Me
84 bpm • G min • 03:09 • -7db
44% Popularity • 50% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Billy Raffoul
Acoustic
76 bpm • A Maj • 02:52 • -11db
59% Popularity • 88% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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JONES
Silver Screen - Blakey Vocal Mix
76 bpm • F# Maj • 03:10 • -10.02db
20% Popularity • 76% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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gnash
dear insecurity
84 bpm • F Maj • 03:38 • -8.23db
40% Popularity • 66% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
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Rhys Lewis
What If - Live At Rak Studios
84 bpm • C# min • 03:23 • -8.61db
10% Popularity • 59% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Juke Ross
Keep You Dry
76 bpm • F# Maj • 03:11 • -10.64db
43% Popularity • 37% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Sam Smith
Burning - Recorded At RAK Studios, Londo...
76 bpm • F# Maj • 03:51 • -10.27db
41% Popularity • 56% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Aidan Martin
Sin in Your Skin
76 bpm • G min • 03:57 • -12db
37% Popularity • 49% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Martin Luke Brown
65 Roses
85 bpm • C Maj • 03:17 • -13db
14% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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James Arthur
At My Weakest
75 bpm • A# Maj • 03:37 • -8db
52% Popularity • 64% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Rhys Lewis
What If
84 bpm • C# min • 03:12 • -7.29db
36% Popularity • 60% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Amanda Yang
Dusk Till Dawn
75 bpm • C Maj • 03:28 • -8.88db
45% Popularity • 53% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Sam Smith
How Will I Know
85 bpm • C Maj • 03:52 • -12.29db
59% Popularity • 53% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Brennan Villines
Make It Work
75 bpm • C Maj • 03:59 • -4.79db
18% Popularity • 50% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Prides
Are You Ready? - Acoustic
75 bpm • C min • 04:30 • -13db
22% Popularity • 56% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Hearts & Colors
Can't Help Falling In Love
75 bpm • C# Maj • 02:20 • -10.28db
30% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Rhys Lewis
Things You Can't Change
85 bpm • C# Maj • 03:19 • -7.56db
49% Popularity • 76% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Clementine Duo
Friends
86 bpm • G Maj • 03:45 • -11.25db
24% Popularity • 58% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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FÄIS
Hey - Acoustic
86 bpm • G Maj • 02:36 • -10.48db
41% Popularity • 50% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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James Gillespie
Lost
86 bpm • F# Maj • 03:20 • -8.03db
29% Popularity • 64% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Arlissa
Hearts Ain't Gonna Lie - Acoustic
86 bpm • A Maj • 03:18 • -5.5db
38% Popularity • 47% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Rhys
Swallow Your Pride
74 bpm • G# min • 03:36 • -6db
23% Popularity • 57% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Rhys Lewis
July - Bedroom Session
75 bpm • B Maj • 03:30 • -11db
45% Popularity • 58% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Tom Odell
You're Gonna Break My Heart Tonight
87 bpm • F min • 04:38 • -8.32db
43% Popularity • 29% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Sam Smith
Too Good At Goodbyes - Acoustic
87 bpm • F Maj • 03:40 • -9.27db
62% Popularity • 46% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Be Your Man - Acoustic