Songs like Be Yourself [1971 Demo] by Graham Nash
Based on a tempo of (+/- 10%) and a similar genre
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![Be Yourself [1971 Demo] cover art](https://i.scdn.co/image/ab67616d00001e0286a4347c9f2cbdc9db014d73)
Graham Nash
Be Yourself [1971 Demo]
154 bpm • G min • 02:59 • -8.33db
15% Popularity • 49% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 49% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Bhi Bhiman
Walk of Life
155 bpm • D# Maj • 03:36 • -7.02db
25% Popularity • 52% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 52% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Iris DeMent
Let the Mystery Be
156 bpm • F Maj • 02:50 • -8.99db
38% Popularity • 59% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 59% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Pete Droge
Going Whichever Way The Wind Blows
156 bpm • D Maj • 02:57 • -10.99db
20% Popularity • 47% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 47% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Lucinda Williams
Blessed
156 bpm • E Maj • 05:48 • -8.28db
15% Popularity • 33% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 33% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Ray LaMontagne
New York City's Killing Me
152 bpm • A# Maj • 04:13 • -8.02db
38% Popularity • 49% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 49% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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The Duke & The King
If You Ever Get Famous
152 bpm • D Maj • 03:47 • -14db
14% Popularity • 43% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 43% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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The Acorn
Slippery When Wet
157 bpm • D# Maj • 03:22 • -18.1db
9% Popularity • 50% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 37% Positiveness
9% Popularity • 50% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 37% Positiveness
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Teddy Thompson
Everybody Move It
151 bpm • C Maj • 02:55 • -7.13db
24% Popularity • 55% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 55% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Pete Droge
Small Time Blues - Acoustic
157 bpm • F Maj • 03:03 • -11.64db
26% Popularity • 65% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 65% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
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John Phillips
Holland Tunnel
151 bpm • G Maj • 03:37 • -7.11db
8% Popularity • 33% Danceability • 64% Energy • 75% Liveness
31% Instrumentalness • 74% Positiveness
8% Popularity • 33% Danceability • 64% Energy • 75% Liveness
31% Instrumentalness • 74% Positiveness
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Graham Nash
Be Yourself - 2008 Stereo Mix
158 bpm • G Maj • 03:11 • -6.96db
9% Popularity • 42% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 42% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Bruce Springsteen
The Wrestler
150 bpm • D# Maj • 03:50 • -13.52db
39% Popularity • 49% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 49% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Barna Howard
Turns Around the Bottle
158 bpm • E Maj • 02:52 • -9.26db
19% Popularity • 42% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 42% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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The Mirage
Go Away - Demo
150 bpm • D Maj • 01:51 • -6.3db
6% Popularity • 57% Danceability • 73% Energy • 13% Liveness
4% Instrumentalness • 91% Positiveness
6% Popularity • 57% Danceability • 73% Energy • 13% Liveness
4% Instrumentalness • 91% Positiveness
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Edie Brickell
Go Where The Love Is
158 bpm • D Maj • 04:51 • -12.29db
24% Popularity • 75% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
24% Popularity • 75% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Bruce Cockburn
Pacing The Cage
149 bpm • E Maj • 04:40 • -14.58db
37% Popularity • 57% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 57% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Graham Nash
Be Yourself
158 bpm • G Maj • 03:09 • -13.56db
27% Popularity • 44% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 44% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Leon Russell
Stranger In A Strange Land
159 bpm • D# Maj • 04:02 • -14db
48% Popularity • 36% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
48% Popularity • 36% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Elvis Costello
Complicated Shadows
149 bpm • C Maj • 02:53 • -8.26db
17% Popularity • 67% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 67% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Jakob Dylan
On Up The Mountain
149 bpm • D Maj • 03:44 • -10.73db
15% Popularity • 48% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 48% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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David Bowie
Space Oddity - Home Demo Version 3; 2019...
149 bpm • C Maj • 05:12 • -9.68db
17% Popularity • 45% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 45% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Jackson C. Frank
Blues Run the Game (7" Version)
160 bpm • C Maj • 02:49 • -11.45db
37% Popularity • 34% Danceability • 33% Energy • 9% Liveness
3% Instrumentalness • 54% Positiveness
37% Popularity • 34% Danceability • 33% Energy • 9% Liveness
3% Instrumentalness • 54% Positiveness
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Tim Hardin
If I Were A Carpenter
160 bpm • G Maj • 02:41 • -13db
48% Popularity • 56% Danceability • 32% Energy • 14% Liveness
1% Instrumentalness • 66% Positiveness
48% Popularity • 56% Danceability • 32% Energy • 14% Liveness
1% Instrumentalness • 66% Positiveness
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Bruce Springsteen
My City of Ruins
148 bpm • A# Maj • 05:00 • -8.17db
42% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Van Morrison
Everyone - 2013 Remaster
160 bpm • G Maj • 03:32 • -9.84db
46% Popularity • 42% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
46% Popularity • 42% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Graham Nash
Barrel of Pain (Half-Life)
161 bpm • A min • 04:16 • -9.05db
5% Popularity • 54% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
5% Popularity • 54% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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The Swell Season
Low Rising
148 bpm • A Maj • 04:47 • -8.2db
14% Popularity • 53% Danceability • 52% Energy • 11% Liveness
6% Instrumentalness • 43% Positiveness
14% Popularity • 53% Danceability • 52% Energy • 11% Liveness
6% Instrumentalness • 43% Positiveness
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The Stills-Young Band
Long May You Run - 2017 Remaster
147 bpm • D Maj • 03:48 • -8.37db
40% Popularity • 53% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 53% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Eliza Gilkyson
Jokerman
146 bpm • G Maj • 06:15 • -8db
14% Popularity • 36% Danceability • 60% Energy • 72% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 36% Danceability • 60% Energy • 72% Liveness
0% Instrumentalness • 48% Positiveness
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Jackie Greene
A Thing Called Rain
163 bpm • E Maj • 04:35 • -10.02db
15% Popularity • 33% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 33% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Tim Hardin
The Lady Came From Baltimore
145 bpm • C Maj • 01:49 • -14db
40% Popularity • 57% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
40% Popularity • 57% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Graham Nash
Wounded Bird
146 bpm • E min • 02:13 • -15.51db
31% Popularity • 53% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 53% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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The Low Anthem
To Ohio
145 bpm • D Maj • 03:17 • -10db
22% Popularity • 27% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 27% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Warren Zevon
Desperados Under the Eaves
145 bpm • F Maj • 03:43 • -9.14db
22% Popularity • 39% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 39% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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M. Ward
Oh Lonesome Me
145 bpm • D# Maj • 06:05 • -11.54db
2% Popularity • 28% Danceability • 33% Energy • 20% Liveness
34% Instrumentalness • 28% Positiveness
2% Popularity • 28% Danceability • 33% Energy • 20% Liveness
34% Instrumentalness • 28% Positiveness
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Taken By Trees
Above You
163 bpm • G Maj • 01:39 • -11.26db
13% Popularity • 22% Danceability • 25% Energy • 13% Liveness
23% Instrumentalness • 11% Positiveness
13% Popularity • 22% Danceability • 25% Energy • 13% Liveness
23% Instrumentalness • 11% Positiveness
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Amos Lee
El Camino
144 bpm • C Maj • 04:02 • -13.74db
36% Popularity • 53% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 53% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Graham Nash
Magical Child - 2008 Stereo Mix
145 bpm • G Maj • 03:41 • -13.88db
6% Popularity • 48% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
6% Popularity • 48% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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The Jayhawks
All The Right Reasons
144 bpm • F# Maj • 03:24 • -9db
37% Popularity • 35% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 35% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Warren Zevon
Desperados Under the Eaves
145 bpm • F Maj • 04:47 • -17db
38% Popularity • 34% Danceability • 19% Energy • 6% Liveness
8% Instrumentalness • 25% Positiveness
38% Popularity • 34% Danceability • 19% Energy • 6% Liveness
8% Instrumentalness • 25% Positiveness
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Colin Hay
Beautiful World
165 bpm • G Maj • 04:04 • -10db
43% Popularity • 39% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 39% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Ray LaMontagne
Like Rock & Roll and Radio
143 bpm • A# Maj • 06:03 • -11.93db
31% Popularity • 46% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 46% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Pete Yorn
The Man
143 bpm • E Maj • 03:24 • -5.42db
23% Popularity • 51% Danceability • 85% Energy • 22% Liveness
3% Instrumentalness • 76% Positiveness
23% Popularity • 51% Danceability • 85% Energy • 22% Liveness
3% Instrumentalness • 76% Positiveness
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Graham Nash
Right Between the Eyes - Demo Version
144 bpm • G Maj • 02:06 • -18.48db
18% Popularity • 48% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
18% Popularity • 48% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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The Barr Brothers
Ooh, Belle
143 bpm • D Maj • 03:49 • -10.99db
16% Popularity • 39% Danceability • 42% Energy • 11% Liveness
12% Instrumentalness • 52% Positiveness
16% Popularity • 39% Danceability • 42% Energy • 11% Liveness
12% Instrumentalness • 52% Positiveness
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Warren Zevon
Accidentally Like a Martyr
144 bpm • F Maj • 03:40 • -16.54db
18% Popularity • 50% Danceability • 27% Energy • 7% Liveness
5% Instrumentalness • 38% Positiveness
18% Popularity • 50% Danceability • 27% Energy • 7% Liveness
5% Instrumentalness • 38% Positiveness
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Jackson C. Frank
Blues Run the Game
166 bpm • C# Maj • 03:31 • -13.92db
55% Popularity • 37% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
55% Popularity • 37% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Ray LaMontagne
How Come
143 bpm • C Maj • 04:32 • -11.65db
40% Popularity • 69% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 69% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Van Morrison
Crazy Face - 1999 Remaster
142 bpm • C Maj • 03:00 • -19.31db
28% Popularity • 55% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 55% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Graham Nash
We Can Change the World
165 bpm • C Maj • 01:06 • -13db
36% Popularity • 49% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 49% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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John Wesley Harding
I'm Wrong About Everything
168 bpm • C Maj • 03:32 • -4db
15% Popularity • 54% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 54% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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David Crosby
The Lee Shore - Previously Unreleased Li...
167 bpm • F Maj • 04:23 • -14.19db
8% Popularity • 32% Danceability • 22% Energy • 95% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 32% Danceability • 22% Energy • 95% Liveness
0% Instrumentalness • 16% Positiveness
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Crooked Fingers
Heavy Hours
141 bpm • E Maj • 05:01 • -16db
29% Popularity • 60% Danceability • 15% Energy • 9% Liveness
14% Instrumentalness • 20% Positiveness
29% Popularity • 60% Danceability • 15% Energy • 9% Liveness
14% Instrumentalness • 20% Positiveness
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Cat Power
Stuck Inside of Mobile with the Memphis ...
141 bpm • E Maj • 06:53 • -7db
29% Popularity • 45% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 45% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Van Morrison
I'll Be Your Lover, Too - 1999 Remaster
142 bpm • E min • 03:53 • -22db
40% Popularity • 60% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 60% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Ray LaMontagne
Drive-In Movies
168 bpm • C Maj • 05:03 • -7.98db
31% Popularity • 38% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 38% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Bert Jansch
Needle Of Death
141 bpm • C# Maj • 03:23 • -15.17db
9% Popularity • 55% Danceability • 21% Energy • 10% Liveness
3% Instrumentalness • 35% Positiveness
9% Popularity • 55% Danceability • 21% Energy • 10% Liveness
3% Instrumentalness • 35% Positiveness
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Labi Siffre
Watch Me
168 bpm • A Maj • 03:33 • -10.92db
51% Popularity • 47% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
51% Popularity • 47% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Tom Freund
Collapsible Plans (Sugar)
140 bpm • G Maj • 04:06 • -9.39db
14% Popularity • 67% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 67% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Pete Yorn
Don't Wanna Cry
140 bpm • E Maj • 03:56 • -9db
18% Popularity • 56% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 56% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Francesco Lucarelli
Mr. Sunshine
140 bpm • E Maj • 04:10 • -7.18db
3% Popularity • 59% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
3% Popularity • 59% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Crickets
Think It Over
140 bpm • A Maj • 02:51 • -6.28db
5% Popularity • 46% Danceability • 89% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
5% Popularity • 46% Danceability • 89% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
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Dylan LeBlanc
If Time Was for Wasting
171 bpm • F Maj • 04:44 • -12db
16% Popularity • 40% Danceability • 53% Energy • 20% Liveness
8% Instrumentalness • 61% Positiveness
16% Popularity • 40% Danceability • 53% Energy • 20% Liveness
8% Instrumentalness • 61% Positiveness
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Great Lake Swimmers
Think That You Might Be Wrong
171 bpm • G Maj • 04:14 • -10db
11% Popularity • 50% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
11% Popularity • 50% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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Bobby Bare Jr.
I'll Be Around
139 bpm • C Maj • 04:36 • -8.9db
19% Popularity • 52% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 52% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Graham Nash
Grave Concern
171 bpm • F Maj • 02:46 • -10.11db
22% Popularity • 55% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
22% Popularity • 55% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
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David Gray
Only the Wine
138 bpm • D Maj • 02:52 • -10.36db
29% Popularity • 52% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 52% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Tweedy
Let's Find Each Other Tonight
138 bpm • G Maj • 02:14 • -8.09db
23% Popularity • 77% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 96% Positiveness
23% Popularity • 77% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 96% Positiveness
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Jakob Dylan
Will It Grow
138 bpm • C# min • 04:49 • -10.82db
26% Popularity • 70% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 70% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Buffalo Springfield
I Am a Child
172 bpm • G Maj • 02:22 • -22db
54% Popularity • 56% Danceability • 21% Energy • 16% Liveness
64% Instrumentalness • 86% Positiveness
54% Popularity • 56% Danceability • 21% Energy • 16% Liveness
64% Instrumentalness • 86% Positiveness
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Badly Drawn Boy
A Minor Incident
171 bpm • G Maj • 03:44 • -15db
33% Popularity • 39% Danceability • 36% Energy • 64% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 39% Danceability • 36% Energy • 64% Liveness
0% Instrumentalness • 48% Positiveness
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Ted Lennon
Don't Think Twice It's All Right
172 bpm • F Maj • 04:04 • -11db
25% Popularity • 41% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 41% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Sean Hayes
Calling All Cars
172 bpm • C# min • 04:01 • -13.05db
11% Popularity • 54% Danceability • 32% Energy • 12% Liveness
9% Instrumentalness • 26% Positiveness
11% Popularity • 54% Danceability • 32% Energy • 12% Liveness
9% Instrumentalness • 26% Positiveness
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Release The Sunbird
Come Back To Us
138 bpm • D# Maj • 03:04 • -8db
10% Popularity • 60% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 60% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Joseph Arthur
Could We Survive
138 bpm • C Maj • 02:13 • -15.05db
25% Popularity • 48% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 48% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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Graham Nash
Wild Tales - 2008 Stereo Mix
138 bpm • D Maj • 02:13 • -9.16db
7% Popularity • 65% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
7% Popularity • 65% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Andrew Bird
Danse Carribe
137 bpm • G Maj • 05:19 • -7db
5% Popularity • 40% Danceability • 68% Energy • 15% Liveness
1% Instrumentalness • 59% Positiveness
5% Popularity • 40% Danceability • 68% Energy • 15% Liveness
1% Instrumentalness • 59% Positiveness
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The Jayhawks
What Led Me To This Town
137 bpm • C# min • 04:09 • -10.84db
29% Popularity • 47% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 47% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Colin Hay
Waiting For My Real Life To Begin - Radi...
173 bpm • B Maj • 03:41 • -11.69db
24% Popularity • 33% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
24% Popularity • 33% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
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Donovan
Catch the Wind
173 bpm • D# Maj • 02:53 • -12.17db
58% Popularity • 38% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
58% Popularity • 38% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Richie Havens
Just Like A Woman
137 bpm • D Maj • 04:46 • -13db
28% Popularity • 58% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 58% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Graham Nash
Wild Tales
137 bpm • G Maj • 02:20 • -15.22db
31% Popularity • 66% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
31% Popularity • 66% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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Dan Auerbach
Goin' Home
136 bpm • A Maj • 04:53 • -12db
42% Popularity • 42% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
42% Popularity • 42% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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The Dutchess & The Duke
Living This Life Makes it Hard
174 bpm • G Maj • 04:33 • -8.79db
18% Popularity • 37% Danceability • 55% Energy • 38% Liveness
4% Instrumentalness • 64% Positiveness
18% Popularity • 37% Danceability • 55% Energy • 38% Liveness
4% Instrumentalness • 64% Positiveness
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Ray LaMontagne
Sarah
175 bpm • E Maj • 04:27 • -14.19db
33% Popularity • 37% Danceability • 47% Energy • 11% Liveness
8% Instrumentalness • 73% Positiveness
33% Popularity • 37% Danceability • 47% Energy • 11% Liveness
8% Instrumentalness • 73% Positiveness
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Bruce Cockburn
Happy Good Morning Blues
175 bpm • G# Maj • 02:42 • -13.61db
18% Popularity • 52% Danceability • 20% Energy • 11% Liveness
4% Instrumentalness • 58% Positiveness
18% Popularity • 52% Danceability • 20% Energy • 11% Liveness
4% Instrumentalness • 58% Positiveness
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The Jayhawks
Angelyne
136 bpm • A Maj • 03:43 • -4.32db
32% Popularity • 62% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
32% Popularity • 62% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Gerry Rafferty
The Long Way Round
135 bpm • G Maj • 04:49 • -10.34db
21% Popularity • 41% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 41% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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The Amazing
Dragon
175 bpm • F Maj • 03:13 • -10.86db
36% Popularity • 38% Danceability • 44% Energy • 7% Liveness
7% Instrumentalness • 48% Positiveness
36% Popularity • 38% Danceability • 44% Energy • 7% Liveness
7% Instrumentalness • 48% Positiveness
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Neil Halstead
Hi-Lo and In Between
135 bpm • D# Maj • 04:47 • -19.69db
20% Popularity • 33% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 33% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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A.A. Bondy
Black Rain, Black Rain
176 bpm • C Maj • 03:14 • -13.19db
21% Popularity • 33% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 33% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Graham Nash
And so It Goes
135 bpm • F Maj • 04:48 • -16.72db
21% Popularity • 58% Danceability • 38% Energy • 26% Liveness
18% Instrumentalness • 48% Positiveness
21% Popularity • 58% Danceability • 38% Energy • 26% Liveness
18% Instrumentalness • 48% Positiveness
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Van Morrison
Ballerina - 1999 Remaster
135 bpm • G Maj • 07:03 • -15db
35% Popularity • 44% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 44% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Brendan Benson
What I'm Looking For
134 bpm • C Maj • 03:31 • -9db
26% Popularity • 52% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 52% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Ben Harper
Waiting For You
134 bpm • C Maj • 03:34 • -9db
29% Popularity • 56% Danceability • 50% Energy • 14% Liveness
16% Instrumentalness • 30% Positiveness
29% Popularity • 56% Danceability • 50% Energy • 14% Liveness
16% Instrumentalness • 30% Positiveness
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Elvis Perkins
Moon Woman II
134 bpm • E min • 04:25 • -7.22db
15% Popularity • 54% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 54% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Alec Ounsworth
Holy, Holy, Holy, Moses (Song For New Or...
134 bpm • E min • 03:35 • -11.59db
9% Popularity • 54% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
9% Popularity • 54% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
