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Beat Up
Songs like
Beat Up
by
Polish Club
Based on a tempo of (+/- 10%) and a similar genre
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Polish Club
Beat Up
185 bpm • C# min • 02:36 • -6db
24% Popularity • 24% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Gyroscope
Baby, I’m Gettin’ Better
186 bpm • C Maj • 03:17 • -3.85db
46% Popularity • 39% Danceability • 95% Energy • 49% Liveness
8% Instrumentalness • 35% Positiveness
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The Delta Riggs
The Record's Flawed
184 bpm • F# min • 03:45 • -5db
17% Popularity • 39% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Ali Barter
Far Away
186 bpm • E Maj • 03:09 • -4.89db
11% Popularity • 38% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Crocodylus
Social Climber
187 bpm • E Maj • 04:15 • -5.03db
22% Popularity • 36% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 18% Positiveness
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Sophisticated Dingo
Day In The Life
182 bpm • E Maj • 02:21 • -4.84db
17% Popularity • 12% Danceability • 93% Energy • 11% Liveness
3% Instrumentalness • 29% Positiveness
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WAAX
This Everything
188 bpm • B min • 02:47 • -5db
29% Popularity • 35% Danceability • 90% Energy • 57% Liveness
1% Instrumentalness • 14% Positiveness
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Mosquito Coast
Commotion
182 bpm • B Maj • 02:55 • -8db
16% Popularity • 34% Danceability • 72% Energy • 12% Liveness
34% Instrumentalness • 66% Positiveness
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Alex Lahey
Every Day’s The Weekend
182 bpm • E Maj • 03:10 • -4db
35% Popularity • 46% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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Beddy Rays
Sobercoaster
188 bpm • A Maj • 02:42 • -3db
52% Popularity • 30% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Good Doogs
How I Feel
180 bpm • B min • 03:17 • -5.07db
24% Popularity • 34% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Polish Club
Only Child
191 bpm • B Maj • 01:47 • -3.67db
17% Popularity • 27% Danceability • 96% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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A. Swayze & The Ghosts
Suddenly
179 bpm • A Maj • 03:56 • -6.08db
15% Popularity • 44% Danceability • 89% Energy • 5% Liveness
7% Instrumentalness • 96% Positiveness
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Press Club
My Body's Changing
179 bpm • E Maj • 02:44 • -4.32db
18% Popularity • 20% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Alex Lahey
Perth Traumatic Stress Disorder
180 bpm • C Maj • 02:15 • -4.82db
24% Popularity • 32% Danceability • 90% Energy • 49% Liveness
0% Instrumentalness • 52% Positiveness
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Beddy Rays
Week On Repeat
181 bpm • B min • 02:26 • -3.01db
45% Popularity • 24% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Good Doogs
Nobody/Alone
180 bpm • G Maj • 03:10 • -5db
32% Popularity • 37% Danceability • 94% Energy • 9% Liveness
1% Instrumentalness • 84% Positiveness
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Polish Club
Don't Fuck Me Over
191 bpm • A min • 02:24 • -8.01db
35% Popularity • 33% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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The Smith Street Band
Ducks Fly Together
179 bpm • E Maj • 03:27 • -5.29db
36% Popularity • 23% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Verge Collection
Cover It Up
192 bpm • G# Maj • 03:20 • -5.35db
29% Popularity • 32% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Maddy Jane
No Other Way
192 bpm • G Maj • 03:11 • -3.8db
24% Popularity • 36% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Beddy Rays
Milk
180 bpm • D Maj • 02:32 • -3.58db
41% Popularity • 32% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Bluejuice
Can't Keep Up
178 bpm • D Maj • 02:42 • -3.38db
11% Popularity • 42% Danceability • 92% Energy • 19% Liveness
6% Instrumentalness • 54% Positiveness
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Press Club
Suburbia
192 bpm • C# min • 04:28 • -6.94db
30% Popularity • 22% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Pacific Avenue
Easy Love
178 bpm • F# Maj • 03:56 • -2.99db
40% Popularity • 21% Danceability • 91% Energy • 46% Liveness
0% Instrumentalness • 53% Positiveness
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Paul Dempsey
Morningless
178 bpm • C min • 03:27 • -4.63db
26% Popularity • 42% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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The Bennies
Heavy Disco
178 bpm • G Maj • 02:18 • -4.77db
27% Popularity • 34% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
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Beddy Rays
Wait a While
180 bpm • B Maj • 02:55 • -2.4db
46% Popularity • 21% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Bluejuice
I'll Go Crazy
178 bpm • E Maj • 03:04 • -3db
34% Popularity • 42% Danceability • 88% Energy • 41% Liveness
0% Instrumentalness • 66% Positiveness
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The Buoys
Drive Me Home
177 bpm • E Maj • 03:12 • -3.01db
25% Popularity • 36% Danceability • 91% Energy • 28% Liveness
2% Instrumentalness • 28% Positiveness
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The Delta Riggs
Supersonic Casualties
177 bpm • E min • 03:40 • -5db
25% Popularity • 40% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Hockey Dad
I Try - triple j Like a Version
177 bpm • C# Maj • 03:47 • -10db
40% Popularity • 22% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Dear Seattle
Daytime TV
177 bpm • A Maj • 03:03 • -4db
35% Popularity • 36% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Polish Club
If It Was Me
176 bpm • E Maj • 03:39 • -3.78db
10% Popularity • 26% Danceability • 91% Energy • 48% Liveness
0% Instrumentalness • 70% Positiveness
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Bluejuice
Ain't Telling The Truth
178 bpm • D# Maj • 02:43 • -5.86db
27% Popularity • 59% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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WAAX
Wild & Weak
194 bpm • C# Maj • 03:27 • -4.56db
32% Popularity • 31% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
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Good Doogs
So Dumb
176 bpm • E Maj • 02:48 • -6db
18% Popularity • 30% Danceability • 98% Energy • 30% Liveness
73% Instrumentalness • 46% Positiveness
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The Preatures
Somebody's Talking
176 bpm • F Maj • 03:27 • -7db
39% Popularity • 50% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Death by Denim
Wiggy
176 bpm • C# min • 03:55 • -5.32db
33% Popularity • 37% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Polish Club
Unstable
176 bpm • A# Maj • 03:50 • -5.14db
11% Popularity • 35% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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The Buoys
Gold
175 bpm • A Maj • 02:56 • -3db
22% Popularity • 18% Danceability • 89% Energy • 57% Liveness
76% Instrumentalness • 63% Positiveness
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Pist Idiots
Smile
176 bpm • F# min • 02:59 • -3.43db
34% Popularity • 23% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
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Ruby Fields
Ritalin
175 bpm • F Maj • 03:08 • -4db
35% Popularity • 35% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Dear Seattle
Way Out
175 bpm • E Maj • 03:02 • -2db
31% Popularity • 31% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Sly Withers
Lately
175 bpm • D Maj • 02:47 • -5db
33% Popularity • 26% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 27% Positiveness
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Polish Club
Where U Been?
174 bpm • F# Maj • 02:11 • -3.78db
13% Popularity • 36% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Venice Queens
The Strut
174 bpm • G min • 03:48 • -6db
7% Popularity • 48% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Pacific Avenue
My Hero
174 bpm • C# min • 03:38 • -5.16db
35% Popularity • 42% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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The Delta Riggs
Kids Are Alright
173 bpm • C Maj • 03:04 • -4.4db
10% Popularity • 44% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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These New South Whales
Space in Hell
174 bpm • G Maj • 02:48 • -2.78db
25% Popularity • 32% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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The Gooch Palms
Ask Me Why
172 bpm • D Maj • 03:00 • -3.16db
17% Popularity • 40% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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The Bennies
Legalise (But Don’t Tax)
172 bpm • D Maj • 03:34 • -5.02db
20% Popularity • 59% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Polish Club
Bad Vibrations
172 bpm • G Maj • 03:06 • -4.82db
7% Popularity • 54% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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West Thebarton
Gough
172 bpm • A Maj • 03:18 • -3.26db
15% Popularity • 31% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Good Doogs
Sharks
170 bpm • F# min • 02:43 • -7.95db
25% Popularity • 37% Danceability • 75% Energy • 51% Liveness
1% Instrumentalness • 38% Positiveness
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Bluejuice
Head Of The Hawk
170 bpm • G Maj • 02:44 • -5db
25% Popularity • 64% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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WAAX
I For An Eye
170 bpm • B Maj • 02:44 • -2.49db
15% Popularity • 24% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
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The Bennies
Knights Forever
170 bpm • D Maj • 03:24 • -5.43db
25% Popularity • 23% Danceability • 77% Energy • 58% Liveness
0% Instrumentalness • 66% Positiveness
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Verge Collection
Our Place
170 bpm • D# Maj • 03:04 • -6db
41% Popularity • 46% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Polish Club
We Don't Care
172 bpm • F Maj • 04:19 • -4.02db
24% Popularity • 43% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
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RAT!hammock
Ghost
170 bpm • D Maj • 03:33 • -8.66db
26% Popularity • 38% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Bluejuice
Vitriol
170 bpm • G# Maj • 02:31 • -10db
47% Popularity • 56% Danceability • 82% Energy • 3% Liveness
0% Instrumentalness • 97% Positiveness
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The Belligerents
Yes Man
170 bpm • G# min • 02:39 • -3.48db
13% Popularity • 38% Danceability • 92% Energy • 12% Liveness
1% Instrumentalness • 85% Positiveness
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The Vanns
Sunday To Sunday
170 bpm • G Maj • 03:26 • -1.96db
27% Popularity • 38% Danceability • 99% Energy • 44% Liveness
0% Instrumentalness • 64% Positiveness
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Children Collide
Cannibal
169 bpm • A Maj • 03:37 • -4db
17% Popularity • 29% Danceability • 75% Energy • 12% Liveness
4% Instrumentalness • 34% Positiveness
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Polish Club
Iguana
172 bpm • C Maj • 04:02 • -6.94db
20% Popularity • 52% Danceability • 84% Energy • 30% Liveness
3% Instrumentalness • 17% Positiveness
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West Thebarton
Moving Out
170 bpm • G Maj • 02:52 • -4.68db
28% Popularity • 49% Danceability • 92% Energy • 35% Liveness
1% Instrumentalness • 65% Positiveness
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Dear Seattle
The Special Two - triple j Like A Versio...
169 bpm • C# Maj • 04:15 • -4.78db
37% Popularity • 25% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
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WAAX
Same Same
168 bpm • C# Maj • 03:17 • -4.61db
39% Popularity • 42% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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The Vanns
Feels Good Now
170 bpm • C# Maj • 04:12 • -5.86db
28% Popularity • 27% Danceability • 76% Energy • 14% Liveness
1% Instrumentalness • 30% Positiveness
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The Buoys
Bad Habit
168 bpm • E Maj • 02:59 • -2.97db
33% Popularity • 37% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Polish Club
Boys On Vacation
170 bpm • C Maj • 04:02 • -7.55db
5% Popularity • 32% Danceability • 93% Energy • 6% Liveness
26% Instrumentalness • 37% Positiveness
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The Smith Street Band
I Still Dream About You
167 bpm • G# Maj • 04:18 • -4.86db
41% Popularity • 15% Danceability • 81% Energy • 10% Liveness
2% Instrumentalness • 35% Positiveness
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The Bennies
Party Machine
165 bpm • A Maj • 02:44 • -4.45db
33% Popularity • 59% Danceability • 89% Energy • 67% Liveness
0% Instrumentalness • 62% Positiveness
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WAAX
I Am
168 bpm • E Maj • 03:26 • -4.18db
27% Popularity • 36% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Paul Dempsey
Ramona Was A Waitress
165 bpm • E Maj • 03:36 • -6.41db
37% Popularity • 55% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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The Buoys
Arm Wrestle
168 bpm • C# Maj • 03:38 • -3.52db
22% Popularity • 40% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Ali Barter
Backseat
164 bpm • E Maj • 03:13 • -3.83db
17% Popularity • 29% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Polish Club
Say So - triple j Like A Version
206 bpm • A Maj • 04:15 • -10.04db
20% Popularity • 31% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Good Boy
Poverty Line
164 bpm • D Maj • 03:29 • -5.94db
21% Popularity • 32% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Jack River
Later Flight
164 bpm • A Maj • 03:19 • -4.81db
27% Popularity • 41% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Good Doogs
Want That
163 bpm • B Maj • 02:35 • -6.32db
40% Popularity • 38% Danceability • 79% Energy • 22% Liveness
36% Instrumentalness • 48% Positiveness
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Andy Bull
Baby I Am Nobody Now
164 bpm • G Maj • 03:45 • -2.46db
28% Popularity • 50% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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The Pretty Littles
Don Dale
211 bpm • C Maj • 02:57 • -4.03db
39% Popularity • 23% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Hockey Dad
In This State
162 bpm • F min • 03:02 • -4.07db
38% Popularity • 31% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
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The Delta Riggs
Reality
162 bpm • F min • 03:03 • -4.78db
10% Popularity • 52% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Beddy Rays
Better Weather
160 bpm • B Maj • 02:31 • -3.58db
45% Popularity • 35% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Good Doogs
Tried My Best
163 bpm • A Maj • 02:48 • -10.13db
41% Popularity • 35% Danceability • 87% Energy • 32% Liveness
57% Instrumentalness • 45% Positiveness
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Verge Collection
Synthetic Fibres
160 bpm • C# Maj • 03:16 • -4db
23% Popularity • 37% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Children Collide
Brave Robot
160 bpm • D Maj • 03:45 • -4.26db
15% Popularity • 50% Danceability • 92% Energy • 12% Liveness
11% Instrumentalness • 58% Positiveness
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Polish Club
2 Scared
160 bpm • F# min • 02:28 • -5.38db
10% Popularity • 62% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 80% Positiveness
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Hockey Dad
Itch
160 bpm • G# Maj • 04:54 • -4.89db
31% Popularity • 25% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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The Vanns
Keep My Cool
160 bpm • A Maj • 03:27 • -4db
41% Popularity • 41% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Good Doogs
Nothing to Do
162 bpm • G Maj • 02:58 • -5.99db
26% Popularity • 38% Danceability • 91% Energy • 12% Liveness
47% Instrumentalness • 70% Positiveness
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Sly Withers
Checkout
160 bpm • D Maj • 04:06 • -7db
24% Popularity • 43% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Good Boy
CRF
159 bpm • E Maj • 03:48 • -7.58db
18% Popularity • 39% Danceability • 89% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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Polish Club
Breakapart
160 bpm • A Maj • 03:22 • -5db
32% Popularity • 41% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Adam Newling
Two of a Kind
215 bpm • F# min • 02:52 • -6.27db
27% Popularity • 33% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Ruby Fields
P Plates
158 bpm • C# Maj • 03:27 • -5db
44% Popularity • 50% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Good Doogs
I’m Listening
160 bpm • C Maj • 03:00 • -5db
35% Popularity • 31% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
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Beat Up