Songs like Beata es Virgo Maria by Mikołaj Zieleński
Based on a tempo of (+/- 10%) and a similar genre
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Mykola Dmytrovych Leontovych
In Thy Kingdom (Matthew 5:3-12)
128 bpm • D Maj • 03:13 • -24.71db
7% Popularity • 22% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
7% Popularity • 22% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Philippe Verdelot
Se mai provasti donna
128 bpm • G# min • 01:33 • -18.88db
19% Popularity • 23% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 23% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Mikołaj Zieleński
O Gloriosa Domina
128 bpm • G# Maj • 02:39 • -25.92db
0% Popularity • 20% Danceability • 8% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
0% Popularity • 20% Danceability • 8% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
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Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Credo. Et incarn...
128 bpm • F# Maj • 01:22 • -31.09db
9% Popularity • 17% Danceability • 1% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 1% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
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Oulun kamariorkesteri
Alkukuoro, Vuorten Ylle Aurinko on Nouss...
128 bpm • G Maj • 04:27 • -23.6db
14% Popularity • 17% Danceability • 10% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 10% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Lumen Valo
Johann von Gardner, arr: Joulun valovirr...
128 bpm • E Maj • 02:14 • -22db
17% Popularity • 18% Danceability • 6% Energy • 6% Liveness
64% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 6% Energy • 6% Liveness
64% Instrumentalness • 4% Positiveness
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Orlande de Lassus
Jubilate Deo omnis terra, LV 854
128 bpm • G# Maj • 01:44 • -22.64db
8% Popularity • 20% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 16% Positiveness
8% Popularity • 20% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 16% Positiveness
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A5 Vocal Ensemble
Guerrero: Alma mirad vuestro Dios
128 bpm • G# min • 02:48 • -18.74db
8% Popularity • 29% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 29% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Loyset Compère
Quis numerare queat: I. Quis numerare qu...
128 bpm • F Maj • 01:32 • -18.87db
9% Popularity • 17% Danceability • 24% Energy • 21% Liveness
1% Instrumentalness • 10% Positiveness
9% Popularity • 17% Danceability • 24% Energy • 21% Liveness
1% Instrumentalness • 10% Positiveness
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Howard Skempton
And There Was War in Heaven
128 bpm • F Maj • 04:34 • -24.58db
10% Popularity • 17% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Mikołaj Zieleński
Beata es Virgo Maria
128 bpm • G# min • 04:01 • -15.14db
3% Popularity • 21% Danceability • 24% Energy • 10% Liveness
28% Instrumentalness • 4% Positiveness
3% Popularity • 21% Danceability • 24% Energy • 10% Liveness
28% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Messe in Es, Op. 109 "Cantus Missae": Ky...
127 bpm • D# Maj • 04:32 • -25.66db
13% Popularity • 17% Danceability • 5% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 5% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
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Claudin de Sermisy
Lamentations de Jérémie pour le samedi...
129 bpm • F Maj • 05:23 • -16.63db
9% Popularity • 17% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 17% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Kim André Arnesen
Holy Spirit Mass: The Spirit's Work: Com...
127 bpm • F min • 03:35 • -20.77db
11% Popularity • 23% Danceability • 13% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
11% Popularity • 23% Danceability • 13% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
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Alonso Lobo
Versa est in luctum
129 bpm • D# min • 05:19 • -23.64db
7% Popularity • 16% Danceability • 7% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 7% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Philippe Verdelot
Madonna qual certezza
129 bpm • F# min • 02:20 • -16.12db
9% Popularity • 28% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 28% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Mikołaj Zieleński
Mysteria Dolorosa: Coronatio Iesu spinis...
129 bpm • D min • 04:04 • -25.09db
0% Popularity • 24% Danceability • 8% Energy • 13% Liveness
92% Instrumentalness • 16% Positiveness
0% Popularity • 24% Danceability • 8% Energy • 13% Liveness
92% Instrumentalness • 16% Positiveness
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Josef Rheinberger
Mass in Es, Kyrie
127 bpm • D# Maj • 03:54 • -22.06db
9% Popularity • 17% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Petite messe solennelle: XI. Credo. Cred...
129 bpm • B Maj • 04:17 • -18.99db
8% Popularity • 26% Danceability • 13% Energy • 17% Liveness
8% Instrumentalness • 9% Positiveness
8% Popularity • 26% Danceability • 13% Energy • 17% Liveness
8% Instrumentalness • 9% Positiveness
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Anonymous
O Altissime
127 bpm • D min • 02:47 • -22.94db
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Valentin Silvestrov
2 Sacred Chants: No. 2, To Thee We Sing
130 bpm • C Maj • 03:14 • -32db
13% Popularity • 16% Danceability • 2% Energy • 13% Liveness
44% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 2% Energy • 13% Liveness
44% Instrumentalness • 3% Positiveness
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Johann Kuhnau
Tristis est anima mea
129 bpm • F min • 04:14 • -23.97db
3% Popularity • 20% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
3% Popularity • 20% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Mikołaj Zieleński
Offertoria et communiones totius anni (E...
129 bpm • G min • 04:34 • -16.56db
0% Popularity • 24% Danceability • 21% Energy • 30% Liveness
14% Instrumentalness • 32% Positiveness
0% Popularity • 24% Danceability • 21% Energy • 30% Liveness
14% Instrumentalness • 32% Positiveness
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Pedro de Cristo
Ay, mi Dios
126 bpm • G# Maj • 02:04 • -23.93db
12% Popularity • 31% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 31% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Claudio Monteverdi
Messa a quattro voci, SV 190: I. Kyrie
130 bpm • B min • 04:19 • -24.9db
15% Popularity • 18% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
15% Popularity • 18% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Marc-Antoine Charpentier
Sub tuum praesidium, H. 28
126 bpm • G min • 02:18 • -26db
11% Popularity • 24% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 24% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Мужской камерный хор "Logos"
Богородице Дево, раду�...
130 bpm • G Maj • 01:50 • -19.05db
16% Popularity • 24% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
16% Popularity • 24% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Robert White
Christe, qui lux es et dies: Christe, qu...
130 bpm • D min • 05:55 • -27.11db
7% Popularity • 20% Danceability • 7% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 7% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
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Mikołaj Zieleński
Offertoria et communiones totius anni (E...
129 bpm • G min • 03:18 • -17.39db
0% Popularity • 17% Danceability • 14% Energy • 11% Liveness
44% Instrumentalness • 7% Positiveness
0% Popularity • 17% Danceability • 14% Energy • 11% Liveness
44% Instrumentalness • 7% Positiveness
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Joanna Marsh
Arabesques: III. Fading
126 bpm • A min • 04:34 • -23.21db
8% Popularity • 17% Danceability • 5% Energy • 11% Liveness
6% Instrumentalness • 2% Positiveness
8% Popularity • 17% Danceability • 5% Energy • 11% Liveness
6% Instrumentalness • 2% Positiveness
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Jacobus Gallus
Mirabile mysterium
125 bpm • E Maj • 03:51 • -20.32db
12% Popularity • 21% Danceability • 10% Energy • 12% Liveness
13% Instrumentalness • 3% Positiveness
12% Popularity • 21% Danceability • 10% Energy • 12% Liveness
13% Instrumentalness • 3% Positiveness
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Anton Bruckner
Tota pulchra es, WAB 46
131 bpm • C Maj • 05:20 • -23.67db
12% Popularity • 18% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Antoine Brumel
Tous les regretz
131 bpm • D min • 02:02 • -24.99db
8% Popularity • 16% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
8% Popularity • 16% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
131 bpm • C# Maj • 04:00 • -30.61db
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Mikołaj Zieleński
Motetto de Sancto Stanislao
130 bpm • F Maj • 02:32 • -14.83db
1% Popularity • 20% Danceability • 33% Energy • 12% Liveness
12% Instrumentalness • 9% Positiveness
1% Popularity • 20% Danceability • 33% Energy • 12% Liveness
12% Instrumentalness • 9% Positiveness
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Cantores in Ecclesia
Gloria Patri
125 bpm • G min • 01:12 • -16.33db
23% Popularity • 21% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
23% Popularity • 21% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Claudio Monteverdi
Adoramus te Christe, SV 289
131 bpm • G# Maj • 03:33 • -20.6db
9% Popularity • 17% Danceability • 6% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 6% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Anton Bruckner
Locus iste, WAB 23
125 bpm • C Maj • 03:21 • -26.29db
18% Popularity • 17% Danceability • 3% Energy • 8% Liveness
4% Instrumentalness • 3% Positiveness
18% Popularity • 17% Danceability • 3% Energy • 8% Liveness
4% Instrumentalness • 3% Positiveness
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Charles D'Argentil
Missa pro defunctis: IV. Pie Jesu
131 bpm • B min • 01:15 • -17.33db
0% Popularity • 16% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 16% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Antonio Lotti
Crucifixus a 8 voci
125 bpm • B min • 02:59 • -24.47db
11% Popularity • 19% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
11% Popularity • 19% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Mikołaj Zieleński
Responsorium I: In monte Oliveti
130 bpm • E min • 05:39 • -22.56db
1% Popularity • 16% Danceability • 18% Energy • 18% Liveness
3% Instrumentalness • 5% Positiveness
1% Popularity • 16% Danceability • 18% Energy • 18% Liveness
3% Instrumentalness • 5% Positiveness
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Lumen Valo
Francis Poulenc: Quem vidistis pastores
131 bpm • B min • 02:50 • -18.84db
15% Popularity • 26% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 26% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Gregorian Chants
Kyrie Missa
131 bpm • C# min • 02:59 • -20.14db
12% Popularity • 19% Danceability • 21% Energy • 26% Liveness
32% Instrumentalness • 7% Positiveness
12% Popularity • 19% Danceability • 21% Energy • 26% Liveness
32% Instrumentalness • 7% Positiveness
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Timo Ruottinen
Troparion: O Theotokos
125 bpm • G min • 02:28 • -31.57db
11% Popularity • 18% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Henry Purcell
Burial service: Thou knowest, Lord (Henr...
131 bpm • B Maj • 01:53 • -17db
14% Popularity • 25% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
14% Popularity • 25% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Heidi en Berlín
Premium Sunsets.
131 bpm • D Maj • 03:55 • -19.4db
7% Popularity • 24% Danceability • 8% Energy • 9% Liveness
74% Instrumentalness • 6% Positiveness
7% Popularity • 24% Danceability • 8% Energy • 9% Liveness
74% Instrumentalness • 6% Positiveness
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Johannes Ockeghem
Intemerata Dei mater: II. Nec sine te ma...
124 bpm • D min • 02:04 • -22.28db
9% Popularity • 17% Danceability • 11% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 11% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Vincenzo Ruffo
Missa Quarti Toni: Agnus Dei
132 bpm • D min • 02:52 • -17.73db
15% Popularity • 16% Danceability • 8% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
15% Popularity • 16% Danceability • 8% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
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Anton Bruckner
Pange lingua, WAB 33
132 bpm • C Maj • 05:30 • -25.59db
13% Popularity • 18% Danceability • 5% Energy • 7% Liveness
20% Instrumentalness • 3% Positiveness
13% Popularity • 18% Danceability • 5% Energy • 7% Liveness
20% Instrumentalness • 3% Positiveness
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Michael Haydn
Missa Sanctae Crucis, MH 56: Sanctus
132 bpm • D# Maj • 01:23 • -19.76db
26% Popularity • 22% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 22% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Alfred Schnittke
3 Sacred Hymns: No. 2. Gospodi, Gospodi ...
132 bpm • C min • 01:31 • -23.86db
15% Popularity • 22% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Lumen Valo
Robert Pearsall: Lay a garland
124 bpm • D# Maj • 03:09 • -22db
14% Popularity • 18% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
14% Popularity • 18% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Johannes Ockeghem
Intemerata Dei mater: III. Aspiciat faci...
124 bpm • F Maj • 02:23 • -18.71db
8% Popularity • 17% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 8% Positiveness
8% Popularity • 17% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 8% Positiveness
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John Sheppard
In manus tuas II & III: In manus tuas II...
132 bpm • F Maj • 03:18 • -35db
8% Popularity • 16% Danceability • 2% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 2% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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Orlande de Lassus
Aurora lucis rutilat
124 bpm • G Maj • 03:17 • -19.74db
9% Popularity • 21% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 21% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Jacques Arcadelt
Missa Noe Noe: II. Gloria
124 bpm • D min • 04:28 • -25.11db
8% Popularity • 18% Danceability • 8% Energy • 18% Liveness
84% Instrumentalness • 13% Positiveness
8% Popularity • 18% Danceability • 8% Energy • 18% Liveness
84% Instrumentalness • 13% Positiveness
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Frank La Rocca
Mass of the Americas: IV. Offertory "Ave...
133 bpm • C# min • 05:27 • -20.93db
4% Popularity • 21% Danceability • 20% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
4% Popularity • 21% Danceability • 20% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
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Antoine Brumel
Mater patris et filia
133 bpm • C# Maj • 03:43 • -24.2db
9% Popularity • 16% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Speech to Mortals
Dark November
133 bpm • D Maj • 01:13 • -36.44db
11% Popularity • 18% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
11% Popularity • 18% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
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Josef Rheinberger
Hymnen, Op. 140: I. Tribulationes
133 bpm • F Maj • 03:27 • -24.18db
9% Popularity • 18% Danceability • 11% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 11% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Peter Philips
Regina cæli lætare
123 bpm • D# Maj • 02:34 • -21.04db
7% Popularity • 21% Danceability • 15% Energy • 10% Liveness
32% Instrumentalness • 23% Positiveness
7% Popularity • 21% Danceability • 15% Energy • 10% Liveness
32% Instrumentalness • 23% Positiveness
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Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
123 bpm • E Maj • 04:33 • -29.95db
8% Popularity • 34% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 34% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Claudio Monteverdi
Dixit dominus I
133 bpm • C Maj • 07:41 • -22.03db
9% Popularity • 23% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
9% Popularity • 23% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
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Camille Saint-Saëns
Les fleurs et les arbres
133 bpm • E Maj • 02:00 • -23db
11% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Mikołaj Zieleński
Mysteria Gloriosa: Ascensio. Psallite Do...
123 bpm • G min • 02:24 • -18.94db
0% Popularity • 25% Danceability • 21% Energy • 34% Liveness
28% Instrumentalness • 16% Positiveness
0% Popularity • 25% Danceability • 21% Energy • 34% Liveness
28% Instrumentalness • 16% Positiveness
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Lege Artis Chamber Choir
Liturgy Of St. John Chrysostom, Op. 31: ...
134 bpm • A Maj • 01:15 • -27.57db
15% Popularity • 16% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
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Orlando Gibbons
The silver swan
134 bpm • F Maj • 01:27 • -22.03db
8% Popularity • 18% Danceability • 15% Energy • 41% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 18% Danceability • 15% Energy • 41% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
François-Lupien Grenet
Le Triomphe de l'Harmonie: Nous jouisson...
134 bpm • C# min • 01:01 • -23.67db
10% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Sébastien de Brossard
Elevatio O miraculum!
134 bpm • A# Maj • 01:55 • -24.53db
8% Popularity • 16% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Guillaume Dufay
Plainchant for Vespers I (Recollectio fe...
134 bpm • F Maj • 11:32 • -27.84db
8% Popularity • 19% Danceability • 6% Energy • 11% Liveness
4% Instrumentalness • 5% Positiveness
8% Popularity • 19% Danceability • 6% Energy • 11% Liveness
4% Instrumentalness • 5% Positiveness
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Kastalski Mixed Choir
Triptych 01: I Can Love
134 bpm • F Maj • 02:37 • -21.47db
7% Popularity • 24% Danceability • 17% Energy • 13% Liveness
16% Instrumentalness • 18% Positiveness
7% Popularity • 24% Danceability • 17% Energy • 13% Liveness
16% Instrumentalness • 18% Positiveness
► Preview
Mikołaj Zieleński
Communiones totius anni: No. 41. In Asce...
134 bpm • G min • 02:25 • -17.05db
0% Popularity • 24% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 24% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 14% Positiveness
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Thomas Tomkins
Burial Sentences: I Am the Resurrection ...
134 bpm • C# min • 07:51 • -24db
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Israel in Egypt, HWV 54, Pt 3. "Moses' S...
135 bpm • D# Maj • 01:15 • -20.38db
15% Popularity • 21% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
15% Popularity • 21% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Jordi Savall
Música Religiosa (Vol. I), I. Adoramus ...
122 bpm • E min • 01:22 • -28db
16% Popularity • 23% Danceability • 2% Energy • 9% Liveness
33% Instrumentalness • 4% Positiveness
16% Popularity • 23% Danceability • 2% Energy • 9% Liveness
33% Instrumentalness • 4% Positiveness
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Paschal de l'Estocart
Octonaires de la vanité du monde, Livre...
135 bpm • C# min • 01:00 • -21.57db
11% Popularity • 22% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 22% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Johann Stadlmayr
Missa Jubilate Deo: Agnus Die
121 bpm • G min • 01:43 • -22.43db
23% Popularity • 18% Danceability • 9% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 9% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
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Mikołaj Zieleński
Motet de San Ignatio Igneum Ignati Jubar
135 bpm • G Maj • 04:32 • -21.71db
0% Popularity • 22% Danceability • 11% Energy • 19% Liveness
2% Instrumentalness • 24% Positiveness
0% Popularity • 22% Danceability • 11% Energy • 19% Liveness
2% Instrumentalness • 24% Positiveness
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Thomas Morley
The Second Dirge Anthem: Man That Is Bor...
135 bpm • G# min • 05:31 • -21.31db
12% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Miserere a 9: No. 2, Et secundum multitu...
136 bpm • B min • 01:26 • -27.48db
14% Popularity • 20% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 3% Positiveness
14% Popularity • 20% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 3% Positiveness
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Schola Albertinum
O Vos Omnes
136 bpm • C min • 03:37 • -23.22db
9% Popularity • 18% Danceability • 4% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
9% Popularity • 18% Danceability • 4% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
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Giuseppe Sarti
Now the Powers of Heaven
136 bpm • G min • 05:41 • -20.19db
8% Popularity • 20% Danceability • 20% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 20% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Messa a quattro voci, SV 190: VI. Agnus ...
136 bpm • E min • 04:46 • -25.57db
9% Popularity • 16% Danceability • 10% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 10% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Mikołaj Zieleński
Offertoria et communiones totius anni (E...
135 bpm • F Maj • 02:37 • -11.82db
0% Popularity • 21% Danceability • 29% Energy • 7% Liveness
8% Instrumentalness • 22% Positiveness
0% Popularity • 21% Danceability • 29% Energy • 7% Liveness
8% Instrumentalness • 22% Positiveness
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Peter Dijkstra
Anton Bruckner: Ave Maria: Anton Bruckne...
136 bpm • F Maj • 03:50 • -23.5db
24% Popularity • 15% Danceability • 3% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 3% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
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Charles Gounod
Les Sept paroles de Notre Seigneur Jésu...
136 bpm • D min • 01:24 • -29.98db
7% Popularity • 16% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
7% Popularity • 16% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Anton Bruckner
Virga Jesse, WAB 52
137 bpm • E Maj • 03:51 • -21.78db
13% Popularity • 18% Danceability • 10% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 10% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Mass in D Major, Op. 86, B. 153: VI. Agn...
137 bpm • G Maj • 05:03 • -27.39db
9% Popularity • 17% Danceability • 4% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 4% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Firminus Caron
Leuven Chansonnier: No. 19, Cent mil esc...
137 bpm • F# Maj • 04:19 • -22.58db
20% Popularity • 28% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 28% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Mikołaj Zieleński
Magnificat
120 bpm • A min • 09:30 • -13.03db
0% Popularity • 96% Danceability • 19% Energy • 8% Liveness
91% Instrumentalness • 42% Positiveness
0% Popularity • 96% Danceability • 19% Energy • 8% Liveness
91% Instrumentalness • 42% Positiveness
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Мужской камерный хор "Logos"
Богородице дево радуй...
119 bpm • D Maj • 01:00 • -29.63db
20% Popularity • 18% Danceability • 9% Energy • 13% Liveness
71% Instrumentalness • 12% Positiveness
20% Popularity • 18% Danceability • 9% Energy • 13% Liveness
71% Instrumentalness • 12% Positiveness
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Charles Gounod
Messe brève No. 7: IIa. Domine Fili uni...
137 bpm • F Maj • 02:27 • -27.19db
9% Popularity • 15% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Anónimo
Pasión: Vere Languóres. Alto Solo.
119 bpm • A Maj • 03:21 • -14.78db
13% Popularity • 37% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 37% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
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Hope Singers
God of Mercy
138 bpm • D Maj • 02:21 • -18.96db
12% Popularity • 16% Danceability • 18% Energy • 19% Liveness
34% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 18% Energy • 19% Liveness
34% Instrumentalness • 3% Positiveness
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Johann Caspar Kerll
Missa pro defunctis: II. Kyrie
138 bpm • F Maj • 02:01 • -18.24db
22% Popularity • 15% Danceability • 14% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 14% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Mikołaj Zieleński
Fantazja II
120 bpm • G min • 03:18 • -9.94db
1% Popularity • 75% Danceability • 54% Energy • 13% Liveness
90% Instrumentalness • 75% Positiveness
1% Popularity • 75% Danceability • 54% Energy • 13% Liveness
90% Instrumentalness • 75% Positiveness
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Gregorian Chants
Dominus Dixit
138 bpm • G min • 05:07 • -25.17db
14% Popularity • 20% Danceability • 12% Energy • 12% Liveness
25% Instrumentalness • 5% Positiveness
14% Popularity • 20% Danceability • 12% Energy • 12% Liveness
25% Instrumentalness • 5% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: IV. Te per orbem terrar...
118 bpm • C Maj • 03:31 • -22.21db
8% Popularity • 23% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 23% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
