Songs like Beautiful Dreamer (Alternate Take) by John Leyton
Based on a tempo of (+/- 10%) and a similar genre
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John Leyton
Johnny Remember Me
144 bpm • C min • 02:40 • -8.71db
35% Popularity • 34% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 34% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Gene Pitney
Aladdin's Lamp
144 bpm • F# Maj • 02:27 • -9.07db
15% Popularity • 67% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 67% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 87% Positiveness
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Frank Ifield
Lucky Devil
144 bpm • G Maj • 01:58 • -6.53db
22% Popularity • 69% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 69% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
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Matchbox
Heartaches By the Number
143 bpm • D Maj • 02:48 • -7.06db
14% Popularity • 58% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 58% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Ola & The Janglers
Poetry In Motion
144 bpm • D Maj • 02:29 • -6.99db
16% Popularity • 48% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 48% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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The Swinging Blue Jeans
Shakin' All Over
145 bpm • A# Maj • 02:04 • -9.75db
31% Popularity • 53% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 53% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
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John Leyton
Johnny Remember Me
144 bpm • D min • 02:33 • -2.73db
1% Popularity • 22% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
1% Popularity • 22% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Manfred Mann
Sha La La
145 bpm • F Maj • 02:31 • -4db
27% Popularity • 36% Danceability • 84% Energy • 86% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 36% Danceability • 84% Energy • 86% Liveness
0% Instrumentalness • 87% Positiveness
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Jimmy Jones
Handy Man
145 bpm • A# Maj • 02:04 • -7db
38% Popularity • 48% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
38% Popularity • 48% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Jimmy Justice
Little Lonely One
145 bpm • A Maj • 02:15 • -6.48db
10% Popularity • 37% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 37% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Tommy Steele
Singing the Blues
143 bpm • C# Maj • 02:24 • -9db
25% Popularity • 72% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 72% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Freddy Cannon
Way Down Yonder in New Orleans
143 bpm • G# Maj • 02:31 • -4db
26% Popularity • 45% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 45% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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John Leyton
Beautiful Dreamer (Alternate Take)
144 bpm • D Maj • 02:24 • -7db
18% Popularity • 40% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
18% Popularity • 40% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Ray Smith
One Wonderful Love
145 bpm • A# Maj • 02:16 • -5db
17% Popularity • 47% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 47% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Johnny Kidd & The Pirates
I'll Never Get Over You
142 bpm • A Maj • 02:07 • -8db
23% Popularity • 46% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 46% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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The Brook Brothers
Ain't Gonna Wash for a Week
142 bpm • A Maj • 02:00 • -9.01db
11% Popularity • 41% Danceability • 79% Energy • 40% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 41% Danceability • 79% Energy • 40% Liveness
0% Instrumentalness • 96% Positiveness
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Mike Berry & The Outlaws
Tribute to Buddy Holly
142 bpm • E Maj • 02:58 • -14db
26% Popularity • 42% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 42% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Freddy Cannon
Tallahassee Lassie
143 bpm • D Maj • 02:13 • -5.37db
27% Popularity • 33% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 33% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
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Mungo Jerry
Hello Nadine
146 bpm • G Maj • 03:30 • -5.49db
31% Popularity • 51% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
31% Popularity • 51% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
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John Leyton
You Took My Love for Granted
143 bpm • G Maj • 01:58 • -6.72db
1% Popularity • 40% Danceability • 80% Energy • 35% Liveness
3% Instrumentalness • 78% Positiveness
1% Popularity • 40% Danceability • 80% Energy • 35% Liveness
3% Instrumentalness • 78% Positiveness
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Neil Sedaka
You Gotta Learn Your Rhythm and Blues
146 bpm • G Maj • 02:19 • -4.49db
17% Popularity • 52% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 52% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Buddy Holly & The Crickets
Peggy Sue Got Married
142 bpm • G# Maj • 02:04 • -8.71db
26% Popularity • 58% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 58% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Jamie Coe
The Fool
142 bpm • C Maj • 02:04 • -8db
8% Popularity • 63% Danceability • 79% Energy • 19% Liveness
1% Instrumentalness • 93% Positiveness
8% Popularity • 63% Danceability • 79% Energy • 19% Liveness
1% Instrumentalness • 93% Positiveness
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Freddy Cannon
Tallahassee Lassie
142 bpm • D Maj • 02:32 • -7db
15% Popularity • 42% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 42% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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The Crests
The Angels Listened In
146 bpm • C Maj • 02:03 • -4.81db
31% Popularity • 49% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 88% Positiveness
31% Popularity • 49% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 88% Positiveness
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John Leyton
Beautiful Dreamer
142 bpm • D Maj • 02:26 • -6.85db
4% Popularity • 42% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
4% Popularity • 42% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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The Swinging Blue Jeans
Good Golly Miss Molly
147 bpm • A Maj • 02:05 • -11db
31% Popularity • 40% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 40% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Jimmy Clanton
Go, Jimmy Go
147 bpm • A# Maj • 02:02 • -12db
23% Popularity • 61% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 61% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Adam Faith
Wonderful Time - Mono Version; 1997 Rema...
141 bpm • C Maj • 02:31 • -6.66db
18% Popularity • 63% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 63% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Marcie Blane
Bobby's Girl - Previously Unreleased Dem...
141 bpm • C Maj • 02:23 • -12db
28% Popularity • 56% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 56% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Jimmy Jones
Good Timin'
147 bpm • D# Maj • 02:08 • -7.68db
45% Popularity • 55% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
45% Popularity • 55% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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John Leyton
Lone Rider
146 bpm • B Maj • 02:02 • -9.53db
2% Popularity • 26% Danceability • 55% Energy • 7% Liveness
55% Instrumentalness • 53% Positiveness
2% Popularity • 26% Danceability • 55% Energy • 7% Liveness
55% Instrumentalness • 53% Positiveness
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Johnny Otis
Telephone Baby
147 bpm • D Maj • 02:11 • -10.23db
20% Popularity • 66% Danceability • 60% Energy • 51% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 66% Danceability • 60% Energy • 51% Liveness
0% Instrumentalness • 91% Positiveness
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Frank Ifield
Waltzing Matilda
141 bpm • G# min • 02:27 • -7.72db
21% Popularity • 57% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 57% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Billy J. Kramer
I'll Be on My Way
141 bpm • A Maj • 01:42 • -10db
20% Popularity • 34% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
20% Popularity • 34% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Barry Mann
Sweet Little You
147 bpm • B min • 01:49 • -5.88db
8% Popularity • 53% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 53% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
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The Lee Kings
Stop The Music
140 bpm • F min • 02:56 • -8.07db
14% Popularity • 50% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 50% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Frankie Avalon
Ginger Bread
148 bpm • G# Maj • 02:03 • -5.87db
18% Popularity • 54% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 54% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
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Susan Maughan
Bobby's Girl
140 bpm • A# Maj • 02:36 • -9.85db
28% Popularity • 60% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 60% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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John Leyton
Lone Rider
148 bpm • B Maj • 01:59 • -5.33db
1% Popularity • 24% Danceability • 73% Energy • 56% Liveness
6% Instrumentalness • 69% Positiveness
1% Popularity • 24% Danceability • 73% Energy • 56% Liveness
6% Instrumentalness • 69% Positiveness
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Buzz Clifford
Baby Sittin' Boogie
140 bpm • F# Maj • 02:07 • -12db
21% Popularity • 55% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 55% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
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The Crystals
Da Doo Ron Ron (Rerecorded)
148 bpm • D# Maj • 02:02 • -4.98db
44% Popularity • 57% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
44% Popularity • 57% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Emile Ford & The Checkmates
Heavenly
140 bpm • G# Maj • 02:19 • -5.29db
12% Popularity • 40% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 40% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Buddy Knox
Lovey Dovey
140 bpm • A Maj • 02:21 • -11.7db
21% Popularity • 70% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 70% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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Bobby Rydell
Wild One
149 bpm • G Maj • 02:23 • -4.77db
16% Popularity • 60% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 60% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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John Leyton
Thunder and Lightning
149 bpm • D Maj • 02:06 • -6.07db
1% Popularity • 35% Danceability • 86% Energy • 39% Liveness
81% Instrumentalness • 90% Positiveness
1% Popularity • 35% Danceability • 86% Energy • 39% Liveness
81% Instrumentalness • 90% Positiveness
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The Swinging Blue Jeans
Shake Rattle and Roll
149 bpm • G# min • 02:07 • -11db
17% Popularity • 47% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 98% Positiveness
17% Popularity • 47% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 98% Positiveness
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Ray Pilgrim
Red Red Roses
149 bpm • D Maj • 02:11 • -6.35db
9% Popularity • 43% Danceability • 84% Energy • 59% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 43% Danceability • 84% Energy • 59% Liveness
0% Instrumentalness • 91% Positiveness
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Frankie Avalon
Dede Dinah
139 bpm • G Maj • 02:12 • -5.62db
22% Popularity • 53% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 53% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Lou Christie
How Many Teardrops
149 bpm • G Maj • 02:05 • -8.86db
14% Popularity • 56% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 56% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Craig Douglas
A Painted Smile
139 bpm • E min • 02:05 • -8.43db
12% Popularity • 51% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 51% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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John Leyton
Land of Love
149 bpm • D# Maj • 02:26 • -8.89db
0% Popularity • 46% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
0% Popularity • 46% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Susan Maughan
Bobby's Girl (Alternate Take)
139 bpm • B Maj • 02:31 • -12db
11% Popularity • 64% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 64% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Marty Wilde
Rubber Ball
150 bpm • A# Maj • 02:13 • -10.09db
26% Popularity • 52% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 52% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Larry Finnegan
Candy Lips
138 bpm • F Maj • 02:33 • -12.19db
18% Popularity • 73% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 73% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Ned Miller
Go on Back You Fool
150 bpm • D# Maj • 02:19 • -13.63db
26% Popularity • 51% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
26% Popularity • 51% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
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Tommy Steele
Water, Water
138 bpm • G Maj • 02:17 • -10.84db
8% Popularity • 76% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 76% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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John Leyton
Land of Love
149 bpm • A# Maj • 02:24 • -2.85db
1% Popularity • 38% Danceability • 87% Energy • 67% Liveness
0% Instrumentalness • 86% Positiveness
1% Popularity • 38% Danceability • 87% Energy • 67% Liveness
0% Instrumentalness • 86% Positiveness
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Marvin Rainwater
Whole Lotta Woman
150 bpm • A Maj • 02:38 • -5.74db
22% Popularity • 50% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
22% Popularity • 50% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Terry Stafford
Kiss Me Quick
138 bpm • A# Maj • 02:41 • -14db
17% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Bobby Rydell
Swingin' School
151 bpm • F Maj • 02:14 • -5.48db
10% Popularity • 53% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 53% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Mud
The Secrets That You Keep
138 bpm • A Maj • 03:11 • -13.68db
31% Popularity • 68% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 68% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Brian Hyland
Warmed Over Kisses (Left Over Love)
138 bpm • F# Maj • 02:21 • -14.32db
19% Popularity • 61% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
19% Popularity • 61% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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John Leyton
Oh Lover
150 bpm • G Maj • 02:08 • -8.42db
2% Popularity • 28% Danceability • 53% Energy • 56% Liveness
8% Instrumentalness • 67% Positiveness
2% Popularity • 28% Danceability • 53% Energy • 56% Liveness
8% Instrumentalness • 67% Positiveness
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Craig Douglas
Rainbows
151 bpm • A min • 02:16 • -10.31db
27% Popularity • 24% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 24% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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The Springfields
Silver Threads & Golden Needles
138 bpm • A Maj • 02:13 • -4db
22% Popularity • 49% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
22% Popularity • 49% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Randy & The Rainbows
In Your Letter
138 bpm • E Maj • 03:12 • -10.77db
10% Popularity • 60% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 60% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 94% Positiveness
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Jimmy Justice
Ain't That Funny
138 bpm • A Maj • 02:08 • -4.14db
27% Popularity • 46% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 46% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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Brenda Lee
Save Your Lovin' for Me
138 bpm • D# Maj • 01:55 • -10.35db
22% Popularity • 75% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 75% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Billy J. Kramer
Do You Want to Know a Secret?
137 bpm • E Maj • 02:03 • -9.83db
37% Popularity • 53% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 53% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
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Eden Kane
Boys Cry
137 bpm • C Maj • 02:17 • -9db
28% Popularity • 52% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 52% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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The Honeycombs
That's the Way
137 bpm • F# Maj • 02:59 • -9.51db
21% Popularity • 45% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 45% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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The Beau-Marks
Lovely Little Lady
151 bpm • E Maj • 02:30 • -9.57db
14% Popularity • 39% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 39% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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The Shadows
Kon-Tiki
137 bpm • A Maj • 01:55 • -7db
31% Popularity • 56% Danceability • 62% Energy • 22% Liveness
87% Instrumentalness • 69% Positiveness
31% Popularity • 56% Danceability • 62% Energy • 22% Liveness
87% Instrumentalness • 69% Positiveness
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Marty Wilde
Jezebel
137 bpm • F min • 02:54 • -8.26db
13% Popularity • 37% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 37% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Emile Ford & The Checkmates
Counting Teardrops
137 bpm • F# min • 02:15 • -6.69db
14% Popularity • 49% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 49% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 92% Positiveness
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Eden Kane
Boys Cry (When No One Can See Them)
137 bpm • G Maj • 02:13 • -7.61db
16% Popularity • 38% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 38% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Emile Ford
Sorry (I Ran All the Way Home)
137 bpm • B Maj • 02:01 • -7.46db
10% Popularity • 46% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 46% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Sandy Posey
I Take It Back
137 bpm • A# Maj • 02:25 • -14.64db
38% Popularity • 59% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
38% Popularity • 59% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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The Swinging Blue Jeans
Now I Must Go
152 bpm • A Maj • 01:58 • -7.92db
26% Popularity • 48% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 48% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Gene Pitney
(I Wanna) Love My Life Away - Original M...
136 bpm • C Maj • 01:52 • -4db
27% Popularity • 52% Danceability • 84% Energy • 61% Liveness
0% Instrumentalness • 89% Positiveness
27% Popularity • 52% Danceability • 84% Energy • 61% Liveness
0% Instrumentalness • 89% Positiveness
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The New Seekers
What Have They Done To My Song Ma?
136 bpm • G# Maj • 03:22 • -9.53db
28% Popularity • 45% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 45% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
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Eden Kane
Get Lost
137 bpm • A Maj • 02:48 • -11db
17% Popularity • 64% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 64% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Sue Thompson
Big Mable Murphy
136 bpm • D# Maj • 03:15 • -11.77db
12% Popularity • 67% Danceability • 46% Energy • 19% Liveness
1% Instrumentalness • 78% Positiveness
12% Popularity • 67% Danceability • 46% Energy • 19% Liveness
1% Instrumentalness • 78% Positiveness
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Craig Douglas
Time
153 bpm • C Maj • 02:19 • -9.48db
36% Popularity • 24% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
36% Popularity • 24% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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John D. Loudermilk
Language of Love
153 bpm • D Maj • 01:47 • -12db
36% Popularity • 60% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 60% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Billy J. Kramer
They Remind Me of You
135 bpm • G Maj • 02:22 • -10.07db
13% Popularity • 46% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 46% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Ola & The Janglers
Love Was On Your Mind
135 bpm • A Maj • 03:21 • -6.98db
10% Popularity • 49% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 49% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Eden Kane
Get Lost (In My Arms)
135 bpm • D Maj • 02:45 • -8.96db
17% Popularity • 68% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 68% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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The Marcels
My Melancholy Baby
135 bpm • C min • 02:29 • -10.38db
21% Popularity • 69% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 69% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Leroy Van Dyke
Walk on By
135 bpm • A# Maj • 02:20 • -8db
33% Popularity • 58% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
33% Popularity • 58% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
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Jack Scott
Cry, Cry, Cry - Remastered
135 bpm • C# min • 02:45 • -11db
15% Popularity • 68% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 68% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Johnny Kidd & The Pirates
Hungry For Love
135 bpm • F# Maj • 02:15 • -10db
10% Popularity • 59% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 59% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Ola & The Janglers
Let's Dance
154 bpm • F Maj • 02:25 • -5db
30% Popularity • 68% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
30% Popularity • 68% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
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Mike Pender's Searchers
When You Walk In The Room
135 bpm • A Maj • 02:24 • -14.35db
11% Popularity • 80% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 80% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Craig Douglas
Dream Lover
135 bpm • F Maj • 01:59 • -8.3db
32% Popularity • 38% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 38% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Don Partridge
Blue Eyes
135 bpm • E Maj • 02:29 • -5.69db
16% Popularity • 66% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 66% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Eddie Cochran
Teresa
135 bpm • C Maj • 02:08 • -11.3db
16% Popularity • 70% Danceability • 43% Energy • 33% Liveness
1% Instrumentalness • 80% Positiveness
16% Popularity • 70% Danceability • 43% Energy • 33% Liveness
1% Instrumentalness • 80% Positiveness
