Songs like Beautiful Scars - Acoustic / Bonus Track by Maximillian
Based on a tempo of (+/- 10%) and a similar genre
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Maximillian
Best Of Me
133 bpm • C Maj • 03:20 • -6.32db
31% Popularity • 81% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 81% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Alexander 23
Nothing's the Same
133 bpm • B Maj • 02:55 • -12db
48% Popularity • 74% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 74% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Ray Lorraine
One More Time Around
134 bpm • C Maj • 03:25 • -9.08db
32% Popularity • 38% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
32% Popularity • 38% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Keenan Te
Back To Us
134 bpm • G min • 03:04 • -12.24db
46% Popularity • 57% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
46% Popularity • 57% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Lauv
Never Not
134 bpm • F Maj • 03:28 • -9db
67% Popularity • 47% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
67% Popularity • 47% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Alexander Oscar
January - Acoustic
132 bpm • C Maj • 02:41 • -8.09db
22% Popularity • 66% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 66% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Maximillian
Beautiful Scars - Acoustic / Bonus Track
133 bpm • F# Maj • 02:38 • -8db
46% Popularity • 80% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
46% Popularity • 80% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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REYNE
You're Still the One
134 bpm • C# Maj • 02:53 • -7.62db
45% Popularity • 54% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
45% Popularity • 54% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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lewloh
Serendipity
134 bpm • G# min • 02:46 • -11db
39% Popularity • 60% Danceability • 32% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 60% Danceability • 32% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
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LANY
13
134 bpm • G# min • 03:54 • -8.15db
70% Popularity • 78% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
70% Popularity • 78% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Gatton
rainbow
134 bpm • D# Maj • 03:22 • -13db
55% Popularity • 70% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
55% Popularity • 70% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Mokita
Inside Out
132 bpm • C# Maj • 02:56 • -11.64db
49% Popularity • 69% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 69% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Maximillian
Beautiful Scars (Maximillian x Moira Del...
133 bpm • D# min • 02:37 • -8.14db
54% Popularity • 78% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
54% Popularity • 78% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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NOTD
Keep You Mine - Acoustic
132 bpm • A# Maj • 03:03 • -9.31db
46% Popularity • 67% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
46% Popularity • 67% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Faime
All I Need
134 bpm • A# Maj • 02:38 • -13.88db
29% Popularity • 82% Danceability • 38% Energy • 31% Liveness
1% Instrumentalness • 66% Positiveness
29% Popularity • 82% Danceability • 38% Energy • 31% Liveness
1% Instrumentalness • 66% Positiveness
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DJ Jus Jay
I Wanted You
134 bpm • A# Maj • 02:26 • -11db
36% Popularity • 69% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 69% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Gatton
They Just Exist
134 bpm • B Maj • 02:56 • -10db
49% Popularity • 53% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 53% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 23% Positiveness
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Hugo Helmig
All That I Need
131 bpm • F Maj • 03:45 • -11.74db
36% Popularity • 55% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 55% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Anson Seabra
Hurricane
135 bpm • G Maj • 03:21 • -13.24db
45% Popularity • 69% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 69% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Brian McKnight Jr.
Marry Your Daughter (Stripped)
135 bpm • B Maj • 03:34 • -6.79db
39% Popularity • 65% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 65% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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REYNE
Nothing's Gonna Change My Love For You
136 bpm • C# Maj • 03:23 • -9.9db
55% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
55% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Markus
Best Wishes
136 bpm • B Maj • 03:07 • -8.61db
11% Popularity • 57% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 57% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Loving Caliber
You Set My World On Fire
136 bpm • B Maj • 03:22 • -8.44db
49% Popularity • 56% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
49% Popularity • 56% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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James Smith
Hailey - Acoustic
136 bpm • C# Maj • 03:28 • -9.63db
35% Popularity • 65% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 65% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Kyle Juliano
Still You
136 bpm • G Maj • 03:28 • -6db
36% Popularity • 48% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 48% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Maximillian
Hold On - Live
136 bpm • C# Maj • 02:40 • -8.28db
18% Popularity • 48% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 48% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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REYNE
Don't Know What to Do, Don't Know What t...
136 bpm • D Maj • 02:47 • -5db
51% Popularity • 56% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
51% Popularity • 56% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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LANY
heart won't let me
136 bpm • C Maj • 03:19 • -8.06db
56% Popularity • 61% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
56% Popularity • 61% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Loving Caliber
When We Were Younger
136 bpm • A# Maj • 03:12 • -9.62db
42% Popularity • 54% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
42% Popularity • 54% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Justin Vasquez
You Had Me at My Best
130 bpm • G Maj • 03:45 • -13.21db
33% Popularity • 79% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 79% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Kyle Juliano
Crashing
136 bpm • A Maj • 04:45 • -9db
48% Popularity • 58% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
48% Popularity • 58% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Anson Seabra
Last Time
136 bpm • D# Maj • 03:46 • -14db
46% Popularity • 55% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
46% Popularity • 55% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Angela Ken
It's Okay Not to Be Okay
130 bpm • E Maj • 02:38 • -8.85db
33% Popularity • 85% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 85% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Maximillian
Forget Me
130 bpm • C Maj • 03:11 • -11.11db
16% Popularity • 70% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 70% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Victor Lundberg
I Fall
130 bpm • D Maj • 03:21 • -11.07db
43% Popularity • 54% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
43% Popularity • 54% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Mokita
More Than Friends
130 bpm • A# Maj • 02:39 • -9db
51% Popularity • 78% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
51% Popularity • 78% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
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Nadine Lustre
Wait For Me
136 bpm • F Maj • 02:57 • -12db
32% Popularity • 42% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
32% Popularity • 42% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Anson Seabra
That's Us
129 bpm • A# Maj • 04:30 • -15.4db
58% Popularity • 62% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
58% Popularity • 62% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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GARETH FERNANDEZ
Put You Through
130 bpm • A Maj • 02:33 • -10.01db
33% Popularity • 68% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 68% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Maximillian
Ripples
130 bpm • C Maj • 03:15 • -9db
41% Popularity • 68% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 68% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Talitha.
would you
137 bpm • G Maj • 02:55 • -9.3db
30% Popularity • 60% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 60% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Patch Quiwa
Our Universe
137 bpm • C min • 03:31 • -14db
35% Popularity • 49% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 49% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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I Belong to the Zoo
The One with the Snowflake
137 bpm • E Maj • 03:38 • -13.73db
40% Popularity • 49% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 49% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Jem Macatuno
Can't Get Out
138 bpm • A# min • 04:05 • -10.59db
54% Popularity • 61% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
54% Popularity • 61% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Billy Simpson
Be My Wife
129 bpm • A# Maj • 03:19 • -13db
34% Popularity • 61% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 61% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Sezairi
It's You
138 bpm • G# Maj • 04:11 • -8.29db
65% Popularity • 63% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
65% Popularity • 63% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Adrian Milanio
After All
138 bpm • A# Maj • 04:44 • -11.14db
26% Popularity • 39% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 39% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Gentle Bones
dear me,
138 bpm • B Maj • 02:45 • -8.85db
51% Popularity • 63% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
51% Popularity • 63% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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shy martin
Break With Me
138 bpm • F Maj • 02:35 • -10.31db
39% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Conor Matthews
I'm Not Supposed to Love You Anymore
138 bpm • F Maj • 02:26 • -12.99db
28% Popularity • 51% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 51% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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John Adams
2 Become 1 - Acoustic
128 bpm • F# Maj • 03:06 • -11.87db
44% Popularity • 66% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 66% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Khel Pangilinan
Let Me Be the One
128 bpm • A Maj • 03:34 • -12db
49% Popularity • 58% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 58% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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AJ Mitchell
Slow Dance
128 bpm • C# Maj • 02:58 • -7.66db
53% Popularity • 67% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
53% Popularity • 67% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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REYNE
The Only One
128 bpm • B Maj • 03:26 • -9.63db
55% Popularity • 62% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
55% Popularity • 62% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Keiko Necesario
Maybe in Another Lifetime
139 bpm • D Maj • 04:03 • -12.93db
30% Popularity • 42% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 42% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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joan
brokenhearted - sunset
139 bpm • A# Maj • 04:21 • -10.01db
37% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Perry Pluto
Care
139 bpm • E Maj • 04:30 • -15.7db
19% Popularity • 56% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 56% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Blake Rose
Gone
139 bpm • B min • 03:25 • -6db
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Dionela
Gone
139 bpm • A# Maj • 03:14 • -9.48db
38% Popularity • 59% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
38% Popularity • 59% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Etham
Running Out - Stripped
127 bpm • C min • 03:33 • -7.33db
33% Popularity • 76% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 76% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Khel Pangilinan
Weak
127 bpm • F min • 03:31 • -10.61db
58% Popularity • 71% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 71% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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James TW
You & Me - Acoustic
127 bpm • B Maj • 03:49 • -5.95db
42% Popularity • 78% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
42% Popularity • 78% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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I Belong to the Zoo
Never Me
127 bpm • E Maj • 03:46 • -10db
31% Popularity • 49% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 49% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Loving Caliber
Just One Kiss
139 bpm • D# Maj • 04:10 • -8.78db
39% Popularity • 44% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 44% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Jayesslee
Best Part
140 bpm • F# Maj • 04:40 • -8db
46% Popularity • 60% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
46% Popularity • 60% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Maximillian
Crossroads
140 bpm • D Maj • 03:01 • -8.35db
28% Popularity • 62% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 62% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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Sam Fischer
This City - Acoustic
140 bpm • A# Maj • 03:26 • -10.58db
53% Popularity • 62% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 62% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Sture Zetterberg
Maybe We Can Still Be Friends
140 bpm • C Maj • 03:17 • -10.5db
38% Popularity • 54% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 54% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Tim Halperin
Always Be My Baby
140 bpm • E Maj • 03:01 • -10db
58% Popularity • 58% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
58% Popularity • 58% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Gentle Bones
Two Sides
140 bpm • G Maj • 03:46 • -11.12db
34% Popularity • 74% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 74% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Alexander Oscar
January
140 bpm • C Maj • 02:57 • -7.37db
24% Popularity • 75% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 75% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Jax
Like My Father - Acoustic Version
140 bpm • F Maj • 03:05 • -9.66db
43% Popularity • 70% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
43% Popularity • 70% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Conor Matthews
How Many Times Can a Heart Break
140 bpm • C Maj • 03:05 • -7db
29% Popularity • 33% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 33% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Christopher
Naked - Acoustic
126 bpm • F Maj • 03:01 • -7.16db
40% Popularity • 54% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 54% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Finding Hope
Crush On You
140 bpm • C# Maj • 04:01 • -13.34db
38% Popularity • 64% Danceability • 29% Energy • 11% Liveness
18% Instrumentalness • 29% Positiveness
38% Popularity • 64% Danceability • 29% Energy • 11% Liveness
18% Instrumentalness • 29% Positiveness
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Gentle Bones
I Wouldn't Know Any Better Than You
140 bpm • D Maj • 02:31 • -5.55db
50% Popularity • 71% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
50% Popularity • 71% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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shy martin
can I call you back?
126 bpm • A Maj • 02:33 • -9.99db
48% Popularity • 65% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
48% Popularity • 65% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Moira Dela Torre
Before It Sinks In
140 bpm • C# Maj • 04:23 • -8.13db
64% Popularity • 54% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
64% Popularity • 54% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Maximillian
Love Like This
140 bpm • D# Maj • 02:47 • -8db
31% Popularity • 70% Danceability • 49% Energy • 59% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 70% Danceability • 49% Energy • 59% Liveness
0% Instrumentalness • 42% Positiveness
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Tate Brusa
Not Me That You're Thinking 'Bout
140 bpm • C# Maj • 04:31 • -11.68db
30% Popularity • 57% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 57% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Khel Pangilinan
Young Dumb & Broke
140 bpm • G# min • 01:10 • -12.62db
44% Popularity • 73% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 73% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Keenan Te
Forever With You
140 bpm • B Maj • 03:24 • -8.59db
52% Popularity • 52% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 52% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Jamie Miller
Hold You 'Til We’re Old
126 bpm • A# Maj • 03:02 • -5.21db
47% Popularity • 58% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 58% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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James Smith
Rely On Me - Acoustic
141 bpm • C Maj • 03:42 • -11.88db
29% Popularity • 56% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 56% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Markus
Poem
126 bpm • A# Maj • 03:08 • -9.29db
19% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Troye Sivan
Angel Baby - Acoustic
141 bpm • B Maj • 04:18 • -9db
43% Popularity • 50% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
43% Popularity • 50% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Maximillian
Funny How
126 bpm • G# min • 01:54 • -12.5db
25% Popularity • 40% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 40% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Keenan Te
Nothing
126 bpm • A Maj • 02:50 • -8.84db
53% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Justin Vasquez
Come What May
126 bpm • G# Maj • 02:30 • -16.9db
54% Popularity • 52% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
54% Popularity • 52% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Moira Dela Torre
Before It Sinks In - Halfway Point
141 bpm • C# Maj • 04:42 • -12.72db
39% Popularity • 42% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 42% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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James Smith
Rely On Me
141 bpm • A min • 03:39 • -10.16db
41% Popularity • 58% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 58% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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James TW
When You Love Someone - Acoustic
125 bpm • G Maj • 03:30 • -8.36db
59% Popularity • 71% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
59% Popularity • 71% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Valentina Ploy
See You In Life
125 bpm • A Maj • 04:01 • -7db
44% Popularity • 73% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 73% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Pink Sweat$
17 - Acoustic
125 bpm • C Maj • 02:49 • -9db
41% Popularity • 52% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 52% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Hanin Dhiya
Where Is The Love
142 bpm • F Maj • 04:20 • -5.74db
34% Popularity • 51% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 51% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Maximillian
Mirror
142 bpm • C# Maj • 02:57 • -9.11db
34% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Etham
Before I Lose My Mind - Stripped
125 bpm • C min • 03:46 • -11.14db
45% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
45% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Gatton
Landslide
142 bpm • D Maj • 02:40 • -11.56db
37% Popularity • 63% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 63% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
