Songs like Beautiful To Me by Little Birdy
Based on a tempo of (+/- 10%) and a similar genre
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Machine Gun Fellatio
What the Fuck
116 bpm • E Maj • 04:11 • -7.64db
20% Popularity • 66% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 66% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Bertie Blackman
Heart
116 bpm • E min • 04:08 • -5.56db
9% Popularity • 83% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 83% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Jebediah
Feet Touch the Ground
116 bpm • B Maj • 05:04 • -5.27db
23% Popularity • 56% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 56% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Ben Lee
Catch My Disease
116 bpm • B Maj • 04:14 • -6.27db
44% Popularity • 77% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
44% Popularity • 77% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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Boom Crash Opera
Dancing In The Storm
116 bpm • G Maj • 04:12 • -5db
53% Popularity • 49% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 49% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
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Little Birdy
Beautiful To Me
116 bpm • C Maj • 03:29 • -3.77db
35% Popularity • 56% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 56% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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The Cruel Sea
Black Stick
116 bpm • F min • 04:58 • -10db
39% Popularity • 74% Danceability • 56% Energy • 54% Liveness
52% Instrumentalness • 82% Positiveness
39% Popularity • 74% Danceability • 56% Energy • 54% Liveness
52% Instrumentalness • 82% Positiveness
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Children Collide
Farewell Rocketship
116 bpm • E Maj • 03:45 • -5.14db
37% Popularity • 53% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 53% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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The Panics
Creaks
116 bpm • C# Maj • 04:02 • -6.31db
14% Popularity • 56% Danceability • 59% Energy • 32% Liveness
2% Instrumentalness • 37% Positiveness
14% Popularity • 56% Danceability • 59% Energy • 32% Liveness
2% Instrumentalness • 37% Positiveness
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Lior
This Old Love
117 bpm • C# Maj • 03:03 • -15db
43% Popularity • 49% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
43% Popularity • 49% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Birds Of Tokyo
This Fire
115 bpm • G# Maj • 04:47 • -6db
33% Popularity • 53% Danceability • 80% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
33% Popularity • 53% Danceability • 80% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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Grinspoon
Hard Act To Follow
117 bpm • A Maj • 03:27 • -5db
46% Popularity • 59% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
46% Popularity • 59% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Little Birdy
Excited
117 bpm • A# min • 03:37 • -4.41db
13% Popularity • 56% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 56% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
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Ben Lee
Cigarettes Will Kill You
115 bpm • G# Maj • 03:50 • -7.65db
44% Popularity • 71% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 71% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Regurgitator
! (The Song Formerly Known As)
115 bpm • B Maj • 03:26 • -4db
42% Popularity • 64% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
42% Popularity • 64% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Machine Gun Fellatio
My Ex Girlfriend's Boyfriend
117 bpm • C Maj • 03:02 • -10.14db
20% Popularity • 50% Danceability • 28% Energy • 51% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 50% Danceability • 28% Energy • 51% Liveness
0% Instrumentalness • 43% Positiveness
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Ratcat
Don't Go Now
114 bpm • C# Maj • 03:11 • -7db
39% Popularity • 50% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 50% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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Jebediah
Jerks of Attention
114 bpm • A Maj • 04:46 • -4.4db
25% Popularity • 62% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 62% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
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Little Birdy
Come On Little Heartbreaker
117 bpm • D min • 03:48 • -3.35db
13% Popularity • 52% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 52% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Sparkadia
Mary
114 bpm • A min • 04:04 • -5.18db
21% Popularity • 54% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
21% Popularity • 54% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
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Lisa Mitchell
Spiritus
118 bpm • G Maj • 03:09 • -5.99db
20% Popularity • 63% Danceability • 65% Energy • 8% Liveness
8% Instrumentalness • 40% Positiveness
20% Popularity • 63% Danceability • 65% Energy • 8% Liveness
8% Instrumentalness • 40% Positiveness
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Bertie Blackman
Hold Me Close
118 bpm • E min • 03:34 • -5.51db
16% Popularity • 59% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 59% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Bob Evans
Someone So Much
118 bpm • D Maj • 03:34 • -7.05db
6% Popularity • 56% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
6% Popularity • 56% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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George
Breaking It Slowly
118 bpm • C Maj • 04:02 • -8.32db
19% Popularity • 54% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 54% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Faker
Sleepwalking
118 bpm • A min • 05:01 • -4.85db
24% Popularity • 64% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 64% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Custard
Girls Like That (Don't Go for Guys Like ...
118 bpm • F# Maj • 03:10 • -7db
35% Popularity • 67% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
35% Popularity • 67% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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The Panics
Feeling Is Gone
114 bpm • E Maj • 03:23 • -6.61db
20% Popularity • 52% Danceability • 68% Energy • 38% Liveness
10% Instrumentalness • 39% Positiveness
20% Popularity • 52% Danceability • 68% Energy • 38% Liveness
10% Instrumentalness • 39% Positiveness
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Augie March
One Crowded Hour
113 bpm • A Maj • 04:50 • -8.45db
49% Popularity • 41% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 41% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Bob Evans
Born Yesterday
118 bpm • A# Maj • 04:33 • -5.03db
11% Popularity • 47% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 47% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
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You Am I
Heavy Heart
113 bpm • C Maj • 03:11 • -11db
41% Popularity • 70% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
41% Popularity • 70% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Lior
Autumn Flow
119 bpm • A# Maj • 04:12 • -8.82db
31% Popularity • 58% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 58% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Little Birdy
Confetti
113 bpm • G# Maj • 12:25 • -12.62db
7% Popularity • 36% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 36% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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The Panics
Get Us Home
119 bpm • D min • 04:16 • -5.77db
23% Popularity • 52% Danceability • 80% Energy • 14% Liveness
4% Instrumentalness • 40% Positiveness
23% Popularity • 52% Danceability • 80% Energy • 14% Liveness
4% Instrumentalness • 40% Positiveness
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Bernard Fanning
Believe
119 bpm • A Maj • 03:07 • -8db
35% Popularity • 66% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 66% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Boy & Bear
Don't You (Forget About Me) - triple j L...
113 bpm • A Maj • 05:05 • -9db
37% Popularity • 57% Danceability • 53% Energy • 36% Liveness
22% Instrumentalness • 40% Positiveness
37% Popularity • 57% Danceability • 53% Energy • 36% Liveness
22% Instrumentalness • 40% Positiveness
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Kasey Chambers
Not Pretty Enough
120 bpm • B Maj • 03:19 • -5.43db
44% Popularity • 61% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 61% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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The Badloves
Lost
112 bpm • G Maj • 03:32 • -12db
32% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Ben Lee
Nothing Much Happens
120 bpm • C# Maj • 03:38 • -5.99db
24% Popularity • 77% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 77% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Deborah Conway
Today I Am a Daisy
120 bpm • C Maj • 03:34 • -10db
16% Popularity • 66% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 66% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Bob Evans
Friend
120 bpm • E Maj • 03:29 • -6.56db
13% Popularity • 53% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 53% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Regurgitator
Superstraight
120 bpm • E Maj • 04:04 • -3.2db
21% Popularity • 69% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 69% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Bertie Blackman
Byrds Of Prey
120 bpm • A# min • 03:26 • -5.82db
17% Popularity • 80% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 80% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
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Sparkadia
Talking Like I'm Falling Down Stairs
120 bpm • E Maj • 04:07 • -6db
28% Popularity • 62% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 62% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Machine Gun Fellatio
You've Ruined All My Favourite Songs
120 bpm • G Maj • 03:10 • -6db
14% Popularity • 66% Danceability • 75% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 66% Danceability • 75% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
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Little Birdy
Stay Wild
120 bpm • C# min • 04:08 • -5.22db
15% Popularity • 60% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 60% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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George
Still Real
120 bpm • D Maj • 04:25 • -10db
12% Popularity • 58% Danceability • 52% Energy • 17% Liveness
6% Instrumentalness • 36% Positiveness
12% Popularity • 58% Danceability • 52% Energy • 17% Liveness
6% Instrumentalness • 36% Positiveness
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Powderfinger
Lost And Running
120 bpm • F Maj • 03:42 • -7.05db
48% Popularity • 54% Danceability • 82% Energy • 57% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 54% Danceability • 82% Energy • 57% Liveness
0% Instrumentalness • 60% Positiveness
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Gyroscope
Fast Girl
120 bpm • E min • 03:18 • -5db
30% Popularity • 62% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 62% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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Bob Evans
Sadness & Whiskey
120 bpm • C Maj • 03:12 • -7.44db
14% Popularity • 59% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 59% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Cold Chisel
Flame Trees - 2011 Remastered
120 bpm • E Maj • 04:24 • -4.27db
48% Popularity • 67% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
48% Popularity • 67% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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The Badloves
Green Limousine
112 bpm • G Maj • 03:45 • -13db
39% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Fur Patrol
Lydia
112 bpm • E Maj • 04:15 • -12.3db
38% Popularity • 65% Danceability • 38% Energy • 14% Liveness
22% Instrumentalness • 44% Positiveness
38% Popularity • 65% Danceability • 38% Energy • 14% Liveness
22% Instrumentalness • 44% Positiveness
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The Panics
Something In The Garden
112 bpm • D Maj • 04:57 • -7.8db
8% Popularity • 48% Danceability • 68% Energy • 15% Liveness
1% Instrumentalness • 19% Positiveness
8% Popularity • 48% Danceability • 68% Energy • 15% Liveness
1% Instrumentalness • 19% Positiveness
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Even
Black Umbrella
111 bpm • D Maj • 03:22 • -7db
22% Popularity • 50% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 50% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Amy Shark
Be Alright - triple j Like A Version
121 bpm • B Maj • 03:33 • -9db
39% Popularity • 50% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
39% Popularity • 50% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Jebediah
Please Leave
121 bpm • G# min • 03:36 • -6.25db
25% Popularity • 70% Danceability • 94% Energy • 11% Liveness
7% Instrumentalness • 82% Positiveness
25% Popularity • 70% Danceability • 94% Energy • 11% Liveness
7% Instrumentalness • 82% Positiveness
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Bob Evans
Hand Me Downs
121 bpm • G Maj • 03:32 • -6db
4% Popularity • 65% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
4% Popularity • 65% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Diana Anaid
I go off
121 bpm • C Maj • 03:16 • -13.34db
23% Popularity • 65% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 65% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Seeker Lover Keeper
Even Though I'm A Woman
121 bpm • F Maj • 04:08 • -10.31db
35% Popularity • 66% Danceability • 45% Energy • 11% Liveness
3% Instrumentalness • 21% Positiveness
35% Popularity • 66% Danceability • 45% Energy • 11% Liveness
3% Instrumentalness • 21% Positiveness
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Something For Kate
Monsters
111 bpm • C# Maj • 03:39 • -6.09db
41% Popularity • 42% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
41% Popularity • 42% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Mia Dyson
Parking Lots
111 bpm • D Maj • 05:21 • -7db
18% Popularity • 51% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 51% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Jebediah
Leaving Home
122 bpm • F# Maj • 03:01 • -6.61db
46% Popularity • 52% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 52% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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The Panics
Ruins
111 bpm • C Maj • 03:41 • -8db
12% Popularity • 58% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
12% Popularity • 58% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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Deadstar
Run Baby Run
122 bpm • C Maj • 03:30 • -5db
28% Popularity • 54% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 54% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Killing Heidi
Black Sheep
122 bpm • C Maj • 02:17 • -7.51db
15% Popularity • 70% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 70% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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Faker
This Heart Attack
122 bpm • C# min • 03:47 • -4db
48% Popularity • 62% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
48% Popularity • 62% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Oh Mercy
I Feel Possessed
110 bpm • G min • 03:15 • -11db
26% Popularity • 74% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 74% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Rebecca's Empire
Way Of All Things
122 bpm • A Maj • 05:25 • -6.58db
16% Popularity • 55% Danceability • 82% Energy • 12% Liveness
2% Instrumentalness • 33% Positiveness
16% Popularity • 55% Danceability • 82% Energy • 12% Liveness
2% Instrumentalness • 33% Positiveness
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You Am I
Hourly Daily
123 bpm • D Maj • 04:22 • -10db
18% Popularity • 40% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 40% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
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Bernard Fanning
Wish You Well
123 bpm • D Maj • 02:31 • -3.98db
59% Popularity • 73% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
59% Popularity • 73% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Bob Evans
Nowhere Without You
123 bpm • A min • 04:19 • -7db
26% Popularity • 82% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 82% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Powderfinger
Pick You Up
109 bpm • A# min • 04:19 • -7db
42% Popularity • 57% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 57% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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The Panics
Live Without
123 bpm • G Maj • 04:15 • -6.33db
13% Popularity • 54% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 54% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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George
Under the Milky Way
123 bpm • C# min • 04:33 • -12.5db
15% Popularity • 48% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 48% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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You Am I
How Much Is Enough
123 bpm • D# Maj • 03:41 • -7.65db
21% Popularity • 53% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 53% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Bertie Blackman
Thump
109 bpm • C min • 03:33 • -6.6db
12% Popularity • 63% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 63% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Rebecca's Empire
So Rude
124 bpm • D Maj • 03:38 • -6.63db
16% Popularity • 49% Danceability • 86% Energy • 27% Liveness
1% Instrumentalness • 59% Positiveness
16% Popularity • 49% Danceability • 86% Energy • 27% Liveness
1% Instrumentalness • 59% Positiveness
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Skunkhour
Kick In The Door
124 bpm • G Maj • 03:04 • -5.03db
27% Popularity • 78% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 78% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Little Birdy
Tonight's The Night
124 bpm • F Maj • 03:44 • -3.64db
20% Popularity • 46% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 46% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Goldenhorse
Don't Wake Me Up
124 bpm • C Maj • 03:17 • -5.99db
16% Popularity • 58% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 58% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Paul Dempsey
Edge Of Town - triple j Like A Version
109 bpm • G# Maj • 03:37 • -6.9db
33% Popularity • 58% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 58% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Lior
Gypsy Girl
124 bpm • C Maj • 03:09 • -8.06db
27% Popularity • 70% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 70% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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George
Bastard Son
124 bpm • C Maj • 04:08 • -8.98db
18% Popularity • 53% Danceability • 79% Energy • 7% Liveness
1% Instrumentalness • 50% Positiveness
18% Popularity • 53% Danceability • 79% Energy • 7% Liveness
1% Instrumentalness • 50% Positiveness
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Deadstar
Dont It Get You Down
124 bpm • G Maj • 03:33 • -6db
24% Popularity • 44% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 44% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Little Birdy
Crazy
124 bpm • G min • 03:07 • -5.28db
8% Popularity • 67% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 67% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Evermore
For One Day
108 bpm • F# min • 04:10 • -6.72db
27% Popularity • 48% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 48% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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You Am I
Kick A Hole In The Sky
125 bpm • A Maj • 03:54 • -4.02db
18% Popularity • 46% Danceability • 89% Energy • 15% Liveness
23% Instrumentalness • 49% Positiveness
18% Popularity • 46% Danceability • 89% Energy • 15% Liveness
23% Instrumentalness • 49% Positiveness
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Regurgitator
Polyester Girl
108 bpm • G# Maj • 03:30 • -6db
35% Popularity • 75% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 75% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Jebediah
Teflon
125 bpm • B Maj • 03:46 • -6.31db
30% Popularity • 49% Danceability • 92% Energy • 10% Liveness
7% Instrumentalness • 71% Positiveness
30% Popularity • 49% Danceability • 92% Energy • 10% Liveness
7% Instrumentalness • 71% Positiveness
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Lior
Burst Your Bubble
125 bpm • A# Maj • 03:22 • -7.67db
22% Popularity • 70% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 70% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Little Birdy
Summarize
124 bpm • E Maj • 03:18 • -5.09db
16% Popularity • 62% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 62% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Josh Pyke
Wuthering Heights
125 bpm • D# Maj • 03:45 • -7.74db
14% Popularity • 55% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 55% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
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Machine Gun Fellatio
Pussy Town
125 bpm • A Maj • 02:59 • -6.16db
31% Popularity • 69% Danceability • 63% Energy • 25% Liveness
48% Instrumentalness • 65% Positiveness
31% Popularity • 69% Danceability • 63% Energy • 25% Liveness
48% Instrumentalness • 65% Positiveness
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The Panics
Majesty
125 bpm • C# Maj • 04:03 • -8db
19% Popularity • 69% Danceability • 57% Energy • 10% Liveness
50% Instrumentalness • 15% Positiveness
19% Popularity • 69% Danceability • 57% Energy • 10% Liveness
50% Instrumentalness • 15% Positiveness
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The Cruel Sea
It Won't Last
107 bpm • A# Maj • 03:21 • -6.24db
34% Popularity • 86% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 86% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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You Am I
Jaimme's Got a Gal
126 bpm • G Maj • 03:27 • -9db
23% Popularity • 51% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 51% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
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Little Birdy
Run Run Run
126 bpm • D min • 04:16 • -5.97db
7% Popularity • 48% Danceability • 72% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
7% Popularity • 48% Danceability • 72% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
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Ben Lee
Into The Dark
126 bpm • G Maj • 02:46 • -7db
24% Popularity • 78% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
24% Popularity • 78% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
