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Beauty Queen
Songs like
Beauty Queen
by
JD Clayton
Based on a tempo of (+/- 10%) and a similar genre
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Low Water Bridge Band
Shenandoah Whiskey
156 bpm • F Maj • 03:47 • -8.42db
19% Popularity • 52% Danceability • 60% Energy • 56% Liveness
0% Instrumentalness • 52% Positiveness
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JD Clayton
Beauty Queen
156 bpm • A Maj • 04:16 • -6.3db
24% Popularity • 55% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
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The Panhandlers
I-Got-Your-Back-Dog
156 bpm • A Maj • 02:59 • -9.37db
26% Popularity • 48% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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John R. Miller
Coming Down
156 bpm • A Maj • 04:19 • -7db
31% Popularity • 45% Danceability • 60% Energy • 21% Liveness
1% Instrumentalness • 30% Positiveness
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Red Shahan
Wish Me Well
157 bpm • G Maj • 03:01 • -8.63db
36% Popularity • 66% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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David Quinn
Country Fresh
155 bpm • F Maj • 02:17 • -7.23db
17% Popularity • 58% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
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The Local Honeys
Better Than I Deserve
153 bpm • D# Maj • 04:52 • -7.34db
19% Popularity • 49% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Tyler Childers
Purgatory - Hallelujah Version
154 bpm • E min • 04:24 • -6.15db
42% Popularity • 57% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Jam in the Van
Heartaches After Heartbreak
153 bpm • A Maj • 04:24 • -5.93db
11% Popularity • 43% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Channing Wilson
Ol' Dog
153 bpm • A# min • 02:54 • -7.02db
16% Popularity • 61% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Ellis Bullard
Biloxi By Two
159 bpm • A Maj • 03:22 • -6.22db
30% Popularity • 53% Danceability • 90% Energy • 32% Liveness
2% Instrumentalness • 96% Positiveness
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Emily Nenni
On The Ranch
153 bpm • A Maj • 02:48 • -4.38db
27% Popularity • 62% Danceability • 70% Energy • 8% Liveness
26% Instrumentalness • 72% Positiveness
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Evan Felker
Bottoms Up
160 bpm • D Maj • 03:52 • -4.22db
25% Popularity • 58% Danceability • 46% Energy • 15% Liveness
1% Instrumentalness • 27% Positiveness
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Rob Baird
Ain't Nobody Got a Hold on Me
152 bpm • A Maj • 03:50 • -8.97db
31% Popularity • 54% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Presley Haile
Mountain Daughter
151 bpm • A# Maj • 04:01 • -7.25db
21% Popularity • 52% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Charley Crockett
Tom Turkey - Alternate Version
152 bpm • A Maj • 03:54 • -7.3db
39% Popularity • 67% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Ellis Bullard
Since You've Been Gone, I've Been Doin' ...
161 bpm • B min • 03:22 • -7db
24% Popularity • 61% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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Adam Hood
Flesh and Blood
161 bpm • G Maj • 02:41 • -9.96db
20% Popularity • 66% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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The Wilder Blue
Bless My Bones
151 bpm • E min • 03:42 • -10.45db
32% Popularity • 57% Danceability • 80% Energy • 19% Liveness
24% Instrumentalness • 79% Positiveness
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Tyler Childers
Going Home - Live
162 bpm • G Maj • 04:02 • -7.88db
25% Popularity • 54% Danceability • 70% Energy • 77% Liveness
0% Instrumentalness • 76% Positiveness
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Jeremy Pinnell
Night Time Eagle
162 bpm • A Maj • 03:04 • -6.14db
23% Popularity • 57% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Sunny Sweeney
All I Don't Need
150 bpm • D min • 03:43 • -5.94db
19% Popularity • 49% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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William Beckmann
I'm On Fire
150 bpm • E Maj • 03:48 • -11.02db
36% Popularity • 52% Danceability • 64% Energy • 7% Liveness
26% Instrumentalness • 68% Positiveness
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Adam Hood
Varnado
161 bpm • D min • 04:02 • -8.37db
12% Popularity • 56% Danceability • 84% Energy • 11% Liveness
1% Instrumentalness • 96% Positiveness
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Logan Halstead
Mountain Queen
150 bpm • F# Maj • 02:57 • -7.82db
42% Popularity • 57% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Ellis Bullard
Back To My Roots
150 bpm • C Maj • 02:45 • -6.55db
30% Popularity • 66% Danceability • 71% Energy • 8% Liveness
2% Instrumentalness • 84% Positiveness
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Jeremy Pinnell
Fightin' Man
150 bpm • D Maj • 03:37 • -5.58db
19% Popularity • 52% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
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Sunny Sweeney
Red Dirt Girl
150 bpm • F# Maj • 04:34 • -9db
25% Popularity • 46% Danceability • 49% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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William Beckmann
Someday
150 bpm • G# Maj • 03:26 • -9.02db
29% Popularity • 60% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Kaitlin Butts
it won't always be this way
150 bpm • G# min • 04:27 • -8.49db
30% Popularity • 54% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Justin Wells
Going Down Grinnin'
150 bpm • G Maj • 04:26 • -8.27db
29% Popularity • 60% Danceability • 67% Energy • 33% Liveness
1% Instrumentalness • 82% Positiveness
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JD Clayton
Heartaches After Heartbreak
150 bpm • A Maj • 04:19 • -5.43db
20% Popularity • 43% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Kolton Moore & the Clever Few
The Sound
150 bpm • A# Maj • 04:35 • -6db
25% Popularity • 50% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Kellen Smith
Til I Die
150 bpm • G Maj • 03:13 • -6.46db
31% Popularity • 44% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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J.R. Carroll
Waiting
163 bpm • D Maj • 03:25 • -7.91db
37% Popularity • 44% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Leon Majcen
Blue Sky
163 bpm • E Maj • 02:51 • -10.54db
34% Popularity • 55% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Ian Noe
Lonesome as It Gets
149 bpm • D# Maj • 02:38 • -9.66db
33% Popularity • 42% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Grayson Jenkins
Somewhere in Kentucky
149 bpm • A Maj • 03:06 • -6db
20% Popularity • 44% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Catie Offerman
Ask Me To Dance
164 bpm • A# Maj • 02:36 • -5.97db
35% Popularity • 56% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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John R. Miller
Lookin' Over My Shoulder
164 bpm • F Maj • 03:37 • -7.94db
34% Popularity • 62% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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True Youngblood
You Don't Care
164 bpm • G# min • 03:20 • -9.07db
27% Popularity • 69% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Leon Majcen
World Gone By
164 bpm • C# Maj • 02:39 • -11db
31% Popularity • 65% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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The Wilder Blue
Adios
148 bpm • C Maj • 03:42 • -9.5db
37% Popularity • 56% Danceability • 61% Energy • 8% Liveness
1% Instrumentalness • 47% Positiveness
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J.R. Carroll
Red Fern
148 bpm • F# min • 03:45 • -6.04db
36% Popularity • 31% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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The Damn Quails
Monsters
148 bpm • G Maj • 02:59 • -7.2db
26% Popularity • 55% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Jam in the Van
Beauty Queen
165 bpm • A Maj • 04:10 • -7.51db
11% Popularity • 48% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Justin Wells
The Dogs
147 bpm • A# Maj • 04:13 • -9db
34% Popularity • 55% Danceability • 75% Energy • 8% Liveness
2% Instrumentalness • 48% Positiveness
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Channing Wilson
Running Down a Song
147 bpm • C# Maj • 04:08 • -6.9db
12% Popularity • 57% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Town Mountain
Distant Line
147 bpm • F Maj • 03:24 • -5.64db
13% Popularity • 54% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Summer Dean
Might Be Getting over You
166 bpm • B Maj • 02:39 • -5.35db
27% Popularity • 54% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Keller Cox
Movin' On
166 bpm • F# Maj • 03:26 • -8.97db
31% Popularity • 48% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Red Shahan
Pipe Dream
146 bpm • E Maj • 03:57 • -6.96db
29% Popularity • 52% Danceability • 51% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Emily Nenni
Long Game
146 bpm • E Maj • 03:00 • -10.13db
47% Popularity • 62% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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The Red Clay Strays
Forgive
146 bpm • A Maj • 04:13 • -12.75db
52% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Hellbound Glory
Malt Liquor
146 bpm • D Maj • 03:13 • -10db
22% Popularity • 42% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Thieving Birds
Wild Thing
146 bpm • E Maj • 03:06 • -11.74db
26% Popularity • 48% Danceability • 47% Energy • 16% Liveness
56% Instrumentalness • 54% Positiveness
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Aaron Raitiere
Single Wide Dreamer
146 bpm • F# Maj • 03:32 • -7.56db
20% Popularity • 60% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Meg McRee
Gone as It Gets
146 bpm • G Maj • 03:44 • -7.64db
47% Popularity • 57% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
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Erin Viancourt
Should've Known Better
146 bpm • F# Maj • 03:44 • -6.74db
22% Popularity • 56% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Patrick B Ray
Pecos
145 bpm • G Maj • 02:57 • -7.65db
25% Popularity • 59% Danceability • 76% Energy • 19% Liveness
3% Instrumentalness • 64% Positiveness
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Kaitlin Butts
what else can she do
146 bpm • B Maj • 05:10 • -8.77db
26% Popularity • 55% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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The Broken Spokes
Someday, Not Today
145 bpm • D Maj • 02:28 • -7.18db
30% Popularity • 57% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Brennan Edwards
Till the End of My Days
168 bpm • E Maj • 03:08 • -12.57db
34% Popularity • 51% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Sundy Best
I Won’t Be Bothered
168 bpm • C Maj • 02:27 • -8.47db
26% Popularity • 44% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Colby T. Helms
Mountain Brandy
145 bpm • C Maj • 04:36 • -6.58db
33% Popularity • 51% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Emily Nenni
Useless
168 bpm • D Maj • 03:09 • -3.83db
23% Popularity • 47% Danceability • 76% Energy • 10% Liveness
1% Instrumentalness • 83% Positiveness
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Colby Acuff
Movin'
168 bpm • D Maj • 02:41 • -5.96db
42% Popularity • 42% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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49 Winchester
Everlasting Lover - 2023
144 bpm • D Maj • 03:06 • -8.3db
37% Popularity • 48% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Jamie Lin Wilson
Oklahoma Stars
169 bpm • A# Maj • 03:40 • -8.01db
23% Popularity • 49% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Turnpike Troubadours
East Side Love Song (Bottoms Up)
169 bpm • D Maj • 03:24 • -6.68db
45% Popularity • 54% Danceability • 73% Energy • 7% Liveness
4% Instrumentalness • 90% Positiveness
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Jeremy Pinnell
Take the Wheel
144 bpm • C Maj • 03:15 • -9.72db
38% Popularity • 66% Danceability • 53% Energy • 11% Liveness
40% Instrumentalness • 88% Positiveness
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JD Clayton
Brown Haired Blue Eyed Baby
144 bpm • F Maj • 02:52 • -9.72db
55% Popularity • 71% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Tony Kamel
Amen
169 bpm • D Maj • 03:20 • -5.62db
21% Popularity • 41% Danceability • 63% Energy • 67% Liveness
0% Instrumentalness • 56% Positiveness
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J.R. Carroll
Other Than That (OurVinyl Sessions)
144 bpm • A# Maj • 03:46 • -9db
33% Popularity • 43% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Texas Hill
Love Me When I'm Leaving
144 bpm • C Maj • 05:59 • -8.25db
24% Popularity • 57% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Logan Ledger
All The Wine In California
170 bpm • G Maj • 03:52 • -6.7db
28% Popularity • 46% Danceability • 77% Energy • 8% Liveness
1% Instrumentalness • 85% Positiveness
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Low Water Bridge Band
Crossing Lines
170 bpm • F# Maj • 04:31 • -8.48db
16% Popularity • 43% Danceability • 50% Energy • 34% Liveness
6% Instrumentalness • 59% Positiveness
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JD Clayton
Sleepy Night In Nashville
143 bpm • G Maj • 03:23 • -9.02db
17% Popularity • 47% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Kaitlin Butts
bored if i don't
170 bpm • D Maj • 04:16 • -6.61db
25% Popularity • 54% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Zach Russell
Milk & Honey
143 bpm • D# Maj • 04:15 • -9.89db
16% Popularity • 62% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Texas Hill
Movin' South - Live
143 bpm • B Maj • 05:36 • -7.07db
20% Popularity • 62% Danceability • 67% Energy • 21% Liveness
1% Instrumentalness • 76% Positiveness
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Cole Chaney
Silver Run
170 bpm • E Maj • 04:28 • -9.72db
31% Popularity • 48% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Hayes Carll
Happy Hour
170 bpm • F Maj • 03:11 • -5.51db
29% Popularity • 31% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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JD Clayton
American Millionaire
143 bpm • E Maj • 05:17 • -6.51db
25% Popularity • 60% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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The Droptines
Banger
143 bpm • D# Maj • 01:38 • -7.19db
42% Popularity • 43% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Drayton Farley
Pull Apart
143 bpm • G Maj • 03:05 • -13.49db
38% Popularity • 42% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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J.R. Carroll
Bandit
171 bpm • G Maj • 02:24 • -8.89db
31% Popularity • 37% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Boy Named Banjo
Go Out Dancing
171 bpm • E Maj • 03:15 • -8.38db
32% Popularity • 34% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Channing Wilson
Drink That Strong
142 bpm • G Maj • 04:08 • -7.05db
21% Popularity • 55% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
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JD Clayton
Twenty-Two
142 bpm • E Maj • 03:35 • -9.32db
35% Popularity • 67% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Uncle Lucius
All Your Gold
142 bpm • A Maj • 03:26 • -6.71db
32% Popularity • 52% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Drayton Farley
Stop the Clock
142 bpm • F# Maj • 03:09 • -8.62db
31% Popularity • 56% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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The Wilder Blue
Somewhere Down the Road
142 bpm • D Maj • 03:09 • -10.6db
33% Popularity • 61% Danceability • 45% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
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Grady Spencer & the Work
By Now
172 bpm • D Maj • 04:59 • -6.02db
40% Popularity • 37% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Joel Adam Russell
Good One
172 bpm • C# Maj • 03:10 • -10.96db
20% Popularity • 51% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Vincent Neil Emerson
Devil in My Bed
141 bpm • F# Maj • 02:00 • -6db
39% Popularity • 54% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Low Water Bridge Band
High, Blue & Lonesome
172 bpm • A# Maj • 04:14 • -6db
19% Popularity • 40% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Clay Street Unit
Engine Trouble
173 bpm • D Maj • 03:41 • -8.58db
35% Popularity • 50% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Tyler Halverson
Run Wild
173 bpm • G Maj • 03:07 • -10.93db
32% Popularity • 38% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
Hunter Flynn
Spanish Street Signs
140 bpm • C Maj • 03:22 • -10.09db
29% Popularity • 60% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Beauty Queen