Songs like Because I Know That I Can by Andy Burrows
Based on a tempo of (+/- 10%) and a similar genre
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Editors
Marching Orders
100 bpm • F Maj • 07:45 • -9db
30% Popularity • 42% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
30% Popularity • 42% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Marble Sounds
Photographs
100 bpm • D Maj • 03:33 • -6.5db
28% Popularity • 56% Danceability • 64% Energy • 30% Liveness
16% Instrumentalness • 64% Positiveness
28% Popularity • 56% Danceability • 64% Energy • 30% Liveness
16% Instrumentalness • 64% Positiveness
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Tessa Rose Jackson
(All The) King's Horses
100 bpm • B Maj • 03:39 • -7.13db
11% Popularity • 74% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 74% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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The Waterboys
November Tale
100 bpm • D Maj • 05:18 • -12db
26% Popularity • 68% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 68% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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Andy Burrows
Because I Know That I Can
100 bpm • E min • 03:05 • -6.07db
21% Popularity • 59% Danceability • 85% Energy • 7% Liveness
2% Instrumentalness • 70% Positiveness
21% Popularity • 59% Danceability • 85% Energy • 7% Liveness
2% Instrumentalness • 70% Positiveness
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Mister and Mississippi
Meet Me at the Lighthouse
100 bpm • F min • 04:05 • -9.85db
25% Popularity • 33% Danceability • 52% Energy • 11% Liveness
28% Instrumentalness • 49% Positiveness
25% Popularity • 33% Danceability • 52% Energy • 11% Liveness
28% Instrumentalness • 49% Positiveness
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Badly Drawn Boy
Promises
99 bpm • A min • 05:06 • -6.92db
19% Popularity • 36% Danceability • 58% Energy • 7% Liveness
19% Instrumentalness • 31% Positiveness
19% Popularity • 36% Danceability • 58% Energy • 7% Liveness
19% Instrumentalness • 31% Positiveness
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Texas
Inner Smile - Truth & Soul Session
101 bpm • C Maj • 03:46 • -4.93db
25% Popularity • 52% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 52% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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The Bony King of Nowhere
The Garden
101 bpm • C Maj • 03:03 • -8.78db
15% Popularity • 52% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 52% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Starsailor
Alcoholic
101 bpm • A min • 02:56 • -9db
40% Popularity • 41% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 41% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Marike Jager
Traveller
99 bpm • G min • 03:14 • -8.68db
15% Popularity • 69% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 69% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
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Turin Brakes
Keep Me Around
99 bpm • B min • 03:09 • -7.37db
34% Popularity • 58% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 58% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
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Rufus Wainwright
Me And Liza
102 bpm • D Maj • 03:20 • -8.01db
18% Popularity • 71% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 71% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Warhaus
Everybody
102 bpm • G Maj • 04:43 • -9.26db
28% Popularity • 64% Danceability • 57% Energy • 18% Liveness
3% Instrumentalness • 53% Positiveness
28% Popularity • 64% Danceability • 57% Energy • 18% Liveness
3% Instrumentalness • 53% Positiveness
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Arsenal
Pacific
102 bpm • D# Maj • 03:47 • -13.18db
16% Popularity • 68% Danceability • 62% Energy • 14% Liveness
31% Instrumentalness • 54% Positiveness
16% Popularity • 68% Danceability • 62% Energy • 14% Liveness
31% Instrumentalness • 54% Positiveness
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Ed Struijlaart
Heart of Stone
102 bpm • B min • 03:57 • -6.13db
9% Popularity • 68% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 68% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Jack Peñate
Body Down
98 bpm • G min • 04:06 • -6.49db
11% Popularity • 57% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 57% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Bo Saris
Little Bit More
98 bpm • C Maj • 03:19 • -3.26db
17% Popularity • 70% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 70% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Isbells
As Long as It Takes
98 bpm • F# Maj • 03:34 • -11db
29% Popularity • 56% Danceability • 31% Energy • 9% Liveness
15% Instrumentalness • 11% Positiveness
29% Popularity • 56% Danceability • 31% Energy • 9% Liveness
15% Instrumentalness • 11% Positiveness
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Bell X1
Feint Praise
102 bpm • F min • 03:09 • -9.08db
32% Popularity • 80% Danceability • 43% Energy • 12% Liveness
1% Instrumentalness • 50% Positiveness
32% Popularity • 80% Danceability • 43% Energy • 12% Liveness
1% Instrumentalness • 50% Positiveness
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Arsenal
Either
98 bpm • B Maj • 04:52 • -10.17db
21% Popularity • 66% Danceability • 55% Energy • 15% Liveness
2% Instrumentalness • 28% Positiveness
21% Popularity • 66% Danceability • 55% Energy • 15% Liveness
2% Instrumentalness • 28% Positiveness
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Andy Burrows
Maybe You
103 bpm • B Maj • 04:12 • -6.85db
8% Popularity • 62% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 62% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Eels
Spectacular Girl
103 bpm • G Maj • 03:15 • -6.66db
22% Popularity • 81% Danceability • 40% Energy • 6% Liveness
69% Instrumentalness • 62% Positiveness
22% Popularity • 81% Danceability • 40% Energy • 6% Liveness
69% Instrumentalness • 62% Positiveness
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Eugene McGuinness
Harlequinade
103 bpm • C# min • 03:41 • -7.82db
8% Popularity • 66% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 66% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Thomas Azier
Talk To Me
103 bpm • G min • 03:58 • -8.92db
34% Popularity • 66% Danceability • 76% Energy • 10% Liveness
43% Instrumentalness • 44% Positiveness
34% Popularity • 66% Danceability • 76% Energy • 10% Liveness
43% Instrumentalness • 44% Positiveness
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Bell X1
Flame (Divan Du Monde, Paris)
102 bpm • B min • 04:32 • -11.71db
9% Popularity • 56% Danceability • 35% Energy • 96% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 56% Danceability • 35% Energy • 96% Liveness
0% Instrumentalness • 36% Positiveness
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I Am Kloot
No Fear of Falling - Remastered
104 bpm • C# Maj • 02:11 • -16db
32% Popularity • 66% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 66% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Eckhardt And The House
Why Don't You Kids Dance
104 bpm • F Maj • 03:08 • -7.28db
11% Popularity • 81% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 81% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Ilse DeLange
Blue Bittersweet
97 bpm • G min • 04:30 • -8.49db
33% Popularity • 72% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 72% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Simple Minds
Promised You A Miracle
104 bpm • A min • 04:35 • -6.2db
27% Popularity • 66% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 66% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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Amongster
Bright Life
104 bpm • G Maj • 04:26 • -9.2db
10% Popularity • 60% Danceability • 58% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
10% Popularity • 60% Danceability • 58% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
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Marble Sounds
The Summer Of The Sun
96 bpm • G Maj • 04:57 • -7.28db
10% Popularity • 46% Danceability • 73% Energy • 12% Liveness
90% Instrumentalness • 22% Positiveness
10% Popularity • 46% Danceability • 73% Energy • 12% Liveness
90% Instrumentalness • 22% Positiveness
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KT Tunstall
(Still A) Weirdo
96 bpm • C Maj • 03:40 • -9db
24% Popularity • 75% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 75% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Guy Garvey
Angela's Eyes
96 bpm • A# min • 03:44 • -8.41db
21% Popularity • 64% Danceability • 85% Energy • 31% Liveness
1% Instrumentalness • 90% Positiveness
21% Popularity • 64% Danceability • 85% Energy • 31% Liveness
1% Instrumentalness • 90% Positiveness
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Rainbow Trout North
Give It Up
96 bpm • A Maj • 04:52 • -10.25db
0% Popularity • 62% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
0% Popularity • 62% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Editors
Bird of Prey
105 bpm • G Maj • 04:46 • -7.77db
32% Popularity • 42% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 42% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Isbells
Billy
105 bpm • D# Maj • 03:19 • -11.37db
21% Popularity • 53% Danceability • 54% Energy • 9% Liveness
2% Instrumentalness • 52% Positiveness
21% Popularity • 53% Danceability • 54% Energy • 9% Liveness
2% Instrumentalness • 52% Positiveness
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Sunday Sun
I Call You Honey
105 bpm • D Maj • 03:02 • -4.19db
26% Popularity • 54% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 54% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Paolo Nutini
Let Me Down Easy
105 bpm • B min • 03:32 • -8db
52% Popularity • 72% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
52% Popularity • 72% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
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Air
All I Need - Edit
95 bpm • G min • 04:01 • -11.92db
39% Popularity • 50% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 50% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Marble Sounds
Leave A Light On
94 bpm • A# Maj • 02:22 • -11.44db
39% Popularity • 53% Danceability • 25% Energy • 11% Liveness
79% Instrumentalness • 41% Positiveness
39% Popularity • 53% Danceability • 25% Energy • 11% Liveness
79% Instrumentalness • 41% Positiveness
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Turin Brakes
Fishing For A Dream
95 bpm • G Maj • 04:29 • -10db
30% Popularity • 60% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 60% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Cherry Ghost
The World Could Turn
106 bpm • A Maj • 04:51 • -4db
7% Popularity • 48% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
7% Popularity • 48% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
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Michael Kiwanuka
I'll Get Along
94 bpm • A Maj • 03:26 • -9.88db
53% Popularity • 66% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
53% Popularity • 66% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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The Bony King of Nowhere
Eleonore
94 bpm • G Maj • 03:47 • -6.16db
15% Popularity • 52% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 52% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Eels
Where I'm From
107 bpm • F Maj • 02:48 • -13db
21% Popularity • 58% Danceability • 54% Energy • 20% Liveness
6% Instrumentalness • 75% Positiveness
21% Popularity • 58% Danceability • 54% Energy • 20% Liveness
6% Instrumentalness • 75% Positiveness
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Beth Orton
Dawn Chorus
107 bpm • E Maj • 03:23 • -11.01db
23% Popularity • 45% Danceability • 55% Energy • 19% Liveness
22% Instrumentalness • 55% Positiveness
23% Popularity • 45% Danceability • 55% Energy • 19% Liveness
22% Instrumentalness • 55% Positiveness
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Guy Garvey
Unwind
93 bpm • F Maj • 05:49 • -16db
24% Popularity • 76% Danceability • 32% Energy • 11% Liveness
34% Instrumentalness • 86% Positiveness
24% Popularity • 76% Danceability • 32% Energy • 11% Liveness
34% Instrumentalness • 86% Positiveness
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Protection Patrol Pinkerton
Future = Our Home
107 bpm • F Maj • 04:05 • -6.96db
21% Popularity • 72% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 72% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Editors
Nothing
93 bpm • G Maj • 05:15 • -9.44db
33% Popularity • 38% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
33% Popularity • 38% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Novastar
Tunnelvision
93 bpm • A# min • 03:42 • -7.35db
26% Popularity • 57% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 57% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Nick Mulvey
Nitrous - Single Version
108 bpm • A Maj • 04:03 • -7.33db
27% Popularity • 65% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 65% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Ed Harcourt
In My Time of Dust
93 bpm • A Maj • 04:09 • -9.97db
10% Popularity • 35% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 35% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Manic Street Preachers
This Sullen Welsh Heart
108 bpm • D Maj • 04:13 • -15.5db
20% Popularity • 68% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 68% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
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Anne Soldaat
Born to Perform
108 bpm • G Maj • 04:04 • -9.01db
12% Popularity • 57% Danceability • 67% Energy • 20% Liveness
1% Instrumentalness • 43% Positiveness
12% Popularity • 57% Danceability • 67% Energy • 20% Liveness
1% Instrumentalness • 43% Positiveness
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Jack Peñate
Be the One
108 bpm • D Maj • 04:06 • -4db
27% Popularity • 56% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 56% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Arsenal
The Rider
108 bpm • G Maj • 04:36 • -10.1db
15% Popularity • 76% Danceability • 69% Energy • 45% Liveness
51% Instrumentalness • 80% Positiveness
15% Popularity • 76% Danceability • 69% Energy • 45% Liveness
51% Instrumentalness • 80% Positiveness
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Julian Velard
Joni
108 bpm • F min • 04:09 • -5.46db
29% Popularity • 74% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 74% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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David Lemaitre
Spirals
108 bpm • F Maj • 03:55 • -10.72db
13% Popularity • 57% Danceability • 39% Energy • 14% Liveness
14% Instrumentalness • 20% Positiveness
13% Popularity • 57% Danceability • 39% Energy • 14% Liveness
14% Instrumentalness • 20% Positiveness
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Morcheeba
Wonders Never Cease
108 bpm • E min • 04:13 • -5.18db
40% Popularity • 63% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 63% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Andy Burrows
Don't Be Gone Too Long
108 bpm • B Maj • 03:05 • -9.56db
3% Popularity • 57% Danceability • 43% Energy • 62% Liveness
0% Instrumentalness • 46% Positiveness
3% Popularity • 57% Danceability • 43% Energy • 62% Liveness
0% Instrumentalness • 46% Positiveness
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Dez Mona
Suspicion
92 bpm • G Maj • 04:18 • -8.42db
15% Popularity • 61% Danceability • 60% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 61% Danceability • 60% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
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James Morrison
Slave To The Music
92 bpm • A Maj • 03:23 • -7.07db
45% Popularity • 64% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
45% Popularity • 64% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Michael Kiwanuka
Always Waiting
92 bpm • A# min • 04:30 • -10.6db
41% Popularity • 43% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 43% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Norman Palm
Girls Just Wanna Have Fun
110 bpm • E Maj • 04:09 • -10.8db
13% Popularity • 44% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 44% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Erlend Øye
Rainman
110 bpm • E Maj • 04:59 • -9.37db
32% Popularity • 63% Danceability • 61% Energy • 14% Liveness
38% Instrumentalness • 76% Positiveness
32% Popularity • 63% Danceability • 61% Energy • 14% Liveness
38% Instrumentalness • 76% Positiveness
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Andy Burrows
Keep on Moving On
92 bpm • F# min • 02:37 • -5.11db
16% Popularity • 56% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 56% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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The Magic Numbers
Roy Orbison
110 bpm • E Maj • 04:08 • -7.71db
17% Popularity • 31% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 31% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Balthazar
The Oldest of Sisters
110 bpm • B min • 02:43 • -7.82db
34% Popularity • 66% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 66% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Smith & Burrows
All The Best Moves
91 bpm • C# min • 03:23 • -7.57db
32% Popularity • 63% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 63% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Marble Sounds
Bette Davis Eyes
110 bpm • C Maj • 03:34 • -6.85db
15% Popularity • 62% Danceability • 56% Energy • 10% Liveness
21% Instrumentalness • 55% Positiveness
15% Popularity • 62% Danceability • 56% Energy • 10% Liveness
21% Instrumentalness • 55% Positiveness
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Richard Hawley
Long Time Down
110 bpm • A Maj • 05:38 • -10.93db
18% Popularity • 60% Danceability • 64% Energy • 35% Liveness
12% Instrumentalness • 85% Positiveness
18% Popularity • 60% Danceability • 64% Energy • 35% Liveness
12% Instrumentalness • 85% Positiveness
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DI-RECT
You & I - Radiomix
110 bpm • G min • 03:58 • -8.83db
10% Popularity • 66% Danceability • 66% Energy • 12% Liveness
39% Instrumentalness • 50% Positiveness
10% Popularity • 66% Danceability • 66% Energy • 12% Liveness
39% Instrumentalness • 50% Positiveness
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Max Jury
Christian Eyes
110 bpm • C min • 03:45 • -8.75db
11% Popularity • 63% Danceability • 48% Energy • 10% Liveness
49% Instrumentalness • 39% Positiveness
11% Popularity • 63% Danceability • 48% Energy • 10% Liveness
49% Instrumentalness • 39% Positiveness
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Turin Brakes
Sea Change
110 bpm • E min • 04:02 • -10db
25% Popularity • 61% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
25% Popularity • 61% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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Andy Burrows
Parallel Lives
110 bpm • D# min • 03:07 • -4.35db
2% Popularity • 62% Danceability • 76% Energy • 35% Liveness
5% Instrumentalness • 82% Positiveness
2% Popularity • 62% Danceability • 76% Energy • 35% Liveness
5% Instrumentalness • 82% Positiveness
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The Van Jets
The Sound of Sea - Bonustrack
110 bpm • A Maj • 04:00 • -6.93db
13% Popularity • 74% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 74% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Tom Baxter
Skybound
90 bpm • D Maj • 06:41 • -9.47db
17% Popularity • 45% Danceability • 65% Energy • 10% Liveness
37% Instrumentalness • 36% Positiveness
17% Popularity • 45% Danceability • 65% Energy • 10% Liveness
37% Instrumentalness • 36% Positiveness
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DI-RECT
You & I
110 bpm • G min • 06:06 • -11.06db
31% Popularity • 68% Danceability • 58% Energy • 12% Liveness
70% Instrumentalness • 28% Positiveness
31% Popularity • 68% Danceability • 58% Energy • 12% Liveness
70% Instrumentalness • 28% Positiveness
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Ray LaMontagne
Airwaves
110 bpm • F# Maj • 04:41 • -11db
40% Popularity • 77% Danceability • 49% Energy • 11% Liveness
7% Instrumentalness • 86% Positiveness
40% Popularity • 77% Danceability • 49% Energy • 11% Liveness
7% Instrumentalness • 86% Positiveness
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Lou Doillon
Questions And Answers
111 bpm • C min • 03:41 • -7.64db
24% Popularity • 70% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
24% Popularity • 70% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Moss
I Apologise (Dear Simon)
111 bpm • A Maj • 03:18 • -6db
35% Popularity • 58% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 58% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Richard Hawley
Heart of Oak
111 bpm • D Maj • 04:26 • -10.4db
31% Popularity • 48% Danceability • 53% Energy • 7% Liveness
38% Instrumentalness • 43% Positiveness
31% Popularity • 48% Danceability • 53% Energy • 7% Liveness
38% Instrumentalness • 43% Positiveness
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Doc Brown
Light Your Way
90 bpm • C Maj • 03:25 • -11.51db
5% Popularity • 55% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
5% Popularity • 55% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Joseph Arthur
Saint of Impossible Causes
111 bpm • D Maj • 04:32 • -6.08db
10% Popularity • 63% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 63% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Scott Matthews
Dream Song
90 bpm • C# Maj • 04:40 • -10.08db
24% Popularity • 49% Danceability • 66% Energy • 18% Liveness
31% Instrumentalness • 30% Positiveness
24% Popularity • 49% Danceability • 66% Energy • 18% Liveness
31% Instrumentalness • 30% Positiveness
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Steve Mason
Seen It All Before
90 bpm • F# min • 04:40 • -7.34db
12% Popularity • 64% Danceability • 69% Energy • 14% Liveness
13% Instrumentalness • 64% Positiveness
12% Popularity • 64% Danceability • 69% Energy • 14% Liveness
13% Instrumentalness • 64% Positiveness
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Andy Burrows
Hearts and Minds
111 bpm • D min • 03:36 • -9.08db
3% Popularity • 41% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
3% Popularity • 41% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Obi
Somewhere Nicer
112 bpm • E Maj • 02:19 • -7.39db
12% Popularity • 57% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 57% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Guillemots
Walk The River
112 bpm • A Maj • 05:08 • -9db
27% Popularity • 57% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 57% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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School Is Cool
If So
112 bpm • E Maj • 03:20 • -4.93db
14% Popularity • 38% Danceability • 82% Energy • 63% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 38% Danceability • 82% Energy • 63% Liveness
0% Instrumentalness • 48% Positiveness
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Paolo Nutini
One Day
112 bpm • A Maj • 05:06 • -8.58db
47% Popularity • 59% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
47% Popularity • 59% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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David Gray
Babylon - US Radio Mix
112 bpm • D# Maj • 03:39 • -6.63db
42% Popularity • 64% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 64% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Rumer
P.F. Sloan
89 bpm • A# Maj • 04:10 • -9.03db
18% Popularity • 58% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 58% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Mister and Mississippi
We Only Part to Meet Again
112 bpm • D Maj • 03:39 • -11.44db
14% Popularity • 34% Danceability • 40% Energy • 13% Liveness
2% Instrumentalness • 25% Positiveness
14% Popularity • 34% Danceability • 40% Energy • 13% Liveness
2% Instrumentalness • 25% Positiveness
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Tired Pony
I'm Begging You Not To Go
89 bpm • G Maj • 03:20 • -7.26db
16% Popularity • 61% Danceability • 59% Energy • 11% Liveness
10% Instrumentalness • 41% Positiveness
16% Popularity • 61% Danceability • 59% Energy • 11% Liveness
10% Instrumentalness • 41% Positiveness
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Jack Peñate
Every Glance
113 bpm • F# min • 04:11 • -5.13db
17% Popularity • 43% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 43% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Tom Baxter
Night Like This
89 bpm • E min • 04:36 • -10.05db
14% Popularity • 56% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 56% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
