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Because It's There
Songs like
Because It's There
by
Michael Hedges
Based on a tempo of (+/- 10%) and a similar genre
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Jimmy Wahlsteen
If You Say so Romance
151 bpm • G# Maj • 03:30 • -11.66db
25% Popularity • 33% Danceability • 44% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
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Michael Hedges
The Double Planet
151 bpm • B min • 03:24 • -28.4db
13% Popularity • 29% Danceability • 5% Energy • 69% Liveness
90% Instrumentalness • 7% Positiveness
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Ben Woolman
Perfect Pace
150 bpm • A Maj • 03:05 • -14.29db
19% Popularity • 61% Danceability • 44% Energy • 15% Liveness
87% Instrumentalness • 61% Positiveness
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Don Ross
Berkley Springs
151 bpm • F Maj • 03:30 • -15.65db
32% Popularity • 30% Danceability • 23% Energy • 11% Liveness
82% Instrumentalness • 36% Positiveness
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Eric Johnson
Once Upon A Time In Texas
152 bpm • E min • 03:43 • -11.95db
21% Popularity • 47% Danceability • 44% Energy • 11% Liveness
71% Instrumentalness • 57% Positiveness
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Tim Reynolds
You Are My Sanity
152 bpm • G Maj • 04:06 • -22.44db
13% Popularity • 28% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
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Doyle Dykes
Nothing's Too Good (For A Friend)
153 bpm • A Maj • 04:43 • -14.5db
17% Popularity • 27% Danceability • 35% Energy • 15% Liveness
95% Instrumentalness • 21% Positiveness
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Michael Hedges
Because It's There
151 bpm • D min • 03:05 • -21.27db
10% Popularity • 36% Danceability • 30% Energy • 22% Liveness
84% Instrumentalness • 39% Positiveness
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Andy McKee
Dreamcatcher
150 bpm • A Maj • 02:52 • -16.19db
12% Popularity • 42% Danceability • 29% Energy • 12% Liveness
90% Instrumentalness • 55% Positiveness
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Erik Mongrain
Salvation
149 bpm • A min • 05:14 • -20.7db
7% Popularity • 31% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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Kaki King
Carmine Street
149 bpm • C Maj • 03:12 • -11.12db
22% Popularity • 33% Danceability • 43% Energy • 11% Liveness
92% Instrumentalness • 46% Positiveness
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Calum Graham
Hey Ya!
153 bpm • G Maj • 03:48 • -8.65db
28% Popularity • 67% Danceability • 59% Energy • 10% Liveness
66% Instrumentalness • 96% Positiveness
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Bruce Cockburn
Deep Lake
149 bpm • C Maj • 06:49 • -19.74db
14% Popularity • 38% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Isato Nakagawa
Dancing Mountain
153 bpm • E min • 02:00 • -13.81db
32% Popularity • 41% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 74% Positiveness
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Bob Taylor
After The Goldrush - Bob Taylor
153 bpm • D Maj • 03:13 • -12.97db
9% Popularity • 51% Danceability • 32% Energy • 9% Liveness
93% Instrumentalness • 32% Positiveness
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Craig D'Andrea
Falling For Twelves
148 bpm • G min • 02:55 • -13.14db
16% Popularity • 40% Danceability • 33% Energy • 10% Liveness
86% Instrumentalness • 50% Positiveness
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Michael Hedges
Spare Change
148 bpm • G# min • 05:46 • -25.42db
23% Popularity • 46% Danceability • 14% Energy • 9% Liveness
75% Instrumentalness • 14% Positiveness
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Liz Story
Devotion
148 bpm • G# Maj • 03:04 • -25.28db
13% Popularity • 36% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 9% Positiveness
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Shadowfax
Watercourse Way
148 bpm • C Maj • 05:14 • -21.51db
10% Popularity • 25% Danceability • 13% Energy • 12% Liveness
50% Instrumentalness • 25% Positiveness
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Calum Graham
The First Ride
148 bpm • C Maj • 04:00 • -8db
15% Popularity • 57% Danceability • 50% Energy • 14% Liveness
93% Instrumentalness • 50% Positiveness
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Eric Tingstad
Trail of Tears
148 bpm • B min • 03:06 • -12.81db
11% Popularity • 58% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 34% Positiveness
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Franco Morone
Noises in the Night
154 bpm • E Maj • 04:14 • -8.04db
22% Popularity • 46% Danceability • 52% Energy • 15% Liveness
89% Instrumentalness • 85% Positiveness
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Michael Hedges
The Magic Farmer
154 bpm • C Maj • 03:55 • -28.05db
22% Popularity • 30% Danceability • 3% Energy • 8% Liveness
83% Instrumentalness • 29% Positiveness
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T.J. Baden
Opportunity - T.J. Baden
148 bpm • D Maj • 03:48 • -13.14db
11% Popularity • 36% Danceability • 42% Energy • 8% Liveness
95% Instrumentalness • 44% Positiveness
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Adam Rafferty
Norwegian Wood
147 bpm • G Maj • 03:24 • -17.4db
22% Popularity • 27% Danceability • 26% Energy • 9% Liveness
31% Instrumentalness • 45% Positiveness
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Calum Graham
12:34
155 bpm • D Maj • 03:59 • -10.43db
21% Popularity • 63% Danceability • 46% Energy • 10% Liveness
88% Instrumentalness • 52% Positiveness
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Dylan Ryche
A Thank You in Fives
147 bpm • D Maj • 05:56 • -10.41db
29% Popularity • 50% Danceability • 35% Energy • 12% Liveness
84% Instrumentalness • 29% Positiveness
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Andrew White
Lindisfarne Lullaby
146 bpm • E Maj • 02:59 • -14.42db
13% Popularity • 45% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 72% Positiveness
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Michael Hedges
Point B
148 bpm • B min • 01:58 • -22.94db
16% Popularity • 58% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 48% Positiveness
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Michael Manring
I Left America
156 bpm • C# min • 03:09 • -19.4db
14% Popularity • 34% Danceability • 19% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
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Don Ross
Spirit of the West
146 bpm • E min • 03:56 • -7.28db
18% Popularity • 62% Danceability • 58% Energy • 10% Liveness
96% Instrumentalness • 88% Positiveness
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Shadowfax
Distant Voices
156 bpm • D min • 03:57 • -22.41db
13% Popularity • 37% Danceability • 16% Energy • 12% Liveness
74% Instrumentalness • 34% Positiveness
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Dylan Ryche
Smoke Signals
154 bpm • A Maj • 05:18 • -8.89db
8% Popularity • 39% Danceability • 34% Energy • 12% Liveness
80% Instrumentalness • 27% Positiveness
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Calum Graham
Waiting
146 bpm • G# Maj • 04:42 • -15.77db
28% Popularity • 40% Danceability • 27% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Will Ackerman
The Bricklayer's Beautiful Daughter
146 bpm • G# Maj • 04:18 • -22db
39% Popularity • 34% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 30% Positiveness
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Craig D'Andrea
Do You Like Tricks, Chris?
156 bpm • B min • 03:13 • -12.24db
9% Popularity • 37% Danceability • 49% Energy • 10% Liveness
88% Instrumentalness • 66% Positiveness
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Ed Gerhard
The Water is Wide
145 bpm • E Maj • 04:09 • -17.88db
18% Popularity • 42% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Pierre Bensusan
Fils de la rose
145 bpm • C Maj • 03:46 • -19.26db
17% Popularity • 38% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 57% Positiveness
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Don Ross
Tight Trite Night
145 bpm • B min • 04:00 • -12.96db
16% Popularity • 60% Danceability • 54% Energy • 10% Liveness
77% Instrumentalness • 82% Positiveness
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Calum Graham
The Channel
145 bpm • D Maj • 06:25 • -14.76db
8% Popularity • 38% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
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Michael Hedges
Arrowhead
145 bpm • A# Maj • 02:19 • -10.5db
13% Popularity • 68% Danceability • 49% Energy • 9% Liveness
66% Instrumentalness • 93% Positiveness
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Billy McLaughlin
Clockshop
158 bpm • A min • 03:53 • -12.47db
18% Popularity • 36% Danceability • 52% Energy • 20% Liveness
91% Instrumentalness • 86% Positiveness
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Mike Marshall
Spring Gesture
144 bpm • A Maj • 07:49 • -11.59db
16% Popularity • 37% Danceability • 43% Energy • 8% Liveness
83% Instrumentalness • 23% Positiveness
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Franco Morone
Miles and Miles
144 bpm • B min • 04:33 • -10.29db
21% Popularity • 52% Danceability • 50% Energy • 9% Liveness
89% Instrumentalness • 38% Positiveness
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Don Ross
Blue Bear
145 bpm • A Maj • 02:34 • -16.75db
19% Popularity • 56% Danceability • 37% Energy • 8% Liveness
84% Instrumentalness • 70% Positiveness
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Adam Rafferty
Simplicity
158 bpm • G Maj • 03:12 • -18.03db
14% Popularity • 34% Danceability • 18% Energy • 10% Liveness
11% Instrumentalness • 35% Positiveness
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Michael Hedges
Fusion of the Five Elements
144 bpm • G# Maj • 03:59 • -13.79db
16% Popularity • 63% Danceability • 61% Energy • 7% Liveness
96% Instrumentalness • 60% Positiveness
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Calum Graham
Waiting
144 bpm • G# Maj • 04:57 • -17.14db
20% Popularity • 34% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
► Preview
Bruce Cockburn
Elegy
144 bpm • A min • 04:06 • -16.92db
19% Popularity • 47% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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California Guitar Trio
Yamanashi Blues
159 bpm • D Maj • 02:21 • -17.12db
25% Popularity • 50% Danceability • 37% Energy • 11% Liveness
93% Instrumentalness • 97% Positiveness
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Don Ross
No Goodbyes
144 bpm • D Maj • 04:00 • -19.23db
28% Popularity • 45% Danceability • 23% Energy • 12% Liveness
92% Instrumentalness • 45% Positiveness
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Pierre Bensusan
Four A.M. (Quatre heures du matin)
143 bpm • E Maj • 04:40 • -20.33db
13% Popularity • 40% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 39% Positiveness
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Michael Hedges
Because It's There
159 bpm • G Maj • 03:15 • -25.12db
20% Popularity • 28% Danceability • 24% Energy • 65% Liveness
82% Instrumentalness • 9% Positiveness
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Erik Mongrain
Pandora's Box
159 bpm • B min • 04:07 • -15.65db
7% Popularity • 50% Danceability • 31% Energy • 8% Liveness
82% Instrumentalness • 57% Positiveness
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Craig D'Andrea
In With The Purple and Out With The Blue
143 bpm • D# Maj • 03:14 • -17.35db
11% Popularity • 29% Danceability • 27% Energy • 13% Liveness
89% Instrumentalness • 42% Positiveness
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Shadowfax
Ghost Bird
143 bpm • A min • 05:09 • -23.97db
11% Popularity • 23% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
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Don Ross
First Ride
143 bpm • F Maj • 04:10 • -15.45db
20% Popularity • 34% Danceability • 26% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Andrew White
St. Patrick's Parade
160 bpm • D Maj • 03:27 • -22.04db
25% Popularity • 29% Danceability • 22% Energy • 13% Liveness
90% Instrumentalness • 52% Positiveness
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California Guitar Trio
Classical Gas
160 bpm • A min • 02:55 • -18.02db
19% Popularity • 36% Danceability • 31% Energy • 11% Liveness
68% Instrumentalness • 21% Positiveness
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Ed Gerhard
Try to Stay
142 bpm • F min • 05:38 • -14.24db
8% Popularity • 42% Danceability • 27% Energy • 9% Liveness
93% Instrumentalness • 23% Positiveness
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Al Petteway
Seven Swans
160 bpm • E Maj • 02:41 • -18.96db
14% Popularity • 36% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 57% Positiveness
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Nando Lauria
Sonho
142 bpm • D Maj • 05:52 • -21.17db
14% Popularity • 24% Danceability • 21% Energy • 15% Liveness
87% Instrumentalness • 35% Positiveness
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Calum Graham
Indivisible
142 bpm • C Maj • 03:40 • -7.06db
18% Popularity • 72% Danceability • 56% Energy • 10% Liveness
92% Instrumentalness • 32% Positiveness
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Anthony Phillips
Credo
142 bpm • G# Maj • 01:55 • -16.98db
14% Popularity • 23% Danceability • 34% Energy • 12% Liveness
78% Instrumentalness • 32% Positiveness
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Michael Hedges
After the Gold Rush
142 bpm • G Maj • 04:09 • -26.98db
25% Popularity • 48% Danceability • 3% Energy • 9% Liveness
65% Instrumentalness • 6% Positiveness
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Brooks Williams
Joyful Joyful
142 bpm • G Maj • 03:05 • -16.31db
13% Popularity • 66% Danceability • 22% Energy • 11% Liveness
42% Instrumentalness • 37% Positiveness
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Al Petteway
Eirigh Suas a Stoirin (Rise up My Love)
142 bpm • C Maj • 02:50 • -14.87db
15% Popularity • 35% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Shadowfax
Vajra
161 bpm • G Maj • 04:25 • -18.08db
14% Popularity • 35% Danceability • 23% Energy • 10% Liveness
83% Instrumentalness • 42% Positiveness
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Ed Gerhard
Killing The Blues
141 bpm • D Maj • 03:59 • -13.69db
15% Popularity • 52% Danceability • 19% Energy • 15% Liveness
91% Instrumentalness • 25% Positiveness
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Will Ackerman
The Bricklayer's Beautiful Daughter
161 bpm • A Maj • 03:51 • -27.17db
22% Popularity • 31% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 25% Positiveness
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Erik Mongrain
Aftermath
140 bpm • B min • 05:58 • -18.76db
8% Popularity • 46% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 36% Positiveness
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Stefano Barone
Particolare#uno
140 bpm • F Maj • 02:22 • -8.86db
8% Popularity • 70% Danceability • 61% Energy • 10% Liveness
88% Instrumentalness • 90% Positiveness
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Gareth Pearson
Blue Smoke
163 bpm • F Maj • 02:10 • -12.87db
19% Popularity • 38% Danceability • 46% Energy • 10% Liveness
86% Instrumentalness • 88% Positiveness
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Eric Johnson
Song For Irene
163 bpm • D Maj • 02:29 • -16db
40% Popularity • 39% Danceability • 30% Energy • 11% Liveness
95% Instrumentalness • 83% Positiveness
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Chris Proctor
Late Again
140 bpm • F Maj • 03:53 • -17db
10% Popularity • 35% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Philip Aaberg
Aurora/Nevermore
140 bpm • D Maj • 04:16 • -23.02db
2% Popularity • 38% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Isato Nakagawa
Little Sharon
140 bpm • A# min • 02:34 • -16.44db
24% Popularity • 47% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 58% Positiveness
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John Danley
A Dream Of Breathing
140 bpm • D Maj • 04:40 • -16db
17% Popularity • 29% Danceability • 28% Energy • 18% Liveness
87% Instrumentalness • 19% Positiveness
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Steve Howe
Sketches In The Sun
140 bpm • D Maj • 03:15 • -12db
22% Popularity • 55% Danceability • 32% Energy • 6% Liveness
57% Instrumentalness • 18% Positiveness
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Pierre Bensusan
Heman Dubh
139 bpm • C min • 02:45 • -21db
19% Popularity • 38% Danceability • 13% Energy • 9% Liveness
79% Instrumentalness • 42% Positiveness
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Larry Pattis
Hands Of Time
139 bpm • D min • 04:20 • -12db
12% Popularity • 41% Danceability • 36% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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Shadowfax
Brown Rice/Karmapa Chenno
165 bpm • B Maj • 04:26 • -22.02db
11% Popularity • 69% Danceability • 26% Energy • 10% Liveness
75% Instrumentalness • 87% Positiveness
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Isato Nakagawa
Gando
164 bpm • E Maj • 02:24 • -14.68db
31% Popularity • 37% Danceability • 29% Energy • 10% Liveness
89% Instrumentalness • 80% Positiveness
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Andrew White
To Say Goodbye To You
138 bpm • A Maj • 04:46 • -22db
27% Popularity • 38% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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John Danley
Lori Anne
138 bpm • E Maj • 04:57 • -15db
17% Popularity • 30% Danceability • 23% Energy • 12% Liveness
91% Instrumentalness • 20% Positiveness
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Maneli Jamal
Disco Monkey Blender
138 bpm • D min • 03:03 • -7.47db
27% Popularity • 52% Danceability • 59% Energy • 9% Liveness
86% Instrumentalness • 33% Positiveness
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Franco Morone
Captain O\'keane
137 bpm • B min • 03:11 • -13db
19% Popularity • 64% Danceability • 33% Energy • 9% Liveness
77% Instrumentalness • 34% Positiveness
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Al Petteway
Midsummer Moon
137 bpm • C Maj • 03:13 • -18.3db
8% Popularity • 40% Danceability • 15% Energy • 11% Liveness
70% Instrumentalness • 18% Positiveness
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Sean Harkness
Green Mountain Trail
137 bpm • D Maj • 03:45 • -16db
16% Popularity • 68% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 37% Positiveness
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Andrew White
Barcelona
138 bpm • A# Maj • 05:22 • -20db
13% Popularity • 44% Danceability • 24% Energy • 10% Liveness
85% Instrumentalness • 30% Positiveness
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Michael Hedges
Scenes (On The Road To Shrub 2)
137 bpm • B min • 04:23 • -19.34db
9% Popularity • 63% Danceability • 28% Energy • 5% Liveness
1% Instrumentalness • 53% Positiveness
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Pierre Bensusan
The Welsh Arrow (To Sandy Alexander)
136 bpm • A min • 02:19 • -20.34db
19% Popularity • 48% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 73% Positiveness
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Will Ackerman
Remedios
136 bpm • E min • 05:09 • -20.93db
19% Popularity • 32% Danceability • 18% Energy • 10% Liveness
86% Instrumentalness • 19% Positiveness
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Shadowfax
Another Country
136 bpm • G Maj • 03:53 • -15.88db
11% Popularity • 74% Danceability • 38% Energy • 10% Liveness
61% Instrumentalness • 76% Positiveness
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Peter Finger
Under the Walking Tree
135 bpm • E min • 03:26 • -17db
21% Popularity • 32% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
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Sheldon Mirowitz
Since You Asked
135 bpm • D Maj • 01:28 • -22.09db
20% Popularity • 45% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 47% Positiveness
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Bruce BecVar
Blue Ridge
135 bpm • F Maj • 04:14 • -22.13db
22% Popularity • 41% Danceability • 14% Energy • 9% Liveness
39% Instrumentalness • 7% Positiveness
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Pierre Bensusan
Le jardin d'Adonis (To Marcel Dadi)
135 bpm • E Maj • 02:17 • -21db
23% Popularity • 37% Danceability • 16% Energy • 14% Liveness
90% Instrumentalness • 59% Positiveness
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Ben Woolman
Soul Discovery
170 bpm • F# Maj • 03:43 • -15.03db
10% Popularity • 42% Danceability • 22% Energy • 13% Liveness
88% Instrumentalness • 25% Positiveness
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Shadowfax
Another Country
136 bpm • G Maj • 04:21 • -17.68db
23% Popularity • 74% Danceability • 35% Energy • 6% Liveness
63% Instrumentalness • 77% Positiveness
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Because It's There