Songs like Beckus the Dandipratt Overture, Op. 5 by Malcolm Arnold
Based on a tempo of (+/- 10%) and a similar genre
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Alfred Reed
Armenian Dances: I. The Apricot Tree - T...
108 bpm • A# Maj • 11:04 • -19db
16% Popularity • 24% Danceability • 14% Energy • 28% Liveness
66% Instrumentalness • 12% Positiveness
16% Popularity • 24% Danceability • 14% Energy • 28% Liveness
66% Instrumentalness • 12% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29, No. 2: II. Ost...
108 bpm • C Maj • 01:59 • -27.02db
33% Popularity • 30% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 25% Positiveness
33% Popularity • 30% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 25% Positiveness
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Leonard Bernstein
Candide: III. Auto-da-fe
108 bpm • C Maj • 01:56 • -14.28db
25% Popularity • 56% Danceability • 43% Energy • 30% Liveness
94% Instrumentalness • 55% Positiveness
25% Popularity • 56% Danceability • 43% Energy • 30% Liveness
94% Instrumentalness • 55% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Mod...
108 bpm • A Maj • 01:15 • -19db
38% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
38% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
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Erich Wolfgang Korngold
Much Ado about Nothing Suite, Op. 11: IV...
108 bpm • C Maj • 02:10 • -27.76db
21% Popularity • 20% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Marche slave, Op. 31, TH 45
109 bpm • A# min • 09:32 • -13.96db
31% Popularity • 34% Danceability • 45% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
31% Popularity • 34% Danceability • 45% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
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Malcolm Arnold
4 Irish Dances, Op. 126: No. 3. Piacevol...
108 bpm • E min • 01:38 • -33.93db
2% Popularity • 19% Danceability • 1% Energy • 40% Liveness
18% Instrumentalness • 3% Positiveness
2% Popularity • 19% Danceability • 1% Energy • 40% Liveness
18% Instrumentalness • 3% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: II. Pini...
109 bpm • E min • 07:10 • -23.68db
11% Popularity • 16% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
Horn Concertino in E Minor, Op. 45, J. 1...
109 bpm • E Maj • 04:40 • -18db
23% Popularity • 57% Danceability • 12% Energy • 10% Liveness
57% Instrumentalness • 51% Positiveness
23% Popularity • 57% Danceability • 12% Energy • 10% Liveness
57% Instrumentalness • 51% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: VII. Dance 2
109 bpm • A Maj • 02:15 • -19db
35% Popularity • 41% Danceability • 23% Energy • 10% Liveness
81% Instrumentalness • 76% Positiveness
35% Popularity • 41% Danceability • 23% Energy • 10% Liveness
81% Instrumentalness • 76% Positiveness
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Georges Bizet
Carmen Suite No. 2 (Arr. E. Guiraud): IV...
109 bpm • F Maj • 02:48 • -22db
44% Popularity • 40% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 21% Positiveness
44% Popularity • 40% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 21% Positiveness
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Camille Saint-Saëns
Samson et Dalila: Bacchanale
109 bpm • A min • 08:02 • -23db
31% Popularity • 30% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
31% Popularity • 30% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
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Malcolm Arnold
English Dances, Set 1, Op. 27 (Arr M. Jo...
109 bpm • A# Maj • 03:18 • -27db
8% Popularity • 16% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
8% Popularity • 16% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
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Benjamin Godard
Allegretto
110 bpm • C min • 01:44 • -21.88db
23% Popularity • 39% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 44% Positiveness
23% Popularity • 39% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 44% Positiveness
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Gustav Holst
A Fugal Concerto, Op. 40: I. Moderato
105 bpm • D Maj • 02:03 • -21db
27% Popularity • 59% Danceability • 19% Energy • 29% Liveness
88% Instrumentalness • 56% Positiveness
27% Popularity • 59% Danceability • 19% Energy • 29% Liveness
88% Instrumentalness • 56% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: IV. Waltz 1
109 bpm • A# Maj • 02:47 • -19db
35% Popularity • 24% Danceability • 21% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
35% Popularity • 24% Danceability • 21% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: III. ...
105 bpm • D Maj • 08:27 • -19.29db
41% Popularity • 33% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
41% Popularity • 33% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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Camille Saint-Saëns
Clarinet Sonata in E-Flat Major, Op. 167...
106 bpm • A# min • 02:01 • -27db
20% Popularity • 38% Danceability • 5% Energy • 10% Liveness
48% Instrumentalness • 22% Positiveness
20% Popularity • 38% Danceability • 5% Energy • 10% Liveness
48% Instrumentalness • 22% Positiveness
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Florence Beatrice Price
Symphony No. 1 in E Minor: III. Juba Dan...
111 bpm • F Maj • 03:40 • -21.63db
19% Popularity • 47% Danceability • 19% Energy • 25% Liveness
88% Instrumentalness • 24% Positiveness
19% Popularity • 47% Danceability • 19% Energy • 25% Liveness
88% Instrumentalness • 24% Positiveness
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Malcolm Arnold
English Dances, Set 1, Op. 27: No. 1, An...
109 bpm • D Maj • 03:13 • -20.39db
2% Popularity • 21% Danceability • 12% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
2% Popularity • 21% Danceability • 12% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: III. Duma...
105 bpm • G min • 01:17 • -25db
45% Popularity • 23% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
45% Popularity • 23% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
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Dmitri Shostakovich
Symphony No. 5 in D Minor, Op. 47: IV. A...
106 bpm • A# Maj • 08:59 • -13.38db
38% Popularity • 28% Danceability • 35% Energy • 16% Liveness
91% Instrumentalness • 12% Positiveness
38% Popularity • 28% Danceability • 35% Energy • 16% Liveness
91% Instrumentalness • 12% Positiveness
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Pyotr Ilyich Tchaikovsky
Marche slave, Op. 31, TH 45
111 bpm • A# min • 09:24 • -14db
34% Popularity • 36% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
34% Popularity • 36% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
106 bpm • C Maj • 08:00 • -17db
34% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
34% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Malcolm Arnold
Concerto for 2 Pianos 3 Hands, Op. 104: ...
112 bpm • D min • 05:06 • -21.99db
0% Popularity • 33% Danceability • 8% Energy • 19% Liveness
90% Instrumentalness • 4% Positiveness
0% Popularity • 33% Danceability • 8% Energy • 19% Liveness
90% Instrumentalness • 4% Positiveness
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Carl Nielsen
Aladdin Suite, Op. 34, FS 89: I. The Fes...
112 bpm • A min • 02:59 • -16.98db
34% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
34% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
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US Air Force Band of the Golden Gate
Sarabande and Polka
104 bpm • A# Maj • 05:26 • -24.03db
1% Popularity • 24% Danceability • 3% Energy • 67% Liveness
91% Instrumentalness • 20% Positiveness
1% Popularity • 24% Danceability • 3% Energy • 67% Liveness
91% Instrumentalness • 20% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade in C Major, Op. 48: I. Pezzo in...
112 bpm • C Maj • 09:30 • -19db
32% Popularity • 32% Danceability • 27% Energy • 37% Liveness
82% Instrumentalness • 16% Positiveness
32% Popularity • 32% Danceability • 27% Energy • 37% Liveness
82% Instrumentalness • 16% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64: Introduction
112 bpm • E Maj • 02:38 • -25db
32% Popularity • 19% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 11% Positiveness
32% Popularity • 19% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 11% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Gustav Holst
Second Suite in F Major, Op. 28 No. 2, H...
103 bpm • F Maj • 01:19 • -14db
31% Popularity • 61% Danceability • 29% Energy • 10% Liveness
88% Instrumentalness • 80% Positiveness
31% Popularity • 61% Danceability • 29% Energy • 10% Liveness
88% Instrumentalness • 80% Positiveness
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Aaron Copland
Fanfare for the Common Man
113 bpm • A# Maj • 02:03 • -12.2db
24% Popularity • 30% Danceability • 19% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
24% Popularity • 30% Danceability • 19% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Frederick Delius
A Walk To The Paradise Garden
103 bpm • E Maj • 10:14 • -27db
10% Popularity • 14% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
10% Popularity • 14% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Malcolm Arnold
Three Shanties for Wind Quintet, Op. 4 (...
103 bpm • C min • 01:46 • -32.18db
2% Popularity • 20% Danceability • 0% Energy • 7% Liveness
64% Instrumentalness • 16% Positiveness
2% Popularity • 20% Danceability • 0% Energy • 7% Liveness
64% Instrumentalness • 16% Positiveness
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Percy Grainger
Lincolnshire Posy: V. Lord Melbourne
103 bpm • C Maj • 03:25 • -17db
23% Popularity • 30% Danceability • 6% Energy • 47% Liveness
83% Instrumentalness • 4% Positiveness
23% Popularity • 30% Danceability • 6% Energy • 47% Liveness
83% Instrumentalness • 4% Positiveness
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Philip Lane
Pantomime: Vivace
113 bpm • G min • 02:02 • -22db
16% Popularity • 48% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 37% Positiveness
16% Popularity • 48% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 37% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: II....
113 bpm • A Maj • 06:36 • -26db
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: III. The Young Pr...
103 bpm • G Maj • 09:54 • -31.17db
23% Popularity • 16% Danceability • 3% Energy • 7% Liveness
61% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 3% Energy • 7% Liveness
61% Instrumentalness • 4% Positiveness
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Kenneth J. Alford
Colonel Bogey
114 bpm • A# Maj • 04:36 • -14.1db
3% Popularity • 38% Danceability • 48% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
3% Popularity • 38% Danceability • 48% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
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Malcolm Arnold
Overseas, Op. 70
115 bpm • C min • 03:48 • -16.7db
1% Popularity • 48% Danceability • 34% Energy • 24% Liveness
96% Instrumentalness • 48% Positiveness
1% Popularity • 48% Danceability • 34% Energy • 24% Liveness
96% Instrumentalness • 48% Positiveness
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Igor Stravinsky
The Rite of Spring, Part 1: II. The Augu...
115 bpm • A# Maj • 03:02 • -22db
31% Popularity • 50% Danceability • 26% Energy • 66% Liveness
80% Instrumentalness • 42% Positiveness
31% Popularity • 50% Danceability • 26% Energy • 66% Liveness
80% Instrumentalness • 42% Positiveness
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Johann Baptist Georg Neruda
Neruda: Trumpet Concerto In E Flat -I Al...
102 bpm • D# Maj • 05:26 • -18.1db
29% Popularity • 54% Danceability • 14% Energy • 10% Liveness
84% Instrumentalness • 44% Positiveness
29% Popularity • 54% Danceability • 14% Energy • 10% Liveness
84% Instrumentalness • 44% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: VI. Finale: Danc...
101 bpm • C min • 01:46 • -16.19db
38% Popularity • 32% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 12% Positiveness
38% Popularity • 32% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 12% Positiveness
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Percy Grainger
Shepherds Hey
101 bpm • D# Maj • 02:03 • -22.07db
25% Popularity • 55% Danceability • 22% Energy • 13% Liveness
64% Instrumentalness • 89% Positiveness
25% Popularity • 55% Danceability • 22% Energy • 13% Liveness
64% Instrumentalness • 89% Positiveness
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Samuel Coleridge-Taylor
Ballade in A Minor, Op. 33: I. Allegro e...
101 bpm • A min • 05:48 • -19.62db
31% Popularity • 25% Danceability • 13% Energy • 32% Liveness
91% Instrumentalness • 7% Positiveness
31% Popularity • 25% Danceability • 13% Energy • 32% Liveness
91% Instrumentalness • 7% Positiveness
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Malcolm Arnold
English Dances, Set 2, Op. 33: No. 4, Gi...
115 bpm • F Maj • 02:38 • -13.25db
2% Popularity • 31% Danceability • 39% Energy • 34% Liveness
87% Instrumentalness • 40% Positiveness
2% Popularity • 31% Danceability • 39% Energy • 34% Liveness
87% Instrumentalness • 40% Positiveness
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Adolphus Hailstork
3 Spirituals for Orchestra: No. 3. Oh Fr...
115 bpm • F Maj • 02:26 • -23.94db
11% Popularity • 42% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
11% Popularity • 42% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
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John Farrar
English Pastoral Impressions: I. Spring ...
101 bpm • D# Maj • 04:59 • -31db
25% Popularity • 22% Danceability • 1% Energy • 19% Liveness
78% Instrumentalness • 4% Positiveness
25% Popularity • 22% Danceability • 1% Energy • 19% Liveness
78% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Serenade for Strings in C, ...
101 bpm • G Maj • 03:34 • -17db
39% Popularity • 24% Danceability • 22% Energy • 18% Liveness
59% Instrumentalness • 30% Positiveness
39% Popularity • 24% Danceability • 22% Energy • 18% Liveness
59% Instrumentalness • 30% Positiveness
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Jacques Ibert
Ibert: 3 Pièces brèves: I. Allegro
116 bpm • C Maj • 02:17 • -16db
12% Popularity • 51% Danceability • 17% Energy • 18% Liveness
92% Instrumentalness • 40% Positiveness
12% Popularity • 51% Danceability • 17% Energy • 18% Liveness
92% Instrumentalness • 40% Positiveness
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William Walton
Crown Imperial
116 bpm • C Maj • 06:42 • -15.9db
25% Popularity • 22% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
25% Popularity • 22% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
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Hector Berlioz
Béatrice et Bénédict, Op. 27, H 138: ...
101 bpm • G Maj • 08:13 • -23.12db
13% Popularity • 26% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 11% Positiveness
13% Popularity • 26% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 11% Positiveness
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London Philharmonic Orchestra
1st Movement: Adaggio / Allegro Molto
116 bpm • E min • 09:44 • -15.71db
37% Popularity • 28% Danceability • 11% Energy • 16% Liveness
83% Instrumentalness • 9% Positiveness
37% Popularity • 28% Danceability • 11% Energy • 16% Liveness
83% Instrumentalness • 9% Positiveness
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Malcolm Arnold
HRH The Duke of Cambridge, Op. 60
100 bpm • C min • 04:15 • -17.33db
1% Popularity • 27% Danceability • 30% Energy • 14% Liveness
85% Instrumentalness • 48% Positiveness
1% Popularity • 27% Danceability • 30% Energy • 14% Liveness
85% Instrumentalness • 48% Positiveness
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Dmitri Shostakovich
The Gadfly, Op. 97 (Reconstructed by M. ...
117 bpm • C min • 02:01 • -18db
18% Popularity • 32% Danceability • 31% Energy • 13% Liveness
97% Instrumentalness • 37% Positiveness
18% Popularity • 32% Danceability • 31% Energy • 13% Liveness
97% Instrumentalness • 37% Positiveness
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Ralph Vaughan Williams
Charterhouse Suite: Slow Dance
100 bpm • E min • 01:55 • -26.17db
28% Popularity • 18% Danceability • 5% Energy • 24% Liveness
95% Instrumentalness • 14% Positiveness
28% Popularity • 18% Danceability • 5% Energy • 24% Liveness
95% Instrumentalness • 14% Positiveness
► Preview
Gustav Mahler
Mahler: Blumine
100 bpm • C Maj • 08:26 • -24.61db
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Aaron Copland
Rodeo: I. Buckaroo Holiday
117 bpm • F Maj • 07:52 • -18db
13% Popularity • 39% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
13% Popularity • 39% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
117 bpm • D min • 02:18 • -26db
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
► Preview
Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
► Preview
Malcolm Arnold
Little Suite for Brass Band No. 1, Op. 8...
117 bpm • A# Maj • 02:01 • -20.52db
2% Popularity • 26% Danceability • 8% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
2% Popularity • 26% Danceability • 8% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
Ralph Vaughan Williams
English Folk Song Suite: I. March "Seven...
117 bpm • G# Maj • 03:27 • -20.27db
22% Popularity • 41% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 56% Positiveness
22% Popularity • 41% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 56% Positiveness
► Preview
Claude Debussy
Debussy: Petite suite, CD 71, L. 65: IV....
117 bpm • D Maj • 02:49 • -17db
22% Popularity • 35% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 45% Positiveness
22% Popularity • 35% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 45% Positiveness
► Preview
Johann Strauss II
Die Fledermaus (The Bat), Overture (RV 5...
99 bpm • D Maj • 02:04 • -20.93db
34% Popularity • 33% Danceability • 14% Energy • 7% Liveness
81% Instrumentalness • 20% Positiveness
34% Popularity • 33% Danceability • 14% Energy • 7% Liveness
81% Instrumentalness • 20% Positiveness
► Preview
London Philharmonic Orchestra
3rd Movement: Scherzo
118 bpm • C Maj • 08:14 • -22db
33% Popularity • 34% Danceability • 5% Energy • 14% Liveness
42% Instrumentalness • 10% Positiveness
33% Popularity • 34% Danceability • 5% Energy • 14% Liveness
42% Instrumentalness • 10% Positiveness
► Preview
Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
► Preview
Malcolm Arnold
Concerto for 2 Pianos 3 Hands, Op. 104: ...
99 bpm • C Maj • 03:19 • -23.41db
0% Popularity • 43% Danceability • 27% Energy • 6% Liveness
90% Instrumentalness • 34% Positiveness
0% Popularity • 43% Danceability • 27% Energy • 6% Liveness
90% Instrumentalness • 34% Positiveness
► Preview
Sergei Prokofiev
Peter and the Wolf, Op. 67 (Without Narr...
99 bpm • C Maj • 01:12 • -37.4db
51% Popularity • 35% Danceability • 1% Energy • 26% Liveness
53% Instrumentalness • 13% Positiveness
51% Popularity • 35% Danceability • 1% Energy • 26% Liveness
53% Instrumentalness • 13% Positiveness
► Preview
Modest Mussorgsky
Pictures At An Exhibition: Gnomus
99 bpm • B Maj • 02:39 • -20.94db
27% Popularity • 31% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 9% Positiveness
27% Popularity • 31% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 9% Positiveness
► Preview
Michael Torke
Bright Blue Music
118 bpm • D Maj • 09:07 • -18.69db
10% Popularity • 31% Danceability • 16% Energy • 10% Liveness
80% Instrumentalness • 22% Positiveness
10% Popularity • 31% Danceability • 16% Energy • 10% Liveness
80% Instrumentalness • 22% Positiveness
► Preview
Percy Grainger
Molly on the Shore
98 bpm • G# Maj • 04:06 • -24.04db
28% Popularity • 51% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 33% Positiveness
28% Popularity • 51% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 33% Positiveness
► Preview
Johann Strauss II
Artist's Life - Waltz Op. 316
98 bpm • C Maj • 08:40 • -24db
33% Popularity • 31% Danceability • 3% Energy • 12% Liveness
64% Instrumentalness • 13% Positiveness
33% Popularity • 31% Danceability • 3% Energy • 12% Liveness
64% Instrumentalness • 13% Positiveness
► Preview
Malcolm Arnold
English Dances, Set 2, Op. 33: No. 3. Gr...
118 bpm • A min • 02:29 • -24.78db
5% Popularity • 24% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
5% Popularity • 24% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
► Preview
Gustav Holst
Second Suite in F Major, Op. 28 No. 2, H...
119 bpm • F Maj • 04:41 • -17.88db
33% Popularity • 53% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 43% Positiveness
33% Popularity • 53% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 43% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 21, Tau...
119 bpm • A Maj • 01:24 • -35.9db
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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George Gershwin
Walking the Dog
120 bpm • C Maj • 03:06 • -13.47db
26% Popularity • 39% Danceability • 17% Energy • 15% Liveness
92% Instrumentalness • 8% Positiveness
26% Popularity • 39% Danceability • 17% Energy • 15% Liveness
92% Instrumentalness • 8% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: IV. I pi...
120 bpm • B Maj • 05:36 • -16.36db
24% Popularity • 18% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
24% Popularity • 18% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: I. March (Seven...
120 bpm • F min • 03:25 • -14db
30% Popularity • 54% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 52% Positiveness
30% Popularity • 54% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 52% Positiveness
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Maurice Ravel
Le Tombeau de Couperin, M. 68: V. Menuet...
97 bpm • G Maj • 04:53 • -25.01db
12% Popularity • 19% Danceability • 4% Energy • 6% Liveness
62% Instrumentalness • 6% Positiveness
12% Popularity • 19% Danceability • 4% Energy • 6% Liveness
62% Instrumentalness • 6% Positiveness
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Richard Strauss
Vienna Philharmonic Fanfare
97 bpm • D# Maj • 02:31 • -14db
13% Popularity • 36% Danceability • 62% Energy • 67% Liveness
90% Instrumentalness • 29% Positiveness
13% Popularity • 36% Danceability • 62% Energy • 67% Liveness
90% Instrumentalness • 29% Positiveness
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Percy Grainger
Children's March, "Over the Hills and Fa...
120 bpm • A# Maj • 07:03 • -20.13db
27% Popularity • 46% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 21% Positiveness
27% Popularity • 46% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 21% Positiveness
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London Philharmonic Orchestra
Slavonic Dance No. 2 in E Minor, Op. 72
97 bpm • C Maj • 05:35 • -13db
30% Popularity • 17% Danceability • 30% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
30% Popularity • 17% Danceability • 30% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
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Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
120 bpm • A# Maj • 02:59 • -19.71db
36% Popularity • 49% Danceability • 28% Energy • 64% Liveness
90% Instrumentalness • 52% Positiveness
36% Popularity • 49% Danceability • 28% Energy • 64% Liveness
90% Instrumentalness • 52% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: III. Andantino qua...
97 bpm • G Maj • 10:39 • -24.66db
32% Popularity • 17% Danceability • 7% Energy • 9% Liveness
76% Instrumentalness • 6% Positiveness
32% Popularity • 17% Danceability • 7% Energy • 9% Liveness
76% Instrumentalness • 6% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: 1. March: Seven...
121 bpm • F min • 03:21 • -17.06db
33% Popularity • 43% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 56% Positiveness
33% Popularity • 43% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 56% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Manuel de Falla
El sombrero de tres picos, Pt. 1: III. D...
121 bpm • D Maj • 03:34 • -21.9db
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
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Percy Grainger
Lincolnshire Posy: I. Lisbon
121 bpm • C# Maj • 01:24 • -26db
27% Popularity • 41% Danceability • 5% Energy • 9% Liveness
98% Instrumentalness • 32% Positiveness
27% Popularity • 41% Danceability • 5% Energy • 9% Liveness
98% Instrumentalness • 32% Positiveness
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Igor Stravinsky
Petrushka: Danse Russe
121 bpm • A min • 02:40 • -18.26db
37% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
37% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
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Camille Saint-Saëns
Morceau de concert, Op. 94: I. Allegro m...
121 bpm • F min • 03:25 • -17.88db
16% Popularity • 39% Danceability • 7% Energy • 17% Liveness
40% Instrumentalness • 34% Positiveness
16% Popularity • 39% Danceability • 7% Energy • 17% Liveness
40% Instrumentalness • 34% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): I....
122 bpm • C min • 01:28 • -25.02db
54% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
54% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
121 bpm • C Maj • 07:50 • -21.45db
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
► Preview
Peter Warlock
Capriol Suite: 3. Tordion
96 bpm • G min • 01:06 • -37db
34% Popularity • 59% Danceability • 1% Energy • 12% Liveness
45% Instrumentalness • 58% Positiveness
34% Popularity • 59% Danceability • 1% Energy • 12% Liveness
45% Instrumentalness • 58% Positiveness
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Emmanuel Chabrier
España - Rhapsody for Orchestra
122 bpm • F Maj • 06:28 • -14.82db
19% Popularity • 38% Danceability • 32% Energy • 3% Liveness
84% Instrumentalness • 26% Positiveness
19% Popularity • 38% Danceability • 32% Energy • 3% Liveness
84% Instrumentalness • 26% Positiveness
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Igor Stravinsky
Histoire du soldat - Part 1: 1. Marche d...
121 bpm • B min • 01:35 • -19.44db
13% Popularity • 81% Danceability • 21% Energy • 7% Liveness
94% Instrumentalness • 75% Positiveness
13% Popularity • 81% Danceability • 21% Energy • 7% Liveness
94% Instrumentalness • 75% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Dance ...
95 bpm • F Maj • 02:20 • -16.48db
34% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
34% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
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Georges Bizet
Carmen Suite No. 1: 1. Prélude
96 bpm • A min • 01:23 • -23db
37% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
37% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
